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Announcement: 9th Annual Joe Manupella Memorial Run & Family Fun Day Saturday, May 9th

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LBGC Hosts 9th Annual Joe Manupella Memorial Run & Family Fun Day

The Lansingburgh Boys & Girls Club is excited to host its 9th Annual Joe Manupella
Memorial Run on Saturday, May 9, inviting runners, walkers, and families to join a day
full of fitness, fun, and community spirit. Registration is now open for both the 1-Mile
Walk at 9:00 a.m. and the USATF-sanctioned 5K Run at 9:30 a.m., with awards for the
top three male and female finishers overall, as well as for the top three runners in the
Under 15 and Over 60 age categories. Online registration is available for convenience,
and participants can also sign up on race morning.

Following the races, the Club will host a lively Family Fun Day, offering something for
everyone. Families can enjoy delicious food with children eating FREE, live
entertainment provided by The Schmooze, and a wide variety of children’s activities
including a bounce house, face painting, and FREE bike raffles. Raffles will continue
throughout the day, with all proceeds supporting the Club’s programs.

The Lansingburgh Boys & Girls Club provides a safe and supportive environment for
youth ages 5 to 18, offering social, educational, and recreational programs, while also
serving as a hub for the local community through events and activities year-round. This
annual event has drawn up to 200 runners and over 500 attendees and continues to
grow as a favorite community tradition. To register or learn more, visit the Lansingburgh
Boys & Girls Club website at www.lansingburghboysandgirlsclub.com/joe-manupella-memorial-run
and join the fun for a day that celebrates running, family, and community.

Week Eighteen: Jesse Sample’s Freak of the Week “Stressed”

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Jesse Sample’s Freak of the Week airs EVERY WEDNESDAY at 6pm EASTERN only on RadioRadioX.com

This is Jesse Sample. Do you ever remember you parents struggling with money problems when you were a kid? They, for whatever reason, might not have had adequate funds to pay for the ideal situation. I’m sure they would have wanted to send you to ski camp, buy you the popular sneaker, and stocked the refrigerator with everything you could have ever wanted to eat or drink. Most parents had to say no, prioritize needs above wants, and perhaps steal from Peter to pay Paul.

Now that most of us are adults, how do we do? Are we calm and responsible in our finances? Can we withstand a market shock, an unexpected auto repair or a political class bent on  robbing us? Do we go over the ledger in our heads, over and over and over..again. Do we worry about if we have enough for the future?

Money is a powerful thing in our civilized world. It’s a form of exchange. What if it were chickens? Would we have chicken problems? Would guys jump to their death out of buildings on Wall Street if the market plummeted in all those chickens became worthless?

This topic deserves some examination because life is precious and time is short and to spend it worrying about money is such an awful tragedy.

Thanks to all of you tuned into RadioRadioX. This is the Freak of the Week, “Stressed.”

Hammers & Ales – Fundraiser for Habitat for Humanity

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By John Norris.

SCHENECTADY, N.Y. –  For the past year and a half, I’ve been writing a column called Pint-Sized. It’s focused on locally produced beer and has been published primarily in the Daily Gazette family of papers. I was asked to help a local charity that does incredibly important work helping families get a leg up in the community.

I reached out to RadioRadioX to let them know about an upcoming event that I believe their readership will enjoy. It was well received; the publisher and I are on the same page when it comes to giving back to the community. 

You never know where a column on craft brew will lead. One day, you’re in your office thinking about hops and malt, and the next day, you’re leveraging beer connections to help your community. I was recently honored to be asked to help with fundraising and promotion for a Habitat for Humanity of Schenectady County event.

I was at my desk on a Wednesday morning when I received a phone call from Eileen Handleman of Capital Affairs, LLC. She’s the public relations expert who is working with Habitat to nail down every detail and to ensure their event is a success. I answered the phone, and Handleman said, “I hope you don’t think I’m stalking you, but I’ve been reading your column for a while now, and I have a favor to ask.” She gets right to the point.

You’re reading this now, so it’s no spoiler to say, I said “yes.” Handleman is a consummate professional whose candor and friendliness made it impossible for me to say no. As soon as she explained that I could play a small part in helping to house three families, I was all-in. 

