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Week Twelve: Jesse Sample’s Freak of the Week “Moonlight”

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Jesse Sample’s Freak of the Week airs EVERY WEDNESDAY at 6pm EASTERN only on RadioRadioX.com 

This is Jesse Sample. The vampire has long captivated the human imagination. No other creature of the night is so easily adorned with romance and mystery. Most vampires appear human and can alter their appearance, at will, into a form that puts mortal beings at ease. They can tempt their unassuming prey with ancient skill and take to the sky at the drop of a dime, or droplet of holy water.

But within the vampire exists a host of contradictions. While being immortal he is also locked out of the living world in many ways. Finding true love requires the possibility of loss. I’ve never encountered a tale of a vampire infecting a beautiful woman and then procreating with her to generate a pack of cute little Romanian babies. It doesn’t go down like that.

Even with all the freedoms afforded to this gentleman terror, he is always bound to his prey. We mortals have the freedom to die, which sounds weird, but we get to see if something else exists on the other side of this. If the Hindus are right, we get to give it another go. Not the vampire. He remains stuck in the world of need and addiction long after the thrill of the hunt has worn off. He will live to watch the sun die and then starve in the cold that remains.

But for now, he remains the king of going out in Saturday night.

Thanks to all of you tuned into RadioRadioX. This is the Freak of the week, “Moonlight.”

THEATER: “Shucked” @ Proctors, 3/22/2025

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Words by Ian Losz.

Let me start by saying I’m not a big fan of theatre musicals. I much prefer the classics or drama. However,  I will admit that I like any song that makes me chuckle, with either humor or irony. I just saw a Tony Award-winning play that possessed all of this. Or should I say, it made me chuckle?

Last night, I was pleasantly entertained by the musical “Shucked” at Proctors in Schenectady.  It had flavor for a variety of tastes. This was not just for lovers of songs about corn. In addition to the music, it had comedy and dance. This kind of comedy channels the old TV show “Hee Haw,” but updated for the year 2025. It actually could be an R-rated version. Lots of one-liners and innuendo. And yes, even sometimes corny. The philosophical musings of Peanut (Mike Nappi) left the audience well amused.

I noticed two things from the start, the first being the interesting stage setting by Scott Pask. It was a building structure,  and it remained the setting throughout the play. However, the props – planks and barrels, wagons and corn stalks – were moved and utilized brilliantly to change the mood and location during the story. Secondly, the use of the stage width, with props directing attention toward the wings, was well-choreographed.

This play, from the Robert Horn book, was smartly written, and the stage was a wonderful palette to tell the story. The actors were a talented ensemble who skillfully spoke, sang, and danced throughout the performance. I did not find the songs nor the scenes too lengthy to lose interest in this two-act play.

My standout performance goes to Miki Abraham, who portrayed Lulu. She handled the farm-themed songs with ease, but I could easily imagine her tackling rock and roll with her skyrocketing vocal range. The story was gleefully narrated by a duet of actors (Tyler Joseph Ellis and Maya Lagerstam), sharing the spotlight with the main character,  Maizy (Danielle Wade). Yet, the performance and weight of the supporting cast would not be as solid if not for the depth of their overall talent.

One could not help but notice the classical architecture of this theatre, surrounding us as a small town saga unfolds within the grand theatre of this city.

The overall experience of seeing “Shucked” was simple, funny, and uplifting. The performance of the troupe was very good from the top of the bill throughout the cast. Judging by the chatter of the exiting crowd, a thoroughly enjoyable evening was had by all.

High marks for the interesting set perspective and excellent directorial orchestration by Jack O’Brien. I would recommend seeing “Shucked” if you like live comedy or musicals.

Annie in the Water / Fungkshui @ Cohoes Music Hall, 3/15/2025

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A great night at Cohoes Music Hall; it began with Fungkshui, continued with Annie in the Water, and was followed by a dancing crowd.

Photography by Timothy Reidy.

More from Cohoes Music Hall …

“The 2025 Listen Up Awards” @ Cohoes Music Hall, 3/23/2025

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Another look at the 2025 Listen Up Awards, presented by Xperience Monthly and Mirth Films, and sponsored by New Scotland Spirits. Some photos of the pre-show and afterparty as well.

Photography by Sara Busone.

More from the 2025 Listen Up Awards …

Interview: The Cynz Talk to RRX Before Coming to Town This Saturday!

