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The Parlor / Amanda Case @ Opalka Gallery, 9/20/2024

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Opalka Gallery had a pop-up beer garden on September 20. Amanda Case and the Parlor performed.

Photography by Timothy Reidy.

 

 

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Sister Sparrow and the Dirty Birds / Ky McClinton Band @ Lark Hall, 9/19/2024

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Sister Sparrow and the Dirty Birds played at Lark Hall, and ended on a high note. Ky McClinton Band was the opener.

Photography by Timothy Reidy.

 

 

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Black Mountain Symphony – Xperience History

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Black Mountain Symphony

Black Mountain Symphony – Xperience History – by Rob Smittix.

Black Mountain Symphony is a 6 piece, genre-bending band that has been a staple in the Capital Region music culture for at least 16 years. The original idea for the band came about nearly 20 years ago and eventually transformed into the group we know today. However, this is a fresh lineup. After taking a break for the last 4 years Bill Palinski has decided to return to his post behind the drums. “A lot of things have changed for the better and a lot of things are exactly the same, just how I imagined it.” says Palinski.

The newest addition to the band is electric and stand-up bassist Nick Graziade, who had this to say about joining the band: “I never realized how big it was, I was used to playing local stuff, where if I didn’t get into a fight or have something stolen, it wasn’t really a show I was at. Now I’m looking at these gigs we’re playing and I’m thinking to myself, geez there’s gonna be an actual audience here that is going to participate and care about what we’re doing.”

Long time guitarist Chris Peppe aka Rollz is still a crucial part of this dream team alongside original founding members, the Campo siblings Bear (Piano/Keys) and Annie (Violin). Last but certainly not least Annie’s husband Charlie Burgess (Guitar/Cedar Flute) completes this eclectic collection of talented musicians.

Bear: “Everybody’s jiving now, throughout the years there’s been like this negative energy that we had to deal with and overcome.”                                                                                                        Annie: “It’s a nice happy, chill line-up.”

RRX: “Black Mountain Symphony is literally a family band.”

Bear: “The family is getting bigger!”

RRX: “Oh that’s right! How’s parenthood?” (Directed at new parents Annie and Charlie)

Annie: “Awesome, it’s been 5 months already.”

RRX: “This is your first child, are you finding yourself being overprotective?”

Annie: “I don’t think so. We used to have him upstairs while we practiced; he’d be screaming. I said let’s bring him downstairs so he can listen to us play music in the headset. As soon as he comes down, he passes out. He just wants to be with music all the time.”

Charlie: “It’s really cool to be raising him around music. I wasn’t really raised that way, around lively jam sessions. It’s pretty awesome to be able to give him that upbringing.”

RRX: So speaking of family life, Bear I understand that you are getting married later this year. Is it sinking in?

Bear: “It’s different, I am the last one out of most of my friends that isn’t married.”

Charlie: “Bear, how does your future wife feel about you being up there on stage like a piece of meat before all of these ravenous ladies?

Bear: “She doesn’t mind it. I’ve had problems with all these other girls in the past.”

Bill: “All one-hundred of them.”    

Bear: “You know what I mean. (Bad female voice impression) Oh, you’re in a band? Cool, oh my God you guys are real good. Then I tell them I travel playing music a lot, at first they’re cool with it but after a month they’re like I can’t do this, you’re never around. She (fiancé) has never once said that to me. We’ve left for a while, she calls me up once a day and we talked once a day, that’s it.

RRX: “So she must be very understanding. I’ll be expecting an invitation to your wedding by the way.

RRX: “Something that intrigues me about your group is that you do not have a front-person, you share lead vocals, even with your drummer; whom I feel compelled to call Phil Collins.”

Bill: “It’s been like that since as long as I can remember.”  

Bear: “Everybody is a songwriter.”

Bill: “We all write songs, for each other too.”

Charlie: “I don’t think any of us would stick with it, if we weren’t able to each have our own creative input.”

RRX: (Directed to Annie) “Do you ever find that you are assumed to be the front-person?” Annie: (Laughs) “Nobody really recognizes me anyway, unless I am with Bear.”

Charlie: “Everybody recognizes her brother Bear out in public.”

Bear: “I used to always get this in the mall (another impersonation voice) “You’re that guy from that violin band.”

RRX: “Yes, violin is a big part of your sound. Do you ever play the fiddle?”

Annie: “I touch upon fiddle.”

RRX: “Yes, me too.” (Laughter)

RRX: “So let’s discuss the music scene.”

