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Mike Trash – Xperience History

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Mike Trash

Mike Trash – Xperience History – by Liam Sweeny.

Mike Trash interview. Originally published August 2023.

Some sounds are iconic. I don’t use that word lightly, because the word is played out, and there aren’t enough words that give you the same feel. Iconic. Like hair metal. Like Motley Crue, WASP, Poison. The clothes, the over-the-top performances, and most importantly, the whole-hearted embrace of sex, drugs, and rock-and-roll.

The Erotics have been tearing up the town and leaving empty bottles on every bar, table, and beat-up PA speaker within reach. We had a chance to pass the bottle with Mike Trash of the band in question.

RRX: The last time we spoke, our publication was a baby, spitting up stale beer from it’s bottle. It was a fun interview back then, and here we are, five years later. What have you been up to? How have the Erotics fared half a decade on the mean streets? What did we miss, and what are you glad we missed?

MT: We’ll since 2018, we’ve toured as usual US and UK, played some great festivals in the UK in 2018 -19, put our a 3 full lengths albums, some ep’s and singles over past 5 years as well, we stay busy. I’m always writing, so w like to put something out every year, be it single or eps. etc

RRX: Rot in the Shade; I’m thinking that’s your latest album, pretty sure. I’m listening to it now. Pretty groovy. I definitely get like a Motley Crue-type hair band feel. Very tight, catchy too. What inspired this album? Was it something specific, or was it just time to put something new out?

MT: Rot In The Shade, is a play on words from the 1989 Kiss album “Hot In The Shade’ we like to do silly things like that. We started writing a lot of cool tunes, yes it has 80s sleaze, but a lot of 70’s Alice Cooper, Aerosmith, and ACDC in there as well, yes it was definitely time to put something out.

RRX: Sleaze is big. Well, it’s sleaze. Big or not, it is ever present. The Erotics deal in sleaze like a corner-store porno rack. What is it about that vibe? Did you ever just want to sit down with an acoustic and write sea shanties? Sex, Drugs, and Rock and Roll, putting some of that loosely, has a perpetual draw. Why do you think?

MT: Well, not all the songs are like that. In fact one, tune ‘Diamonds” on the new album, is a ballad-ish tune.

RRX: I noticed you have a lot of merch on your Bandcamp site, which is probably the most well-set-up Bandcamp I’ve seen. I always stress to what few people listen to me that merch is really where it’s at. How much money, let’s say a percentage, do you make off merch compare to playing shows? Is it comparable?

MT: Yes, some gigs give us a good guarantee, but merch sales at the shows always make a difference.

We love having cool things besides, CD’s and Shirts, we have all kinds of stuff, we even have our own alcohol/mead, called ‘Blood Of The Wasted’ which obviously not available on Bandcamp  haha, but is available through Helderberg Meadworks

RRX: I assume you all have some shows upcoming. The world needs sleaze, and you damn well aren’t gonna bring it door to door. Not until Christmas and caroling. Where are you playing? Shoot as far ahead as you can. Anything in the fall would be good to report on too. Any seasonal events you always play?

MT: For the past 3 years, we’ve just been playing upsate NY, we’re finally looking to get back out there beyond that in 2024, upcoming gigs offhand are July 21st, at Empire Underground, Sept, 9th. at Kings Inn for their outdoor 10-year anniversary party, and Fuzebox on Oct. 27th. for Halloween Party.

RRX: Albums in the works. We know ‘em, we love ‘em. Anything to top Rot in the Shade? And are you ever trying to “compete against yourselves” when it comes to albums, or do the songs just kind of write themselves over the course of practices? You want a chance to mention an album that you wish had done better – an “unsung hero” album?

MT: As a matter a fact we have 13 tunes ready for the next album, that we hope to have out in February 2024. Working with Don Fury again,  we can mention the title yet, but we have one and it’s a good one, new tunes are just as good as ‘Rot n The Shade’ some maybe a tad better.  some catty anthems, one of them my dog Rosie inspired., one is a  weird theatrical Alice Cooper Welcome to My Nightmare-sounding thing. another has a classic Thin Lizzy thing, and then it’s all mixed in with the 80’s sleaze.