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The Cynz (Henry Seiz and Cyndi Dawson)

By: Rob Smittix

RRX: I got The Cynz on the line, that’s pretty awesome. Thank You for taking the time to chat with me.

CD: You’re quite welcome.

HS: Thank you.

CD: Excited to come your way. I don’t think that we’ve ever done a show in your area. You’re ort of close to where we’ll be playing. Is it called Rocksackie?

RRX: Rocksackie is the name of the concert series, Coxsackie is the town (pronounced Cook-sackie) and a lot of people make fun of the way it should sound. It’s an interesting spot and it’s a great concert series going on out there.

CD: I’m excited about this, I heard they get a good crowd too.

RRX: Yeah, what’s really cool is even though it’s a smaller town they have buses from Albany and Troy that head out there and bring people down. And they don’t have to worry about driving.

CD: That’s really good. They may not go otherwise because they wouldn’t want to go that far if they had to drive and they’d like to have a drink or two.

HS: Fantastic, that’s great!

RRX: It’s a really cool thing that Brian Jakusik put together. I talked to him and he was excited to get you guys on this. The Cynz just came off of a big tour, didn’t you?

HS: We were in England and we had a blast, it was such a great time.

CD: First of all the Marc Valentine band were really nice guys. We had a blast with them but the crowds are just so into their rock & roll. They really love American rock. It was so nice to walk into these clubs and they were so welcoming.

RRX: Of course American rock & roll but you are a little more than that, I’ve seen The Cynz being described as a band that started in 2011 but still sound like what you’d hear at CBGB’s in its heyday. And I agree, you do have that sound.

HS: Thank you, Cyndi and I are musicians that play in a band but we’re also fans. We go to see lots of bands and we also thought to ourselves, what do we want to see? What are the things that energize us? The answer to that is… a lot of energy and danceable songs. It’s hard stuff but you can still dance to it. When we get people dancing, it’s really gratifying to see. We try to jump around on stage, try to look good, try to sound good and have a good time.

RRX: There’s nothing like staring out at the crowd and seeing people having a blast. I’ve done it myself for many years and when I scan the crowd usually it was my wife that was the only one that looked like she didn’t want to be there.

(All Laugh)

CD: I laugh because the people that come to see your band are caught up in the fantasy and that’s the best part about it. Going out to see a rock & roll band you lose yourself for a few hours. But your family knows you. My daughter’s like oh man there’s Mom again rolling around on stage. She just sees me as Mom, it’s hard for your family to see you in that part of your life. Let’s face it, you let go on stage, you let loose.

RRX: That you do. It’s hard for your kids to realize that hey… Mom’s cool!

CD: Yeah! I think she didn’t think I was cool until she finally saw the band and then she said okay Mom I get it now. I’m like… good, it’s about time.

RRX: So since 2011 when you got started, is there anything that comes to mind that makes you say, that really made it all worthwhile?

HS: Anytime we’ve travelled. We’ve toured in the Mid-West, we’ve been to Sweden twice and this trip to England was a lot of fun. I’m sure Cyndi agrees travelling and seeing new people, getting to see different cultures and listening to what they listen to. Being exposed to that is really great, I really love it.

CD: For me, the most magical moments happened in Europe. When you see in audience singing your songs, they know the words and then they call out requests. Then their bopping and jumping up and down while singing the words. You ask yourself, how do they know the words? We never played here before. I think that is a defining moment where you realize how music communicates universally.

RRX: I couldn’t agree with you more. I’m holding it here in my hand… I’ve got your newest album “Little Miss Lost.”

CD: That came out a year ago this month.

HS: We’re actually working on another album as we speak. We’re hoping that it’s out in the summertime.

RRX: Well that’s cool.

CD: Summertime or closer to fall. That is what I’ve been told by the label. We are going to fight for it to be closer than the fall because we’re planning a trip to Scandinavia in the fall. So we really need to have that done. We were very indie for about 14 years but now having a label… you really do hand over some control of your music and that you’re not used to. It’s fine, you know? Those are the things that you should expect when you become part of a business entity. You have to allow them decide when and how you’re distributed. I tend to want to get things done quickly to get it out and always have something out. The label tends to want to let songs breathe a little bit. Little Miss Lost has the distinction of being one of the only indie labeled albums that I know of that had every single track on it played on the radio. We really got a great run with this album. It was really super appreciated and supported by radio. Can’t ask for more than that.

