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Star Wars Quiz – The Weird Side of the Internet

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Star Wars Quiz

Star Wars Quiz – The Weird Side of the Internet – by Liam Sweeny.

Have you ever tried to find out what kind of potato you are? Like, did you really want to know, and happened upon the six questions you need to answer to find out? Was one of the questions about a childhood pet? Careful there, but if you’ve ever been on the internet, even if this is your first day (and thank you for coming here first if it is!) you’ve seen a dumb quiz. You can learn anything and everything about yourself, truth or relevancy be damned. What’s your favorite sports car? Just give them the street you grew up on. What kind of wizard? You need your family line, so give us at least your mother’s maiden name.

Fun and cyberhacky as they are, these fun quizzes can also be a bad time. Take the case of a woman in the UK, nameless, who is now $39,000 richer for having her peace shattered by an online quiz. The quiz? What Star Wars character are you? Her answer? Darth Vader.

Okay, so there must clearly have been other stuff going on, but apparently, a group of co-workers were screwing around with said game on Facebook maybe, or X, it is unclear, and the plaintiff, also a worker, left for a moment, returning to find that the rest had filled out the quiz on her behalf, and she got Darth Vader. And that created the UK’s version of a “hostile work environment.” So she ended up quitting, ended up suing, and ended up forty k richer.

I can’t even remember how much people screwed with me when I was growing up. If that gets you forty thousand, I should be set for life. So yeah, I think this is a little bit overblown unless there’s a backstory. Like Carrie wasn’t just about a pig blood malfunction.

 

 

More from Liam Sweeny…

Collin Gibson – Interview – Thanks for Asking!

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Collin Gibson

Collin Gibson – Interview – Thanks for Asking! – by Liam Sweey.

RRX: Music genres are difficult for some artists. Some strictly adhere; others not so much. What is your perspective on the genre you play, or the genres you hover around?

CG: I’m a fan of music, not just hip hop. I can appreciate almost any genre—even if it’s not my personal go-to—just off the skill it takes to create it, the discipline to perform it, and the courage to put it in front of the world.

Yeah, I grew up on hip hop—but I was singing long before I ever recorded a verse. I was in musicals, in the church choir, singing Usher songs in middle school to impress girls. I came up in the MTV era, so we were exposed to everything.

At one point, I was even in a Weezer cover band doing mashups between rock and hip hop. I say all that to say—all of it shows up in my music. I’m influenced by rock, soul, jazz, and whatever else makes me feel something.

For a long time, I think that held me back a bit. Industry people didn’t always know what to do with me—they wanted me to pick a lane and stay in it. But that’s not me. I’m not just one sound, one vibe, one genre. I’m all of those influences, all of those feelings, and to pick one would be to be inauthentic.

Now, I think people are finally starting to get it. They hear the music, they see the vision, and it clicks. And I’m at a place where I fully believe in who I am and what I create—and once you get to that point, it’s hard for anyone else to deny it.

RRX: We all get a little support from those around us. And we also can be impressed by our fellow performers. Who do you admire in your community, and why?

CG: First off, my wife Keri Elle. We actually met as up-and-coming artists hitting the same open mics and competitions. Her raw talent and genuine love for the craft have always inspired me.

Over the years, I’ve crossed paths with so many artists who left a mark on me. Micol “Super Nova” Rankin stands out for his eclectic, unorthodox approach to hip hop—he really challenges the mold. Jonathan “Journey Brave” Banks brings a wild energy to the stage that’s impossible to ignore. Amor Lauren is a powerhouse—her on-stage presence and how seriously she takes her prep work is something I truly respect. Calen “Lyrical Preacher” Johnson? That man’s fearless. His confidence in himself and what he brings to the table is next-level.

And I’ve got to shout out folks like Redcoat Da Poet, The Mighty Network, Prince William, The Tripod Experience, Precedent, and 211—just some of the dopest, most genuine individuals I’ve had the privilege to perform with. Honestly, I could go on and on. I’m grateful to be part of a community with this much talent and heart.

RRX: We have to play somewhere, and sometimes those places have more going for them than a stage and a power outlet. What is a memorable place you played, and bonus points if it’s not a well-known place.