The goal of Habitat’s program is to turn qualified lower-income families into homeowners, providing them with an equity stake in their community. Home ownership is one of the best ways to build generational wealth in America. 

To ensure their success, each home is newly built by Habitat staff and volunteers, which makes them affordable. The new construction also ensures that homeowners are purchasing a safe, quality-built first home. Families work with Habitat affiliates to ensure they are ready to assume the long-term responsibilities of home ownership.

Since 1976, Habitat affiliates all over the world have helped over 46 million individuals and families achieve strength, stability, and self-reliance through shelter. If someone dreams of becoming a homeowner but hasn’t found an affordable way to achieve that dream, Habitat may be able to help. The homes are not free, but they are affordable and come with low-interest financing.

So here are the details: On Saturday, May 9, Habitat for Humanity is holding a fundraiser called Hammer & Ales at Armory Studios in Schenectady.  It’s going to be a high-energy brew and bite event that pairs local beverage makers with area restaurants in support of their The House That Hops Built campaign — a $400,000 effort to build three new Habitat homes in Schenectady in 2026.

At the event, some of the Capital Region’s most passionate craft beverage producers and local restaurants are coming together for a cause that goes well beyond the plate and the pint. 

Pete Bednarek, co-owner of Wolf Hollow Brewing, is spearheading outreach to the craft beverage community. His center of influence brings together a strong lineup of regional breweries, distilleries, and cideries. On the culinary side, Sawyer Pollard of Meat Stick Chick, fresh off her Slider Slam win at the Albany Chefs’ Food & Wine Festival, is teaming up with her sister Charley Pollard of Frog Alley Brewing Co. and Mill Lane Distillery. This highlights the collaborative spirit behind the event.

Hammer & Ales will feature approximately 10 beverage and restaurant teams competing in the Brewer’s Build-Off and People’s Plate Awards. There are also food and beverage tastings, live music, and interactive elements throughout the afternoon. 

“This event is about what happens when a community shows up for its own,” said Barbara Bishop Ward, Event Chair. “Every ticket, every pour, every bite helps build homes for local families.”

The event is supported by a strong group of community sponsors, led by IUE CWA Housing Corporation (Habitat Home Sponsor), Marshall & Sterling (Blueprint and Presenting Event Sponsor), and Fenimore Asset Management (Cornerstone Sponsor), along with numerous additional business and community partners. In just a few short months, the campaign has already surpassed its halfway point, raising more than $236,000.

I’d love to see some of the more than 50 breweries I’ve visited and reviewed over the past 18 months participate. It’s a meaningful way to give back. We’re all in this together. Whatever support you can offer will help three hardworking families build a stronger future in our community — and that generosity will benefit us all.

There are a few sponsorship spots left. If you own a local brewery or restaurant and have a place in your heart for the significance of this endeavor, please consider reaching out to me or to Habitat directly to find out more about this worthy cause. Huzzah!

Event Details:

  • Saturday, May 9, 2026
  • 4:00 PM – 7:00 PM
  • VIP Experience begins at 3:00 PM
  • Armory Studios NY
  • 125 Washington Avenue, Schenectady, NY

Tickets are available now:

Learn more about The House That Hops Built campaign:

All proceeds support Habitat for Humanity of Schenectady County’s mission to build strength, stability, and self-reliance through shelter.

Reese Fulmer and the Carriage House Band @ The Park Theater, 5/1/2026

The Kind of Show That Sneaks Up on You (In the Best Way)

By Stephanie J Bartik.

On Friday, May 1, 2026, I walked into The Park Theater in Glens Falls expecting a good night of music.

What I got instead was one of those shows that quietly pulls you in … and before you realize it, you’re fully in it.

Reese Fulmer & The Carriage House Band aren’t loud about what they do—but they don’t need to be.

Fronted by Reese Fulmer on guitar and vocals, the band features JP Hubbs on keyboard, James Gascoyne on bass, Chris Bloniarz on octave mandolin, and Connor Dunn on saxophone. Not your “standard issue” lineup—and that’s exactly the point.

Because this band doesn’t sit neatly in a box. They kind of wander around it. Comfortably.

