Photography by Timothy Reidy.
Photography by Timothy Reidy.
Photography by Timothy Reidy.
Black Mountain Symphony – Xperience History – by Rob Smittix.
Black Mountain Symphony is a 6 piece, genre-bending band that has been a staple in the Capital Region music culture for at least 16 years. The original idea for the band came about nearly 20 years ago and eventually transformed into the group we know today. However, this is a fresh lineup. After taking a break for the last 4 years Bill Palinski has decided to return to his post behind the drums. “A lot of things have changed for the better and a lot of things are exactly the same, just how I imagined it.” says Palinski.
The newest addition to the band is electric and stand-up bassist Nick Graziade, who had this to say about joining the band: “I never realized how big it was, I was used to playing local stuff, where if I didn’t get into a fight or have something stolen, it wasn’t really a show I was at. Now I’m looking at these gigs we’re playing and I’m thinking to myself, geez there’s gonna be an actual audience here that is going to participate and care about what we’re doing.”
Long time guitarist Chris Peppe aka Rollz is still a crucial part of this dream team alongside original founding members, the Campo siblings Bear (Piano/Keys) and Annie (Violin). Last but certainly not least Annie’s husband Charlie Burgess (Guitar/Cedar Flute) completes this eclectic collection of talented musicians.
Bear: “Everybody’s jiving now, throughout the years there’s been like this negative energy that we had to deal with and overcome.” Annie: “It’s a nice happy, chill line-up.”
RRX: “Black Mountain Symphony is literally a family band.”
Bear: “The family is getting bigger!”
RRX: “Oh that’s right! How’s parenthood?” (Directed at new parents Annie and Charlie)
Annie: “Awesome, it’s been 5 months already.”
RRX: “This is your first child, are you finding yourself being overprotective?”
Annie: “I don’t think so. We used to have him upstairs while we practiced; he’d be
screaming. I said let’s bring him downstairs so he can listen to us play music in the headset. As soon as he comes down, he passes out. He just wants to be with music all the time.”
Charlie: “It’s really cool to be raising him around music. I wasn’t really raised that way, around lively jam sessions. It’s pretty awesome to be able to give him that upbringing.”
RRX: So speaking of family life, Bear I understand that you are getting married later this year. Is it sinking in?
Bear: “It’s different, I am the last one out of most of my friends that isn’t married.”
Charlie: “Bear, how does your future wife feel about you being up there on stage like a piece of meat before all of these ravenous ladies?
Bear: “She doesn’t mind it. I’ve had problems with all these other girls in the past.”
Bill: “All one-hundred of them.”
Bear: “You know what I mean. (Bad female voice impression) Oh, you’re in a band? Cool, oh my God you guys are real good. Then I tell them I travel playing music a lot, at first they’re cool with it but after a month they’re like I can’t do this, you’re never around. She (fiancé) has never once said that to me. We’ve left for a while, she calls me up once a day and we talked once a day, that’s it.
RRX: “So she must be very understanding. I’ll be expecting an invitation to your wedding by the way.
RRX: “Something that intrigues me about your group is that you do not have a front-person, you share lead vocals, even with your drummer; whom I feel compelled to call Phil Collins.”
Bill: “It’s been like that since as long as I can remember.”
Bear: “Everybody is a songwriter.”
Bill: “We all write songs, for each other too.”
Charlie: “I don’t think any of us would stick with it, if we weren’t able to each have our own creative input.”
RRX: (Directed to Annie) “Do you ever find that you are assumed to be the front-person?” Annie: (Laughs) “Nobody really recognizes me anyway, unless I am with Bear.”
Charlie: “Everybody recognizes her brother Bear out in public.”
Bear: “I used to always get this in the mall (another impersonation voice) “You’re that guy from that violin band.”
RRX: “Yes, violin is a big part of your sound. Do you ever play the fiddle?”
Annie: “I touch upon fiddle.”
RRX: “Yes, me too.” (Laughter)
RRX: “So let’s discuss the music scene.”