CG: Everybody who was anybody in Atlanta hip hop knew that the place to sharpen your sword was Apache Café, right there on 3rd and Spring. They had something going almost every night—poetry, R&B, live sets—but for me, it was all about Tru Skool Tuesday.

I walked in one night with my boy Ced, and the energy was undeniable. Big Tah and Fort Knox were just starting to build that wave, and we knew instantly: yeah, this is where we’ll be every Tuesday. That’s where I cut my teeth. That’s where I learned what songs really worked—and which ones didn’t.

I’ll never forget the night I debuted my song “Cuffin.” It was this playful, bold record where I basically told every dude in the crowd, “If that’s not your girl, you won’t mind if I get a little taste.” The reaction told me everything—I had something special.

That venue and that event opened so many doors for me. I went from rocking that stage to opening for some of my favorite artists—B.O.B., T-Pain, Raekwon—and even getting label meetings from the buzz it created. For years, that was my home on Tuesday nights. I’d bring all my friends from work just to be part of that atmosphere. Apache wasn’t just a venue. It was a proving ground.

RRX: Stereotypes are a bitch. I mean, aside from the really bad ones, you have cultural stereotypes about everything, including music.  Would do you think is the stereotype for the music you play, and how far are you away from it?

CG: Oooh, that’s a good one.

Hip hop as a genre has carried a long list of negative stereotypes—uneducated, violent, hyper-sexual, misogynistic, destructive. And truthfully, a lot of that has been amplified by the mainstream. So when people hear I make hip hop, there’s often an assumption that I fit into one of those boxes.

In reality, I’m probably the exact opposite of what they expect. I’m a father, a husband, I’ve got a career, I show up for my responsibilities, and I try to be a positive force in my community. Those are things that mainstream hip hop doesn’t always highlight—but they exist. We exist.

That said, I’ll admit—I also play into the stereotype sometimes. But I do it on my own terms, through storytelling. That’s my favorite thing about being a writer—I get to express things honestly, even if they’re dark, angry, prideful, or vulnerable. I can explore my full range of emotions and ideas through the music without judgment.

If I’m angry, I can write from that space. If I’m feeling tempted or cocky or even broken, I can pour that into the beat and make something powerful from it. It’s all art—it’s not about being one thing.

I think the real issue isn’t the stereotype itself—it’s the lack of balance. People are multifaceted. And my music reflects that. You’re going to hear the good, the bad, and everything in between. That’s real life.

RRX: Playing out is tricky because you never know what’s going to happen when you get there. Sometimes everything goes wrong. What was your worst show like?

CG: Oh man, this one’s easy.

Back in 2010, a few friends and I—including my now-wife Keri Elle—decided to sell just about everything we owned, pack up a van, and hit the road for a self-funded, self-booked tour. We traveled from the South up the East Coast, performing anywhere that would let us touch a mic. Sometimes we got paid… most times we didn’t.

One night we had a show booked in Murfreesboro, North Carolina, and on the way in, it was about 9 PM—and the town was dead. Like, eerily quiet. No cars, no people, no lights. Just us and the sound of our own doubts.

We pull up to the venue and are greeted by this older guy who looked more like he was waiting on a Johnny Cash tribute band than a group of hip-hop artists. The kicker? There was a sign on the front door that read: “No Rifles Allowed.”
 I remember thinking, So… handguns are cool though?

Anyway, we start setting up, fully expecting to perform for nobody. But the second those doors opened, people came pouring in—like a flood. We were genuinely confused like, Yo, where did they all come from?

Turns out, they weren’t there for us. They’d driven in from a nearby town to see the DJ spinning that night. We started our set, and it didn’t take long to realize the crowd wasn’t feeling it—not because we were bad, but because they came for something completely different.

Lucky for us, me and Ness Lee had a few joints we’d done over popular industry beats at the time. So we pivoted, switched up the set, hit them with something familiar, and managed to win the crowd back just enough to get through the night.

We finished our sets, packed up, and got the hell out of there. One of those nights you don’t forget—not because it was great, but because it taught you how to survive on stage when everything goes sideways.

RRX: Would you rather have one of your songs blow up and make you a one-hit wonder and household name, or would you rather have all your songs be solidly received, but no chart-climbers? (You have to pick one or the other here.)

CG: All of my songs, no question.

