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Adrien Washington of Seltlox – An Xperience Interview

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By Rob Skane.

Have you ever needed to make sense of a situation, get clarity on a message, or a decision? If you have, then Seltlox.com is what you’re looking for. I had the pleasure of sitting down for a brief chat with Seltlox founder Adrien Washington, and this is what transpired.

RRX: What inspired you to create Seltlox, and how did the idea first take shape?

AW: It actually started with me messing around in Google AI Studio and seeing what I could make with AI even though I had no coding background.

Before Seltlox, I was using Sora to create AI videos from prompts. I eventually got tired of constantly having to come up with different ideas for videos, so I started experimenting with making little tools in AI Studio that could help me generate them. I made a few different prompt generators and some completely random little apps along the way. One was for positive affirmations; one was basically a button where different random things happened when you pressed it, and another was centered around positive news happening around the world.

The main one was called Solnyx. You could give it almost any word or subject, and it would turn that one thing into six completely different cinematic situations that I could then use as ideas for Sora videos. I kept changing and refining Solnyx until it became exactly the kind of prompt generator I wanted. Once I had done that, I started wondering if I could make something completely different. Instead of another tool for Sora, I wanted to see if I could somehow make a tool for life.

That experimentation eventually produced the earliest version of what became Seltlox. It was extremely raw and unpolished compared with what exists today, but I still remember the first question I gave it. The way it broke things down literally made me stop and reevaluate my own question in ways I had not considered before.

That was the moment that got me.

I remember thinking that I had never really had something like this in my life before. If it could make me stop and look at my own question differently, what would happen if other people had a way to do the same thing with the situations, messages, decisions, questions, and patterns in their own lives that felt hard to read?

I named it Seltlox the next day.

What followed was definitely not a straight line from that first experiment to the Seltlox that exists today. Over nearly nine months, it went through many iterations, experiments, changes, pivots, and refinements. Ideas were added, removed, and completely rethought. The way Seltlox looked changed. The way it analyzed things changed. Its capabilities changed. Even my understanding of what the product should and should not be became much clearer over time.

The first version had the spark that caught my attention, but it was nowhere close to the finished product. The Seltlox that exists today came from nearly nine months of figuring out what that original idea could actually become.

RRX: Can you walk us through some of the biggest challenges you faced in getting Seltlox off the ground, and what kept you going during those early stages?

AW: The biggest challenge was probably how much I did not know when I started. I had no coding background. I did not know how to build and launch a web application, how the infrastructure behind one worked, how authentication worked, how payments worked, or how all of the different pieces of a real software product were supposed to connect.

At the beginning, even very basic things were new to me. I had to learn how to work with the code outside of AI Studio, how to use Visual Studio Code, how to use the terminal, how to make changes without breaking things, and eventually how to get Seltlox running locally on my own computer. Some of those early accomplishments probably sound incredibly simple to somebody who has been programming for years, but to me they were big steps because each one opened the door to something I could not do before.

As Seltlox became more real, the problems became more real too. I had to learn about hosting, databases, accounts, billing, security, privacy, legal requirements, trademarks, analytics, taxes, customer support, and all of the other things that exist around the actual product.

There were plenty of moments where something broke, and I had absolutely no idea what I was looking at. I eventually learned that panicking did not make the problem any smaller. I had to slow down, figure out what was actually wrong, and work through it one piece at a time. By the time I was dealing with real production problems involving hosting, APIs, and cloud services, I was working through things I would not have even understood the terminology for several months earlier.

What kept me going was really the feeling I had on that first night. I believed there was something useful at the center of Seltlox, and I wanted to find out how far I could take it.

I doubted myself plenty of times. There were definitely nights where I wondered whether I was trying to build something I had no business trying to build.

But I kept coming back to it.

Eventually, all of those individual nights added up to a real product and a real company.

RRX: How does Seltlox serve or benefit the local community, and what role do you see it playing in the area going forward?

AW: Seltlox is an online product, so it was not created specifically for Schenectady or the Capital Region. Someone here can use it the same way someone anywhere else can. But I have deep roots here, and my business background is here too.

I grew up in my family’s business, Cappiello Foods, and started helping there when I was very young. The business was a big part of my life from the time I was a kid.