Bill: “The scene has changed a lot since I have been out of it, the music scene all together in Albany. I feel like coming back into it, it’s different but comfortable now.”  Charlie: “One of the things we have found is that the brewery circuit has been kind to us. It seems like people who like good beer are into original music as well.

Bear: “We’ve played a lot in Woodstock for the past 5 or 6 years, so we have a nice fan-base down there too. “

Charlie: “We love the scene in Woodstock. Every time they dance for everything, the slow ones, the fast ones, the weird ones, they dance to the normal ones.”

Bear: “They dance to songs, I don’t even know how you can dance to.”

Annie: “Interpretive.”

RRX: “Anything to add about the scene?”

Bill: “Shout out to Mother Judge who helped us out a lot.”

Charlie: “She was definitely how I got introduced to the whole Albany music scene. She set the tone for what Albany music is all about.”

Bill: “She made it a community.”

Bear: “I met a lot of people through her…”

Charlie: “Her and her open-mic. I hope somebody steps into that leadership role that she played, whoever does has big shoes to fill.”

RRX: “Absolutely.”

Charlie: “Here’s to Mother Judge.”

RRX: “So I realize you are all just coming back from taking some time off, anything in the works?”

Charlie: “Well we finished our EP just before our hiatus and the plan is to turn that into a full length album as soon as we can.”

Bear: “We still have some new stuff that hasn’t been recorded yet and I’m sure there’s going to be newer stuff, so we’re just going to be writing.”

Charlie: “And we’ve got some great shows that we’re looking forward to.”

To learn more about Black Mountain Symphony and their music you can visit their page online at www.blackmountainsymphony.com Upcoming Events: March 16 6pm Helderberg Brewery Rensselaerville NY & April 13th at 8pm Station Bar & Curio –Woodstock, NY May 18th at 12pm Gardiner Cupcake Festival –Gardiner, NY

By Rob Smittix -See Rob and his band SMITTIX March 16 -2pm Pauly’s Hotel Albany

 

 

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Press Release: PhanArt & Mirth Films Present: Palace Sessions Live 10/26 with Kale

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PhanArt & Mirth Films presents Palace Sessions Live on
October 26 with a free live performance by Kale

ALBANY, N.Y. — On Saturday, October 26 from Noon to 5pm, PhanArt, in association
with Mirth Films, will have a hometown show at the Palace Theatre in Albany, NY,
featuring the band Kale for the October edition of Palace Sessions Live.
Located just a 0.5 mile walk down Pearl Street from the MVP Arena (where Phish will
perform for three nights) PhanArt at the Palace will feature dozens of artists and
vendors from the Capital District and across the country from the greater Phish
community.

Kale will be playing 2 sets during the afternoon, along with music from Sweeping Views in
between performances. Admission is free as always, with many more surprises in
store! For more info CLICK HERE!

Kale is a genre-blending indietronica jam trio from New Paltz, NY, combine a love of
danceable electronic rhythms, soaring melodies, and energetic hooks into an
improvisational channel that allows for deep exploration of the musical cosmos.

ABOUT PALACE SESSIONS:

Palace Sessions is a live music series featuring some of our favorite regional & national acts
performing in different spaces within the historic performing arts center. The Palace

Sessions was conceived in 2020 through a partnership with the City of Albany & Mirth
Films as an outlet to provide live music to the Capital Region (and entertain ourselves!)
during a time when venues were closed and raise money to support the Palace Theatre.
Now, The Palace Sessions lives on with free live performances in the Palace Lobby, open to
the public and aired online.

Past Palace Sessions performers include moe., Eastbound Jesus, Annie in the Water,
Thomas Nicholas, Moriah Formica, Formula 5 and more… To enjoy past episodes of the
Palace Sessions online CLICK HERE!

The Bennett Brothers – Interview – Thanks for Asking!

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The Bennett Brothers

The Bennett Brothers – Interview – Thanks for Asking! – by Liam Sweeny.

I reached out to Liam Bennett of The Bennett Brothers for a chat. This is how it went.

RRX: How does practice go? Is the road practice enough, or do you have a practice shack? If so, how does it look? What’s on the walls? What cool sh*t is in there?

For years, we practiced around the house—on the living room couch, around the dining room table. Recently, we’ve been practicing on a bench in a nearby park (Congress Park, Saratoga Springs, NY). The natural scenery has always brought new musical ideas to both of us.

RRX: Tell me about your most recent song, album, or video (you pick.) Tell me a story about what went into making it. Not a process, but a cool story that took place within the process.

