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Cosby Gibson & Tom Staudle – Interview – Thanks for Asking!

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Cosby Gibson & Tom Staudle

Cosby Gibson & Tom Staudle – Interview – Thanks for Asking! – by Liam Sweeny.

RRX: Music genres are difficult for some artists. Some strictly adhere; others not so much. What is your perspective on the genre you play, or the genres you hover around?

CGTS: We describe ourselves as “acoustic, folk, and blues-style original and cover songs,” however Tom will throw in some rock songs, and Cosby will play Old Time fiddle in our performances. Our original songs would be considered acoustic. The kind of “folk” we play is the Woodstock type rather than political songs. We performed over 65 shows in 2024, and our set lists accommodate and reflect the genre tone of the venues.

RRX: The best laid plans of mice and men…”When we least expect it, calamity befalls us. Sometimes just comic inconvenience. Please tell us a story about some comic inconvenience that happened to you whilst performing.

CGTS: Years ago while on tour we were asked to perform at a small airport event called a “Fly-In.” The organizer said it would be all right for us to camp on the property. He pointed in a general direction and so we parked there in the dark. The following morning we woke up to see a big air plane wing right out the window, going past us! We were parked at the edge the runway. Pretty surprising at six in the morning, lol!

RRX: We have to play somewhere, and sometimes those places have more going for them than a stage and a power outlet. What is a memorable place you played, and bonus points if it’s not a well-known place.

CGTS: We really love performing in the historic barn venues, like Mabee Farm, Windfall Dutch Barn, and Fort Klock. The huge beams and old wood make the music sound amazing, and the barns have a great atmosphere. Other favorites are historic theaters and summer festivals.

RRX: Sometimes you gotta go on the road. Miles can build up, and it can stretch the comfort level of any travelling act. What do you bring on a road trip, or tour? What will you forget to bring?

CGTS: We are so fortunate to have a touring van, and it’s set up for sleeping. It has running water and heat, too. The van’s name is the “Most Magnificent Mobile, and some of our listeners nicknamed it “Maggie.” In 2024 we did six mini-tours through Massachusetts, Vermont, and New York. We have a checklist when packing, so we rarely forget anything. We are careful about rest, food, hydration, and over-booking, in order to keep up energy.

RRX: Is there a favorite time of year? What time of year does the band have the most shows? Is there a recurring thing in the year that’s particularly memorable?

CGTS: We are full-time songwriters and musicians, and perform three seasons of the year. In the winter we stay home because of storms and cold temperatures. This allows us to develop projects, write songs, repair equipment, etc. This winter, Cosby released a new album, “The Hollow Crown,” in physical format and on her Bandcamp. Tom is working on recordings in his “Kitchen Studios,”(yes, it’s really in the kitchen, and the songs sound great, lol).

RRX: We do this for the fans. For the blisters also, but mostly for the fans. Who’s one your best fans? Without necessarily giving their name, what are they like.

CGTS: Our listeners are so important to us, and we love performing for and interacting with them! To name a single person would be impossible. Cosby has a Patreon page where she posts new songs, videos, and drawings and almost 60 people subscribe. Our GoFundMe fundraisers for album production and equipment go past the goals. It is amazing and we are so grateful for our listeners. We look forward to meeting up with them every year!

 

 

More from Liam Sweeny…

ON STAGE: “100 Saints You Should Know” @ Schenectady Civic Players

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Maureen Aumond and Alex Yan (photo provided)

Review by J Hunter.

“The struggle is real.” That phrase has been around long enough that it’s way too easy to parody. Unfortunately for some, the struggle is all too real as they deal with personal issues, career choices, and the support they get (or don’t get) from their respective families. Kate Fodor’s deeply intimate play “100 Saints You Should Know” puts an extra-large magnifying glass on the issues of a few people just trying to get by.

By her own admission, Theresa (Brigitta Rose) is “barely an adult.” She does scut work for a local cleaning service, and our first glimpse of her is cleaning a toilet in the rectory of a Catholic church. It’s there that she kinda-sorta “meets-cute” with Father Matthew (Alex Yun), a new parish priest who just needed to use the bathroom. However, Matthew has his own newsstand of issues, some of which get him temporarily suspended from the parish early in the play. “I am lonely,” he blurts early on to the audience, but his only alternative after suspension does not help.

Brigitta Rose and Zurie Adams (photo provided)

They say home is the place where they have to take you in, so Matthew is forced to move back home with his mother Colleen (a riveting Maureen Baillargeon Aumond), a first-generation Irish immigrant who knows what she believes and believes what she knows, particularly when it comes to religion and the Church. Colleen’s proudest moment in life is when she “gave Matthew to God” after raising him specifically to do the job he’s got now. Any personal issues he may have are simply not to be discussed – and when they finally are, we see a side of Colleen that is both unfortunate and upsetting.

Theresa’s “cross to bear” is her 15-year old mixed-race daughter  Abby, who lives by her impulses and has a manipulative streak that starts out funny and becomes progressively horrifying. She ends up contributing to a tragedy that effects everyone in the play, most notably delivery boy / ”Failure to Launch” candidate Garrett (Jake Huerter), who literally has no direction in his life and absolutely no clue how to acquire one as he delivers groceries for his racist shopkeeper father. Zurie Adams’ electric performance makes Abby both likable and unnerving: The ease with which she wraps Garrett around her little finger, again, starts out funny but becomes horribly mean-spirited as Abby uses this stranger to make herself feel both powerful and in control.

Jake Huerter and Zurie Adams (photo provided)

Rose’s Theresa is truly trying to do her best in a life of drudgery. She remembers the book “100 Saints You Should Know” she got as a present when she was 8, and longs for the simplicity that book promised. During a halting monologue in Act Two, we find out how Theresa got excised from her own family of origin, going “on tour” with the Grateful Dead after Abby is born. We see how Abby is the apple that didn’t fall far from the tree, and when Mother and Daughter fight, it’s like listening to the same teenage girl having an argument with herself. “I’m not mad at you,” Abby tells Theresa at one point. “I hate you!”

Like Huerter, this is Yan’s first appearance at Civic, and he does yeoman’s work bringing Matthew to life as he battles his mother, his sexuality, and his belief in both the Lord and in the job that he was raised to do. When Matthew says he “doesn’t pray”, he means that he speaks the words of the liturgy but has no personal feeling for them. As Colleen’s biggest “accomplishment”, Matthew wants to please his mother but also wants to talk to her about the changes he’s going through – even though he knows the odds of everything going to Hell are pretty good. When Theresa shows too much interest in Matthew for Colleen’s liking, she says firmly twice (and yelling once), “My son belongs to GOD!”