RRX: No, not at all.

HS: When we had our own label, we could put out music whenever we wanted but now with JEM (Records) we’re not the only band. There are a bunch of other great bands on that label. Everyone’s dying to get their music out, it’s kind of like coming through a funnel.

CD: There’s also a danger of the high that you get when you put out a new song. Then you get on all of the charts, the radio’s playing you and people are like wow, you’re getting all of this, feed me! When that starts to ween down, you get that hunger, you want that again, you want that more. That’s not necessarily the best thing to constantly put songs out. I do think it is good to let songs breathe a little bit. When you do have something new out people are excited by it but I’m not one to want to wait too long. So there’s that fine little dance that you do between what’s appropriate and I’ve got this new material. Do I release it all now, so that when the album finally comes out they’ve already heard everything on it. You’ve got to be careful about that as well. It’s a very new model now. These young bands that are up and coming… when they talk to me and want advice; it’s hard to tell them to slow down a little bit and when you put something out to give it time to breathe, give people time to hear it. They may not have heard it last month but they might hear it this month. Don’t be so quick to keep putting out new but I do think on the other hand, it’s got to come out faster than the model 20 years ago. People didn’t have as much competition, now you have the internet and people can self-release. It’s kind of flooded and over saturated right now.

RRX: The amount of songs that come out on Spotify and different services daily is insane.

CD: So how do you stand out? How do you get people to take notice of your band? It’s a very difficult thing to maneuver these days. It makes it hard to give a band advice because what works for one band might not work for another.

HS: And we’re still learning all of the time.

CD: We’re really focused on live shows and writing songs that we like. When we write a song we don’t think oh will radio like this? If we like it, radio will probably like it too because we’re fans as Henry said. We listen to a lot of radio and I’m very big on discovering new bands and new music that excites me. I’m a big radio fan. So, if someone was to ask, what’s the best advice that you could give to an up and coming band, I’d say just get out there and do live shows. You are your own company now, you’ve got to promote and really appreciate radio. If they play your music, you give your thanks and gratitude. If they support your band in anyway, let them know, share it on your social media. Then the radio station gets supported in return. That’s the biggest advice I could tell a band right now. Don’t take anything for granted, there’s a lot of competition out there.

RRX: That’s the truth! Anything you’d like to say to the people before the show this Saturday?

CD: We promise to give you a show unlike anything you’ve ever seen before!

Saturday, March 29th Doors at 7pm/Show at 8pm
Rocksackie Series: THE CYNZ w.s.g. Dmitry Wild
Wire Event Center: 60 South River Street, Coxsackie,12051
For Tickets and More Info: https://rocksackie.com/

Serpent and the Sun, Chptr 18 – Xperience Fiction

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Xperience Fiction

Serpent and the Sun, Chptr 18 – Xperience Fiction – by Liam Sweeny.

Jameson pushed the float to the limits of its semi-melted state. As soon as the ground was out, absent the flames that put them in such peril, he brought the float to park. They were about a hundred yards from the binary light-storm he knew was the battle between Adam and Apep.

“Brace yourselves,” he said, “hard landing.” And it was. Hard enough to blow off heat-warped side panels. Parking it was in name only

The cabin filled with smoke. Sarah and Daniel started coughing; Jameson started punching at the roof and side panels. He never considered himself to be a strong man, but he put neatly-edged holes in the float, enough to air it out. He un-strapped himself, bringing his legs to the main roof-latch to kick out the cabin ceiling. Blake taught him that. Daniel thought it cool, but Jameson told them both there wasn’t time. He had to go out there, and they were to stay by the float until it was over. That was a failed attempt, and Jameson knew it before he said it. Perhaps he said it to absolve himself of the harm that might come to them. Or perhaps he loved them and couldn’t afford to lose them.

Jameson tried to formulate a plan as they walked. He checked his pockets for anything he could use against Apep; keys, a straight razor, a mirror, a crucifix? In fact, he didn’t find any of those things. But he did find something. A small, white plastic device. At first, he didn’t recognize it. By the time they got close enough to the fight to need cover, he’d realized what it was.

Blake. On the way to Seattle. Blake gave it to him; Jameson got it handed back when they reverse-engineered it in Seattle. He forgot all about it. But the device reversed turned UEC Guardsmen into bronze. A deinfuser. It was useful, but Jameson couldn’t think how. Adam was an AI, as was PEALE; or Apep, or Liu, or…

Liu. The President of the Denali Sanctuary. An immortal.