I’m not chasing clout, and I’m definitely not trying to be famous for one track. I make music because I love it, and because I’m good at it. If I can get my music to **my tribe—the people who really connect with what I’m saying and want to grow with me—**that’s more than enough.

The idea of blowing up off one song and then being expected to perform that same track for the rest of my life? Man, that sounds depressing as hell.

I’d rather be out there rocking shows for people who know my catalog, singing along with me word-for-word—not because a song went viral, but because the music meant something. Longevity over lightning in a bottle. Every time.

RRX: Is there a song you wrote that really died on the vine? Something you all like but somehow just couldn’t make it work. You swear never to play it live, that sort of thing?

CG: A song? As in one song??? One singular, solitary song??? Man! There are hundreds.

I’m the kind of artist that works in bursts. When the inspiration hits, it hits hard. I’ll get on a roll, and before I know it, I’ve got the bones of a whole project or a concept mapped out.

But the flip side of that is when the burst is gone… it’s gone. I have to wait for that creativity to build back up again. And every time I come out of that quiet period, the first few ideas are usually rough. Like, really rough. Not unlistenable, but definitely not up to the standard I want to put out into the world.

I used to get frustrated—like why isn’t this working? Why is everything coming out trash?! But over time, I realized it’s just part of the process. You gotta clear out the noise to make space for the good stuff.

It’s kind of like turning on a hose in the summer—the water that comes out first is hot and gross, but after a second, that cold, delicious hose water starts flowing. (Although now that I think about it, I don’t even know if kids drink from the hose anymore… I might be showing my age here!)

So yeah, I’ve got plenty of songs that never made it past that first wave. I don’t hate ’em, but I definitely won’t be performing them live anytime soon.

 

 

More from Liam Sweeny…

Don Jovi to Come to The Strand Theatre on May 24th

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Don Jovi

On Saturday May 24, 2025 @ 8:00pm, join us @ the Strand Theatre for a double bill as Don Jovi – a tribute to Bon Jovi and Completely Unchained – a tribute to Van Halen rock the stage!

Don Jovi is a N.Y. based band fronted by recording artist Don Chaffin best known as the lead vocalist for Voices of Extreme, Red Lamb, Ram Jam, Riot Act, Road Crew and American Mafia. His extensive recording and touring experience, united together with industry veteran band members Sean Tarr, Chris Tristram, Nick Troiani and Matt Ricci, immerse you into a live tribute concert experience like no other. 

The magic of Bon Jovi’s music comes alive through the band’s commitment to tributing some of the most legendary and memorable music of all time.

Get ready to experience the ultimate rock tribute show featuring all your favorite Van Halen hits. Completely Unchained, the #1 Van Halen tribute band in the country, is considered the most authentic tribute to The Mighty VH!

Completely Unchained delivers songs like Running With The Devil, Ain’t Talkin’ Bout Love, Dance The Night Away, Panama, Jump, Hot For Teacher, The Cradle Will Rock, Eruption & many more with the same attitude the way Van Halen did from 1978 – 1984!

Completely Unchained are four talented and creative musicians that re-create the ultimate Van Halen production – the attitude, sounds, excitement, energy and most of all the fun that Van Halen produced as one of the best rock bands in the world.

The Turd: An American Journey, Chptr. 6 – Xperience Fiction

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The Turd: An American Journey

The Turd: An American Journey, Chptr. 6 – Xperience Fiction – by Liam Sweeny.

Ernest walked down Cornwater Street with his hands in his pockets, fists clenched, compressing the grime on his palms into diamond dust. How could Lysette do that to him? He didn’t want to be jealous and he ran it through and through in his mind that he wasn’t jealous, that it was the principle of the thing, but he knew principle weighed half a gram and it was never the thing.

He tucked into the Downtown Market and Deli, which was neither downtown nor a proper deli, but it made due in San Eldra. A Sears and Roebuck for squeeze mustard and marked up olive oil. Even Ernest had an order in regularly, a six-pack of Pop Cock, a cherry soda brand made in an old firehouse in the city. But that day he was searching for adult goods.

“A pack of American Regulars,” Ernest said. “No, fuck it; make that Lancasters.

No sense being tight.”