After graduating from Marist College in 2010 with a degree in business and a concentration in marketing, I joined Cappiello Foods full-time and spent more than a decade working throughout the business. I eventually became co-owner and operator alongside my mother until the business closed in January 2022. When Cappiello Foods closed, I did not immediately know what the next chapter of my life was going to be. I spent the next few years trying to figure that out and exploring different things.

In 2024, I launched an Etsy shop called ImaginedPrintz around another interest of mine, graphic design. I genuinely thought at the time that it might become the next big thing for me. It became a real little business; people bought things from it, and I still have it, but it did not turn into the next chapter of my life in the way I originally imagined it would.

I was still figuring out what came next.

Eventually I started experimenting more seriously with AI, which led to Sora, Google AI Studio, the different little apps I was building, and ultimately Seltlox.

As far as serving the local community, I do not want to exaggerate that when Seltlox is still brand new. Right now the benefit is pretty simple. If somebody here has a situation, message, decision, question, or pattern that feels hard to read, they can use Seltlox just like anybody else can. Beyond that, there is something personally meaningful to me about the fact that I built it here. I grew up around one kind of business in Schenectady, spent years helping run it, went through a period where I honestly did not know what I was going to do next, and eventually ended up building a completely different kind of company here.

If Seltlox grows into something significant, I would absolutely be proud for a technology company built in Schenectady to become part of the local business story. But I would rather earn that over time than make big promises about what Seltlox is going to mean to the community before it has had the chance to prove itself.

RRX: What has surprised you most about building and growing Seltlox so far, whether about the business, your customers, or yourself as a founder?

AW: Probably the biggest surprise has been realizing that building something and getting people to understand why they should use it are completely different challenges. For nearly nine months, most of the problems were things I could work on directly. If something broke, I could investigate it. If something did not feel right, I could change it. If a part of Seltlox was not good enough, I could keep working on it.

Then I launched it, and the problem changed.

Now I have to figure out how somebody who has never heard the word Seltlox understands what it is, when they should use it, and why they should care enough to actually try it.

That has been humbling.

I think before launch there was a part of me that viewed getting Seltlox live as the mountain. Once it was public, I realized that was one mountain. Getting people to discover it, understand it, try it, come back to it, and eventually pay for it is another one entirely.

Seltlox is still extremely new, so I am not going to pretend I have figured out growth or customers. I have not. What I have seen is that some people who actually use it seem to understand its value much faster than they understand how to describe exactly what kind of product it is.

That is really where a lot of my attention is right now. I am actively looking for better ways to get Seltlox in front of more people and, just as importantly, better ways to help people understand what it actually is and what it is capable of.

I think part of that challenge is that most people have become used to thinking about AI as a back-and-forth conversation with a chatbot. Seltlox is different from that. You bring it the situation, message, decision, question, or pattern that you are trying to make sense of, and it gives you one detailed read of it. Part of what I am figuring out now is how to communicate that difference in a way where the lightbulb goes off for somebody before they ever have to sit there wondering what they are supposed to do with it. I have also surprised myself.

I still do not suddenly feel like a traditional programmer or software engineer. There are also moments where being Founder, President, and CEO still sounds strange in my own head. But there are too many things now that I once thought I could never do and eventually did. I built Seltlox. I launched it. It exists on the internet, and people can actually use it. My brain is probably still catching up to some of that.

RRX: Looking ahead, what’s next for Seltlox, and what advice would you give to other aspiring local entrepreneurs?

AW: What’s next is figuring out how Seltlox earns a place in people’s lives.

For almost nine months, my main question was whether I could actually build this thing and get it into the world. Now that it is live, the questions are different.

How do people discover it? What makes someone decide to try it? What kinds of things do they use it for? What makes somebody come back? What makes somebody tell another person about it? What eventually makes somebody willing to pay for it?

I do not have all of those answers yet.

The long-term goal is for Seltlox to become something people naturally think of when something feels hard to read. A situation happens. You get a message you keep thinking about. You are stuck on a decision. A question keeps circling. You notice a pattern but cannot quite make sense of it. Eventually I want there to be a natural thought of, “Run it through Seltlox.” I want Seltlox to become a name, a brand, and a function people recognize.

As far as advice, I would probably tell somebody not to wait until they feel qualified before they begin.

If I had told myself that I needed to understand everything required to build a software company before I was allowed to start Seltlox, it would not exist.