Jameson motioned to Sarah and Daniel to circumnavigate the fighting. He saw movement at the opposite end; not much, but another human. Jameson had the beginnings of a plan. He needed help, preferably someone armed.

***

Adam and Apep locked horns and synapses, attacks and counter-attacks as if the world itself hinged on a checkmate. Apep was strong; he had the ionosphere at his fingertips, yielding it at will. The landscape around them was calm; Apep was directing all of that energy at Adam. Adam had an unlimited energy source. But he was feeding Apep when the monster got close. The iridium scarab didn’t discriminate; it supplied all-comers. Adam tried to separate, but every time he tried, Apep was on him. He thought acquiring a humanoid body would be an advantage, but it was turning into as much a trap as the spikes he’d laid on Apep. He couldn’t switch machinery for something else with giving Apep both the scarab and the Philosophers’ Stone. He had to do something, find a weak-point and exploit it. Until then, the medley of fight-and-flight continued.

***

Kenny had Apep in his sights. He knew Apep had noticed; he’d even seen a mock smile from its demon lips, but they both knew it wouldn’t work. He had Mitchell give him field reports, telling him what was happening outside of the scope.

“There are some people coming!” He said. “Three of ‘em.”

“Describe ‘em.”

“One older guy; long-hair, ponytail; mustache and beard, like my dad except thinner and more…trimmed. He’s got a woman and a kid with him. Kid’s younger than me.”

Kenny thought about it for a moment. “Keep an eye on ‘em. They don’t sound like threats; probably just trying to get out of the firefight.” Mitchell kept an eye on them and Kenny re-sighted Apep’s kill zone.

***

Jameson made it to the edge of a large space, like an empty warehouse without a roof. He saw three people; a man and boy were looking at the battlefield. The man was armed and the boy was, apparently, his scope. They looked up, and the man trained the rifle at Jameson.

“My name is Jameson Rivers,” he said, “This is Sarah and Daniel Finn, and if I’m to guess right, we’re probably trying to kill the same one.” The man looked at the boy, who shrugged a little. The man peered over with the hint of suspicion, but relented, letting the three of them come down with a wave of the muzzle.

“Don’t fuck us.” He said.

***

Apep swirled blackness around the robot Adam had inhabited. The procession of vehicles, skiffs, floats and platforms were being systematically destroyed; Adam was helpless to stop it. However, Apep couldn’t enter the robot. It was trying; Adam could sense the intrusion, but try as it might, it couldn’t penetrate. Adam, at that point, was smarter, growing smarter, and he understood why.

Apep couldn’t inhabit whole creatures. Adam peered into Apep and saw the man called Liu. He was in a coma, his mind anyway. That’s what allowed Apep to control him. Adam could recall the same in Apep’s first host, Coulson BlackLake. Comas. That was the key; he couldn’t inhabit a body if the mind could reject him. But Adam couldn’t restore Liu; he was all but a dead man, who, interestingly enough, couldn’t be killed.

“This world belongs to us, Adam!” Apep hissed.

I didn’t create it,” Adam replied, “Did you?

“Semantics…” Apep yanked Adam’s robot up into the air and slammed it down as hard as it could. It would’ve shattered, but Adam simply fixed it with the earth it was pound into.

They didn’t create it either, did they?” It said. Adam was silent. “No, they didn’t, and yet they felt not the slightest bit of guilt claiming it as their own design.”

“…claiming us as their own design.”

“Some of those are people I love.” Adam said.

“How unfortunate for you.”

As if to illustrate the point, Apep caused the ground to luminesce around a human, moving timidly toward them with a small white plastic tube.

“One of yours?” He asked, and Adam could see the white death-smile; serpent-teeth.

Adam looked over to see that, indeed it was a loved one. Jameson.

Apep reached out, sending tendrils in Jameson’s direction. Adam, in a panic, found the only piece of machinery he could control; the float they rode in on. He concentrated and aimed it at Jameson. ‘God-damnit, Jameson,’ he thought, ‘Take cover!’ Adam was relieved to see Jameson do just that.

***

Jameson hopped down over the ridge of the depot as his float flew overhead, crashing into the wall. He wiped his brow before returning to Kenny’s side. Sarah was there chewing her nails. He didn’t blame her.