We have a song called “Have You Learned Your Lesson.” It’s a simple arrangement, and it really hits home after a few adult beverages. It started with a few chords I was strumming alone for about a week. We sat down to write some lyrics, and it was laughable. We were busting each other’s chops for a bit, and out of the blue, my brother Owen (vocals/rhythm guitar) asked me a valuable question: “Have you learned your lesson?” From there, we wrote about self-reflection in the aftermath of a nasty breakup. Do we ever learn our lesson?

RRX: We let it out differently when we play music. The happy, sad, good and back; it can all be put out musically. Overall, do you feel better when you sing about the better times, or the worser times? Is there a difference you can describe?

We like playing and singing the blues. Lyrics aside, it’s the instrumentation that allows us to fully express whatever emotions we’re feeling under the lights. Most folks don’t hit the barroom because they’re jumping with joy. If we can connect with them and give them a few minutes of peace, then we’ve done our job.

RRX: Let’s talk about your next project, your next few. Just not the ones you’re working on now. The ones you have your eyes on for the future. What’s coming to us?

We are planning on releasing weekly sessions on our YouTube profile—raw acoustic stuff. A lot of what we do is improvisation, so every session will be different from the last. It will also give viewers a chance to see into the process we use to develop our craft.

RRX: We have to play somewhere, and sometimes those places have more going for them than a stage and a power outlet. What is a memorable place you played, and bonus points if it’s not a well-known place.

We played a motorcycle meet on Saratoga Lake a few years back—the two of us, and our cousin on drums. We were under-practiced and didn’t have enough material for the event. At that point, you have to ask yourself what your musical heroes would do. We had a few beers, cranked the amps, and played some of our most memorable performances.

RRX: Artists, musicians, we immortalize. We set it in stone. Is there anyone who has passed that you feel you have immortalized in your work? If so, can you tell us a little about them?”

Hendrix is the first artist that comes to mind. Musical stigma aside, the music he left behind has taught us to treat a song like a painter’s canvas. A performance needs its hills, its valleys, its darks and lights, its clouds and its sun. The crowd is there to judge the piece.

 

 

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Orleans @ Cohoes Music Hall, 9/13/2024

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Photography by Stephanie J Bartik.

 

 

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Jukebox – 9/27

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Jukebox

Jukebox.

Weird Al Yankovik

For the first time in six years, fans will have a chance to hear Weird Al Yankovic’s pop parodies live during the “Bigger and Weirder 2025 Tour.” The tour will begin on June 13th with five shows at the Venetian in Las Vegas. Tickets go on sale today.

Yankovic will be stopping at some of the biggest venues of his career for this tour, including New York’s Madison Square Garden and LA’s Kia Forum. In addition to his classic pop parodies, Yankovic will be performing originals and will have an eight piece band composed of players throughout Weird Al’s Career. This tour will also feature “first time live” versions of his parodies.

“This is kind of a ‘best of both worlds’ tour,” said Yankovic. “We’ll be doing all the big crowd-pleasing parodies as well as some deep cuts for the hardcore fans. But with twice as many players on stage, everything is going to sound twice as good.”

Here are “Weird Al” Yankovic’s 2025 tour dates:

June 13-14, 18, 20-21: Las Vegas (Venetian Theatre at The Venetian Resort)

June 23: Salt Lake City (Maverik Center)

June 24: Morrison, Co. (Red Rocks)

June 26: Kansas City, Mo. (Starlight Theatre)

June 27: Des Moines, Ia. (Civic Center)

June 28: Welch, Mn. (Treasure Island Amphitheater)

June 29: Highland Park, Il. (Ravinia Festival)

July 1: Traverse City, Mi. (National Cherry Festival)

July 2: Clarkston, Mi. (Pine Knob)

July 3: Indianapolis (Everwise Amphitheater at White River State Park)

July 5: Beaver Dam, Ky. (Beaver Dam Amphitheater)

July 6: Kettering, Oh. (Fraze Pavilion)

July 9: Toronto (Budweiser Stage)

July 11: Buffalo, N.Y. (Darien Lake Amphitheater)

July 12: New York (Madison Square Garden)

July 13: Bethel, N.Y. (Bethel Woods)

July 15: Boston (Boch Center Wang Theatre)

July 17: Saratoga Springs, N.Y. (SPAC)

July 19: Mashantucket, Ct. (Foxwoods)

July 19: Philadelphia (TD Pavilion at the Mann)

July 20: Vienna, Va. (Wolf Trap)

July 24: Raleigh, N.C. (Red Hat Amphitheater)

July 25: Wilmington, N.C. (Live Oak Bank Pavilion)