Clancy, the owner and cashier, reached back and pulled out a shiny red, white, and green pack that gave the world cancer through advertising.

“Never seen you not tight, Ernest.”

“Just no point.” Ernest held the pack in his hand softly, preferring it to diamonds.

“I guess we’re in the money now.”

“You win the lottery?”

“My wife did, I guess.”

“Probably a thing you should know.” Clancy punched up the register, an old manual which even he didn’t need anymore but for the nostalgia of it. “That’ll be sixteen bucks.”

“Jesus, when did they go up?”

“Yesterday, a week before… These things are like pork-bellies but they never tank.”

Ernest pulled out a twenty and asked for matches before he took off for the five blocks back home.

When Lysette first suggested getting a Sponsor account, Ernest thought she meant a Sugar account, and he was fuming, which for him looked like ignoring Lysette and wandering the house for stuff to fix. Lysette had to show him other Sponsor sites before he’d stop renovating the house. It was mostly artists and writers, people who genuinely needed sponsorship. Eventually Ernest became her most passionate supporter, even brainstorming with her.

When Ernest agreed to stay home to be Lysette’s engineer, it was a big risk. They weren’t pulling in regular checks, but they were pulling in regular bills. They lived off of Ernest’s savings from his time at the garage, but that was running out. But with Lysette going to Ideas.com, Ernest had to do something.

Apparently, so did Lysette.

He walked by a woman shoveling dog turds in her purse, zipping it shut and patting it, giving Ernest what could best be describes as a seductive look. He scrunched a smile and turned the corner to his block, letting his anger flush his face.

“Lysette?” He called out when he got in the door. “We gotta talk.”

“I’m busy,” he heard her say. “I’m, uh, indisposed. I’ll be right out.”

When Lysette married Ernest, it was for rich or poor, good times or bad, sickness and in health… disposed and indisposed. Ernest crept upstairs and opened their bedroom door to see Lysette in her lingerie, holding a solar toaster in her left hand, rubbing her body with her right.

“Ernest, I said I was indisposed.” She turned to the camera. “This is my engineer,

Ernest. Say hi, Ernest, on your way out.”

“Lys, what the hell is this?”

Lysette put the toaster down. “Time to see a fight, folks.”

“Maybe you should just turn that off.”

“Maybe I can do what I want.”

“So you were just going to get on about with the lingerie I bought you and give it up for what? Someone buys your idea they get a personal visit?”

“Ernest Kreb, you’re an asshole,” Lysette said. “Why I didn’t tell you in the first place.”

Ernest sat on the edge of the bed. “I don’t get it,” he said. “Why?”

“Ernie, I told you,” she said. “I’ve had this for six months, and all I get are guys asking me to show them my tits.” She turned to the camera and cupped her breasts in case anyone was lurking. “I’m just giving them what they want. They see me all dolled up and suddenly they’re buying blueprints. It works, Ernie.”

“One of the guys that bought your blueprints, I just worked on his car. He pointed you out like when they draw a map of a cow’s meat. I almost beat him up. How much of that am I going to have to put up with?”

“My stats are up, Ernest. It works. I’ve sold nine sets of blueprints just today. I don’t have to sell to IdeaBank. Isn’t that great?”

“Yeah. I’m sure it pays well.”

“Really being an asshole here,” Lysette said.

“I just started working on cars again,” Ernest said. “We can have money coming in. You don’t have to do this.”

“You haven’t shit in over five weeks. I don’t know if I want you under an engine and pass out or whatever. Let’s save money to get you to the hospital, and then maybe

I’ll stop.”

“So what I can’t shit? All I’ll ever get is a big cramp, maybe shit my pants. I can still work on cars. You want me behind a desk? Fine. You put your clothes on, I’ll get behind a desk.

“Ernest, I know you’re not going to like what I’m about to say one bit, but I kind of like this. Not the guys individually, but the attention. People are buying my blueprints. Even if they think they have a shot with me, it’s still better than sitting here feeling worthless.”

Ernest walked up to the camera. “She’s married, you assholes. To me. But go ahead and buy her blueprints. Cause they’re all good and they’ll revolutionize your lives, and it’ll be the smartest simp-move you ever make.”

“And please help my husband shit,” Lysette said. “Five percent of the proceeds will go to help Ernest shit. Five weeks, folks. End this misery.” Ernest chuckled. “Yeah, folks, help me shit.”