Their sound lives somewhere between indie-folk, Americana, and jazz—but even that feels like it’s trying too hard to define something that clearly doesn’t want to be pinned down. Think Wilco, with a little Prine storytelling and just enough Zappa unpredictability to keep things interesting.

And here’s the thing I noticed right away …

The room felt different.

It was intimate, yes—but more than that, the audience was locked in. Not distracted. Not half-watching. Actually listening. The kind of crowd that makes you lower your camera for a second and just go, “Okay … yeah … this is a moment.”

As someone who spends a lot of time photographing high-energy cover bands and tributes (which are fun in their own right), this felt like a completely different lane. No pressure to match something familiar. No big theatrical expectations.

Just music that lets you breathe.

And honestly? That’s refreshing.

Reese Fulmer’s background adds another layer to the story. Before stepping fully into the spotlight, he managed Caffè Lena—the legendary Saratoga Springs listening room known for shaping serious songwriters. That influence shows. His writing carries that “poet with something to say” energy—smart, observant, and just self-aware enough to keep it real.

It’s no surprise he’s been named Americana Artist of the Year at the Thomas Edison Music Awards in both 2023 and 2024. And tied with Laura Leigh for the 2026 year.

This band is building something—and people are clearly paying attention.

But what really makes them stand out is this:

No two shows feel like they’re trying to be the same show.

With a rotating cast of players and a willingness to let the music go where it wants, there’s a looseness to their performance that feels genuine—not rehearsed into perfection but lived into it.

It’s the kind of show you don’t just watch.
You settle into it.

If you want to catch that feeling for yourself, your next chance is May 17 at Caffè Lena’s Sing in the Streets festival in Saratoga Springs-23 bands, 10 stages, 12–5pm. Reese Fulmer & The Carriage House Band hit at 3pm at The Parting Glass.

Go.

Bring a friend. Or don’t.

Either way, you’ll leave feeling just a little bit better than when you walked in.

And honestly … we could all use more of that.

Photos by Stephanie J Bartik.

More from Reese Fulmer here …

 

 

New performance announcement Graham Nash! Troy Savings Bank Music Hall

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Graham Nash

Live on Tour 2026

Thursday, September 26th, 2026 8:00PM

   Tickets: (518) 273-0038       For venue information:  www.troymusichall.org

TROY, NEW YORK:     Two time Rock and Roll Hall of Famer Graham Nash will perform at the Troy Savings Bank Music Hall on Thursday, September 26th at 7:30 PM. Pre-sale for the show starts Thursday, May 7th at 10am and tickets will go on-sale to the public on Friday May 8th at 10am.  Learn more below about the show:

“There are concerts. And then there are musical events that come across as transcendent experiences, celebrations of songs and sounds and stories that have endured for good reason, live shows that enter the space of the sacred.”

– Miers on Music (2025)

“Graham Nash proved why he is a two-time Rock and Roll Hall of Fame inductee. With his career spanning sixty years, his songs are just as relevant today as they were decades ago… The man has nothing to prove, yet he does it every time he sets foot on stage.”

– North Coast Music Beat (2025)

Graham Nash will perform a career-spanning retrospective of his six decades of contributions to contemporary music. Joined by Todd Caldwell (keyboards), Adam Minkoff (bass, drums, guitar, and vocals), and Zack Djanikian (guitar, bass, drums, and vocals), Nash will take the audience on a musical journey that encompasses his years with The Hollies, CSN, CSNY, and his beloved solo efforts.

ABOUT GRAHAM NASH

Nash is a two-time Rock and Roll Hall of Fame inductee, with Crosby, Stills, and Nash, and with the Hollies. He was also inducted twice into the Songwriters’ Hall of Fame, as a solo artist and with CSN, and he is a GRAMMY Award winner.

Towering above virtually everything that Graham Nash has accomplished in his multi-faceted career stands the litany of songs that he has written and introduced to the soundtrack of the past half-century. His remarkable body of work, beginning with his contributions to the Hollies opus, including “On a Carousel” and “Carrie Anne,” continues all the way to Now (2023), his most recent solo album.