I learned because I started.

At the same time, persistence does not mean blindly convincing yourself that everything you do is right. I have had to change things, remove things, abandon ideas I liked, admit when something did not work, and accept when the evidence was telling me something different from what I wanted to hear.

I also think there is an identity part of starting something that people do not always talk about. You can have the company, the title, and the responsibilities before you actually feel different inside.

I am the Founder, President, and CEO of Seltlox. That is factually true. But there are still moments where part of me feels like the same guy who was sitting there months ago wondering if he could figure out how to make any of this work.

Maybe you do not become ready first.

Maybe doing the work is what slowly makes you ready.

I am still somewhere in that process.

Week 42: Jesse Sample’s Freak of the Week “FunBoy”

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Jesse Sample’s Freak of the Week Airs EVERY WEDNESDAY at 5pm EASTERN ONLY on RadioRadioX.com

This is Jesse Sample. Today, I got a little math on my mind. 24 times 7 is 168. 168 times 52 is 8,736. 8,736 times 80 is 698,880. That’s around the number of hours the average American gets in one lifetime. Some folks get more and some folks get much less. It’s an average, but seeing that number makes me think. Damn, that’s it? My whole romantic and interesting story takes place in around that many hours? All my problems, heartbreaks, triumphs and greatest love exist in this relatively small amount of time. And within that, we gotta knock off around a third to account for sleep. Damn.

When confronted with the fact that I’ve already spent a heavy fraction of these hours, I feel a need to check in and make sure I’m getting the most out of the experience. It seems clear, that I should always spend the money, and get that great mattress. That good sleep pays dividends. I’ve eaten almost everything that has been offered to me, and I have never not finished a beer. I’m good about saying what I need to say to my family and friends when it’s poignant.  I love hard and sincerely and freely laugh and cry in communion with my people. The match is lit under my black denim clad ass to make as many rock albums as I can before I exit into that great question mark. But still, I don’t know. Will these things be enough to qualify my life as well-lived?

The Spanish word for “fun”, is “divertido.” It shares a Latin root with the word “divert” as in to “turn one’s mind away.” Yeah, that makes sense and there are industries built on this instinct. But I pose, what if we brought the word fun to bear on the most important things in life? Making something fun, gives it life and excitement. I do better work when things are alive and exciting. Making things fun is a way to enrich these precious few hours we get. Laughter can turn some really challenging times into gold.

This week, Ben Zoleski gave the prompt. He said, “Make it Funky!” Rosa and I, being the fun-loving folks, we are, accepted the challenge and went to work. Jim Dooley from Jimdooley.net provided some funky drum tracks and Rosa and I started writing parts and laying tracks. We put down guitars, vocal tracks and keys, and fired the project off to Ben. This morning, Ben, popped and slapped and laid down that mean groove. Rosa just finished the final mix and master.

And as I reflect on this week’s process, I notice that the word “Fun” appears in “Funky.” And I smile, because we had a lot of fun making this week’s track.

Thanks to all of you tuned into RadioRadioX. This is the Freak of the Week, “FunBoy.”

Subdivisions / Smogg Witch / Horn from the Heart @ Putnam Place, 10/3/2026

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Rush tribute band, Subdivisions, headed a Putnam Place card that also featured Smogg Witch and Paul Butterfield tribute, Horn from the Heart.

Photography by Timothy Reidy.

More from Putnam Place here …

Howley @ Caffe Lena, 10/15/2026

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Howley made their debut at Caffe Lena. Featuring ex-members of We Banjo 3, the quartet got the crowd to rise. 

Photography by Timothy Reidy.

More from Caffe Lena here …

Prog Digest – An Xperience Column

By Klyde Kadiddlehumper.

It’s been a cruel, cruel summer. Leaving me here on my own.  It’s a cruel, cruel summer.  Now you’re gone.

By the time Bananarama released this to the world, Klyde was already a proud law school dropout.  Making more bad decisions, listening to all kinds of things, and learning the art of making the perfect vodka gimlet.  Already understanding that as time goes on, the quote “Now you’re gone” would become a theme.  You know, like how cats seem to go missing for no apparent reason and finding them is a circuitous route at best.