***

Jasen had met many an influencer in his time at VidYou. Rather, he met many an influencer’s enticing nipple. He’d banned them all but a rare few who he thought had good general taste if not good specific taste. And that was big, the passing on a ban, because  Bradley never hesitated to point out one of Jasen’s mistakes. His job was see a nipple, ban a nipple, and nothing else. They didn’t pay him more than they should’ve for him to be a judge. They really paid him more than he was worth to keep him from being lead hacker somewhere else.

Bradley was trying to fuck Genevieve anyways. She was a lesbian. Bradley didn’t care; kind of guy he was. So he let some nips slip through the net, and he knew at least two successful influencers. But not Tristan Miller. He found out about her the way he found out about most of the people in his life; he stalked.

One of the things about influencers is that they put themselves out there. Which was absolutely necessary for image and promotion, but terrible for stalking. Tristan shared her friends who weren’t as internet famous as her, and with Ophelia’s straight computer skills and his slick phone performances, they found out that Tristan was going to be at the Southside Morningview Center, a homeless shelter in northern San Mateo County. It was a drive, one piloted by Ophelia at her urging. She’d driven with Jasen to get Empanadas off-campus, and that was it for her being hapless copilot.

She gripped the wheel like the road was all spike strips. Even Jasen’s car was dangerous to her. Jasen engaged in every relaxing move he could make in the passenger seat, including taking off his shoes and propping his feet up on the dash.

“Do you realize how messed up you would be if we got into a wreck?” Ophelia asked. “You’d be paralyzed or in traction at least.”

Jasen tipped his index finger her way. “Do you realize if YOU drive right, we won’t get into a wreck in the first place?” He tipped his finger to his lips and tapped them twice before pointing out the windshield. “Let’s be proactive.”

“Your feet stink.”

“You got sauerkraut in your little baggie there. I shower everyday. My feet don’t smell. They don’t smell like sauerkraut. How do you even talk to people after eating that nasty shit?”

“I like hot dogs,” Ophelia said. “Hot dogs like sauerkraut. So by the transitive property of food, I like sauerkraut.”

Jasen chuckled. “Transitive property of stinky ass shit.”

“Are you sure this Tristan is going to be there? We’ve been on the road for two hours already, an hour to go.”

“If I wasn’t sure, you’d be eating those fart cannons on campus.” Jasen scratched a scab on his leg. “Her best friend thinks I’m a TV producer wanting to see her in her natural habitat. Plus, I offered her five hundred to recruit Tristan. She couldn’t wait to betray her best friend. Awful.”

Northern California wasn’t like L.A., when one thinks about California. It was mountainous and wooded, interspersed with towns and cities that were constantly on the lookout for wildfires. Daly City was their destination, the homeless shelter on the outskirts.

When they got there, eventually, as Ophelia refused to use GPS, they found a parking lot full of yesteryear’s cars except for one, a hot pink Mazda convertible, with anime animal stickers ruining the back bumper’s perfect paint. Jasen knew that was her car. She showed it off enough in her videos, complaining about how frustrating it was to manage heated seats and back up cameras. They pulled in and got out.

“See, if I smoked, this is where I would have a cigarette.”

“Yeah, those smell too,” Ophelia said. “Let’s just do this.”

They walked into the shelter and Jasen identified himself as a newspaper reporter gathering material for a Christmas piece. The reception that he got told him that he could’ve gone up to the counter and said that he was Krampus come for the naughty children, and he would’ve gotten the same wave through.

The crowd assembled were a mix of the shabby and the still trying. And Tristan, with pink braids, rainbow eyeshadow and glitter cheeks, stood behind a counter with boxes of cookies, snack cakes, and juice. The people in there would go to her leery and grab a snack, except for a few who were more starved of company than of food. Tristan guided an elderly woman to the bathroom while Jasen and Ophelia waited for them, which was minutes and not seconds. They came back, Tristan on her phone all smiles until she hit the stop button, then bored disgust.

“Hey there,” she said. “Have a snack cake. If you want to earn a hundred dollars, come into the bathroom with me. We’ll shoot your poop.”

You’ll what?” Jasen said.