Albums I wished did better other than my own are bands from the late 80’s early 90’s like Smashed Gladys, The Throbs, etc.

RRX: This is where you answer the question I didn’t ask. Comments? Remarks? Educate, enlighten, emote – the floor is yours.

MT: Rock N Roll Baby.

 

 

More from Liam Sweeny…

The Open Flames – Interview – Thanks for Asking!

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The Open Flames

The Open Flames – Interview – Thanks for Asking! – by Liam Sweeny.

RRX: Every artist’s first song is a milestone. But so is the latest song. Describe the first song/album you recorded, and also the latest song/album you recorded; what are the differences?

TOF: The first song that The Open Flames recorded was called “Lockdown” recorded, of course, during the pandemic lockdown. The song starts, “Last night I saw the doctor/He said he’s feeling better.” The song wasn’t recorded in a studio – singer Dave sent a Garageband barebones track to drummer Evan and guitarist Paige, and they added their parts. Len recorded his bass wearing a mask, safe in the fresh air of Dave’s backdoor garden. No germs were shared but the song is stuck into the end of our upcoming album Same Time Next Year.

The latest song we recorded is our next single, “Eat Alone”. That one took full advantage of the magic of the studio, with innumerable guitar layers. You’ll be able to download the song this Saturday, November 9.

RRX: Like songs, every artist has a unique feeling about their first show. What was your first show like? Was it your best show? If not, what was your best show like?

TOF: The first show drummer Evan and singer Dave ever played was at a high school mock political convention. The last night had a talent show. We had one guitar and a bucket and blazed through a punk anthem called “Blud Red”, which somehow suits our times: “I was walking down the street one day/When some Republican got in my way”. No young Republicans were impressed and we lost the contest.

RRX: Cover art is cool. It shows listeners what the artist thinks the album is all about. Because music can be felt visually. If you had to give the public a visual image that you think they would see and just “get” your groove right away, what would it be?

TOF: Cover art is everything! Drummer Evan and guitarist Paige are visual artists. Evan designed the cover art to our two most recent singles. But Dave says font is more important. We’re all better than Arial. Be Lucida Console, if anything.

RRX: What historical era would you like to visit if the sole purpose was to put together a Battle of the Bands? How would you set it up?

TOF: It would be in jazz age New Orleans, so those funereal brass bands could duke it out in the street. But then we’d also have to have a lot of funerals, which we can’t afford right now.

RRX: We have to play somewhere, and sometimes those places have more going for them than a stage and a power outlet. What is a memorable place you played, and bonus points if it’s not a well-known place.

TOF: The Good Mixer in Camden, London, is a favorite punk rock boozer. It’s featured prominently in the Amy Winehouse movie. It’s full of mascara and spikey hair, and yet it’s the most relaxed and homey pub you will find. Every one is on show, but no one judges. And we get 20% off the price of pints when we play!

RRX: What do you think is the most dangerous song to cover from the perspective of criticism? Who do you think is too hard to cover, and why?

TOF: We thought it was “Careless Whisper” by Wham! It turns out, drunks love it. You’ll never get more love, or more slobber. Especially at the Good Mixer.

RRX: Sex, drugs, and rock and roll. Or so they say. Whether you’re off the wagon, on it, or never been, there’s something you got a thirst for. What are some of your basically harmless vices?

TOF: Dungeons & Dragons. Dave was Evan’s dungeon master. Evan had a 12th level mage.

RRX: We do this for the fans. For the blisters also, but mostly for the fans. Who’s one your best fans? Without necessarily giving their name, what are they like?

TOF: The best fans are three-year-old kids who can’t help but dance. There is no greater complement.

