Home Blog Page 23

Andy Araya (aka Rooftop Park) – An Xperience Interview

0

Rooftop Park In Focus

 

Sara Busone chats with Andy Araya, aka Rooftop Park, about “Dannemora,” impromptu video shoots, performing live, and streaming services

 

RRX: So, Rooftop Park … what was your inspiration for that name?

AA: I used to be a part of a band over 10 years ago. And I remember there was one day when all four of us were together in the same room, and we were trying to choose what name to call ourselves. And Rooftop Park was one of my suggestions. It ended up being a different name, but I kept that suggestion because I just thought it was good for something.

RRX: I like the imagery it suggests.

AA: Thank you. I really appreciate that.

RRX: I always think of a feral, overgrown forest on top of a giant skyscraper in the city. That’s what comes to my mind.

AA: I love that so much.

RRX: So I know that you released “Dannamora” recently, which is an amazing song.  And I remember you said you were inspired by the infamous prison break in upstate New York.

AA: Absolutely.

RRX: Tell me a little more about that.

AA: That song was written … I think around October time … around that time of the year. And I was watching a documentary about that exact same prison break. It was a little short television series that Ben Stiller made. And I remember watching that whole series and just saying to myself, “You know, this is such an interesting news story” when it happened, and just looking back on it, it’s almost like it felt worthy of its own kind of song because of just how it fits in modern Upstate history. People remember that event.

RRX: Oh yes …

AA:  I’ve asked multiple people who live up near the Plattsburgh area about that, and it’s always the same old, you know, sigh and ”Yeah, I remember that.”

RRX: Yeah, it was a big, big deal. When you wrote the song, was it from a specific point of view?

AA: There are multiple points of view from the song itself and the lyrics. There’s a little bit of a narrator in the first verse saying they slipped through the cracks where the shadows go in … it switches over to the prison breakers’ perspective at some points where there are lines like, “They’ll speak of our stories in the towns below.” There’s definitely more than one perspective. It kind of zigzags.

RRX:  Yeah, I get that impression from what I remember about the song. It’s a great song. I really like it. And I really loved the video that you did in the alleyway up here in Troy.


AA: Oh, yes, thank you. That was for “Come And Go.” That was a fun one.

RRX: Yes, I really enjoyed it. What inspired you to film there?

AA:  I just happened to be around that area. I was catching a concert at No Fun that night with two of my friends, who just so happened to be guest vocals on that song. So, after one set is done, we stepped outside, and I start bringing up to them the topic of shooting a video for that song. And we were saying things like, “Oh yeah, yeah, yeah … we got to pick a day out to do that,” and, “I can’t wait.” And there was another person in that conversation who just kind of stopped us and went, “Um, why don’t we just do it right now?” And we all kind of looked at each other, and we’re just like, “Yeah, why don’t we? We’re here!” “Yeah, we’re here, and it’s a pretty fun night, so why not just get something out of it?” And we did.

RRX: It looked like you spent a lot of time planning it out, but I love that it was just on the fly.

AA: Oh my God, (it) couldn’t have gone any better, and that’s just because of the people who I was with. The guest vocals on that song are by Alec Kaplan and Jordan Demaris. And shooting that video was so fun. My friend Emily was the one who filmed that music video, and it couldn’t have gone any better.

RRX: Kudos to Emily. She did a great job.

AA: Absolutely.

RRX: What are your hopes, dreams, and visions for Rooftop Park? Moving forward, what would you love to see happen? What are you working towards?

AA: I mean, right now, it’s just playing to as big packed rooms as I can. I love playing live. That’s probably my most passionate thing in this project. It’s just … the anticipation of like 10 minutes before the stage, you could feel your heart beating. And it’s funny cause I’ve done this a thousand times, and I still get in that mindset of like, “All right, this is it.” And it’s an interesting dragon to chase for sure, but I have multiple goals. Like I wanna play to the biggest packed house I can. There are some local acts around here that I would love to open for or collaborate with. And maybe even get us on a festival or two.

RRX: Whenever I see clips or footage of you playing live, I can see how happy you are on stage. It shows.

AA: Oh, I appreciate that. It is a great time. It goes by fast.  It always goes by fast. I remember for my show last month, I was on stage for almost an hour, and it felt like 20 minutes.

RRX Oh wow, that’s cool. They say it flies when you have fun!

AA: Absolutely, that’s so true.

RRX:  Lots of different musicians and artists have very strong feelings about streaming platforms. Spotify, Bandcamp, etc. Do you have any specific thoughts about that? Have you had good experiences, bad experiences, etc?