The original classic union of Crosby, Stills & Nash (& Young) lasted but twenty months. Yet their songs are lightning rods embedded in our DNA, starting with Nash’s “Marrakesh Express,” and “Lady of the Island,” from the first Crosby, Stills & Nash LP (1969), and “Teach Your Children” and “Our House” on CSNY’s Déjà Vu (1970).

Nash’s solo career debuted with Songs For Beginners (1971), which included “Chicago/We Can Change the World” and “Military Madness” and others. In addition to his string of solo albums, he has performed and recorded with David Crosby as Crosby/Nash. Their eponymously titled Graham Nash/David Crosby (1972) is bookended by Nash’s “Southbound Train” and “Immigration Man”.

Tickets are on sale at 10am, May 7th to Troy Savings Bank Music Hall Members.  Anyone can become a member and gain access to the pre-sale.  Single tickets go on sale the general public Friday May 8th at 10am  via phone, (518) 273-0038, in person, or online at  TroyMusicHall.org.  More information on the Troy Savings Bank Music Hall and upcoming programs is also available on the website at www.troymusichall.org.

 

Spain / Bad Dream Adventure @ No Fun, 4/30/2026

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Bad Dream Adventure and Spain were part of a Super Dark Thursday at No Fun.

Photography by Timothy Reidy.

More from No Fun here …

 

New performance announcement Postmodern Jukebox! Troy Savings Bank Music Hall

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Postmodern Jukebox

The Future Is Vintage World Tour

Thursday, October 29th, 2026 7:30PM

   Tickets: (518) 273-0038       For venue information:  www.troymusic

TROY, NEW YORK:  Scott Bradlee’s Postmodern Jukebox return to the Troy Savings Bank Music Hall on Thursday, October 29th at 7:30 PM. Pre-sale for the show starts Thursday, May 7th at 10am and tickets will go on-sale to the public on Friday May 8th at 10am.  Learn more below about the show:

SCOTT BRADLEE’S POSTMODERN JUKEBOX: THE FUTURE IS VINTAGE TOUR 2026

A SUMPTUOUS VINTAGE-INSPIRED MUSICAL EXPERIENCE

Postmodern Jukebox — the internationally acclaimed music collective famed for their signature time-twisting style, transforming some of our most loved songs into dazzling vintage masterpieces — has announced a brand-new 56 date trek titled The Future is Vintage Tour. The tour kicks off in Finland on April 17th and travels through mainland Europe and the UK before heading to Australia & New Zealand in June.

Renowned for their joyous, high-energy live shows, the multi-talented troupe of singers, dancers and instrumentalists will bring a brand new production to stages across the country — putting a retro spin on everything from ’70s rock classics and ’80s Britpop staples to today’s chart-toppers, movie themes and even video-game soundtracks. Packed with dance-ready numbers and jaw-dropping showstoppers, it’s a show that works just as well for a big night out as it does for the perfect family outing.

Founded in New York by pianist and arranger Scott Bradlee in 2011, Postmodern Jukebox began as a series of videos recorded in a small apartment, transforming contemporary pop songs into vintage jazz, swing, and soul arrangements. What started as a YouTube sensation has since evolved into a global touring phenomenon, with sold-out shows on six continents and over a billion online views.

The rotating cast has featured some of the most remarkable vocalists, musicians and performers working today — artists whose charisma, stagecraft and extraordinary musicality have made Postmodern Jukebox shows unlike anything else on the touring circuit. For more than a decade, fans around the world have flocked to these concerts not just for the music, but for the pure theatrical thrill: a meticulously crafted night of escapism, humour, virtuosity, and irresistible fun.

Speaking about the upcoming tour, Bradlee said:

“In the midst of the AI hype all around us, some folks have gone so far as to proclaim that in the not-so-distant future, all of the music that we listen to will be AI generated… we’ll gladly take the other side of that wager. On the 2026 Postmodern Jukebox North American tour, we’re humbly presenting our own unique vision of a spectacular future; one that is built upon the timeless musical genres of the past and the authentically human spirit of creativity that inspired them.”