Bill: “The scene has changed a lot since I have been out of it, the music scene all together in Albany. I feel like coming back into it, it’s different but comfortable now.” Charlie: “One of the things we have found is that the brewery circuit has been kind to us. It seems like people who like good beer are into original music as well.
Bear: “We’ve played a lot in Woodstock for the past 5 or 6 years, so we have a nice fan-base down there too. “
Charlie: “We love the scene in Woodstock. Every time they dance for everything, the slow ones, the fast ones, the weird ones, they dance to the normal ones.”
Bear: “They dance to songs, I don’t even know how you can dance to.”
Annie: “Interpretive.”
RRX: “Anything to add about the scene?”
Bill: “Shout out to Mother Judge who helped us out a lot.”
Charlie: “She was definitely how I got introduced to the whole Albany music scene. She set the tone for what Albany music is all about.”
Bill: “She made it a community.”
Bear: “I met a lot of people through her…”
Charlie: “Her and her open-mic. I hope somebody steps into that leadership role that she played, whoever does has big shoes to fill.”
RRX: “Absolutely.”
Charlie: “Here’s to Mother Judge.”
RRX: “So I realize you are all just coming back from taking some time off, anything in the works?”
Charlie: “Well we finished our EP just before our hiatus and the plan is to turn that into a full length album as soon as we can.”
Bear: “We still have some new stuff that hasn’t been recorded yet and I’m sure there’s going to be newer stuff, so we’re just going to be writing.”
Charlie: “And we’ve got some great shows that we’re looking forward to.”
To learn more about Black Mountain Symphony and their music you can visit their page online at www.blackmountainsymphony.com Upcoming Events: March 16 6pm Helderberg Brewery Rensselaerville NY & April 13th at 8pm Station Bar & Curio –Woodstock, NY May 18th at 12pm Gardiner Cupcake Festival –Gardiner, NY
By Rob Smittix -See Rob and his band SMITTIX March 16 -2pm Pauly’s Hotel Albany
The Bennett Brothers – Interview – Thanks for Asking! – by Liam Sweeny.
I reached out to Liam Bennett of The Bennett Brothers for a chat. This is how it went.
RRX: How does practice go? Is the road practice enough, or do you have a practice shack? If so, how does it look? What’s on the walls? What cool sh*t is in there?
For years, we practiced around the house—on the living room couch, around the dining room table. Recently, we’ve been practicing on a bench in a nearby park (Congress Park, Saratoga Springs, NY). The natural scenery has always brought new musical ideas to both of us.
RRX: Tell me about your most recent song, album, or video (you pick.) Tell me a story about what went into making it. Not a process, but a cool story that took place within the process.
We have a song called “Have You Learned Your Lesson.” It’s a simple arrangement, and it really hits home after a few adult beverages. It started with a few chords I was strumming alone for about a week. We sat down to write some lyrics, and it was laughable. We were busting each other’s chops for a bit, and out of the blue, my brother Owen (vocals/rhythm guitar) asked me a valuable question: “Have you learned your lesson?” From there, we wrote about self-reflection in the aftermath of a nasty breakup. Do we ever learn our lesson?
RRX: We let it out differently when we play music. The happy, sad, good and back; it can all be put out musically. Overall, do you feel better when you sing about the better times, or the worser times? Is there a difference you can describe?
We like playing and singing the blues. Lyrics aside, it’s the instrumentation that allows us to fully express whatever emotions we’re feeling under the lights. Most folks don’t hit the barroom because they’re jumping with joy. If we can connect with them and give them a few minutes of peace, then we’ve done our job.
RRX: Let’s talk about your next project, your next few. Just not the ones you’re working on now. The ones you have your eyes on for the future. What’s coming to us?
We are planning on releasing weekly sessions on our YouTube profile—raw acoustic stuff. A lot of what we do is improvisation, so every session will be different from the last. It will also give viewers a chance to see into the process we use to develop our craft.