“Shoot your poop. It’s for a bit I’m doing. We go in, and I get your poop on camera. I swear to you, I am an artist with this. I will make you look like the marble statue of that guy with his chin in his fist.”

“The Thinker.” Jasen said.

“Yeah, whatever.”

“Look, we’re actually here to see you. We know who you are.”

Tristan’s brow furrowed. “You’re not like some stalker super fans, are you?”

“No,” Jasen said. “We heard about you from a coder at VidYou, Colby. We just have a few questions for you.”

Tristan let out a breath, a call that said she was just out. “I don’t have time for questions, honestly. My rank is sinking, and if putting out homeless shits can’t raise it, what the fuck? I mean, what the fuck?”

“Look, we want to know whatever you can tell us about the piss algorithm. It’s important.”

“I don’t have it,” she did. “What would I do with computer code? I’m lucky to remember my passwords.” A smile played across her lips. “I did have it though, a while back. I gave it to some guy because he said it would help his band.”

“What did you get for it?” Ophelia said.

“Who cares?” Jasen said as he picked up a box of snack cakes. “She doesn’t have it.”

Tristan grabbed the package from Jasen’s hand. “He was Uggs Maguggs,” she said. “I got desperate one night. I gave it to him and he promised never to tell anybody we smashed.”

“So who is he?” Jasen said.

“Okay, you’re not cops, so I don’t have to tell you shit. You know what? You want to know his name? Bring me something good. Get me rank, I’ll get you Frank.”

“That’s not his name,” she added before she went back to schlepping for toilet cinema.

 

 

More from Liam Sweeny…

Caity Gallagher @ the Eleven, 5/7/2025

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Caity Gallagher is currently in residency at the Eleven. Catch her the first Wednesday of each month; you won’t be disappointed.

Photography by Timothy Reidy.

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More from the Eleven …

Electric Six / The Jagaloons / Safety Meeting @ No Fun, 5/5/2025

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After Safety Meeting kicked off the night at No Fun, folks were unharmed during sets by the Jagaloons and Electric Six. Losses for the show were reported, however, as the Electric Six were down to five, and there was no Messer Chups.

Photography by Timothy Reidy.

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More from No Fun …

 

Pure Bliss @ Empire Live, 5/9/2025

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Syracuse’s Pure Bliss kicked things off for a powerful five-band lineup at Empire Live Friday night. The Coast 2 Coast Tour also featured Pain of Truth, Sunami, Haywire, and Last Laugh.

Photography by Jake Fox.

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More from Empire Live …

Last Laugh @ Empire Live, 5/9/2025

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Second on the bill at Empire Live Friday night was straight-up Long Island hardcore from Last Laugh.

Photography by Jake Fox.

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More coverage of the show here …

Rob Smittix Video Reviews Music Equipment -AKAI MPC Key 37

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Rob Smittix decides he’s going to purchase the AKAI MPC Key 37 to make rap beats. Here’s what happened!

Subscribe to our YouTube Channel HERE!

 

Caffe Lena – Week at a Glance

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Caffe Lena

Greetings – Every other little venue from that music scene so beautifully depicted in the recent Bob Dylan movie, A Complete Unknown, either closed or stopped being a folk club–except one: Caffe Lena in Saratoga Springs, NY. Nobody can quite put their finger on the magic formula that has kept this place going all these years, but it certainly has something to do with Lena’s business philosophy: “Don’t do it like you’re in it to make money. Just do it with a whole lot of love. Like you’re in it to serve.” Every musician, audience member, volunteer, staff member and contributor has served this project in some small or large way that has brought us to this moment: our 65th Anniversary. I wish we could bottle the formula to save so many other things we love in the world, but for now let’s just focus on celebrating this one.

We’ve got a great celebration teed up:  John Gorka, a leading voice in the 2nd wave folk revival of the ’80s; an important and fun tribute to one of the greatest progressive voices of American folk music, Utah Phillips; the return of one of our longest serving musicians, Don Armstrong–with a fabulous band; and then to cap it all off, our big Sing In the Streets Festival on Sunday! I’m betting that we really will be in the streets on Sunday afternoon, but in case the weather has other plans, rain locations have been secured and we will post Plan B on our website and social media by Friday evening.

See you at the show,
Sarah