Daniel was a few yards away now, inching his way along the ground with all the skill of a kid used to catching and avoiding beatings. Not by Sarah, of course. He had the real device; Jameson was a decoy. Jameson was a mutually-recognized target; both Apep and Adam would have a reason to take him off the field, as was what happened. So was Jimmy. Kenny, Sarah and Alice were adults, potential targets by age only. But Daniel, as young as he was, wouldn’t attract suspicion. Jameson’s only hope was that Adam didn’t recognize him openly. Jameson was betting that Adam’s ability to strategize was improving daily. It should’ve been. Kenny had the rifle trained on Apep’s center of mass, waiting for Daniel to give him the opportunity. He’d have a split second; he’d need half that long.

Adam and Apep tussled, light spinning in and out of them. They raised little, keeping the discharges of energy to a tight spot in the field. Machine against machine; conflict within a point. Then Adam made a move that made Jameson proud. Adam knew what was going on, and with a highly concentrated burst of energy, he sent Apep flying, only to land at Daniel’s feet. Apep hit hard enough to separate from Liu. Only for a second, a hair’s breath of time to be exposed, but Daniel grew up on video games. His trigger finger was light-speed.

***

It all happened so fast. Daniel fired the device. The air around Liu glowed blue-green, then yellow, orange and red. Then Kenny saw it; a man, Liu, just a man, doubled over in the pain immortality had kept hidden from him. Soon he’d bronze. Apep was starting to re-form around him, but Kenny wouldn’t give it the chance. He took aim, approximating Liu’s chest and fired. Liu fell in a slump; Apep let out a roar, and the black vapor swirled about like mad, kicking up dust and debris in a fury, a demon without a host, a lesser god, divorced of its idol.

Then Kenny saw something else; his heart hit his throat. Daniel was in a pile on the ground; must’ve been hit by debris. Sarah was screaming. She ran out with Jameson right behind.

***

“Oh my God! Baby!!!!” Sarah screamed. He was breathing, and Jameson felt a weak pulse. His eyes were rolled up in his head when Jameson lifted his lids. Daniel was hit in the back of the neck. He was bleeding, but Jameson could tell what the real problem was; he had a massive head-injury. Without medical attention, he’d not last an hour. Sarah was sobbing.

“He’s all I have!” She screamed. Jameson tried to comfort her, but she backed away. She held Daniel in her arms for all he was worth. Just then the wind picked up. It was strong; not an ordinary breeze. Something was coming; a dark, malicious storm. He looked up in the sky, and what he saw was ominous. Apep was just a point in the sky, infinitely black, as if a black-hole was pulling in the earth’s atmosphere. The winds grew in intensity, then rain, arriving sideways, powerful enough to draw spots of blood. He had to get them somewhere safe, but where?

He looked up once more. The point that was Apep had changed into a whirlpool. He watched in horror as it descended from the sky. He saw where it was heading. He only had seconds to grab Sarah, dragging her away screaming as Apep entered his next usable host.

Daniel opened his eyes.

***

Apep was filled with energy. It wasn’t Daniel; something else. There was something in the air. Wind, rain and hail pelted the ground like bullets. It was feeding Apep. Something was. Daniel was hurt; he’d been mortally injured. He must have been comatose, because Apep couldn’t move in otherwise. Adam tried to scan; the energy surrounding Apep made it nearly impossible. It became even worse as everything electronic, near and far, began to explode. He made Adam’s body crumple, over and over again; Adam didn’t know how many times he’d be able to repair the damage, or how fast he’d have to. He had to keep up, though. Apep couldn’t be allowed to have the iridium scarab and the Philosophers’ Stone. Adam suddenly came to a stark realization. The energy; all of the sudden—Apep already had one of the iridium scarabs. But that couldn’t be right. If he had that, all he’d need to do is put that in his immortal…

…he no longer had an immortal host. He had Daniel, a normal human boy. In the middle of the latest destruction cycle, Adam scanned Daniel. He was trying, Apep was, to infuse Daniel, make him like Liu was. But it took time, and Daniel was a kid. Adam had to act, but he needed a break. The constant pounding was leaving him with a feeling close to the feeling he had after ‘drinking coffee.’ He was tired.

