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Wedding Bread – The Weird Side of the Internet

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Wedding Bread – The Weird Side of the Internet – by Liam Sweeny.

There’s a lot that goes into weddings, and a lot that goes into understatement and I offer both. Weddings are the most beautiful, most nerve-wracking events in an adult’s life, and not so much because they’re weighty, or expensive, but because you have to put so much thought into them. You spend months, maybe years working on fashioning every element of something that’s going to be your memory forever.

Even a low-key wedding can be a tough ordeal. Money was tight when my parents met, and they had a two-hundred-dollar wedding back in the seventies. This meant the reception was in a bar and involved deviled eggs. Probably. I don’t know, I wasn’t even born. But they had a good time and plenty of love, so they may have had one of the few zero-pressure weddings out there.

But let’s talk the creative aspect. Aside from the importance of the act, a wedding is many people’s only shot at showing off their creativity. And Manila couple Jazmin Reyes and Miguel Sotto might just have taken the cake, in the form of bread invitations, invitations that are basically a loaf of bread with the couples’ wedding logo stamped on it.

Pretty cool, right? The wildest thing about sending bread to maybe two hundred plus people is that it costs less than paper invitations.

And it’s bread! I would love to get bread from my friends in the mail. I guarantee I’ll remember the wedding, and my gift has gotta come high to match that energy. I wonder how many people are going to think they’re clever in bringing a toaster for the wedding gift.

Moral of the story I guess is that if you can’t do reality-TV level ostentation, go for doing weird sh*t. You’re going to have far more fun telling your grandkids about the bread letter office that you will about rose crystal or whatever. In short, make it all memorable.

 

 

More from Liam Sweeny…

H2O @ Empire Live, 4/30/2025

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NYC-based punk outfit H2O put on a fine set at Empire Live, opening up for the Bouncing Souls.

Photography by Christopher Ebbs.

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The Turd: An American Journey, Chptr. 7 – Xperience Fiction

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The Turd: An American Journey, Chptr. 7 – Xperience Fiction – by Liam Sweeny.

A stone-washed jean jacket hovering over good old-fashioned dungarees, a tweed flat cap with a tartan pattern. He’d had the outfit for years, as he did every other outfit in his closet, his fastidious care and handiness behind a sewing needle kept him classic for near a decade. Lysette shopped the thrift stores like a buyer from Bartholomew’s in the city, buying everything three sizes too big so she could cut up the fabric and splice herself new couture weekly. She looked like a pirate six days and a goddess on Sunday when she went to church.

Lysette went to a roadside church on Highway 4, by a greasy spoon and the county dump. The diner was either the best eats or the worst eats depending on which way the wind blew. The congregation was alcoholics in recovery organized into the kind of bikers that don’t throw Molotov cocktails at each other. The pastor, a woman covered in tattoos and body jewelry was part revolutionary and part saint.

Lysette had her own cross to bear, and instead of denoting the King of the Jews, it called out ‘anorexia nervosa.’ When Ernest met her, she was a singer in an art nouveau band that took its inspiration from Harry Houdini and P.T. Barnum. She was a stick.

She ate plenty with her hands but little of it got to her stomach. She talked of the expanse of the universe and the depth and magnanimity of the void like she was waiting at the station with a ticket.

Ernest picked up the slip of paper that had the name of the crystal lady written in Lysette’s handwriting. He’d made a deal with her. She’d stop selling her inventions in her lingerie and Ernest would shit come hell or high bowl lines or daffy crystal people. It was more than a fair trade. The night of the fight, Ernest’s stomach felt like he’d swallowed a handful of paper cuts.

He pulled off Muldonado Street, a Latino enclave on the outskirts of San Eldra. Carla Ortega’s shop was near the corner of Muldonado and First Streets. The building was an old corner store with black velvet covering the windows and strings of light pressed in between. Flyers for holistic city events lined the window’s bottom edge, where the black velvet didn’t quite reach. Credit card stickers were mostly scratched off, as was a sticker announcing that the old store took EBT.