Well, over the last month or so, three really well-known and a number of others have gone—well, not missing, but they have gone, nonetheless.  No, we are not going to do the typical retrospective, and this is not a tell-the-story-of-thus-and-so.  

In Klyde’s warped and twisted reality, there is a method to this, and it is all connected.

The end of the story, sorta, is that we lost Jaye P.  Morgan (singer and most notorious Gong Show cast member ever), Dolly Parton, Cheetah Chrome (aptly of the punk band Dead Boys), Tim Curry (whose self-professed most sad lost love was Miss Piggy), the less than aptly named Frank Beard, as well as friend of Sebastian Bach, bassist Kevin Chown (and member of Chad Smith’s Bombastic Meatbats).

The beginning has to do with the number of “ologists” in Klyde’s world, about to expand by one.  Gets the old noggin going.

So, it all has to do with the Jungian theory of Synchronicity.  Not a reference to The Police, but nice try.

The occurrence of meaningful coincidences with no direct physical cause.

Rather than being all high-minded about this,  let’s get to the more easily accessible way to look at this.  

Douglas Adams, author of the 5-book trilogy, “The Hitchhiker’s Guide to the Galaxy,” also wrote two detective novels with the main character Dirk Gently. “Dirk Gently’s Holistic Detective Agency” and its follow-up, “The Long Dark Tea-Time of the Soul,” are based on Dirk’s concept that his detection was based on the interconnectedness of all things.  If he were hunting for a little old lady’s cat, his bill might include, for example, a new fridge.  It was part of the process and the bill was the bill … .even if he didn’t find that damned, I mean cute, fuzzy kitty – he was to be paid.  Around him, chaos ensued.  No one could ever figure out how the sofa, destined for the second floor, got stuck on the landing in between, with computer models not able to figure out either how it got there or how to get it out.

There was a ghost.

There was an Electric Monk – they were created to believe in things.

Much was set at Cambridge.

Bits and pieces are actually taken from the not-actually-finished Doctor Who story arc, “Shada,” as Adams wrote for the BBC series.

“The Long Dark Tea-Time of the Soul” includes an angry Eagle.  Mostly angry because the Eagle can’t figure out how it became an Eagle in the first place, being a fighter jet and all.

Oh, and Odin is in an old folk’s home and gets increasingly angry since the fees he paid were substantial, but he has lived longer than anyone figured at his age.

And, as usual, Thor is making a mess of a number of things.

Oh, that Douglas had not passed so early, before finishing the third – “A Salmon of Doubt.”

So, you can easily see how thinking about the addition of a new ‘ologist’ to my stable leads us here.  You know.  Cardiologist. Gastroenterologist. Hepatologist. Endocrinologist. Mixologist.

And thus, the thoughts of the crazy things we will do to not end up, at least for now, as one who is gone.  Amongst those gone much earlier is the author who wrote of a man finding cats and solving mysteries of which he was not aware.  Through methods that simply depend on allowing that which is around him to occur, as it will always end up where it ought to be.

Perhaps, it is better if fewer people listen and take us to where we WANT to go, and just let us meander to where we NEED to be.

Ultimately, that is right where we started.

Gone.

Until next time.

Klyde

O+ Festival (Sunday)

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Day Three (Sunday, October 11) of the Kingston Festival featured ROSEANN FINO, MELISSA AUF DER MAUR, PAPER BULLETS, ROUTE ONE, HAZY RHYTHM WONDER BAND, RACHAEL SAGE AND THE SEQUINS, CAROLINE SCRUGGS, COUCH SURFER, STRESS DOLLS, HAUNTED CAT, THE DEFLATORS, ROAD TO JONI LIVE, and more.

Photography by Timothy Reidy.

More coverage of the festival from Timothy Reidy here …

Daikaiju / The Jagaloons / Rabid Children @ Hangar on the Hudson, 10/14/2026

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The Jagaloons and Rabid Children opened for Daikaiju, who knows how to get their crowd going at the Hangar.

Photography by Timothy Reidy.

More from the Hangar on the Hudson here …

 

Last of the Old School Rockers – An Xperience Column

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by “Chad from Albany” Koenig.