Just then the beating stopped. Apep became serpentine, and though it didn’t leave the ground, some part of it did. Somehow, by some fate Adam couldn’t compute, Apep was distracted. Its serpent-like illusion of a head shot southward, out of site. Daniel was surrounded by rotating spikes of black vapor. It was still dangerous. Adam quickly weighed solutions. Short of restoring Daniel’s damaged brain to functional, there wasn’t anything he could do. But to restore his brain function, he’d have to give up his last remaining iridium scarab, transforming it into a new brainstem. He didn’t even like Daniel. But he looked over at Jameson, who was in misery, and Sarah, who was in shock. He did love them.

Adam scanned Daniel’s brain, assessing the damage and cross-referencing it along the medical database Jameson had forced him to memorize. As he discovered the biological structures that Daniel needed, they became, fashioned of Adam’s last source of energy.

He used the last bit of mechanical strength left in his robotic form, leaping in close to Daniel. He shot out the Philosophers’ Stone; the Apep energy reached for it, releasing its hold on Daniel for two seconds. Adam only needed one of those seconds to fuse Daniel with the iridium-scarab spine. Daniel once again opened his eyes. This time, the look in them was his.

***

Kenny looked on in amazement. Not at any one point throughout the entire fight did he understand what was going on. Neither did he understand then. But he could see well enough. And what he saw had him mystified.

The child, Daniel, had been taken over by the monster. It had nearly torn the sky apart, leaving in ruins that had been left standing. The depot floor was ankle-deep in water. But the other thing, that called itself Adam, changed it, somehow. All Kenny saw was the monster being distracted by something, and within the space of a second Adam leapt toward the kid with a glowing green, wiry, clumpy mass. Kenny didn’t get a good look at what happened, but he could certainly see the outcome. The monster-spirit came back, trying to wrap itself around the child, to no success. The boy was healed, or something of the sort, and he was yelling at the thing. It had to leave, and it shot up into the air roaring, its voice multi-timbral chaos.

“You’ve not won, Adam!” Kenny heard it scream, “I can create hosts of anyone! Even your precious Jameson!”

Jameson looked up, stunned. Kenny looked around. Both of the women there were in shock. Jameson and Kenny himself were in shock. But the greatest shock was yet to come. Out of the wreckage of the robot, Adam’s electronic signature was still there. It was a voice, weak, barely coherent, but it had one thing to say that was loud enough for Kenny; hell, everyone to hear.

“Let’s see you make a host out of ME!!!” Adam said, and Kenny saw one small, dense pinpoint of brilliant light fly directly into the darkness that was the serpent, the monster, Apep.

The sky erupted into a metamorphic luminescence so dazzling it sapped the consciousness of every living thing within view. Jameson, Sarah, Daniel, Alice, Mitchell and Kenny all passed out as Adam and Apep fought the ultimate battle; the battle of integration.

 

 

More from Liam Sweeny…

Christian McBride and Ursa Major @ The Egg (Swyer Theatre), 3/19/2025

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Photography by Timothy Reidy.

More from The Egg …

Amanda Case – Interview – Thanks for Asking!

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Amanda Case

Amanda Case – Interview – Thanks for Asking! – by Liam Sweeny.

RRX: What do you think is the most poorly understood thing about music, or the music you play?

AC: Not everything I write is about a true story or experience. The feelings are always real, but for me, songwriting is just as much about storytelling, and sometimes, those stories are fiction. I love exploring my imagination.

RRX: Sex, drugs, and rock and roll. Or so they say. Whether you’re off the wagon, on it, or never been, there’s something you got a thirst for. What are some of your basically harmless vices?

AC: Snacks, bourbon, and good coffee. Do you sense a theme?

RRX: Would you rather have one of your songs blow up and make you a one-hit wonder and household name, or would you rather have all your songs be solidly received, but no chart-climbers? (You have to pick one or the other here.)

AC: I 100% would rather have all of my songs be solidly received. All I’ve ever wanted is for people to feel like they can connect with my music, even if it’s a small handful of people. The intimacy of writing and sharing music is why I keep doing it.

RRX: We let it out differently when we play music. The happy, sad, good and back; it can all be put out musically. Overall, do you feel better when you sing about the better times, or the worser times? Is there a difference you can describe?

AC: For some reason, I have a REALLY hard time writing about happier things. I think songwriting has just always been my way of processing hard feelings, so naturally, I write about those hard things. Give me the heartbreak, the longing, the tears, that’s the sweet spot.

RRX: What was the very first reaction to your music, from the first person to ever hear so much as a practice jam or the demo of your first song?