 

 

More from Liam Sweeny…

Prog Digest – An Xperience Column

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Prog Digest

Prog Digest – An Xperience Column – by Klyde Kadiddlehumper.

New York.
London.
Paris.
Munich.
Everybody Loves….M – Pop Muzik.
How many of you actually recall that song? A particular time and a particular sound. Very synth and strangely prog for its’ time. Some think it is the precursor to Let’s Dance – but who knows….
Once upon a time, ol’ Klyde and a bunch of college kids (yup, Klyde was a kid once – in college even_) trekked to New York City. Well before it became part of the house of the mouse…. when Times Square was still hookers and peepshows and dealers and junkies. You know – the good old days from around 1980.
Tower Records was king – and there was Crazy Eddies (Our Prices are INSANE), White Castle on every corner and the cheap utility slice.
Of course, there was still disco – and, if you were of a mind – every 12” disco single on the planet was available in Tower. I will admit to actually having a couple 12” Disco hits in the old collection. The Message (Grandmaster Flash and the Furious Five), No More Tears (Donna Summer and Babs) and the king (or is that queens) of them all – the Paul Shaffer penned – It’s Raining Men (The Weather Girls). I mean, come on, we all have a little place in our hearts for a couple of these. Not as a steady diet, more like a very small, very light, thin mint. How bad could it be when one of the biggest disco labels, Casablanca Records, was also home to KISS.
Well, my friend Bob went a little overboard. Maybe not a little. From that fateful day to this day, long after his untimely young passing, he is known among us as simply – Disco Bob. We were all unaware just how many 12” disco singles one man could buy in one sitting.
These times and places are what get us here. Now, would I posit that perhaps disco was the Gordon Gekko of the music world? Sure. Did anyone throw The Stones over when they went disco?
No.
Or the Dead – Shakedown Street anyone?
The worst thing about the disco era was, to be perfectly honest, the clothes. Seriously. Multi Inch high platforms. Clothes as likely to cause a major fire as Mrs. O’Leary’s cow……with all the advantages of napalm. Ozone destroying amounts of hair products.
Tailpipe emissions – phooey. Climate change is a direct result of Aqua Net. This is satire people, so don’t go claiming that this is fact.
In many ways, this was the seed of that which became known as New Wave. A synth barrage that, again, is reviled in many corners… but it’s the hook… and I ran, I ran so far away… that she blinded me with science…
Yeah – and Mozart put too many notes on the page.
Progressive is what you make it. It’s not all ELP all the time. Or King Crimson (btw, by account the BEAT tour of Crimson music is the bomb). Or Spock’s Beard. Or Edisons Child. Or Hawkwind. It is what you make it.
What do Constant Companion and I both consider progressive? It’s when we are driving around and there is a lull in the conversation with her teenage nephew in the back seat. And from his mouth come these now famous (in our world) words…….
So. There we were. Naked.
Covered in soy sauce…
And somewhere, in a parallel universe, Mozart is reviled and Barry Manilow has a Nobel for Music.
Until next time.
Klyde

 

 

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Guerilla Toss @ No Fun, 11/1/2024

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Photography by Rachael Skinner.

 

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GWAR – Empire Live – Review by Rachael Skinner

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GWAR

GWAR EMPIRE LIVE ALBANY NY
REVIEW BY RACHAEL SKINNER

PHOTOGRAPHY BY RACHAEL SKINNER

The legendary Scumdogs of the Universe – GWAR brought all the murderously magical heavy metal mayhem all the way from space to Empire Live in Albany, NY on November 2, 2024. Their bohabs had summoned their killer force – many of them adorned in white in hopes of being bathed in an array of colorful blood and bodily fluids. No one was spared from the showers of cheerful blood – not even security. Gwar performed their signature decapitations and dismemberments on former presidents and political figures. Prior to the gory fun that was about to unfold they romanced us with some of radio’s soothing 90’s hits including the beautiful voice of Rick Astley — to assure us they were never gonna give us up nor let us down. I had the incredible honor of capturing this wild event through the eyes of a feral photographer – camera safely secured in plastic wrap – navigating through the sea of hypnotized fans in a moshing trance—  to be able to get right into the middle of this blood fest.