Fans are encouraged to dress in their vintage best and step into the immersive world of Postmodern Jukebox for a night of musical time travel — a feel-good celebration that honors the past, energizes the present, and champions a brilliantly human future for music.

Tickets are on sale at 10am, May 7th to Troy Savings Bank Music Hall Members.  Anyone can become a member and gain access to the pre-sale.  Single tickets go on sale the general public Friday May 8th at 10am  via phone, (518) 273-0038, in person, or online at  TroyMusicHall.org.  More information on the Troy Savings Bank Music Hall and upcoming programs is also available on the website at www.troymusichall.org

Strand Theatre, Hudson Falls NY: A Dash of Drama: Regional Opera Showcase

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On Friday May 15, 2026 @7pm, experience an evening of soaring voices and beloved opera and musical theater favorites in this showcase celebrating the very best of NY’s summer stages!

In a first-of-its-kind statewide collaboration, The Glimmerglass Festival joins forces with Opera Saratoga, Finger Lakes Opera, and Seagle Festival to bring this special event to life.

Five of the country’s finest young singers take the stage in a lively program previewing upcoming summer productions from across the region, from Mozart and Puccini to My Fair Lady and Oklahoma!.

With virtuosic piano accompaniment and engaging commentary from Rob Ainsley, Artistic & General Director of The Glimmerglass Festival, this concert offers a rare chance to experience world-class talent close to home — and get a first look at the summer season ahead.

$30/first 3 rows, $25/floor, $20/balcony. Tickets are available at the Strand Box Office; cash or check only or online at Events.com.

Doors into the lobby, coffee shop and box office open at 5:30pm. For more info and the ticketing link, please visit our website at www.mystrandtheatre.org. The Strand Theatre is located at 210 Main St, Hudson Falls, NY.

Please visit our website, Facebook or Instagram accounts for a list of upcoming events at the Strand.

Twiddle: The Night Slidin’ Dirty Found Its Sound

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By Charla Earney.

TROY, N.Y. – May 1, 2026 – Some nights start off feeling ordinary and then slowly turn into something bigger. Not because of one big moment, but because everything begins to line up at the same time. That’s what happened at Slidin’ Dirty.

At first, it was just a show. A newer venue. A band I didn’t know. A crowd filling in, people finding their spots, testing the room, feeling it out. In the middle of it all, a lot was revealed. It stopped being something I was watching. It became something I was chasing. And it started with one question:

Who the f*** is on keys?

Last night wasn’t just a concert; it felt like a beginning. Not just for the crowd, but for Tim, the owner and operator of Slidin’ Dirty. I don’t know Tim personally. I don’t need to. I’ve been observing him for about six months now. That’s enough time to recognize when someone is building something intentionally, not just reacting as they go. My first introduction to Slidin’ Dirty wasn’t even inside a venue; it was the food truck. I saw it parked at events around Troy. Last summer, at a Rockin’ on the River concert, I tried their fries. That’s always my test. Menus can overwhelm you. Descriptions are designed to pull you in, to make everything sound like the right choice. But the truth of a place lives in the basics. Fries. Burgers. A Reuben. Soup. If an establishment can’t get that right, nothing else really matters.

Slidin’ Dirty gets them right.

The sliders, mini hamburgers, perfectly proportioned, are their specialty. I’ve been working my way through them, one by one, getting a feel for each taste. Each one hits differently, but all of them feel designed. And the fries? They’re damn good fries. That tells me something important: this place isn’t guessing. It’s aimed. There’s a system here, even if it’s still evolving. I had been to Slidin’ Dirty before for open-mic nights. That’s a completely different environment. Constant adjustments. Unknown performers. Shifting sound. The audio is never fully settled, and it’s not supposed to be. That’s where Danny Watson (sound guy at Slidin’ Dirty) has built his skill. Handling that kind of chaos sharpens you. It forces you to listen differently, to react quickly, to understand how sound behaves in a room that won’t stay still. When the room filled up, around 150 people, the game changed. And I knew it would. What I didn’t know was how well it would hold.

It held.

The balance of sound stayed intact no matter where I stood. Front, back, side—it didn’t matter. That’s not easy. People don’t stay still at shows. They move, they drift, they search for better sound, better angles, better connection. A weak system falls apart under that kind of movement. This didn’t.