Ernest opened the door gently to a cascade of chimes that sounded like rain on crystals. Apple and pine needles danced together in the air to the flicker of a full spread of colored candles. There wasn’t a counter, just comfortable seats and a rock garden with a fountain running down it. Even the overhead lights were relaxing in round brass fixtures.

Ernest took a seat and picked up a magazine about raw foods. It got his stomach going and he wondered what Doctor Carla could do to him that would actually work. Another chime sounded, and Carla, must have been Carla, came out. At first, Ernest thought she was getting some of Lysette’s fashion scraps. But Lysette knew Carla longer than she knew him, so maybe she was walking around with Carla’s scraps.

“Ernest?”

Ernest took off his cap. “Yes’m.”

“Come on back,” she said. “How are you feeling?”

“Not great. Had my stomach act up last night.”

They walked into a room that had a chair that reminded Ernest of a doctor’s chair with the paper roll covering, but this chair was soft and had arms. Carla motioned him

to sit.

He felt the chair material. “This is nice. Where’d you get it?”

“Special order,” Carla said. “Craft Makers has a whole department for custom furniture. I actually came up with this in a dream.”

“Huh, how ‘bout that? Must’ve been a good dream.”

“They’re all good since I learned the secret.”

“Oh, is that some New Agey thing?”

“No,” Carla said. “It’s a ‘no coffee after four o’clock’ thing.”

“Oh.”

Carla sat down on a swivel chair with a padded back on it. She picked up a clipboard.

“So Lysette tells me you can’t poop.”

“Is that my chart?”

Carla flipped it over to show blank paper. “People trust charts,” she said. “I don’t know. So what’s the poop on the poop?”

“It’s been what? Forty days?”

“How are you alive?” She said. “When did you stop eating?”

“I eat every night,” Ernest said. “Light solids diet. I don’t know where it’s going.”

“Forty days, three meals a day, snacks?”

“Sometimes,” Ernest said.

“So snacks… You should be just one long snake of food. You should be choking on it. Have you considered that a higher power is at work here?”

“Oh, okay, woo woo stuff.”

“It helps to have an open mind, but I get paid either way. Up to you.”

“Look, I know Lysette is into the church stuff; I just have no use for it. It’s just stories.”

Carla chuckled. “You see the irony with this? The whole world is being taken over by shit, and you are probably in the record books for not being able to.”

“Don’t I get some oils and crystals or something? Read my aura?”

“Your aura is constipated,” Carla said. “I have some crystals and candles and oils for digestion, but I think your problem is bigger. I’m thinking that you’re meant to not shit, at least right now.”

“Well, I gotta get Lysette to stop selling her inventions in her lingerie, sure you seen that.”

“Yeah, it’s cute. But, hey, you know what? If you want to help her sell her stuff and maybe get the guys to stop looking at her so hard, you should get involved.”

“She don’t want me there, no ma’am.”

“Get a toilet and bring it into where she films. Tell her fans your situation and just try to go when she’s filming. She’s hot, but toilet play is much hotter right now. And with your story, you might come out a super star.”

***

Alternate 5 was a city route borne of a bridge construction splitting Route 5 in two. It was a three-mile stretch of road, four hammer lanes up the hill, four down. Jasen and

Ophelia were lost on a road they couldn’t help but drive on every day.

“You think she’ll hold up her end?” Ophelia said. “If we find something?”

Jasen scoffed. “What the hell are we gonna find that she couldn’t? She’s basically trying to take the world’s mind off shit. People love shit right now. Shit is the shit.”

“Why, though?” Ophelia said. “I mean, aside from a couple of trolls, why is it consuming people’s lives?”

Jasen pulled a vape out of his glove box and took a drag. “Shit’s powerful. When it’s staring you in the face, it’s daring you to ignore it, which you can’t. All these places you go in, supermarkets, whatever, people holding on to shits in their purses, schmears on their business cards – did you ever go in and just not notice it?”