Gwar welcomed the evening with their song “El Presidente” — Days before election day they were sure to have special guest appearances from their theatrical representations of Harris and Trump. They were dancing, brawling and farting around on and amongst one another on the stage while these intergalactic gwarlords battled some heavy tunes into the entranced atmosphere.

Blöthar the Beserker was absent from this performance probably due to smoking too much crack with Sleazy P. Martini and wrestling from the prior evening.

This did not stop their invasion of bohabs at Empire Live that night- Even aliens follow the golden rule of team working making the dream work. Newest space brother – Grodius Maximus (also vocalist and guitar master in Squidpisser) definitely stepped up to the stellar role to fulfill this cosmic mission. He helped to bring an old school Gwar vibe to the performance with Brockie like energy. He was diving into the crowd shredding it up on guitar and vocalizing with gory enthusiasm throughout the evening. He also assisted on vocals along with Beefcake and his rhythm of doom bass lines and Balsac’s earth shattering guitar riffs and backing vocals. All the while Jizmak kept the beat of carnage pounding away the evening of destruction.

The bohabs, parched and ravenous, pressed eagerly against the pit’s barrier, yearning for the promised bloodshed that awaited them in this political bloodbath. They offered the audience a gruesome offering, enacting the decapitation of their theatrical portrayal of Obama, spilling forth a torrent of crimson. As the night unfolded, they captivated their audience with a relentless display of political carnage, dispatching their representation of former president Bush, followed by the brutal takedown of Lincoln and Robert E. Lee, amongst others- their blood thirsty following mingling in patriotic hues of red and blue, staining the white attire of those that bare witness to these homicidal theatrics. An evening would not be complete without Bonesnapper’s signature slaughter while serenading his target. He chose to “Bring back the Bomb,” refusing to join with the Ronnie Party, as he tossed a bomb to their version of Ronald Reagan, who bore a corpse strapped to his back. A wave of multi-colored blood and chaos engulfed the crowd, transforming them into a macabre almost in homage to the climactic end scene of DePalma’s “Carrie.” In a final act of defiance, they declared their disdain for the human trash of the world, concluding the night with their cosmic anthem “Sick of You.” All while continuing to drench the audience in blood and bodily fluids to fulfill their thirst for political dismay with more help from Sawborg to conclude the evening.

INTERVIEW: Chris Envy – Owner, Dynasty Wrestling

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Words and Photography by Joshua Scarselli.

If you love pro wrestling you absolutely have to check out The Dynasty! The Dynasty is an independent wrestling promotion that has shows at various locations across the state, including right here in the Capital District. With athletic wrestlers and riveting storylines, The Dynasty brings top notch matches right to our backyard. What really makes The Dynasty special is how close you can get to the action. For a fraction of the price of a big name ticket you can see matches with just as good of a projection value right in your face. The wrestlers interact with the crowd in a way that makes the shows just that much more enjoyable. We caught up with the owner of The Dynasty, Chris Envy. He shares with us some inside info on what makes The Dynasty tick!

RadioradioX:Can you tell us a little about yourself and how you came up with The Dynasty?

Chris Envy: I became a wrestler in 2002, in Littleton CO and over the next few years, traveled all over. I saw some really good things, and some really bad things. Honestly I was just tired of having to travel 3+ hours for the better shows, and felt we needed something great locally. A place where my friends and family could see me perform. In 2007, my best friend Tom Ugly and myself held a fundraiser event in Coxsackie, NY. We didn’t know of the legalities of it, we just knew we wanted to run an event and raise money. So we rented a ring and did what we could. In 2013, we decided to do it again, but for REAL. We found out what it took to do it, and found ways to make it happen. It was so fun collaborating and bringing in our friends to perform.

RRX: When do you first discover your love of pro wrestling?