I didn’t know Twiddle. Never heard of them. For years, my music diet was shaped by Amazon and Apple algorithms. I loved diving into new suggestions, letting the system guide me. There’s something exciting about discovering music that way. But over time, I stopped trusting algorithms and started trusting people. Tim told me this wasn’t a show I wanted to miss. I listened. I also follow one rule: I don’t listen to a band before seeing them live for the first time. No research. No previews. Nothing to shape what I’m about to experience. Because expectation changes everything. If you already love a song, you forgive mistakes. Even a weak performance can feel strong if it’s wrapped in familiarity. I wanted a clean experience. The name Twiddle meant nothing to me.

Now it does.

I don’t start by watching. I listen. I close my eyes and focus on tone, tempo, and rhythm. I pay attention to how the musicians sync, how they flow, and how they build off each other. I wait for the solos. That’s where everything shows up. Not just who they are, but what they can do. A few songs in, something cut through. Not visually. Sonically. And the question hit again:

Who the f*** is on keys?????

That question didn’t fade. It grew. I was on the hunt. I would stop, sync in, let the sound settle, confirm what I thought I heard, then move. Left. Right. Up front. Back against the wall. Again. And again. I circled the room like a firefly. Each position revealed something slightly different. A tone I hadn’t caught before. A layer that only showed up from a certain angle. But every time, it came back to the same thing.

The keys.

Not loud in a way that demanded attention. Clear. Controlled. Exact. I wasn’t just hearing it, I was testing it. Each pass made it stronger. Each pass made the question louder:

Who. Is. That. Guy.

I heard people speaking the name Ryan Dempsey as I walked around. I didn’t know who he was or what instrument he played. I bought his alien pin. It is on my lapel. At first, I thought he was the guitar player. That’s on me. A strong guitarist will always grab my attention. It’s no secret among my peers: a good guitarist can make my knees weak, but drums? That’s where my heart is. Still, I was wrong. Lead guitar and vocals belong to Mihali Savoulidis. His presence is real. His sound is strong. His look is clearly intentional, something crafted, something considered. Something to vibe with. But the sound I was chasing wasn’t coming from him. It was coming from the keys. Then it clicked. The guy on keys? Ryan Dempsey. That’s when everything lined up.

Twiddle, a band out of Vermont, started over 20 years ago when Dempsey and Savoulidis met as freshmen in college. They built something real over time. After their “Friendsgiving” concert in 2022, they stepped back from touring to focus on family. That happens. Especially in the arts. People build lives alongside their craft. They step away, but that doesn’t always mean they’re gone. In this case, it didn’t. And alongside them, Zdenek Gubb on bass, Adrian Tramontano played the drums. A full system.

Once I locked onto Ryan Dempsey, I stopped moving. I watched. The way his hands moved, “gliding” doesn’t quite capture it. Gliding suggests something external, like a bird riding the wind. This wasn’t that. This was internal. Control through the bones of the fingers. Each note landed exactly where it needed to be. Not sloppy. Not rushed. Not careless. Fluid precision. A piano has 88 keys and over 200 strings. That’s a massive space to understand. To move through it the way he did means something deeper than practice. It means familiarity at a level that becomes instinct. The fingers look like they should be straight, like pencils. But when they move, they bend, they bounce, they adapt. It’s controlled motion. And it creates a range of tones that’s hard to … DESCRIBE.

Then came the shift. The deja vu. The glitch. Ryan announced the song they were going to do, and I slowly walked to the center of the pit. A spot opened up for me to stand. As if the universe itself had provided me with the spot and the space in which to hear and move to this song. It hit deep for me. The theme from “The Matrix” came through. I’ve spent time with that soundtrack. It’s followed me through different parts of my life since I saw it in the original release of the movie in theaters in April of 1999. Hearing it live and in person? On-site in that venue? With every color of people moving, swaying, fully locked in, landed like no other! Not in memory. Presence. I felt it. The room felt it. Music I have intimately lived with. It has been a background soundtrack to conversations, meals, work, and hobbies!!! Long drives up and down the eastern coast. I experienced in real life only what I thought was possible to experience through the modern-day matrix of the time … the internet with Applications being the access point. That’s when everything clicked.