“I wish,” Ophelia said. “I’m waiting for that day.”

“And it’ll never come. Shit is always offensive, but not like politicians are offensive. Not like my uncle Louie is offensive. It just is. You have four people around a table and it’s blah, blah, blah, talk about the weather, sports, whatever. Four people around the table with a shit on a dinner plate in the center; that’s it. it’s its own ‘thing.’

“I think it’s art,” Ophelia said. “Like, it comes from you. It’s like a baby except it’ll never graduate middle school.”

“Give it time,” Jasen said.

They pulled off Alt 5 and drove Charles Whitwell Drive through what the City called it’s bad neighborhood. Really, it was just the black section of the city, nothing more. There were three jazz and blues clubs off the side streets, two of them occupying an un-permitted space in a two-story row house that did midnight moves when code enforcement slapped eviction notices on their doors.

Jasen was taking them to see his buddy, actually named, rather than monikered, ‘Buddy.’ Buddy made it his business to know all the weird and freaky happenings of the city and its environs, and if a rumor was a dollar he would’ve owned a private jet.

Buddy owned a coffee shop, which helped him collect his scuttlebutt. Jasen had a ping in his gut when he thought of what the Great Shit was doing to Buddy’s bottom

line.

They pulled up to a pile of black-bagged garbage and as Jasen got out, he smelled the rotten odor of things which should’ve been flushed. Buddy’s Bistro, not a bistro, was emblazoned on a red awning with yellow stripes. The two front windows were streaked opaque, which didn’t matter much because everyone in the City with a coming attraction made their way to Buddy’s with a flyer and a roll of tape.

Jasen opened the door for Ophelia, and the stench hit them with sap gloves on. Jasen’s heart sank; not Buddy too. Buddy saw him from behind the counter and waved him over, Ophelia in tow.

“How’s the nipples?” Buddy said. “Bitchin about em before, but they ain’t so bad now, huh?”

“I actually got canned.”

“Oh, sorry beau,” Buddy called everyone ‘beau,’ assuming he liked them. “I figure they put you on corn patrol.”

“What’s corn patrol?” Ophelia asked.

“Buddy, Ophelia. Ophelia, Buddy.”

Buddy tipped his cap. “Ain’t nobody like corns in the poo. So I figure they got a corn patrol at VidYou.”

“I wouldn’t know anymore,” Jasen said. “Maybe.”

Buddy pulled out a rag. “I wish I could offer you a job, but I had to fire Moe, you remember him?”

“Yeah, big guy, didn’t talk much?”

“Yeah, but that talking thing changed a week ago.” Buddy sighed. “Came in here a few days ago, was it Wednesday? Yeah, Wednesday. Talking about how I’m coprophobic and he’s gonna get me shut down, boycotted.”

“What the hell is copro- what?”

“Coprophobic. Fear of shit. Prejudiced against shit. Though I don’t know how I’m supposed to be prejudiced against something I lay down twice a day. Just cause I won’t offer customers poo with candles in it for their tables. Like this place has six tables, where am I gonna get that kind of poo?”

It was then that Jasen noticed one sorry-looking poo in the showcase on the side, by the croissants.

Jasen pointed at it. “Seems like he got you on that.”

“Oh, that ain’t but a cop PBA sticker on the window. Keeps them happy. That and the other thing.”

“What’s the other thing?”

Buddy leaned in closer, though there was no one in the shop. “It’s called ‘Shite,’” he said. “But not Shiite like the Muslim religious sect. Shiite is spelled different. This Shite thing oughtta get sued for trademark from the Muslims but anyhow, I’m letting them use my back room for their services. Don’t ask me what the services are. I don’t go back there and they clean up after themselves. The head Shiter told me they never let poo get wasted, so they don’t just fling it around, you know, smear it around.”

“I had a guy try to take my confession in a men’s room stall,” Jasen said. “Is that

Shite?”