July 26: Charlotte, N.C. (Skyla Credit Union Amphitheatre)

July 27: Huntsville, Al. (Orion Amphitheater)

July 29: New Orleans (Saenger Theatre)

July 31: Austin, Tx. (Bass Concert Hall)

Aug. 1: Woodlands, Tx. (C.W. Mitchell Pavilion)

Aug. 2: Grand Prairie, Tx. (Texas Trust CU Theatre)

Aug. 3: Rogers, Ar. (Walmart AMP)

Aug. 5: Omaha, Ne. (Pinewood Bowl)

Aug. 7: Casper, Wy. (Ford Wyoming Center)

Aug. 8: Idaho Falls, Id. (Mountain America Center)

Aug. 9: Nampa, Id. (Ford Idaho Center Amphitheater)

Aug. 10: Bonner, Mt. (KettleHouse Amphitheater)

Aug. 12: Spokane, Wa. (Northern Quest Resort & Casino)

Aug. 13-14: Troutdale, Ore. (Edgefield Amphitheater)

Aug. 15: Auburn, Wa. (White River Amphitheatre)

Aug. 17: Palmer, Ak. (ConocoPhillips Borealis Theatre)

Aug. 20: Eugene, Or. (Cuthbert Amphitheater)

Aug. 22: Mountain View, Ca. (Shoreline Amphitheatre)

Aug. 23: Modesto, Ca. (Fruit Yard Amphitheater)

Aug. 24: Stateline, Nv. (Lake Tahoe Outdoor Arena)

Aug. 26: Redding, Ca. (Civic Auditorium Lawn)

Aug. 27: Rohnert Park, Ca. (Green Music Center)

Aug. 29: San Diego (Rady Shell)

Aug. 30: Inglewood, Ca. (Kia Forum)

Aug. 31: Phoenix (Arizona Financial Theatre)

Sept. 2: Grand Junction, Co. (Las Colonias Park)

Sept. 4: Colorado Springs, Co. (Ford Amphitheater)

Sept. 5: Rio Rancho, N.M. (Events Center)

Sept. 6: Concho, Ok. (Lucky Star Amphitheater)

Sept. 7: Tulsa, Ok. (Tulsa Theater)

Sept. 9: Maryland Heights, Mo. (Saint Louis Music Park)

Sept. 12: Madison, Wi. (Breese Stevens Field)

Sept. 13: Cuyahoga Falls, Oh. (Blossom Music Center)

Sept. 14: Columbus, Oh. (Palace Theatre)

Sept. 16: Newport, Ky. (MegaCorp Pavilion)

Sept. 17: Kalamazoo, Mi. (Miller Auditorium)

Sept. 20: Nashville (Ascend Amphitheater)

The National

The National is out with a new live album, called “Rome.” They captured a show on Monday, June 3rd, 2024 at Rome’s Cavea at Auditorium Parco della Musica Ennio Morricone. Peter Katis mixed the album. Already released are the singles “I Need My Girl,” “Lemonworld,” “The Geese of Beverly Road,” and “Lit Up.”

They’re currently on the Zen Diagram tour with War on Drugs, in support of their first two answers.

Rome:

01 Runaway (Live in Rome)

02 Eucalyptus (Live in Rome)

03 Tropic Morning News (Live in Rome)

04 New Order T-Shirt (Live in Rome)

05 Don’t Swallow the Cap (Live in Rome)

06 Bloodbuzz Ohio (Live in Rome)

07 The System Only Dreams in Total Darkness (Live in Rome)

08 I Need My Girl (Live in Rome)

09 Lemonworld (Live in Rome)

10 The Geese of Beverly Road (Live in Rome)

11 Lit Up (Live in Rome)

12 Alien (Live in Rome)

13 Humiliation (Live in Rome)

14 Murder Me Rachael (Live in Rome)

15 England (Live in Rome)

16 Gracless (Live in Rome)

17 Fake Empire (Live in Rome)

18 Smoke Detector (Live in Rome)

19 Mr November (Live in Rome)

20 Terrible Love (Live in Rome)

21 Vanderlyle Crybaby Geeks (Live in Rome)

The Cure

Yesterday welcomed a new song into the world, A Cure song, the first new song in six years. Called “Alone,” arrived yesterday at 7am, part of the forthcoming album “Songs of a lost world.” The roll up to the song and album had been one of fits and starts, teases and mystery. But a recent social media roll out of social media logos and postcards with words visible under a blacklight.

Two songs off the album, “And Nothing Is Forever” and “I Can Never Say Goodbye,” are set for release on a live single this November.