A room built for movement and vibration.

The stage design matters more than people think. Walking in, you see the stage immediately. Two sides are open. The front view (typical) and the left. That’s not typical. Does it work? Hell yes!! You can move freely. There’s even a side area where people can step out, smoke, and still see the band. That kind of movement usually breaks a show. Here, it didn’t. It added to it. The tables and chairs, heavy with wood and metal from earlier events, were gone. Tim opened the space up. People stood. They moved. They explored. The benches along the walls stayed. They served a purpose: rest when needed, elevation when wanted. I used them. Got a full view of the room. Captured it. Couldn’t help it. At some point, the separation disappeared. The band wasn’t just playing. The crowd wasn’t just watching. It became one system. Energy moved through the room naturally. One group picked it up, then another, then the whole space followed. That’s not something you force. That’s what happens when everything works.

Slidin’ Dirty isn’t finished. That’s exactly why I am sharing this. What I saw wasn’t just a good show. It was a system coming together. The food is right. The sound is right. The space is right. When Twiddle locked in as a unit, something bigger happened. I saw what Tim’s vision is, and I am impressed. For me, it all came back to one moment. One question that turned into an entire experience:

Who the f*** is on keys?

Now I know. And that’s the kind of night you don’t forget. If Tim, the visionary, is doing what I think he is doing, then this is going to rinse and then repeat.

…2..3..4 – An Xperience Column

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“Quiet Please”

By Chris Busone.

“It takes two years to learn to speak and sixty to learn to keep quiet.”

That from renowned author, big game hunter, and imbiber of intoxicating fluids, Ernest Hemingway. A man who never met a marlin or female war correspondent that he didn’t want to stick his hook into. But as I read it, the Old Sea-man’s quote led me down a pondering pathway of my own, from which a series of questions arose.

Have we become a society of individuals completely convinced that the huddled hungry masses are starved for our opinions on any and all subjects? Even if (and often especially if) we have zero knowledge of the topic at hand? Have we become so self-involved that we are incapable of having a thought without expressing it? Have we lost the fine art of shutting the f*** up?

Well, let me give you my thoughts on that. 

That’s right, Shecky. Before you jump up on the seat of your chair and start screaming, “Yea but! Yea but! You have this column!!” Yes. Yes, I do. I have this monthly spring cleaning of the BBs that constantly rattle around in my head, which serves nicely as a release valve for my unquenchable desire to share my thoughts, my very essence of being, and yes, finally, SPEAK MY TRUTH! (Although, truth be told, hardly any of this is ever 100% true … 60/40 at best.) 

As I pondered these questions, my immediate reaction (and I’m guessing some of your jerky knees) led me to conclude that it is Social Media – that overbearing, under regulated, scourge of the Wifi and Inter-Web waves, that perverter of youthful minds, and purveyor of impure thoughts – that is to blame for this long-winded affliction from which we currently suffer. But that seemed a little too convenient an answer for me. I smell a verbose rodent. 

So as I dutifully drilled down a little deeper, I began to notice a subtle but persistent thread, a Da Vinci Code of hidden facts and artifacts, if you will, that seemed to explain our loquacious tendencies more accurately. The pieces meshed together only if you looked deeply into the underbelly of the issue with a honed, discerning, investigative eye and dogged determination. Only then could you assess the data in a way as to identify the true culprit and expose them for who they really are. And the answer was right there all along.  

There’s just a lot of a$$holes out there. 

Now, you can blame big bad Social Media for giving those a$$holes a platform to spread their horsesh!t to the masses, and you won’t hear a complaint from me. There are those who use social media like a modern-day Johnny Appleseed, strolling aimlessly from site to site, post to post, spreading their nonsense throughout the land. (And BTW, what if I don’t want apple trees on my property, Johnny? How about you keep your freakin’ seeds in your pocket and just move on down the road before I get the USDA on your ass, you bounder.) 