Buddy bore down on a coffee stain. “Could be,” he said. “They trying to get me to convert, but I told them I was a Jehovah’s Witness and we don’t play. I even tried to convert the head Shiter just to show him I was serious. So we leavin each other alone.”

“I can’t believe this is a religion,” Ophelia said. “It’s only been two weeks since…”

“Been a long time comin,” Buddy said. “Ain’t nobody feeling religion anymore. Cept for like Shamanism and Wicca, it’s all hands-off, sit-in-a-pew kind of stuff. Eat some bread and that’s Jesus. Shite is disgusting, tween y’all and this espresso machine, but it’s got a real point; poo is true.”

 

 

More from Liam Sweeny…

Teenage Halloween / Scotchka @ No Fun, 5/18/2025

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New Jersey’s Teenage Halloween and local surf rockers Scotchka were only two of a talented five-act bill at No Fun Sunday night, with Gainesville’s Dikembe the headliner. Glazed and Everybody That Loves You also played.

Photography by Christopher Ebbs.

 

Teenage Halloween

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Scotchka

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RECAP: “Song City” @ the Waiting Room, 5/13/2025

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A Night Like No Other: Song City Troy, Season 3 Finale

Words and Photography by Penny Piper.

It’s a rare and beautiful thing to witness art in its purest form. To be in the room where the energy between artist and audience crackles, where vulnerability and talent take the spotlight without filter. That’s exactly what unfolded at the Waiting Room in downtown Troy for the Song City Season 3 Finale.

Curated by the ever-intentional Scott Womer, Song City has become a space where artistry is both celebrated and challenged-where songwriters stretch themselves and audiences leave forever changed. I spoke with Scott about the magic of the finale and the community Song City continues to build in the Capital Region.

“A show like this is similar to creating a meal,” Scott told me. “You serve something familiar, and also something that challenges the norm. It’s about expanding the audience’s definition of a songwriter.”

And that’s exactly what happened.

Let’s start with the artists—because they were nothing short of unforgettable.

Delaney Hafener

Delaney performed solo at the finale, and from the first note, it was impossible to look away. I’ve followed her work with the Belle Curves, but this performance reminded me that she doesn’t need anything but her voice and her words to hold a room in her hand. There’s a fire in her delivery, but also a gentleness—a sweetness that lets you breathe even when her lyrics hit hard. One of my favorite moments of the night was when Delaney bravely performed a brand-new song, one that had never been played in public. That’s the kind of space Song City creates—one where artists feel seen, supported, and safe enough to grow.

Reese Fulmer

Now here’s a twist for you—did you know that “Ohio,” one of Reese Fulmer’s most beloved songs, is about a murder? Most people don’t catch that, and that’s part of the brilliance of Reese. He’s a master storyteller, a songwriter’s songwriter. Deeply connected to the spirit of Café Lena, Reese draws you in with each line, creating landscapes and lives with his lyrics. His professionalism and poise are matched only by his gift for connection.

Dust Bowl Faeries

Performing as a duo for this special evening, the Dust Bowl Faeries were a gothic dream. Ryder Cooley on accordion and vocals, and Jon B. Woodin on lead guitar, transported the room with their eerie, hypnotic sound. Their vibe is dark and cabaret-tinged, yet somehow, they radiated warmth. One of the most magical moments of the night came when they joined Eric-Jon Tasker on a song they had never even heard before. It was spontaneous. It was electric. It was everything Song City stands for—collaboration, trust, and raw musicality.

Eric-Jon Tasker

Captivating doesn’t even begin to describe Eric-Jon. From the moment he walked through the door, I was drawn in. He’s funny, smart, and incredibly charismatic—and his talent is undeniable. A week before the finale, he was staging a musical reading at Jive Hive, and then here he was at Song City, delivering hook-laden pop songs with depth and flair. His presence is huge, but never overpowering. There’s something about him that makes everyone in the room feel like they belong.