Director Tony Pallone has kept things beautifully simple, using unadorned modular sets to keep the scenes changing without too much extended foofaraw by the crew. Pallone has also constructed a beautiful sound design that shows how deep God extends into our culture – from the Beach Boys’ “God Only Knows” and Dusty Springfield’s “Son of a Preacher Man” to Joan Osborne’s “One of Us,” which wonders what it would be like if God “was a slob like one of us.” Most of the characters would be good with that, although Colleen would be mortified at the concept.

“100 Saints You Should Know” has moments that are hard to watch as the characters try to lose the mental & emotional chains that hold them back from their own happiness. There are also some pictures that some might find disturbing when they’re displayed during an anguished monologue by Yan. But given halcyon performances from a cast that makes these situations all too relatable, it’s worth it to you to experience those moments and root for the characters as they deal with reality the only way they know and then try to change that reality – if not for the better, than for the different.

“100 Saints You Should Know” plays Wednesday, January 29 through Sunday, February 2 at Schenectady Civic Playhouse, 12 S. Church Street, Schenectady NY. For tickets and showtimes, please call (518) 382-2081 or visit www.civicplayers.org.

Tragedy @ Empire Underground, 1/23/2025

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Tragedy is an “All Metal Tribute to the Bee Gees & Beyond,” and they headlined a wild show at Empire Underground on January 23.

Photography by Stephanie J Bartik.

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Week Four: Jesse Sample’s Freak of the Week “Angels in the Making”

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Jesse Sample’s Freak of the Week airs EVERY WEDNESDAY at 6pm EASTERN on RadioRadioX.com

This is Jesse Sample. We exist in a physical world, and we can kind of prove it…to some degree…using limited forms of measurement…But we, as a human race, have a lot to say about it. Everyone is on an emotional journey and some of us exist in what we consider a spiritual level. But we are, at least in a physical sense, flesh and bone.

What do we that realization? The physical world is full of things that could crush us and not even get a dent. And when this physical vehicle finally runs out of gas, what next? Your guess is as good as mine. But there are things that we can’t see or wrap our minds around. That might be considered good news.

What if we can use our physical existence to forge something that is more than physical. Perhaps a meaning. Perhaps love. Perhaps our sweet unique stories will ring throughout the universe forever stirring up dust in its faraway corners.

This one goes out to Mary Greschak. You’re a sweet girl and we’ll all see you again real soon.

Thanks to all of you theoretical fellow passengers tuned into RadioRadioX. I feel your consciousness and you paint my world in vivid and beautiful colors. This is the Freak of the Week, “Angels in the Making.”

 

Lex Naturalis @ Empire Underground, 1/23/2025

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Lex Naturalis came down from Glens Falls to kick things off in style for Tragedy at Empire Underground.

Photography by Stephanie J Bartik.

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Putricia, the Corpse Flower – The Weird Side of the Internet

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Putricia

Putricia, the Corpse Flower – The Weird Side of the Internet – by Liam Sweeny.

The world of flora is a fascinating world, even if you don’t know Latin. That’s because botany is everywhere. From a soothing walk in the woods to the “craft beer” like essence of the thriving marijuana market, we just couldn’t live without our plants. Like, literally. And there are oddballs like the Venus flytrap, one of the few carnivorous plants, and we have the Carolina Reaper pepper, which should come with a gallon of milk per serving, but nothing really compares to the amorphophallus titanium, or the Indonesian name Bunga Bangkai, or, in plain English, the corpse flower.

First off, they’re rare, only 300 in the wild, and about a thousand not in the wild. They’re rare because the only bloom every 7-10 years. They’re wonderful because when they bloom and unfurl their flower, they emit the pungent odor of decay. More than that. Gym socks, garbage, and yes, death.

There’s one in the Botanical Garden in Sydney, Australia, and it is a superstar. People crowd the garden by the thousand on the day it blooms, all so they can get a sniff. They call it Putricia, and in person and online, there is a fanatical Putricia cult. Acronyms like WWTF (We Watch The Flower) and WDNRP (We Do Not Rush Putricia) abound.

Putricia odor is to attract flies and insects, to get them to burrow in, get sticky, and go pollinate. Considering they’re so rare and the only bloom about once a decade, they have a really hard time with the bow-chicka-bow-wow.

So would you go all the way to Sydney to get a whiff of death? I don’t know if this is a draw for anyone who’s worked a kitchen or had a dead mouse in their wall. But hey, to each their own. Maybe it’s a life-death thing. Maybe it’s some people’s eclipse, or their visit to a Tibetan monastery in Kathmandu. People are weird; plants are weird too now, I guess.

Photo by Sailing moose – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=70296828

 

More from Liam Sweeny…

Ominous Seapods – Interview – Thanks for Asking!

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Ominous Seapods

Ominous Seapods – Interview – Thanks for Asking! – by Liam Sweeny.

RRX: Music genres are difficult for some artists. Some strictly adhere; others not so much. What is your perspective on the genre you play, or the genres you hover around?

OS: We grew up hearing and being influenced by so many genres of music. For us, nothing is off limits. Our center is Americana with a North Country twist because of our start in Upstate New York, but we hover around rock-n-roll, funk, country/blues, bluegrass, southern rock, acid rock, Frank Zappa (a genre unto itself) and of course jam bands.

RRX: We have to play somewhere, and sometimes those places have more going for them than a stage and a power outlet. What is a memorable place you played, and bonus points if it’s not a well-known place.

OS: Hands down and hands up P.B. Finnan’s (The Monopole) in Plattsburgh, NY. The room is oddly shaped, the stage is low, but the vibe is palpable. You are so close to the audience you feel like everyone is part of the show. Sharing beers and conversations between songs and the occasional fan/friend joining us on stage to immerse themselves in the music and the vibe is a unique experience for sure.

RRX: In the universe of music, anything can happen. Bizarro doppelgangers can walk down the street in feather boas. Who would be your musical opposite and why? What do you think the “anti-you” band would sound like?

OS: Any great polished cover band with musicians that have monster ears and can play their instrument just like the person on the record. When it comes to covers or playing just like someone else, we suck! But it led us down the path of writing unique songs and playing covers with our own take on it. We just didn’t have the skills to do it any other way.

RRX: Sex, drugs, and rock and roll. Or so they say. Whether you’re off the wagon, on it, or never been, there’s something you got a thirst for. What are some of your basically harmless vices?