CE: Watching wrestling cartoons at my grandmother’s house as a kid, then Saturday morning wrestling, and eventually, Wrestlemania 5. Warrior vs Hogan!

RRX: What era of mainstream wrestling is your favorite?

CE: I’d say early ’90s, before the Attitude era, or late ’90s WCW, but looking back, man – that stuff didn’t age well. Today’s WWE, TNA, and NXT are top notch.

RRX: What wrestlers would you say have been the most influential on you and why?

CE: HBK, Bret Hart, Rey Mysterio (WCW version) because they were smaller guys that got over in the land of giants.

RRX: What do you want people to take away from an event with The Dynasty?

CE: Fun, exciting, full of surprises. A great night out for the entire family. A destination event to look forward to. A pillar of the local communities.

RRX: Your son Maverick is a big part of The Dynasty. How did he first start to get involved and what’s it like to get to work with him?

CE: Maverick grew up with his dad away on weekends wrestling; he rarely got to see me perform. So honestly, I’m surprised he loves it now. He started watching clips on IG of the bloodline angle two years ago and loved the long term storytelling and how it felt real. It’s a rare trait in today’s wrestling. The kid has a creative mind and a big heart, but I’m not really happy that he’s trying to get physically involved with the trained, journeymen wrestlers. To be blunt, Foxx will destroy him and it makes me nervous, because I’m not medically cleared to be able to do much about it.

RRX: Last month we were treated to Return to Neverland as the official show for the International Pro Wrestling Hall of Fame. How did The Dynasty get to partner with them?

CE: The Hall of Fame has done shows the past few years under Seth Turner, and I always felt slighted by not being invited to be a part of it when we were the ONLY wrestling company for a few years locally. But I get it, we weren’t around for a few years when I moved to SC. I was honored when Rita and Seth asked.

RRX: Maverick and yourself have an ongoing fire with Foxx Vinyer. Can you tell us about how that came about?

CE: Foxx is just a pretentious prick. He only cares about himself and the spotlight, so I’m honestly not surprised. He thinks because I’ve known him the longest, he should be in the title picture, but I don’t book events like that. I don’t book friends, I don’t book drama. I book quality wrestlers that fans will react to. He’s beat EVERYONE at Dynasty, but his ego and actions don’t justify qualities I want in a Champion representing our company.

RRX: Do you have any plans to get retribution for his attacks on your son?

CE: I’d love to just fire him and be done, but we all know locally, Foxx is the “it” guy. He’s one of the top wrestlers, most experienced people on the card, and like it or not, he gets reactions. People pay to see him. So if there’s money to be made, this is a business after all, I have to give him a platform.

Photos of “Capital Gains” for The Dynasty, taken by Andrew Elder with Best Frame Forward, at Empire Live in Albany NY.

RRX: Where can people connect with The Dynasty and keep track of the latest news and events?

CE: We have two upcoming dates as of now, with six or seven planned for 2025. Our next event is on December 14th at the Cairo-Durham High School. It’s a fundraiser for the music department and we have some really cool things planned. Then we return home to Empire Live in Albany for “Heavy is the Crown” on February 22. I’m excited for the future of this company.

More from Joshua Scarselli …

Frying Pan Tower (Richard Neal) – An Xperience Interview

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Frying Pan Tower

Frying Pan Tower (Richard Neal) – An Xperience Interview – by Liam Sweeny.

RRX: So, how are you doing today? I hear, I know that that the weather is crazy.

RN: Yeah, we do have a little bit of rain going on around here. It’s funny, you’ll be driving through a torrential downpour, and then about a half mile away, you’ll be in just beautiful clear skies, and then boom back into it again.

RRX: So you’re not on the Frying Pan Tower right now.

RN: I was able to get off of there the other day, which is a good thing because I had a bunch of stuff to get done back here on land. I’m running around doing that this morning, trying to make sure that we prepare for the next trip, which is just a week away.