Growing up in the tail end of Gen X, and having a passion and knowledge of rock and roll history, as well as the good fortune of having a family who didn’t care when I came or went, I was able to see and experience a lot more than most in my demographic. I learned the way of the golden era of experiencing concerts by those who did it RIGHT – prior to the age of the cell phone, social media, high ticket prices, and “VIP” packages that are synonymous with those who can shell out thousands for a concert isolated from us “regulars,” under a cool canopy where there are TVs available in case the concert bores you and you can catch up on that night’s episodes of “Real Housewives”.

As I talk to younger generations, they are baffled by stories of what was commonplace back then. So I decided that my nearly two decades of being a local entertainer would help me in having a podcast in which I tell stories, discuss the “then and now” of music and live experiences, and add some humor while being informative. This year I started that, and named that podcast “Last of the Old School Rockers” (available where all podcasts can be found), and have been gifted the opportunity to write a monthly article of the same name, with the same intent.

So last week, I saw the spectacular double-bill of John Fogerty and Steve Winwood at Tanglewood. It reminded me of the first time I saw Fogerty, 28 years prior, at Saratoga Performing Arts Center in 1998. First, the tickets then were $27.50, $23.50, and lawn was $15. And no additional fees at the box office. A far cry from the $50 I paid to sit in the crowded lawn last week. I was unable to purchase the same type of seats that I did in 1998, simply because I only have two kidneys, and although I could sell one, I was really hoping to keep it as a spare.

And I was reminded further about HOW I got those tickets. A concept foreign to anyone under 40: we used to literally sleep on the sidewalk overnight for these things. I remember for this show in particular, I just skipped school to go up early, set up a sleeping bag on the bridge above the creek going into SPAC, and just waited there for 15-20 hours until tickets went on sale at 10 am the following morning. As funny as it seems, it was alright to skip school for important things like this in my circle. To quote Bruce Springsteen, “We learned more from a three minute record, baby, than we ever learned in school.” I did this quite often and have many interesting stories for another day – especially my tales of sleeping on Albany’s Beaver Street, waiting for tickets to what I call “The PepsiKnickerTimes” when I don’t just call it “The Knick.” 

At SPAC, though, much of the season went on sale on the same day. So we would get several tickets in one fell swoop. And if you were first in line, you got first dibs on tickets. Countless times have I gotten front row to heroes like Van Halen, Aerosmith, Phish, etc. This is how you did it. And those front row tickets were the same $27.50 as the people 25 rows behind you. And scalping wasn’t a billion-dollar industry, or even legal. You might get some guy selling tickets on the way in, but that was it. 

Another thing about those campouts was the camaraderie. It’s hard to believe a world without cell phones and social media, but you would meet some of the coolest people in these lines. This was GENUINELY being social. You have to be a special type of person to commit yourself to getting these tickets. And that commitment was fueled by your passion. And your passion got you these experiences that we won’t ever get again unless we are fortunate enough to be amongst the wealthy. And the problem is, you will just sit amongst the wealthy. And I refuse to use the word “elite,” because that word dictates a higher class, and they are not a higher class because of their wealth. We are equal and as one. Just like many of the songs of the artists we pay to see preach about in their lyrics. 

We would meet these people in lines; they would give us teenagers beer and weed, and we would play frisbee in the parking lot all night, listening to rock and roll from someone’s boombox until their 10 “D” batteries ran out of juice. We would get our tickets the next morning and would all usually be in the general vicinity of each other, and often not speak again until the shows we got tickets for. And when the big days came, we would see each other, give each other hugs, buy each other beers … *ahem*- soda pops … and the seats of these concerts were filled with joy and love. All ages. All colors. All good people. We would be standing up the whole time, the entire venue. And you would only occasionally hear the nag of someone saying, “Can you sit down? I’m trying to enjoy the show,” which is now unfortunately commonplace. For the price of tickets these days, we should be able to rock. We should be able to sing. We should be able to hug and love those around us because we’re all there for the same thing. That was “unity.”

But it’s not like that anymore, at least for shows not necessarily aimed at the young. And you can’t use age as an excuse. Something changed somewhere. I’m glad that I had many years of experiencing it. And those of us who did should teach the next generation how to do it the right way, and keep the spirit of rock alive forever.

BDA (Bleeding Disorder Association) Health Day

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by Joshua Scarselli.

