War Time Manner – An Xperience Interview

Interview by Rob Smittix.

RRX: We know the band has been around for quite some time, but if you could give us an abridged version of your history.

Dan: War-time Manner actually started in ‘87. We were called DDT and played a show at The Cozy Too in North Central Troy with Dead End. We were jamming one day, and Thom Sage walked in and said “I’m your singer, done deal!” Years later, no one was happy with the bands we were in, and we wanted a heavy, angry band, so we all quit our bands and got Thom Sage again. The rest is history.

RRX: We all get a little support from those around us. And we can also be impressed by our fellow performers. Who do you admire in your community, and why?

Akim: I’ve always felt that Bob Riley from Stigmata and Mike Trash from The Erotics got things done. From being frontmen … until this day, touring and securing labels.

Dan: I’m impressed lately with all the local bands. I love it when people care about what they are doing. It’s carried the local scene, and we wouldn’t be playing if they hadn’t kept the scene up.

RRX: Every artist’s first song is a milestone. But so is the latest song. Describe the first song/album you recorded, and also the latest song/album you recorded; what are the differences?

Dan: We recorded so much in the early days. I think the first thing we recorded was “Freedom Is Not Free,” live 2-track at Ted Hyland’s studio in Albany. Recently, we’ve been working on a new CD. We’ve grown as musicians a lot, thanks to Leo Curley; our new music will reflect that.

RRX: What does Troy-Core mean to you?

Thom: Troy-Core seems to be varied in several opinions depending on who you ask. It was a form of unity of the first run of hardcore sounds coming out of Troy, New York. Still hanging on to old metal and rock tones, yet influenced by NYHC and punk. Just a bunch of kids doing our own versions of what we wanted to hear. The Troy-Core labeling was a positive vibe, but also dampened growth outside the Capital District. There is no actual crew or gang, but more of a family tie between individuals … it’s been burned in my musical foundation. I also consider such bands as the mighty Cutthroat, One King Down, and Withstand, to name a few … It’s exciting how downright heavy the sounds are evolving in this new era of extreme music. As for me, I’m just thankful to be a small part of it.

Akim: Troy-Core means Cranial Abuse, Final Terror, Dead End, Rude Awakening, and Direct Attack.

RRX: August 1st at Slidin’ Dirty, you’ve got a gig lined up. Give us some details on this show and what we are to expect.

Thom: We chose Slidin’ Dirty for its location and size. We’re looking to have a local party with good food and family vibes, also where new people are welcomed.  I’d like my co-workers and non-scenesters to feel invited. We are not trying to take over the scene again, but just share some new work. Personally, it’s letting my bandmates get a nut. I prefer my public privacy. Thanks to the WTM for allowing me to hold them back from the real opportunities we’ve had due to my under-the-radar point of view. I am nobody, and so are you. It’s about the live shows and the memories, not a podium.

Dan: August 1st at Slidin’ Dirty, expect a lengthy set, lots of merch…  we will have hot sauce and a new spice rub, amongst other things!

RRX: Lastly, how does it feel to still be able to make the music you love and perform? 

Leo: At my age, it’s a gift to be able to write and perform extreme music. Watching friends pass away who I used to perform with makes every rehearsal and song mean a whole lot more. I know I used to take it for granted.

Dan: I’m extremely thankful after all these years that I can still do it, and more importantly, that people are still interested. It means everything.