RRX: I imagine any time there’s even a hint or a whisper of a hurricane in that area, everybody’s off of there.

RN: Actually, all the guests are, but I myself – if I have an opportunity to be on the tower for one – I most definitely am out on the tower. Quite enjoyable, actually. Sounds a little crazy, but it’s not.

RRX: What brought my attention to the Frying Pan Tower was an article that said, “Oh, the most dangerous hotel in the world.” And I’ve read a couple since then that said basically the same thing. Which is awesome; it’s a cool thing, it’s a selling point. Can you tell me, when you hear that, when they say it’s the most dangerous hotel in the world, is that something you push? Is that something that you agree with?

RN: That, ironically, was an influencer who wanted to do a video about it. And I stipulated as long as he didn’t say that we were a hotel. He went the other way on it and that was very popular. He had 150 million views across his social media, which included a silly part at the end of me dancing like a crazy old man. I don’t want to know if that’s what I would be remembered by, but honestly, we have had people stay on the tower as both volunteers and what we like to call eco-tourists. In other words, they know they’re gonna rough it a little bit. They don’t have to do any work, but they’re going to have basically, for lack of better words, an adventure destination. We will do several things that hotels do; they have their own rooms, they have their internet access, they don’t have to bring anything but a toothbrush. And recently we realized that that was a pretty cheap addition. So you don’t even need to bring that. So, that’s kind of like a wet Airbnb, I guess, although not affiliated.

RRX: So it’s not a hotel but it is a destination. We can say it how you say it, an adventure destination. What makes it the most dangerous adventure destination?

RN: Yeah, quite right. It is in the path of nearly every hurricane to hit the east coast in the last 200 years, that we’re aware of. It is over, I guess you call it, shark-infested waters. We typically have anywhere from 10 to 20 sharks hanging out underneath us. Lots of big barracudas with huge teeth. The weather and the currents can be very unpredictable. Typically, our currents will go from zero to three knots within about a half-hour, which is not good if you’re out there swimming around in it.

Plus, just make one misstep, turn the wrong way in the wrong place, and you could actually step right off from 75 feet up and fall down to the water all that distance below. And I guess you’d also associate it with the fact that it was originally designed to have a life expectancy of 50 years, and we’re just turning 60 this year and doing everything we can to extend its life, so that we can continue to be a research place for scientists, cameras for education, for youth. And quite often, we lend a hand with saving either mariners on boats that are sinking, or scuba divers that are experiencing distress, things like that, heart attacks. And because we have a helipad on top, that makes it easier for the Coast Guard guys to land and just pick up a person, which we did a couple of years back.

RRX: That brings up an interesting thing. In our paper, we actually did an interview with the micronation of Sealand. We interviewed with Prince Liam. Now, you are in international waters as well. They’re more in British waters, but they claim it’s still international in some way, but you’re really in international waters. Like, have you ever thought of declaring sovereignty?

RN: If you want to know a true story, recently in the last year, I had an interaction where I spoke with them. I reached out specifically because I believe that they and we have some very unusual locations with some unusual characteristics. And they said, “Yes, but you’re clearly not serious about it.” I said, “What do you mean? I’ve been doing this for 12, 13, 14 years now.” He said, “Well, you have not declared your own sovereignty and you certainly could,” and I thought, “Hm, well, true.” I didn’t wanna say, you know, we kind of did that 250 years ago from you guys already. So we don’t need to do it again.

But I did mention, and mind you, this was before the October mess over in Israel and all, that maybe we should “declare war upon each other” so we can have a field day with the press. What a fun thing that would be, right? And he did not seem as terribly interested in that, although I thought it would have been a lot of fun from a marketing perspective of awareness.

But the reason we did not declare sovereignty, honestly, was because this is an old Coast Guard lighthouse and they busted their butt to maintain it, build it, and run it and protect mariners and many, many of the people in this area across the whole East Coast.

RRX: What was your scariest moment on Frying Pan Tower?