OS: We’ve been a band for 37 years and counting. We lived the rock and roll lifestyle for many years, but it’s not sustainable (something to be learned from the 27 club). We always loved hiking, camping, mountain biking, skiing, concerts and in our later years we added cooking, meditation and evolved writing songs.

RRX: Would you rather have one of your songs blow up and make you a one-hit wonder and household name, or would you rather have all your songs be solidly received, but no chart-climbers? (You have to pick one or the other here.)

OS: Solidly received. The fan base is more organic and loyal, we “get” each other. The live shows are more fun from start to finish and about the journey of the whole show, not disappointing fans until you finally play your hit at the end of the night. I would imagine the rush of quickly rising to fame is amazing, but it’s fleeting.

RRX: What instrument would you add to the band if you could? Is there anything you are trying to do musically that would be helped with one or more additional players?

OS: I would love to add horns, specifically Trombone, Sax & Trumpet. I started hearing horns in my head on some of our songs recently and begun educating myself on how that is done. I am awestruck by the Band’s Last Waltz and the horn section they added for those shows.

 

Link to Ominous Seapods music on Spotify:

 

 

More from Liam Sweeny…

“Deb Cavanaugh Benefit” @ Hangar on the Hudson, 1/26/2025

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More coverage of the benefit held Sunday to help out Deb on her road back to full recovery.

Photography by Sara Busone.

 

Serpent and the Sun, Chptr. 10 – Xperience Fiction

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Serpent and the Sun

Serpent and the Sun, Chptr. 10 – Xperience Fiction – by Liam Sweeny.

President Liu waited patiently outside the office of the President of Everest. His boss. In fact, the boss of the whole un-heathen world, one might say. Liu was called at three o’clock in the morning; his presence requested in six hours. He barely had enough time to tie his shoes.

He sat with his arms folded as men walked by. Some he recognized with a nod, others were strangers. The Sanctuary Presidents made up the formal board at Everest, but they met only once a year. Denali, meaning him, met more frequently. President Liu and President Quan’s personalities were sandpaper against each other, and Liu knew full well why he was called out of the night’s gut.

Coulson BlackLake.

Liu didn’t bother to confer with President Quan, and that must’ve burned him. Activating BlackLake was a true gray-area in terms of who should be notified. The respectful thing would have been for Liu to notify Quan before going to the crater. But Liu didn’t have respect for Quan. He didn’t trust Quan, nor did he feel that he deserved his seat. His throne.

Quan’s door creaked open, solid walnut glazed mirror-like. No expense spared for the King. He walked into an office that made his seem like a woodland shack. The marble floor was strategically covered by a Persian rug, and every piece of custom-sewn furniture was made from the hides of a different, extinct animal.

Liu walked over and found the seat before Quan’s desk. A chessboard sat atop it, the pieces set up to play. It was an ominous sign. Quan was a master, and when he dressed down his subordinates, he did so while beating them blind in chess. It was a statement; pure emphasis. Quan sat down in his chair.

“Care to play?” He asked. Rhetorical question; no one said no and kept their position. Liu nodded, and Liu moved one of his pawns forward.

“I’ve been told that you activated BlackLake,” Quan said, “Any particular reason I wasn’t informed?”

“It was a military matter,” Liu responded, moving one of his own pawns, “It didn’t require civilian approval.”

“I didn’t ask if it required my approval,” Quan moved, “I asked why I was kept out of the loop.”

“We all keep things from each other, don’t we, Jiang?” Quan hated to be called by his first name.

“And what’s that supposed to mean?” Quan slid out his bishop. “Check.”

Liu blocked with a pawn. Quan backed up, Liu advanced with another pawn, immobilizing his bishop. He pulled out two video-films, tossing them to Quan’s side of the desk.

“Michael Wynsee;” he said, “sick. Blake Chaplain; sick.

“What? Why do you think I’m keeping this from you?”

“Well, let’s see,” Liu moved out his knight, “For starters, what I said just now didn’t surprise you.”

“Who cares? They’re rebels! I’d just assume see them dead.”

“They’re not just rebels,” replied Liu, “They’re infused; like us.”

“Michael Wynsee’s not,”

“But Chaplain is, and you know it!” Quan left a bishop undefended. Liu took it with a knight, leaving Quan in a hook move. He’d have to give up the queen or a rook. His sloppiness only underscored Liu’s suspicions. Quan was rattled.

“Chaplain was infused using standard method, just like you and I”

“I didn’t think of that…”

“If you’re going to bullshit me, try to do a better job…”

“Do you realize who you’re talking to, President Liu?”

Quan brought out his queen, trying to put pressure on Quan’s knight. Liu castled while he still had the chance.

“Jiang, why is Everest’s release date three months after the rest of the Sanctuaries?” He could see Quan’s forehead start to bead up.

“There’s a perfectly logical explanation for that…”

“Let’s hear it.” Liu stared at the board as he said it.

Quan used chess as a way of distracting his opponent, to keep them from lying about the real stuff. Right then Liu was putting the screws to him, and he was blowing his game. He moved a rook, leaving his queen in check. Liu took it.

“I’m the President of the United Earth Corporation,” he said, “I am not answerable to you, you are answerable to me, you understand?”

“I understand quite well, Jiang,” replied Liu, “We all have our secrets…”

Liu moved his rook ahead one space. “Check.”

“You have no right to question me,” Quan said, “And on a side note, all of the Presidents and their families were to be held here until the virus could be deactivated, so I have precious little idea why this bothers you.”

“What about the First and Second Tiers?”

“What about them?” Quan responded, “They’re dead weight. Do you know any First- or Second Tier shareholders in Denali?”

“Jiang, I can’t believe you’re not only admitting this to me, but you’re OK with it.” Liu scratched the edges of a ring on his finger. “I could not have expected such… dishonor.” Quan’s face went red.

“I could have you brought up on charges of treason!” He stammered. He moved his king. Liu had him on the run in the game and the conversation.

“You may well try,” Liu said, “but I doubt Denali will hear the case.”

“I don’t believe this!” Quan said, “This is treason!”

“No,” replied Liu. “This is treason.” He had a beacon on the inside of his ring, and he hit it. Within three seconds, six Guardsmen burst in Quan’s office. One had a pair of electrolock shackles; the rest had guns.

“Those guns are special issue,” said Liu, “They disrupt nano. You have a choice; in prison, or in pieces.”