But let me be clear, all of this is not to say that everyone isn’t entitled to their own opinion; they most certainly are. But you are also endowed with the unalienable right to keep it to yourself sometimes, because the rest of us are entitled to not have to see your gibberish on our posts or hear it interrupting our conversations. But again, to be clear, you have the right to converse about and post whatever you like. Just as it is my right to happily scroll past or block your comments or use them as a hilarious party favor to mock you in a crowd of people. 

Now, to my way of thinking, there are two types of offenders in this scenario. The first is just your run-of-the-mill gasbag who can’t keep their mouth shut and thinks they need to tell everyone their thoughts on politics, music, sports, how other people are raising their kids, and any other subject that someone else brings up. They do this at a profoundly loud volume (when did we all start talking so loudly) in an attempt to seem intelligent, while confident that we all await, with our breath duly baited, their pearly wisdoms. But if that’s the only way you can make yourself feel smart, Shecky, chances are you’re what Bugs Bunny used to refer to as a nimrod. So quiet down, and maybe we’ll get ice cream later. (That’s right, our greatest weapon against these wankers is condescension.)

But while our first type gloms onto others’ original thoughts with their Hot Takes (God, I hate that expression) and memorized soundbites from their news outlet of choice, the second is much bolder. This one takes center stage and presents their own misguided, misleading, sleight of tongue in an attempt to sway others to their way of thinking. Their game is to utilize bombastic oration and wildly inaccurate “facts” which they continue to say loud enough and often enough in hopes that they will become imprinted on the weak-minded and forever be repeated by Nimrod Number One. And sadly, this works really, really well. 

You can hear these numbnuts spewing this stuff all over, and when you stop and ask them what one memorized morsel means, they answer with another. It’s genuinely hilarious and alarming all at once.  

Let’s take, for example, the biggest vehicle with which this particular type of crap is currently disseminated. The podcast.  Anyone from a B-level comic, who started a podcast out of desperation because his career was on the skids (and predictably, the more ridiculous his rhetoric, the more people took him seriously), to any schmoe who orders a laptop and a mic from Amazon can have their own podcast. 

And via this homemade BS catapult, these (for the most part) unlicensed, unvetted, unbelievably uninteresting people can expound any and all their views, reviews, and muses for anyone to hear, no matter how offensive or moronic. 

But honestly, I don’t think they believe half of what comes out of their mouths on any given day. It’s all just for clicks and views. But it’s their right to say it. And it’s Spotify’s and any other outlet’s right to broadcast it. But Jesus Henry Christ are people seriously basing their belief system on what some f***ing failed actors and comics, or a former UFC interviewer, says?!! This is where all this becomes troublesome. And while I’ve never minded a reasonable amount of trouble, this sh!t is getting out of hand. And it all makes my point for me that the “shutting the hell up” thing would really help out here.

Because it is my belief that it all starts with people who are just convinced that we all need to hear their saucy slant on every subject imaginable. And for the record, folks, we don’t. 

When my Dad was speaking to someone or about to perform some task, and his youngest son piped up with, “Hey Dad, wanna know what I think?” he would turn to me and say, “No.” Then, after a few beats, he’d laugh and say, “Okay, go ahead.” Now, while that fleeting moment of iciness may seem a little harsh to some, that feeling taught me a valuable lesson that not everyone always wants or needs to hear your thoughts. And for good reason. Because, quite honestly, my Dad didn’t need a nine-year-old’s take on how to fix the garage door. 

So what’s the thrust here? I guess that it’s not Social Media per se, or podcasts, or talk shows that caused this issue. They simply watered it, fed it, and put it in an area that gets all the good light in the afternoon. The real reason is what it’s always been. Us.

There is a large portion of us who need, nay crave, constant interaction and attention to survive and will say anything to anyone on any subject on any platform to get their fix of mingling with the masses. And I guess that’s not so bad. As long as you do it quietly … and over there somewhere. 

So in conclusion, dear reader, while I usually ask that you count along with me in a resounding closure at the end of each monthly featured piece, let us count silently to ourselves this month in hopes to quell the clamor and rejoice in the silence … OH SCREW IT GIVE A BIG A$$ 2…3…4!!!!

(That felt good, didn’t it? Now let me tell you what I think about candy corn … don’t even get me started on that stuff …)