AA: I understand the whole thing about Spotify. I mean, for starters, it definitely is a bit of a crime how they don’t really pay their artists that well. I think it’s nearly fractions of a penny for a single play,  and it’s definitely got its pros and cons. Spotify, Apple Music … that seems to be kind of the biggest way of getting seen right about now, whether it’s a good thing or a bad thing. There are good alternatives, though.  Bandcamp is super trustworthy. They make sure to, and they have special days where people who buy your stuff … you will get 100% of the proceeds! So I think I find Bandcamp a little more useful and a little more trustworthy.

RRX: Sure. That’s really cool that they do that. I know a lot of people seem to prefer Bandcamp. That might be why … they’re fairer to the artist.

AA: Absolutely.

RRX: Do you have any great dates or things coming up that you would like everyone to know about?

AA: For the rest of June, I think I have a clean slate. I know July, I have a gig at Jive Hive, which is gonna be a very fun one.

RRX: Oh, I’ve heard nothing but good things about Jive Hive!

AA: Oh yeah, I’ve been wanting to play at Jive Hive for a long time, so this is very exciting.

RRX: It is exciting!  Congratulations. That’ll be cool.

AA: Thank you so much.


* You can find Rooftop Park anywhere you stream your music

Afrobeats Night @ Alive at Five, 6/25/2026

0

Afrobeats Night at Alive at Five featured DJ TGIF, Soular Sounds, and Afrellie, and was held at the Corning Preserve Boat Launch due to the weather.

Photography by Timothy Reidy.

More from Alive at Five here …

Blue Ranger / Bo Malcolm / Bruiser & Bicycle @ Hangar on the Hudson, 6/25/2026

0

On June 25, the Hangar on the Hudson held a triple bill with Blue Ranger, Bo Malcolm, and Bruiser & Bicycle.

Photography by Timothy Reidy.

More from Hangar on the Hudson here …

The Wolff Sisters @ White Lake Studios, 6/25/2026

0

By Evan Lauber.

While on assignment checking my email in Buffalo, I was asked to photograph last Thursday night’s Upstate Unplugged concert at White Lake Studios.  I agreed instantly, not even taking note of who the act was, as I was multitasking and also never heard of The Wolff Sisters –  most likely as I’m not in the loop on the Boston music scene.  Plus David and Anna always select amazing artists for their shows.  Upstate Unplugged does an amazing job of showcasing acts that are doing great in their market and are often touring, but may not be on the radio yet, and most likely are new for most people out on the indie scene.  So the question comes down to: who are the Wolff Sisters?  They start off their show speaking of a heckler who was disappointed, as he expected a sister duo and instead got a trio. I’m sure this individual enjoyed the show as the keyboards added a great sound to the mix.  The Wolff Sisters are a Boston-based trio consisting of sisters Rebecca (acoustic guitar), Rachael (electric guitar), and Kat (keys).  They won the Boston Music Award for Americana Artist of the Year in 2020.

While in the studio listening to the show and watching David Bourgeois mix the show, subconsciously I must have been trying to figure out who these women were…  Why do I (like so many others) think I have to compare and categorize music? I whispered that they sound a little like the Indigo Girls to Rob (Smittix) and Art (Fredette).  To paraphrase, I recall Art whispering that Rachael’s guitar playing reminded him of one of the world’s best: Mark Knopfler of Dire Straits.

The question remains: who are these sisters?  After the show, when speaking with Rebecca at the merch table, I asked which CD she recommends. The most recent one is where the band is at now, and since I liked the show, she recommended that one.  I’m sure I will love it, and then want to hear their earlier albums and how they evolved to where they are now.  There’s so much talent here, and such a unique experience; words can’t describe it all.  With all the amazing undiscovered acts out there, The Wolff Sisters are one of the tops on my list; this show was just a tease, as there are several more songs of theirs to experience on older albums.  Their performance inspires more art to be made, which is exactly how these photos became so artsy, as they were captured during their show … while leaving some of the mystery of who they are.  I look forward to seeing the Wolff Sisters again as their music evolves.

Photography by Evan Lauber.

More from White Lake Studios here …

James Taylor @ Saratoga Performing Arts Center, 6/29/2026

By Stephanie J Bartik.

James Taylor and His All-Star Band brought more than a concert to the stage. They brought an evening that felt like taking a deep breath.

In an era of high-energy productions and nonstop movement, there was something refreshing about simply sitting back and listening. The audience wasn’t distracted by flashing choreography or constant motion. Instead, they heard the stories, the lyrics, and the emotions that have made James Taylor’s music part of so many lives for decades.