The Guardsmen came in. Quan surrendered, thundering his protests about how he’d get his revenge, the board would never settle for this, and any other thing he could think of to regain his freedom. Liu picked up his queen and walked around the des to Quan’s seat. He sat in it and leaned back, feeling the bliss of opulence surround him. Truth was, the board would settle for it; it was the other Presidents who requested it. Liu tossed his queen onto the chessboard, scattering Quan’s pieces.

“Checkmate.”

 

***

 

“Slow the fuck down, will ya’?” Jameson clutched his restraint harness.

“This is slow; we have two days to get to Seattle,” Blake said, “Better get used to it.”

“Why are we going state-side? As-the-crow-flies would get us there in less than a day…”

As-the-crow-flies would get us killed.” Blake replied, “We’ve got trouble.”

Jameson shuddered at those words. Coming from Blake, they were never an exaggeration.

“Care to tell me what kind of trouble?”

Blake glanced over. Adam was restrained in Jameson’s harness, smiling profusely. This was the fastest he’d ever gone.

“Adam,” Blake said, “Sleep for five minutes.”

“Okay.” Adam’s unit dimmed.

“How the fuck did you-“

“Never mind,” Blake said, “Coulson BlackLake. Ya’ heard of him?”

“Of course…” Jameson said. “I had to research him before.”

“He’s after us.”

Jameson didn’t know what to say. After a couple of false starts, he said, “What? Why?!”

“I don’t know,” Blake responded, “On the way to New Rochester, I picked up signals. Guard deaths. I used an old geo-locater to pin-point the signals, and they originated from somewhere inside the Apep crater.”

“OK; so?”

“The signals came across simultaneously,” Blake said, “What can do that?”

“Look, I don’t know, but what proof do you have that Coulson BlackLake has anything to do with this?”

“President Quan went to the crater the day the Guardsmen died.”

Strange, but not proof…

“Look Jameson, he showed up at Albany after I left. I…felt him, in my head, for like a split second… he was tracking. You probably would’ve felt him in your head too, if ya’ weren’t such a scatterbrain…”

Jameson tried to recall anything unusual, but short of a nightmare he had the night before, he could find nothing out of the norm.

“I don’t know, Blake,” he said, “You know I trust you, but I’ll need something more concrete…”

“Ya’ mean that scary guy all dressed in black?” Came a voice from the console. Adam.

Blake frowned. “I thought I told you to-,” Jameson snickered.

“They grow up so fast, don’t they?” He said. “Adam, explain what you just said.”

“He’s dressed all in black,” Adam said, “He can turn into something like black smoke. He sure is scary, but I held up my crucifix, and he couldn’t get in.”

“Your crucifix?”

Adam lifted his hand, and as he did so a large crucifix appeared in his hand.

“No scary vampire’s gonna’ get me!” he said. Blake laughed so hard, he nearly tipped the float.

“Care to enlighten me?” Jameson said as he took a small acetylene torch to his pipe. Matches were useless when Blake drove.

“Coulson BlackLake is PEALE incarnate,” Blake said, “He has PEALE’s strengths… and its weaknesses.”

“It can’t contemplate God.”

“Right,” Blake said, “Or religious symbols.”

Dirty vampires!” Adam said, and he hissed, holding up his crucifix.

“Adam, he’s after you.” Blake said.

“Why me?” Adam put the crucifix down.

“You’re the only thing on earth he feels threatened by.”

“I’m not a thing…” Adam sulked.

“I’m sorry Adam; I didn’t mean it like that-”

“Well, it came out like that, didn’t it…?”

“Adam, you know I love ya’, buddy,” said Blake, “You’re just as human as I am.”

Adam continued to sulk. Blake sighed.

“Okay, what can I do to make it up to you?” He asked.

“Let me drive.”

“You gotta’ be fucking kidding me!” said Jameson, “Adam, you don’t even know how to drive!”

“Yes I do.” He replied. “Michael taught me before he gave me to Blake. Tell him, Blake!”

Blake sighed again. “He knows.”

“You are both out of your minds!”

“C’mon, Jameson,” Adam said with a mischievous smile, “live a little…

Jameson shook his head, knowing he wouldn’t win this one.

“Fine,” he said, “don’t kill us.”

Blake plugged Adam’s interface into the control stick, giving him the Seattle coordinates. Blake gave Adam control on condition that he be given an override. Surprisingly, the ride under Adam’s control was smooth.

Blake and Jameson sat in silence for over a half-hour. Blake had something else on his mind; Jameson could tell. Finally, Blake pulled out a small, white plastic device and handed it to him.

“Ever seen one of these before?”

Jameson turned it over. “No, what is it?”

“I’m not sure,” Blake replied, “But it turned Cyrus Swift into metal. Ralph had it in his hand when I found their bodies.”

“So this thing can kill Guardsmen?”

“I guess so.”

Jameson kept flipping it around in his palm. Then he handed it back to Blake.

“Better keep this,” he said, “you’re not going to trust anyone else with it, and I don’t blame you.”

Blake gave it back to him.

“I need you to figure it out,” he said, “reverse-engineer it; whatever you gotta’ do.”

“I trust you, Jameson,” he added, “You should know that by now.”

Jameson examined the device. Plastic encasement; looked like a cheap baby flashlight, except that the face was a screen. The screen was raised, bumping out about an eighth of an inch. There was no exit point, so Jameson figured the screen to be the exit point. Perhaps a coded visual signal. He looked over at Blake, who was fiddling with a book of matches to no success. He pulled out the mini-torch, brushing the blue flame over the tip of his hand-rolled.

“Thanks.”

“No prob’,” Jameson replied, “So what are we doing with this? Building a defense for you and Mike?”

“No, not exactly,” replied Blake, “BlackLake doesn’t need one of these to turn people into metal. I found it in human hands, remember?” Jameson nodded.

“I want you figure it out,” Blake said, “so we can build an industrial model.”

***

Elle brushed her hair furiously, five minutes late for dinner with Frederick. He arranged two seats at Le Mer. After their last dinner fiasco, she was surprised he had the balls to return. Balls or not, he had the pedigree to go back. She loathed him, prepared to undermine the relationship at every turn. Except one; she needed him that night, or she wouldn’t have bothered brushing her hair.

The recorder sat on the table. Within it was stored a plot so vile, she feared even knowing of it. Millions of people; hundreds of millions would be wiped away like the dust of the field. And Gerhardt; had he known, would he have left her? Probably not. Elle pulled out her mirror to reveal one of the many pictures she had of him. His hair was long at the time and he wore a goatee, despite those being taboo in the Sanctuary. He had on a red shirt bearing the silhouette of some twentieth-century revolutionary.