Scott Womer knows what he’s doing. This isn’t just about music—it’s about crafting a meaningful experience. From the lighting to the intimacy of the Waiting Room (a transformed ground floor off Franklin Alley), every detail is intentional.

“The artist is as important as the audience,” Scott said. “We want artists to feel heard, respected, and taken care of. And we want the audience to be both comforted and challenged.”

The inspiration behind Song City stems from Scott’s time at Nashville’s Bluebird Café, but what he’s built in Troy is uniquely its own. Unlike the single-genre format of some songwriter circles, Song City celebrates diversity—pop, goth-folk, Americana, whatever expression the artist brings. It’s a living, breathing testament to the musical mosaic of the 518.

With more than 100 artists having graced the stage over 25 showcases, Song City has quietly become a cornerstone of the local music scene. It’s inspiring other collectives, shaping the way we experience live music here, and proving that magic doesn’t only live on big stages—it thrives in listening rooms like this.

I walked out of the Waiting Room that night feeling something I hadn’t felt in a long time—renewed. The kind of full-heart energy you only get when you’ve witnessed something real. And that’s what Scott and Song City are giving us: realness, connection, and the soul of our scene.

This was more than a show. It was an experience. A communion. A tapestry of voices, woven with purpose and passion.

And I can’t wait to see where it goes next.

 

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Lea Salonga to Join the Troy Savings Bank Music Hall on December 2nd

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TROY, NEW YORK:     The Troy Savings Bank Music Hall is excited to announce Broadway legend Lea Salonga will join us on Tuesday, December 2nd!  Pre-sale for the show starts Tuesday, May 20th at 10am and tickets will go on-sale to the public on Thursday, May 22nd at 10am.  Learn more below about  Lea Salonga!

Multiple award-winning actress and singer Lea Salonga is renown across the world for her powerful voice and perfect pitch. Lea most recently starred in the new musical Here Lies Love at the Broadway Theater and headlined Old Friends (alongside Bernadette Peters) on London’s West End. Her latest album, Sounding Joy | The Holiday Album, was released by Center Stage Records last November.

Lea is best known for her Tony Award winning role in Miss Saigon. In addition to the Tony, she has won the Olivier, Drama Desk, Outer Critics Circle and Theatre World Awards. She was also the first Asian to play Eponine in the musical Les Misérables on Broadway and returned to the beloved show as Fantine in the 2006 revival. On Broadway, Lea starred in the 2018 Broadway revival of Once on This Island as the Goddess of Love, Erzulie. The show’s return to the Broadway stage earned a Tony Award for “Best Revival of a Musical” and also garnered Lea and the cast a Grammy nomination for “Best Musical Theater Album.”

She has also been seen on Broadway in Allegiance and Flower Drum Song. Many fans of all ages recognize Lea as the singing voice of Princess Jasmine from Aladdin and Fa Mulan for Mulan and Mulan II. For her portrayal of the beloved princesses, the Walt Disney Company bestowed her with the honor of “Disney Legend”.

Lea stars in the first season of Pretty Little Liars: Original Sin (a reboot of the popular series) available on MAX, after starring in the critically acclaimed Sony musical-drama Yellow Rose. Lea can also be heard in the Netflix animated series Centaurworld and in FX’s animated series Little Demon. In August 2021, Leah released her single “Dream Again” and in November Lea Salonga: Live with the Sydney Symphony Orchestra from Sydney Opera House aired as part of Great Performances on PBS. A live album of the performance was subsequently released by Broadway Records. Lea’s 2022 Dream Again Tour and her 2019 The Human Heart Tour saw sold-out audiences and record breaking sales across North America and the United Kingdom. Lea has toured all over the world, performing sold out concerts in such locations as the Sydney Opera House, 02 Arena, Disney Concert Hall in Los Angeles, Singapore’s Esplanade, Kuala Lumpur Convention Center, Hong Kong Cultural Center, Queen Sirikit Convention Center in Bangkok and Carnegie Hall in New York.