RRX: We have to play somewhere, and sometimes those places have more going for them than a stage and a power outlet. What is a memorable place you played, and bonus points if it’s not a well-known place.
We played a motorcycle meet on Saratoga Lake a few years back—the two of us, and our cousin on drums. We were under-practiced and didn’t have enough material for the event. At that point, you have to ask yourself what your musical heroes would do. We had a few beers, cranked the amps, and played some of our most memorable performances.
RRX: Artists, musicians, we immortalize. We set it in stone. Is there anyone who has passed that you feel you have immortalized in your work? If so, can you tell us a little about them?”
Hendrix is the first artist that comes to mind. Musical stigma aside, the music he left behind has taught us to treat a song like a painter’s canvas. A performance needs its hills, its valleys, its darks and lights, its clouds and its sun. The crowd is there to judge the piece.
Jukebox.
For the first time in six years, fans will have a chance to hear Weird Al Yankovic’s pop parodies live during the “Bigger and Weirder 2025 Tour.” The tour will begin on June 13th with five shows at the Venetian in Las Vegas. Tickets go on sale today.
Yankovic will be stopping at some of the biggest venues of his career for this tour, including New York’s Madison Square Garden and LA’s Kia Forum. In addition to his classic pop parodies, Yankovic will be performing originals and will have an eight piece band composed of players throughout Weird Al’s Career. This tour will also feature “first time live” versions of his parodies.
“This is kind of a ‘best of both worlds’ tour,” said Yankovic. “We’ll be doing all the big crowd-pleasing parodies as well as some deep cuts for the hardcore fans. But with twice as many players on stage, everything is going to sound twice as good.”
Here are “Weird Al” Yankovic’s 2025 tour dates:
June 13-14, 18, 20-21: Las Vegas (Venetian Theatre at The Venetian Resort)
June 23: Salt Lake City (Maverik Center)
June 24: Morrison, Co. (Red Rocks)
June 26: Kansas City, Mo. (Starlight Theatre)
June 27: Des Moines, Ia. (Civic Center)
June 28: Welch, Mn. (Treasure Island Amphitheater)
June 29: Highland Park, Il. (Ravinia Festival)
July 1: Traverse City, Mi. (National Cherry Festival)
July 2: Clarkston, Mi. (Pine Knob)
July 3: Indianapolis (Everwise Amphitheater at White River State Park)
July 5: Beaver Dam, Ky. (Beaver Dam Amphitheater)
July 6: Kettering, Oh. (Fraze Pavilion)
July 9: Toronto (Budweiser Stage)
July 11: Buffalo, N.Y. (Darien Lake Amphitheater)
July 12: New York (Madison Square Garden)
July 13: Bethel, N.Y. (Bethel Woods)
July 15: Boston (Boch Center Wang Theatre)
July 17: Saratoga Springs, N.Y. (SPAC)
July 19: Mashantucket, Ct. (Foxwoods)
July 19: Philadelphia (TD Pavilion at the Mann)
July 20: Vienna, Va. (Wolf Trap)
July 24: Raleigh, N.C. (Red Hat Amphitheater)
July 25: Wilmington, N.C. (Live Oak Bank Pavilion)
July 26: Charlotte, N.C. (Skyla Credit Union Amphitheatre)
July 27: Huntsville, Al. (Orion Amphitheater)
July 29: New Orleans (Saenger Theatre)
July 31: Austin, Tx. (Bass Concert Hall)
Aug. 1: Woodlands, Tx. (C.W. Mitchell Pavilion)
Aug. 2: Grand Prairie, Tx. (Texas Trust CU Theatre)
Aug. 3: Rogers, Ar. (Walmart AMP)
Aug. 5: Omaha, Ne. (Pinewood Bowl)