Probably. Elle wiped the moisture from her eyelids, re-applied her make-up. Her father allowed him to leave, helped him leave, she knew it. With no warning, a cold slap on the back to guide Gerhardt to his death. She loathed her father more than she loathed Frederick. Until the day before, she had her revenge.

Then she saw Albrecht’s vacant unit. Wiped clean; even the wall-screen and transmuter were fixed. She only stepped in for a moment, but the smell of sauces and vegetables, spices and scratch-cooking, gone. People didn’t move in the Sanctuaries. Those who wanted a change could change the programming. People didn’t just move.

Diabolical. Elle could hear Albrecht’s voice in her head. He wasn’t the slightest bit surprised at the content of the recording. His nonchalant reaction unnerved her. He knew what he was hearing; it didn’t phase him at all. Then another of his words rattled ominously through her head;

Treason.

She felt so alone without Gerhardt, and now with Albrecht gone, she needed Ger’ more than ever. Elle checked herself in the mirror, hoping the make-up would hide her worries in front of Frederick. She got up, went to her closet to search for a subdued ensemble. The wall-screen came alive with a glass harmonica version of Carol of the Bells. Not her favorite composition, it was the sound she programmed for Frederick. She gave the answer command. The wall-screen filled with Frederick’s face and the backdrop of Le Mer. He was blotting an appetizer off of his face.

“Hi Frederick, dear,” she said, “I’ll be there in five minutes, I’m running a bit late…”

“Just hurry, please…” Frederick sounded edgy. Why?

“Frederick, are you okay?”

He cleared his throat, took a sip of his drink, presumably seltzer.

“Yeah, Elle, honey I’m fine,” He dabbed the corner of his mouth, “I just miss you, that’s all…”

“I see you’ve decided to start without me.”

“Oh now,” he smiled, “This is nothing. Please hurry.” The wall-screen went blank.

Son-of-a-bitch! The nerve of him, hanging up on her like that! After their last date, she could understand his being upset, but she apologized, and he accepted. Now he was going to start telling her to hurry, hanging up on her without even a good-bye? Elle found her outfit, an unflattering earth-tone pant-suit. Frederick hated it; it would do. Otherwise she’d want to have words, and La Mer was the last place for a fresh scene. She double-checked the mirror, grabbed the recorder and hid it in the toe of one of her shoes before walking out.

Elle took the outer ring to the transport. It was longer than taking the mezzanine, but she could see the ocean. She walked slow, wiping the cold glass with her hand. Gerhardt was out there somewhere. Dying. Elle took her hand off the glass like it shocked her, picked up her speed and tried to forget the word diabolical.

Elle eventually made it to Le Mer fifteen minutes after Frederick called her. Le Mer was like a grand ballroom, bejeweled in crystal and white lace, large glass tables with wrought-iron frames, intricate in their design. Gerhardt hated the place; they never went there. It made her dates with Frederick at the least bearable.

He sat alone at a table in the center of the restaurant. Elle announced her arrival to the maitre’d, who nodded, allowing her to pass. As she got close, Frederick shot up from his seat, wiped his head, then the corner of his mouth with his linen napkin. He was nervous. He reached out, grabbed her shoulders with his meaty hands and kissed her. His lips were clammy. Something was up.

“Frederick, what’s wrong with you?”

Frederick stood there, stiff and motionless.

“I’m so sorry, Elle…”

“Ms. Renier?” A voice from behind her. She looked back to see two Guardsmen, black suits with grey-and-gold trim. Sanctuary Police. The silent one moved behind her, clamped his hand on her shoulder.

“Please come with us.”

 

***

 

Gerhardt stared into the bathroom mirror. He hadn’t shaved since he got to Anchorage, his five o’clock shadow-self glared back at him. His eyes were bloodshot, tears river-rolled along his denim lapel just ten minutes earlier. The image of the old woman may as well been a ghost beside him. He killed her. He never killed a fly, never had one to kill in the sanitary Sanctuary. The paradise. He pressed his palms into his eye sockets, watching her pick up the rifle. Her aim was shit; he could’ve clipped her shoulder, forced her to drop it.

But he didn’t.

He turned the water off. He was trying for steam, but the hot water wasn’t there, just a lukewarm trickle. His side-arm was resting on the sink. He grabbed it, rubbing its smooth silvery surface along his jaw-line. Back to the mirror, to the monster trapped within it. Within him. He pushed back on the sink with his free-hand, shrieked as he aimed and fired at the monster. The mirror shattered into spray; Gerhardt hit the stall door and fell, smacking his head on the toilet seat.

Gerhardt awoke to a painful knot in his head. He was slumped against the far wall. Someone moved him. He looked up to see that someone: Dalton, cigarette in one hand, half-empty pack in the other. He flicked the bottom of the pack, sending a cigar in the air to land by Gerhardt’s leg.

“I don’t smoke cigars.”

“You will, if you’re around here enough…”

“Same go for killing the elderly?

Dalton laughed. Gerhardt glared up at him. “I’m glad you think it’s funny…” The smile left Dalton’s face.

“You really think that, do ya’, kid?”

Gerhardt picked up the cigarette. “I don’t know what to think, Dalton,” he said, “honestly.”

Dalton walked over to the window, opaque white from the frost outside. He lifted it up, almost breaking the catch to let air in.

“Adrianna Morse,” He said. “That was her name, and trust me, kid, you’ll grow weary of knowin’ that kinda’ stuff. But her name was Adrianna Morse.”

Dalton stared outside as he spoke, his cigar smoke mixing with the cold air to fly about the bathroom. The cold air felt good.

“She was sentenced to death for setting explosives on a transport skiff.” He said. “That’s what she thought it was, anyway. Turned out to be a private carrier.”

“Sixteen fatalities. Ten of them kids.” Dalton tossed him an old Zippo lighter. “Goddamn school field trip to Denali.”

“And I was her executioner.” Gerhardt said. “To what did I owe that honor?”

“Expediency.”

“Oh, I needed a rating, she needed to die,” Gerhardt said, “Two birds, is that it?”

With amazing speed Dalton had Gerhardt up on his feet, pinned to the wall by his forearms, crushed denim in his iron grip.

“Listen, and listen good, ‘cause I don’t echo…” Dalton’s face was two inches from Gerhardt’s.