Wolfgang Asmodeus Mozart

A German library has uncovered a previously unknown composition by Wolfgang Amadeus Mozart. This composition came from his teenaged years, when we was widely known as a child prodigy. The piece contains seven miniature movements for a string trio. It was found as a copy from about 1780, perhaps written twenty years younger.

 

Chicken Shotgun – The Weird Side of the Internet

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Chicken Shotgun

Chicken Shotgun – The Weird Side of the Internet – by Liam Sweeny.

One of the most challenging – and rewarding – things about writing news stories is writing the headline. Those carefully crafted collection of words can sink, or soar. And the cool thing is that even a pretty basic story can get a life beyond its weight if the story’s pieces align.

I think the original headline of this story, while adequately describing the full extent of the inciting incident, also give it a transcendent reality.

The headline? An Oregon man crashes car into an apartment while eating chicken and talking on the phone.

I’m trying to figure out what angle I would’ve wanted to view this from. Nobody was hurt, by the way. But where? Do I want to be in the living room, watching a car chase in an old 70s pulp movie as the window gets brighter and brighter and the car on the TV becomes less and less important to the one about to taste window glass?

No, not that angle. I want to be in the car, backseat, listening in on the conversation as Johnny Badass’s tongue rolls over the eleven herbs and spices coating a leg or a thigh and he’s so engrossed in that conversation he’s not noticing the front wheels get high, over the curb and that bank and the sprinkler that scrapes under the bottom of the gas tank.

What was that call? What was so important? Was he making money moves or playing top dog or was he reminding wifey to pick up an extra package of ice cream sandwiches but the good kind?

Back to our own astral plane, his name was Billy Holt. He was forty-one, and looked like he had some help driving like a jackass. And it was the bedroom, not the living room. And he may have been on the phone with a good lawyer, because he got diversion to treatment instead of jail.

And was it an iPhone or a Samsung?

 

 

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Ellis Bullard / The A.M.’s @ Hangar on the Hudson, 9/18/2024

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The Hangar had some honky-tonk friendly acts with the A.M.’s and Ellis Bullard.

Photography by Timothy Reidy.

 

 

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X / Dead Rock West @ Empire Live, 9/25/2024

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Recap by Stephanie J Bartik.

After a late dinner with a friend, we arrived at Albany’s Empire Live to a packed crowd of about 700 enthusiastic rockers, buzzing with anticipation. Even on a rainy Wednesday night, the energy inside the venue was electric.

Opening the night was Dead Rock West, the Los Angeles-based duo of Frank Lee Drennen and Cindy Wasserman. They brought their unique blend of jangly, alt-country to the stage, with influences that span from pop to punk. Drennen’s songwriting and guitar work, paired with Wasserman’s soulful vocals, offered a perfect warm-up for what was to come. The West Coast vibes in their music were infectious, providing a laid-back yet energetic sound that seamlessly shifted between styles. While Dead Rock West released their new album Smoke and Fiction in August, the spotlight wasn’t solely on that. Instead, they kept the focus on their connection with the crowd, delivering a set that blended old and new. They were the ideal choice to kick off the night, setting the tone for what would be a bittersweet farewell performance by X.

X is currently on their swan song tour, bidding adieu to their fans after over four decades of making music. It’s rare to see a band these days with all of its founding members intact: Exene Cervenka, John Doe, Billy Zoom, and D.J. Bonebrake. The chemistry between them was undeniable from the moment they hit the stage. Sure, Billy Zoom left for a spell back in 1986, but his return to the group in 1999 solidified their sound once more—and it’s that sound that continues to endure today.

X’s set was a mix of new tracks, like “Sweet Til the Bitter End” and “Ruby Church,” alongside fan-favorite classics like “Breathless” and “I Must Not Think Bad Thoughts.” Their performance was tight and vibrant, reminding the audience that, while this might be their final tour, they’ve still got the energy and passion that made them punk pioneers in the first place. It’s rare to see a band that formed in the late ‘70s still locking into each other so effortlessly on stage. The crowd, largely made up of older punks who grew up with the band, was fully engaged, jumping and bopping along. And there were some younger faces too, proving that X’s music transcends generations.

This farewell tour feels like the end of an era, not just for the band but for the punk scene they helped shape. As X continues on their 16 remaining tour dates, they do so with a sense of pride and commitment to the genre they helped define. For the crowd at Empire Live, the night wasn’t just about nostalgia—it was about celebrating a band that’s stayed true to themselves and their fans for over 40 years.

Photography by Stephanie J Bartik.

 

 

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