In addition to her stage and screen credits, Lea served as a judge on the Philippines hit version of The Voice including the ratings juggernaut “The Voice Kids”. She has released multiple solo albums, toured the world with legendary pop opera quartet Il Divo, and received rave reviews for her many cabaret engagements, including a record setting run at New York’s 54 Below.

In her 45-year career, Lea has performed for six Philippine presidents (from Ferdinand Marcos to Benigno S. Aquino III), four American Presidents (Joe Biden, George H. W. Bush, Bill Clinton, and George W. Bush), and for Diana, Princess of Wales and Her Majesty Queen Elizabeth II. She was honored by Time Magazine as a Time100 Impact Award Recipient and received the Gold House 2023 Gold Legend Award.

Tickets are on sale at 10 am, May 20th to Troy Savings Bank Music Hall Members.  Anyone can become a member and gain access to the pre-sale.  Single tickets go on sale the general public Thursday, May 22nd at 10am via phone, (518) 273-0038, in person, or online at  TroyMusicHall.org.  More information on the Troy Savings Bank Music Hall and upcoming programs is also available on the website at www.troymusichall.org.

“Blues in the Schools” Benefit Concert @ Hangar on the Hudson, 5/18/2025

The Capital Region Blues Network brought in the Amy Ryan Band and Mark and Jill to Hangar on the Hudson to benefit Blues in the Schools. Good times (and generosity) ensued.

Photography by Stephanie J Bartik.

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More from Hangar on the Hudson …

 

Troy River Fest (Part Two)

More pictures of the fun at yesterday’s River Fest in Troy. As is usually the case, the crowd brings as much joy as the entertainers.

Photography by Stephanie J Bartik.

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More coverage of River Fest here …

Troy River Fest

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Some damp and windy weather couldn’t hurt the good vibes at River Fest yesterday. Vendors galore, great food, and music from Kristian Montgomery, Doc Horton and the Jay Street Band, the Chris Busone Band, and the Peak Music Allstars made for a terrific afternoon.

Photography by Sara Busone.

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Caffe Lena – Week at a Glance

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Greetings – I don’t have data to prove this, but careful observation leads me to believe that nothing motivates an Upstate NY audience to turn out for a show like bad weather. It’s almost like you take it as a fun challenge when snow, ice and rain come crashing down between you and the music you love. Despite the low temps and wet streets, a big wonderful crowd showed up for Lena’s 65th Anniversary Sing In the Streets Festival on Sunday afternoon–and we are grateful to every one of you. Audience, musicians, volunteers–everyone made it the grand celebration it deserved to be. Visit our Facebook at Instagram pages to see photos

This week is a busy one! Josh Ritter’s shows are sold out. Sawyer Fredericks’ shows have just a handful of seats left. And we’re about 3/4 full for I Draw Slow. If you miss getting your seats here, another great music option is the weekend-long GottaGetGon Folk Festival at the Saratoga County Fairgrounds in Ballston Spa. It has been put on annually by an all-volunteer crew of folk music fans and players since 1970.

See you at the show,
Sarah

Monday
7:00 PMOpen Mic Night


Tuesday
7:00 PMROCHMAN RECORD CLUB LISTENING PARTY: R.E.M. “DOCUMENT”
8:00 PM“Live From Caffè Lena” on WEXT 97.7 or 106.1 FM


Wednesday
10:30 AMFolk Club Kids: Stories, Songs & Sing-Alongs (Infants to Pre-K)
7:00 PMBluegrass Jam
7:00 PM & 12:00 AM“Live From Caffè Lena” on Folk Music Notebook


Thursday
1:00 PMSlow Jam
7:00 PMI DRAW SLOW


Friday
8:00 PMSAWYER FREDERICKS


Saturday
8:00 PMSAWYER FREDERICKS


Sunday
9:00 AMDharma Meditation with Pierre Zimmerman