“We survive through efficiency,” he said, “We don’t get everything handed to us like y’all do in the Sanctuary. Life’s tough here, in case you haven’t noticed. There are a whole lot of birds out there, and very few stones.”

“You needed to prove your score, and she needed to die. We don’t have adequate prisons here; fuck, we don’t have adequate barracks here. You did yourself, us, and Adrianna Morse a favor today.”

Gerhardt went limp. For the first time since he left Pacific Sanctuary, he questioned the decision. Dalton let go, backed off. Gerhardt fumbled with the lighter, got it to work after a few unsuccessful tries and lit up his smoke. The kick to his lungs expelled a cloud. Gerhardt doubled over, hacking.

Dalton laughed. “You’ll get used to it.”

“Should I?” said Gerhardt between coughs.

“Hell no. Shit’ll kill ya’.”

“You know you coulda’ tagged her shoulder.” Dalton said. Gerhardt groaned.

“I know,” he said, “why didn’t I?”

“That’s a question you’re going to ask yourself over and over again till your dead.”

“Oh, that’s promising.”

“You’ll be fine,” said Dalton, “so long as you give me back my lighter.” Gerhardt smiled, handed it back to him and they shared a quiet smoke.

“What was her name?” asked Dalton after he stomped out his cigarette butt.

“Elle.”

“Elle; that’s a pretty name,” he replied, “What did she look like?”

Gerhardt pulled out a picture and handed it to him.

“Oh yeah,” Dalton held the picture up to the light, “She’s a beauty, all right…” Gerhardt nodded.

“Still think she’s worth leaving paradise for?”

Gerhardt glanced at the picture, an image burned into his retinas, Elle in a crystal-trim white dance dress.

“Yeah, Dalton.”

“That’s good to hear,” he said, “keep her close to your heart.”

Gerhardt looked over. Dalton was once again staring out the window.

“What about you, Dalton? Anyone at home?”

Dalton laughed. “A husky named Gypsy. That’s about it.” Gerhardt nodded. After a pause Dalton continued.

“Had a wife; Sylvia, that was her name.” He said. “She’s…passed.”

“Aw, I’m sorry to hear that…”

It’s alright,” Dalton said, “It’s been awhile.”

“What happened, if you don’t mind my asking?”

“We were attacked by rebels.” He said. “We lived along the barrier; it was less controlled back then.” He noticed Gerhardt’s blank expression.

“We’ll teach you the history of Anchorage soon; that’ll make more sense.”

“Oh, OK,”

“Anyways, we were attacked; they killed her, damn-near killed me. I was lucky to suck air again…” Dalton looked at his fingernails.

“She never wanted to live that far from city-center,” he said, “It took everything I had to convince her…and she was the one that died.”

Dalton opened his cigar pack, shuffled the remaining cigars. He tossed the pack to Gerhardt as he made his way to the door.

“We all go to our grave with questions, my friend…” he said on the way out.

 

***

 

They came out of the quarantine peacefully. Sarah and Daniel stared out the window in awe.

“What the hell is that?”

“Mommy, it looks like my bubble-blower!”

“It looks like oil on water…”

Michael reached under his seat, popped open a compartment. He pulled out two pair of dark, black sunglasses.

“That’s the shield they use to protect the city. It’s cool to look at, but it’ll give you a headache after a while.” He handed them the shades with his free-hand. “Put these on.”

“It’s… white” Sarah held her hand in front of her face.

“Yeah, funny thing,” Michael said, “Seattle used to be overcast all the time. The sky just went from grey to white.”

“I like it,” Daniel took off the shades, “this way better.”

Michael chuckled. “Just don’t lose the shades, buddy, OK?” Daniel shook his head, spun it around as he gazed at the kaleidoscope sky.

They flew over Lake Washington on the right-hand side of the bridge, giving Sarah and Daniel a full view of the city. The skyscrapers had survived UEC attempts at seismic penetration; the Resistance had Seattle well-fortified.

Sarah lowered her shades halfway. “Why aren’t you wearing shades, Michael?”

“Umm…” He replied, “They’re built in.” He tapped his temple.

They followed I-90, dipping into the Mount Baker tunnel. Periodically it would open at the top, and Daniel would take his glasses off to catch rainbow-vision each time. The tunnel was filled with hidden scanners, from real-time MRI to Neutrino-Penetration Analysis. All non-invasive: standard procedure for all entering. Those who failed to enter the tunnel were shot down by a 3 Gigawatt pulse-laser anchored to the roof of Two Union Square: their destination.

Once they were out of the tunnel, they hit I-5. Daniel was mystified, Wow! Holy Jeez! and the like. Sarah was quiet; she’d never been to a full-fledged city before.

They rose above highway, avoiding overpasses. Two Union Square, though not the tallest building, was a monolith just the same. They hovered to the fourteenth floor, where a receiving dock had been carved out of the glass façade.

Michael tapped Sarah on the shoulder. “When we get in there, we’ll be separated. They need to examine you and Daniel, run some tests.” Sarah stiffened up.

“They’ll take good care of you guys, I promise.”

“How can you be so sure?”

“Trust me; my word is gospel around here, and I’ll see to it that you two are given the royal treatment.”

“Where will you be?”

“They’ll have to make sure I’m not contagious, so I don’t know…probably quarantine.”

“I don’t want to be alone here.” He could sense the shakiness in Sarah’s voice.

“Funny, I figured you’d be overjoyed to get a break from my ugly mug.”

Sarah looked at him blankly.

Face,” he said, “Mug is an old slang for face.”

“Oh.” Sarah turned her head back to check on Daniel, who was thoroughly engaged in donning and removing his shades, staring out the back window as the float touched down.

The fourteenth floor was hollowed out, with the exception of a block surrounding the elevator shaft. This was the receiving station; it wasn’t labeled; it didn’t have to be. New entrants to the city either went there, or were brought there. The west-coast Ellis Island; that’s what Jameson called it. Of course, he had to tell Michael what Ellis Island was.

Getting out of the float, they were met by a receiving team, covered in protective jumpers. Daniel was scared by their helmets: Michael had to explain that they were doctors. Daniel’s grip on his leg tightened. Sarah had to pick him up, “It’s OK, honey,” she said softly, not too sure of her own words.

Michael walked up to one of the doctors. “Sarah, Daniel; this is Dr. Irsten,” he said, “Call him Mark. Mark, this is Sarah and Daniel Finn.”

“Hey guys,” He said, stretched out his hand, “Don’t mind the suit; we wear these anytime Michael comes ‘round. We never know where he’s been…” Sarah laughed, Daniel did too, though he likely didn’t get the joke.