Most of the evening, Taylor was flanked by two outstanding backing vocalists. On one side was his son, Henry Taylor, whose harmonies blended beautifully with his father’s. Every so often, James would glance toward Henry with a smile that quietly revealed a father’s pride. On the other side was longtime vocalist Dorien Holley, whose rich harmonies completed the signature sound fans know so well.

At times, the concert felt less like a performance in a large venue and more like sitting around a backyard campfire, listening to an old friend tell stories with nothing more than a guitar in his hands.

Taylor’s voice remains remarkably strong, and he reminded everyone that what they were hearing was completely live. Early in one song, he stopped himself after only a few notes.

“Wait … started in the wrong key. Let’s do that again. This is live music.”

The audience responded with laughter and appreciation, embracing the authenticity of the moment.

That isn’t to say Taylor stayed rooted in one spot all evening. He even threw in a few quick little jumps during the show, just enough to remind everyone that he still has a playful side.

His humor surfaced throughout the night. Before intermission, he announced there would be a twenty-minute break, adding that he wasn’t really sure why because, “All we do is go over there,” pointing toward the side of the stage, “and stand behind the curtain.”

Except he didn’t.

Rather than disappearing backstage, Taylor lingered near the front side of the stage, taking time to acknowledge and interact with fans in the front rows. It was a simple gesture, but one that perfectly reflected something he had shared earlier in the evening:

“If you want to make the world a better place, your opportunity to do that is with the next human being that you encounter.”

He didn’t just say it. He lived it.

While Taylor avoided making the evening overtly political, he did touch on current events and his longtime progressive and environmental views. Introducing “Line ‘Em Up,” he recalled Richard Nixon’s final day in office, when White House staff lined up on the lawn to watch him depart.

“I never thought I’d say this, but I miss Richard Nixon. At least he knew when he’d done wrong.”

Behind the band, the familiar video screen provided tasteful imagery that complemented the songs without overwhelming them, allowing the music to remain the evening’s true centerpiece.

Overall, James Taylor proved that great performances don’t require elaborate productions or endless movement. A strong voice, timeless songs, an exceptional band, and a genuine connection with the audience were more than enough to create an unforgettable evening.

Set One: Whenever You’re Ready, Rainy Day Man, T-Bone, That’s Why I’m Here, Mexico, Line ‘Em Up, Millworker, Shower the People, Handy Man, Steamroller

Set Two: Country Road, Copperline, You’ve Got a Friend, Up on the Roof, Never Die Young, Carolina in My Mind, Fire and Rain, Your Smiling Face

Encore: Shed a Little Light, How Sweet It Is, Sweet Baby James

Photography by Stephanie J Bartik.

More from Saratoga Performing Arts Center here …

The Eleven, 6/20/2026

0

The Eleven had two afternoon shows on June 20: Kyla Silk and Brandon Newell.

Photography by Timothy Reidy.

More from The Eleven here …

The Wildcats @ McGeary’s, 6/20/2026

0

On June 20, the Wildcats (of Ernie Williams fame) played two sets outside of McGeary’s. Luke McNamee joined on sax for the second set.

Photography by Timothy Reidy.

More from McGeary’s here …

 

Troy Pride Night Out, 6/26/2026

0

Within minutes of opening, Troy Pride Night Out drew a big crowd to the Collar City.  A Big Gay Market popped up, featuring over 70 LGBTQIA+ creatives, makers, artists, and practitioners, with proceeds benefiting the Alliance For Positive Health.  Local downtown businesses stayed open late, after parties were held at several designated local spots, and there were live entertainment and drag performances coordinated by Typhoid Mary and DJ Phoenix.

Photography by Sara Busone.

More from Sara Busone here …

Dad Fest @ Washington Park, 6/21/2026

0

The annual Dad Fest celebration in Albany’s Washington Park featured the much-loved car show, along with music by the Albany Rock Pit, Sydney Worthley, Erica Rose, Lucid Street, and Doc Horton and the Jay Street Band, amongst others.

Photography by Timothy Reidy.

More from Timothy Reidy here …

 

The Xperience Monthly – July 2026 Edition

Get out and grab your copy of The Xperience Monthly July 2026 edition today! We’re still celebrating the 8th anniversary… We ARE everywhere! AL approved… Available at over 1,100 locations in the 518 and always online… Yup! It’s FREE……

Read and or Download the Digital Edition by clicking here.

The Xperience Monthly July 2026
The Xperience Monthly July 2026