The Bleeding Disorder Association of Northeastern New York held its Health Day. Various activities brought together the bleeding disorder community on a crisp fall day in Thacher Park. There was a yoga run by James Davidson from The Hot Yoga Spot. Dayana Young (Dank.n3t on Instagram) led the group in a tutorial on various exercises you can do with a hula hoop. The afternoon walk capped off with a leisurely stroll around the park followed by a raffle for some great prizes! The newly elected President of the Board of Directors for the Bleeding Disorder Association of Northeastern New York, Chris Huskie, had a chat with me to let us know more about the association and what they do for the community.

RRX: Can you tell me a little bit about yourself and how you got involved with the Bleeding Disorder Association?

CH: My name is Chris Huskie. I’ve been part of the Bleeding Disorder Association since I was a child because I am a severe hemophiliac. I remember coming to all these events when I was a kid and getting to meet people and learn about the community and learning about myself and my disorder. As I grew older, I took a step back for a little bit, and then I decided I wanted to come back into it and help out. I’ve now been a board member for six years, and I’ve recently been elected as a new president, which is very exciting.

RRX: Congratulations! Tell me a little bit about the association, and what kind of services you offer for the bleeding disorder community?

CH: Good question. The association serves the Capital Region. We have 22 counties that we take care of.  We have an assistance program that helps people with bleeding disorders who may be in hard times with things like rent, electric bills, car maintenance, or food. We can also help with gas if they are having a hard time getting to their doctor appointments and back.  We have a new family committee that introduces families with newly diagnosed bleeding disorders to us and what we do. They offer emotional guidance and help with education on what to do under different situations.  Our organization’s main goal is to help the community in any way we can. Being someone who has been on both sides of that coin, I am proud to say that what we do does help, and we will continue to grow so we can help more and more people.

RRX: As somebody who grew up with a bleeding disorder, what are some of the challenges or things you have to take into consideration?

CH: So one of the bigger challenges is misinformation. It’s a very rare disorder. A lot of people don’t know a lot about it. Some people hear it, and they think, oh, this hemophiliac, he’s going to get cut a little bit, and he’s going to bleed out, and he’s going to die. Like, no, that is wrong. We mainly are concerned about blunt force traumas. So you get internal bleedings that you really can’t necessarily see, but can cause long-term effects. If you were to twist your ankle, then your ankle will get better in a day or two. For us, it might be like a week or maybe more.

Over time, that happens over and over and over and over and over again. Then cartilage starts breaking down in between your bones. Then you can’t move as much as you used to be able to. Early onset of arthritis can happen. I’ve known people — luckily, this doesn’t happen much anymore because of advancements in medication — but I do know people who’ve had their joints fused together. So they can no longer bend their arms, or they can no longer bend their legs because of this.

So it is a big issue, but there are modern medications coming out, which is fantastic. So much better than it used to be. So, but yeah, a big issue that we have as a whole as a community is just getting the information out there. Educating people who don’t know anything about it, so a lot of these events are good not only for people with bleeding disorders, but friends, families, or even just people who are interested and want to know more about it. Come here and learn about it. We’re here for you. We’re here to teach you. We’re here to show you, and you have some fun at the same time.

RRX: Where can people find out information about your events and what the Bleeding Disorder Association can do for them?

CH: A big place is on Facebook. We post a lot on Facebook. We do have a website: https://bdaneny.org. It’s the Bleeding Disorder Association of Northeastern New York. We post everything on there. The information about our different scholarships and different events. We have lots of events all the time. We have dinners that are sponsored by different pharmaceutical companies or new medications, new ideas, new mindsets coming out. So we do have a lot of different dinners. Go and get a free meal, and you can learn a lot about what’s happening for the future for our organization, and for the community as a whole.

Photography by Joshua Scarselli.

More from Joshua Scarselli here …

O+ Festival (Saturday)

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Day Two (Saturday, October 10) of the Kingston Festival featured ALESSANDRA GONZALEZ, THE JAGUAR, THE GOLEM TRILOGY, TIPPY TOPWELL, ELIZABETH CLARK, BECCS, KALIEDEOSCOPE, GERRY LEONARDS SPOOKY GHOST, MY BOY, MUNDY, ONLY SON, SKORTS, MEG LUI, JOELTON MAYFIELD, THE ANTLERS, LUCERO and more.

Photography by Timothy Reidy.

More coverage of this year’s festival from Timothy Reidy here …