“Mark will take you to the hospital to run the tests.” Michael said, “And I’ll be going with them,” he pointed to the remaining team.

“C’mon, guys,” Mark motioned to the elevator block. Sarah and Daniel followed him, both looking back at Michael. He waved, surprised to feel a heavy heart.

“I’ll see you soon.” He said, and they disappeared with Mark.

Michael followed the rest of the team to the block shortly after, descending down a separate shaft. The special quarantine facility was on the 54th floor, high enough to keep contagion from reaching the populace. When they hit the elevator, Michael began coughing hard enough to double over. He held a lot back for the sake of Sarah and Daniel, but he knew he was deteriorating. He tried to regain his composure; instead he hit the elevator floor.

Michael awoke to linen sheets and the itch of an IV drip in his right arm. He turned his head left and gazed out of the full-length tinted window. He could see the tops of skyscrapers. The pulse of a vitals’ monitor filled the room. He turned his head right to see two familiar faces: Seattle’s President, Laura Celes, and Curtis Mobely, Military Commandant.

“You guys aren’t suited up.”

Laura sat down next to the bed, folding her arms in her lap. “You’re not contagious, Michael,” she said, “We’ve learned that the virus isn’t communicable. It’s pervasive.

Pervasive? Ya’ lost me.”

Mobely spoke up. “The virus has pervaded the environment,” he said, “It was designed to be passed air-to-human, not human-to-human.”

“That’s surprising.”

Laura looked up from Michael’s chart. “How so?”

“They’re slipping. The UEC used to be more thorough…”

“Are you disappointed?” Laura asked him.

“No, I’m dying.” Michael coughed into a balled fist. “I’m just wondering what’s wrong with them…”

Mobely crossed the room to Michael’s left. He had a large video-film in his hand.

“This just arrived a few days ago.” He said, tossing the film onto the bed, Michael picked it up, pressing his finger on the biometric clearance lock. The film came to life, revealing a chess-match. Michael knew the players well. Home-field was the Everest president Quan. Visiting player was President Liu of Denali. There was no sound, but the point didn’t need it: A door opened, Guardsmen walking in to seize Quan. He knew what it meant. An overthrow.

“Checkmate”

“Yeah, that’s about the meat of it.” Said Mobely. “There’s one more thing you need to know.”

Celes cleared her throat. “Michael, days before that game, President Liu was tracked to the Apep crater. He was accompanied by Guardsmen, all killed.”

Michael groaned. “Coulson BlackLake. You gotta’ be fucking kidding me.”

Laura  looked down; Mobely stared out the window.

Michael hit the mattress with his fist.

“Fuck.”

***

The sun split the Chickaloon Branch Road in two; tall shadow spikes painted tiger-stripes on Sam’s lawn. He gave Kenny a choice; shovel shit out of the horse-pen or mow the front lawn. Sam had about ten acres of horse-pen and one acre of front lawn. If only all of life’s decisions could be so easy.

Sam did indeed have some form of climate control. As Kenny reached the front edge of the lawn, bitter cold slashed at him. Sam gave him a protective jumper, with a hood for headgear. It was similar material to what he had in the Security Force, only not tailored. Tailored or not, it kept the Arctic knife at bay when he did the trim.

Sam’s boy was named Alex; the one he lost. That was the name on the cross. Kid was nine when he died, recent, two weeks prior. Sam hadn’t said a word about him since Kenny got there; his wife, though cordial, was guarded. Fresh wounds were tender in even thick skin. Kenny hadn’t mentioned it, doubted he ever would. As he passed the grave he got a closer look at it. It had a symbol carved into the right arm of the cross: a triangle, the three angles ringed with three circles. Kenny’s gut started to drop. He knew rebel grave markings, what they meant. The triangle meant death. The three circles: courage, strength, valor… Sam’s boy died a combat death. Kenny tried to remember the details of their border skirmish a couple weeks ago, how he’s never forget that kid’s face…

Kenny finished the lawn as fast as he could so he could go inside. Sam’s house was a mix of stained pine and brick. It was crowded, tools, mostly, an occasional toy, pair of long-johns, couple of red flannel shirts draped over smooth wooden chairs, carved by Sam and the boys. Sam’s wife, Alice, was in the kitchen, drying the breakfast dishes. She smiled, asked Kenny if he’d like a cup of herbal tea. She apologized for not having coffee or cocoa. Kenny understood: they were hard to come by in the protected areas, near-impossible, he imagined, in rebel-held territory. Kenny pulled out the philosopher’s stone, grabbed his now-useless fur coat off the door rack.

“Won’t be needing this anymore.” He said. He held it over the kitchen table, concentrating first on coffee, then on cocoa. The coat dissolved into two piles, one of coffee beans, the other of cocoa powder.

“We weren’t required to memorize coffee and cocoa in the SF, but most everyone did.” Alice’s eyes lit up. She opened the cabinet for two jugs to hold her newly-acquired treasure.

“Sam will kiss the ground you walk on.” She said. “The boys, too.”

Kenny chuckled as Alice prepared some water. He walked out into the living room. Mitchell and Jimmy were sword-fighting with wooden swords. They had an area staked out, a circle of chalk on the hardwood floor to act as a foul-line. Pictures lined the back-wall, lining the top of a large stone hearth. Family pictures, mostly sepia images of grandparents, great-grandparents. There were only two pictures current; one of Sam and Alice alone, one with the three boys. Mitchell and Jimmy were older than the third boy, presumably Alex. He studied Alex’s face, trying to bring himself to a split-second recognition in the frenzy of live-fire. He couldn’t be certain.

“That’s Alex,” said Mitchell. Kenny turned his head to catch both their eyes on him.

“Yeah, that’s what I thought.” Kenny said. “You guys miss him, huh…”

Mitchell thumped his chest. “Alex was a hero!” Then he turned around and whacked Jimmy. “Ow!” Jimmy slapped Mitchell’s face broadside, the slap of wood brought tears to Mitchell’s eyes, and Alice into the room.

“Boys, what did I tell you about using those damn things?” She walked over to Mitchell, inspecting his face for splinters. “We have perfectly good foam swords for you guys to use…”

“Foam swords suck…”

“Watch your mouth, Mitchell Murphy!” Jimmy laughed. Mitchell’s face turned crimson, and he stomped out into the foyer, pounding up the stairs to his room. The whole house shook when he slammed the door.