RN: The scariest was when I had three of my four children and a volunteer on the tower. Many years back, probably 2013 or 2014, we had a helicopter scheduled to pick us up right before a hurricane hit. And that morning, rather than getting on the helicopter, we received a text saying that they had metal in their gearbox and they had to cancel the flight. Good luck. And the waves are already 10 feet tall. So we knew that we couldn’t possibly contact any vessel, and we knew it had been through many storms, but we literally went trial-by-hurricane with my three kids. And, yeah, the waves were huge, 30-foot waves going underneath us, winds over 120 miles an hour. And at one point, as we were eating dinner, one of the back windows where the wind was blowing against it directly, it blew in. And so we all jumped up from the table and went back into this room that looked like one of those horror movies where things are flying around. Well, that room, all the pieces were flying around, ceiling tiles are flying around, and we managed to block that window from the inside and we’re all soaking wet. And I look over at my oldest daughter who looks very, very concerned, and I’m thinking I’ve traumatized her for life. I said, “Emily, I’m so sorry,” and she looks at me funny and she pulls down the front of the oven. She goes, ‘Daddy, my cake fell.” In other words, the change in air pressure caused it to collapse. And so she was upset about that.

So it turned out that my kids are made of tougher stuff than I am. And since then, I’ve done about three or four hurricanes, but we don’t typically take anyone but hardcore researchers out for something like that. Because I was just foolish to invite people into peril, you know, perilous situations. But I’ll go.

RRX: Ok. Oh, just for my own reference – how deep is it from the bottom of the thing to the ocean floor?

RN: The ocean water is 50 ft deep and the main structure itself is 21 meters or 72 feet, whichever you prefer, from the ocean top and the very top of the facility is 135 feet above the water. It’s approximately 6000 square feet; has basically eight bedrooms in it. And yeah, it’s a house. It’s a house with a helipad for a roof.

 

 

More from Liam Sweeny…

Squid Pisser @ Empire Live, 11/2/2024

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Words by Jesse Skinner.

Emerging onto the stage looking like a decaying mob of squids, stage lights flickering as if a looming doom is about ready to take shape. To subtly add to the horror, the vocalist was wearing a fluffy, pink fur coat… All while everyone was wondering, how in the hell did these squids get on stage?

Squid Pisser compelled and gave the audience no choice but to participate. On more than one occasion, vocalist Tommy Meehan joined the crowd, almost forcing them to become part of the show. Hugging bystanders, displacing garbage cans, and walking right through the mosh pit. All while performing fast, off-tempo cluster bang of orchestrated noise.

Squid Pisser have been out on tour with the legendary Gwar for most of this fall. They stopped in Albany on November 2 at Empire Live to spread their love of spew onto unsuspecting victims. They also have a new album out titled “Dreams of Puke” released on Skin Graft records.

Photography by Rachael Skinner.

 

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Photos: Cris Jacobs and Daniel Rodriguez at The Cohoes Music Hall 11/7/2024

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If ever there was a show that you wouldn’t have wanted to miss, this was that show!

Photos By: Rob Smittix

Dark Funeral @ Empire Live, 11/2/2024

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Words by Jesse Skinner.

On Saturday, November 2, Legendary Scumdogs of the Universe GWAR led their tour of intergalactic carnage to Albany’s Empire Live. Opening for them was none other than “The ineffable Kings of Black Metal” Dark Funeral.

Dark Funeral have been wreaking havoc for over 30 years, breathing new life into the black metal genre while also influencing other bands. Their performance at Empire Live was everything you would expect and more, giving Upstate New York a diabolic dose of Swedish black metal. Dark Funeral mesmerized the audience with dark, speed metal contributing to satanic-themed lyrics. all while adorning cryptic face paint as if they just step out of the depths of Hell.

Dark Funeral are not only a perfect opening band for shock rock legends GWAR, they are also a pioneering outfit withstanding the test of time.

Photography by Rachael Skinner.

 

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