Aug. 7: Casper, Wy. (Ford Wyoming Center)
Aug. 8: Idaho Falls, Id. (Mountain America Center)
Aug. 9: Nampa, Id. (Ford Idaho Center Amphitheater)
Aug. 10: Bonner, Mt. (KettleHouse Amphitheater)
Aug. 12: Spokane, Wa. (Northern Quest Resort & Casino)
Aug. 13-14: Troutdale, Ore. (Edgefield Amphitheater)
Aug. 15: Auburn, Wa. (White River Amphitheatre)
Aug. 17: Palmer, Ak. (ConocoPhillips Borealis Theatre)
Aug. 20: Eugene, Or. (Cuthbert Amphitheater)
Aug. 22: Mountain View, Ca. (Shoreline Amphitheatre)
Aug. 23: Modesto, Ca. (Fruit Yard Amphitheater)
Aug. 24: Stateline, Nv. (Lake Tahoe Outdoor Arena)
Aug. 26: Redding, Ca. (Civic Auditorium Lawn)
Aug. 27: Rohnert Park, Ca. (Green Music Center)
Aug. 29: San Diego (Rady Shell)
Aug. 30: Inglewood, Ca. (Kia Forum)
Aug. 31: Phoenix (Arizona Financial Theatre)
Sept. 2: Grand Junction, Co. (Las Colonias Park)
Sept. 4: Colorado Springs, Co. (Ford Amphitheater)
Sept. 5: Rio Rancho, N.M. (Events Center)
Sept. 6: Concho, Ok. (Lucky Star Amphitheater)
Sept. 7: Tulsa, Ok. (Tulsa Theater)
Sept. 9: Maryland Heights, Mo. (Saint Louis Music Park)
Sept. 12: Madison, Wi. (Breese Stevens Field)
Sept. 13: Cuyahoga Falls, Oh. (Blossom Music Center)
Sept. 14: Columbus, Oh. (Palace Theatre)
Sept. 16: Newport, Ky. (MegaCorp Pavilion)
Sept. 17: Kalamazoo, Mi. (Miller Auditorium)
Sept. 20: Nashville (Ascend Amphitheater)
The National is out with a new live album, called “Rome.” They captured a show on Monday, June 3rd, 2024 at Rome’s Cavea at Auditorium Parco della Musica Ennio Morricone. Peter Katis mixed the album. Already released are the singles “I Need My Girl,” “Lemonworld,” “The Geese of Beverly Road,” and “Lit Up.”
They’re currently on the Zen Diagram tour with War on Drugs, in support of their first two answers.
Rome:
01 Runaway (Live in Rome)
02 Eucalyptus (Live in Rome)
03 Tropic Morning News (Live in Rome)
04 New Order T-Shirt (Live in Rome)
05 Don’t Swallow the Cap (Live in Rome)
06 Bloodbuzz Ohio (Live in Rome)
07 The System Only Dreams in Total Darkness (Live in Rome)
08 I Need My Girl (Live in Rome)
09 Lemonworld (Live in Rome)
10 The Geese of Beverly Road (Live in Rome)
11 Lit Up (Live in Rome)
12 Alien (Live in Rome)
13 Humiliation (Live in Rome)
14 Murder Me Rachael (Live in Rome)
15 England (Live in Rome)
16 Gracless (Live in Rome)
17 Fake Empire (Live in Rome)
18 Smoke Detector (Live in Rome)
19 Mr November (Live in Rome)
20 Terrible Love (Live in Rome)
21 Vanderlyle Crybaby Geeks (Live in Rome)
Yesterday welcomed a new song into the world, A Cure song, the first new song in six years. Called “Alone,” arrived yesterday at 7am, part of the forthcoming album “Songs of a lost world.” The roll up to the song and album had been one of fits and starts, teases and mystery. But a recent social media roll out of social media logos and postcards with words visible under a blacklight.
Two songs off the album, “And Nothing Is Forever” and “I Can Never Say Goodbye,” are set for release on a live single this November.
A German library has uncovered a previously unknown composition by Wolfgang Amadeus Mozart. This composition came from his teenaged years, when we was widely known as a child prodigy. The piece contains seven miniature movements for a string trio. It was found as a copy from about 1780, perhaps written twenty years younger.
Photography by Timothy Reidy.