“Boys…” Kenny laughed. Alice sighed, walked into the kitchen. He could smell coffee percolating, and he followed her.

“We’ve had this percolator since before Apep struck, I can’t remember using it but once.” She poured herself and Kenny a steaming cup of coffee. “I hope it does a good job.”

“It’ll be fine.” Kenny replied. She offered him goat’s milk for creamer, which he politely refused. He drank his coffee black. The quiet moment was punctuated by the arguing of Jimmy and Mitchell upstairs.

“Kids,” she said.

“Yeah…” Kenny looked Alice in the eye, then down into his cup. He didn’t dare ask.

“How did Alex die?” She said.

“Huh?”

“I saw you looking at our family picture,” she said, “and you were studying his grave earlier.” She pointed to the kitchen window, with a full view of the front lawn.

“I’m sorry, Alice,” he replied, “I didn’t mean to-,”

“Don’t worry about it.” She replied. “Sam won’t talk about it. He blames himself.”

Alice gripped her cup in both hands, stared out the window. The rising sunlight reflected in her glasses.

“They attacked the border, Borland’s group did.” She said. “Every family in the territory with more than one boy had to send one to the fight.”

Alice took a sip of her coffee and continued. Kenny could hear a motor outside: a tractor, something of the like.

“Jimmy, Mitchell and Alex all wanted to go; it should’ve been one of the older boys, but Alex was clever.” She said, “He shot out the headlights of Borland’s transport from a thousand yards with an old Browning Automatic Rifle; heirloom from Sam’s grandfather. Sam made cartridges for the kids, but Alex was the crack shot.”

Kenny’s gut churned. He knew what was coming.

“He got killed that day,” she said, “One of the Sec-,” she paused. Her voice dropped to barely above a whisper.

“One of your guys.”

 

***

 

The New Rochester Library died silent in alabaster, would-be combatants’ faces frozen in statuesque suspension. Coulson BlackLake’s dark form slumped over the center table, a blueprint of the building he traced beneath his pointed nails. There was a safe somewhere, a missing spot on the blueprint. The professor had it in his mind as a point of worry. Something he didn’t want to leave behind.

Fourth Floor, behind the shelf in the north-east corner. There were two stairways; Coulson became vapor and took the ventilation ducts, making form at Jameson Rivers’ desk. Papers strewn about; coffee rings, burn-marks and half a pouch of pipe tobacco, artificial cherry flavor. He walked to the north-east corner of the office. He stretched out his arm and sublimated the shelf. The wood and paper sizzled, bubbling into an oily grey slime that soon coated the floor around Coulson’s feet. Revealed was a thick steel safe, fire-proof, near impossible to pick.

Coulson didn’t bother trying. He touched the lock, the door opened to the sound of tumblers sizzling. Inside the safe, Coulson saw a pile of books and papers. He rubbed his chin; paper. He began to pick up books, holding each between his palms: shapes of letters, white and black images of charts, graphs, colors of additive mixture. Book after book he tossed as irrelevant, until he was left with a pile of loose paper.

Coulson squatted down in front of the safe, gathering up the papers, assisted by the room’s air currents. Like the books, he reached into the pile, discerning words from paper, turning irrelevant papers to ash until he found what he was looking for. It was a report, plain black and white. He read the title;

 

PEALE & ADAM: Differential Abstract

By Dr. Jameson Rivers, PhD

Ordinarily he skipped reading, preferring instead to absorb printed material, sucking dry the information like ink wrung from stained pulp. Instead Coulson sat cross-legged, reading aloud the words in his hand.

by 2010, DARPA had unveiled the iXo Battlefield Command Grid, a semi-autonomous combat control system. This was the first step toward the development of PEALE. The iXo model was called the “extra-soldier” model, in which the iXo, though enhanced in its battlefield awareness, acted as an assistant soldier in communication with an active platoon.

There were many steps between iXo and PEALE. There were four updated versions; AiXo, AiXo-PE, PE2 & PE2.01 (Modified). Each step was designed to accomplish two separate, often conflicting goals: true autonomy and symbiosis with a human carrier. This second goal was far more difficult. AiXo-PE2.01 was, at it’s core, autonomous, with deductive and inductive capabilities. Butt an addition to the circuit matrix was developed by Dr. Gustav Volk in 2020 which turned the AiXo-PE2.01 into PEALE.

PEALE was capable of autonomous action, deductive and inductive reasoning, comprehension and cognizance; in terms of the first goal set for it, PEALE passed with flying colors. However, the second goal was quite the opposite.

In 2022, UEC scout Coulson BlackLake was picked for transplant from the ranks of soldiers due to his OPS scores (OPS is an assessment of psychosomatic suggestibility). He was rendered comatose in a ‘simulated accident’

Coulson felt a low growl rumble through his rib-cage. ‘Simulated accident’?

…BlackLake was kept on life support, and was transferred to secure UEC military installation in Brazil. At this time, the Sanctuary system was, of course, still under construction. The PEALE circuit matrix was bonded to BlackLake’s brainstem, taking over the brain-functions lost to the coma. Though the operation was, in theory, a success, it was never repeated. When the installation failed to report to UEC Headquarters, a contingent of soldiers were sent to investigate. They discovered the entire installation crew, over three thousand men, slaughtered. After their initial assessment, which included a live video report, they disappeared as well…

Coulson remembered his first ‘waking moment’, or rather he should now call it re-waking, with no emotional connotation; just memory. He scanned the page until he found something that once again piqued his interest;

…PEALE’s Tactical Flaw…

The UEC, upon seeing the potential PEALE had of causing catastrophic human destruction, re-worked the circuit matrix to include a flaw the UEC could exploit to protect themselves. PEALE is incapable of contemplating…

He tried to read the next paragraph, but couldn’t. The words blurred, glowed, burned. The harder he tried, the harder they burned. Tears began to roll down his cheek, his pure frustration evaporating them in mid-roll. He clutched the report in his stickly hands and it burst into flames, its ashy scraps quickly swirling about his body as if caught in a whirlwind.

Coulson leaned on Jameson Rivers’ desk, arms folded, his fingers roll-tapping on his sinewy triceps.

Simulated accident

He became black vapor, finding the chimney and the bitter northern air, off to meet his maker. The intercept could wait. He had a score to settle.

 

More from Liam Sweeny…

Ginger Geezus @ Empire Underground, 1/23/2025

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Ginger Geezus got ’em all fired up for headliners Tragedy at Empire Underground on Thursday.

Photography by Stephanie J Bartik.

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