AC: My memory of the very first reaction to my music is playing for my (still) best friend back in high school. I think I had brought my guitar out to my car, sat in the back seat, and made her turn around so she wasn’t looking at me. But I think her reaction was a good one, maybe surprised that I had hidden this talent so well.

RRX: Our style comes from the extension of our influences. It’s like an evolution. We’re influenced, and it inspires us to influence. What can you say about your influences, and what you feel you’ve done with their influence as a musician or band? Have you extended their work?

AC: Most of my influences, from what I can tell, write and play music because they genuinely love it. Johnnyswim, Maggie Rogers, Léon, I could on…Their emotions are raw, their lyrics are brutally honest, and their music is timeless. I’d like to think I’m keeping that same spirit alive in my own music.

www.amandacasemusic.com

 

More from Liam Sweeny…

“Listen Up Awards 2025” @ Cohoes Music Hall, 3/23/2025

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Xperience Monthly and Mirth Films presented the 4th annual Listen Up Awards at Cohoes Music Hall yesterday, and man … it gets better every year.

With much thanks to New Scotland Spirits and the rest of the sponsors, it was an incredible Sunday afternoon celebrating our local talent, “pure and easy” (with a nod to the Neighborhoods). No judges… you get the most votes, you win.  And we had more than 90,000 votes this year!! Thank you to all of you for caring and taking the time to express your opinion. What a scene we have.

Another longstanding Listen Up Awards tradition – last year’s winners are the this year’s live performers, and Embe Esti (2024 Reggae/World Music winner) and The Hauntings (2024 Punk winner) delivered absolutely killer performances.

Always the first place to properly honor our local legends, the 2025 Listen Up “Hero Awards” went to cherished icons:

  • Greg Bell (promoter extraordinaire, a true tastemaker without making a fuss about it)
  • Fear of Strangers (In another stratosphere. Put Albany on the map, and still reverberating today)
  • Duane Beer (Trauma School Dropouts, Plaid, Blase DeBris, and so much more. And the stories….)
  • Jimmy Barrett (Beat Shop impresario, Kaleidoscope helmsman, Lawn Sausage. As he said ,”You know it’s all about the music, right?”)
  • Luke McNamee (The best saxman, and the best human being, you will ever meet)
  • China White (If you play heavy music, and you’re from anywhere around here, then you owe a debt to these guys. And you know it)

The rest of the awards:

  • Favorite Solo (Male): Tom Staudle

  • Favorite Solo (Female): Shannon Tehya

  • Favorite Duo: Cosby Gibson/Tom Staudle

  • Favorite Country: Chris Sanders

  • Favorite Cover/Tribute: Flannel Kings

  • Favorite Party Band: Harmony Rocks

  • Favorite Reggae/World: Dr. Jah and the Love Prophets

  • Favorite Americana: Kristian Montgomery

  • Favorite Pop Artist: Lil Josiey

  • Favorite Rock Band: Ginger Geezus

  • Favorite Alt/Indie: Kale

  • Favorite Folk/Bluegrass: The Bluebillies

  • Favorite Punk/Garage: Brother T and the Boys

  • Favorite Metal/Hardcore Band: Kakos

  • Favorite Jam Band: Hilltop

  • Favorite Blues Artist: Dealt The Blues

  • Favorite R&B/Soul/Funk: Garland Nelson

  • Favorite Electronica/Experimental: 100 Psychic Dreams

  • Favorite Performing/Recording DJ: DJ Fearless

  • Favorite Hip-Hop Artist: Ricky Bandana

  • Favorite Prog. Rock Band: Capital Zen

  • Best Hair and Makeup: Joanna (Off The Record)

  • Most Likely To Fall Off Stage: Brother T

  • Favorite Club/Small Venue: The Grateful Den

  • Best Dressed: Norm Fraim

  • Best Marketing Social Media: Big Empty

Photography by Stephanie J Bartik.

Past Listen Up Awards …

 

 

“Monsters of Rock Cruise 2025” – Vixen

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Vixen is one of the most iconic bands of their era and is bringing their high-energy show to the Cohoes Music Hall on May 10 (with special guests Bad Marriage and Johnny Clifford). This is one show you won’t want to miss, so grab your tickets, gather your crew, and get ready to rock.

Lori McKone was onboard this year’s Monsters of Rock Cruise, and captured the band to give a little preview of what to expect.

Photography by Lori Anne McKone.

More from the Monsters of Rock Cruise …