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Aila Chiar – Interview – Thanks for Asking!

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Aila Chiar
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Aila Chiar – Interview – Thanks for Asking! – by Liam Sweeny.

RRX: Every artist’s first song is a milestone. But so is the latest song. Describe the first song/album you recorded, and also the latest song/album you recorded; what are the differences?

AC: The first mixtape I ever recorded is called Self Reflections: A Tainseld Mixtape. Funny story, I had no intention of making it into a project. I was recording the songs separately but as I was listening I was like wayment, these sound pretty good together and thus the mixtape was born. The mixtape is riddled with affirmations and mantras as well as raw emotion and wordplay. Self Reflections is different from the projects I’m currently working on because it’s more rap focused whereas my singing voice is spotlighted in these upcoming projects. The theme of Self Reflections explored self empowerment and while these projects will explore those themes, they’ll also delve into romance, gratitude, pain, and intuition.

RRX: Music genres are difficult for some artists. Some strictly adhere; others not so much. What is your perspective on the genre you play, or the genres you hover around?

AC: I feel genres are bendable and can smooth into each other. There are so many different sounds within genres.

RRX: You sing or you rap, you play guitar, play drums, what have you, you have no doubt struggled to learn music. Something probably tripped you up. What was it for each of you? What did you have to overcome (bands, pick a member)?

AC: THE BEAT PRODUCTION AND MIXING/RECORDING PROCESSSS!!!!! In the beginning, I was STRESSEDDDDDD LMAO. There’d be days where I’d put my laptop in a different room and avoid looking at it because everytime I’d think about it I’d get frustrated. But afterwhile, I began to enjoy the process of learning, failing forward, feeling frustrated, feeling successful after finishing a song, exploring the different places to hold the mic when recording and everything else that comes with beat production and mixing/recording.

RRX: Sex, drugs, and rock and roll. Or so they say. Whether you’re off the wagon, on it, or never been, there’s something you got a thirst for. What are some of your basically harmless vices?

AC: I love vitamin water and cranberry juice. OH and warm water with lemon and honey. I really like lemons, sometimes I eat them like oranges.

RRX: We let it out differently when we play music. The happy, sad, good and back; it can all be put out musically. Overall, do you feel better when you sing about the better times, or the worser times? Is there a difference you can describe?

AC: When it’s me, I feel better when singing and/or rapping about certain memories. It’s different when you are being vulnerable in front of others. In some cases, I’ll feel empowered and free but in others I’ll be transported back to my room where I was pouring myself onto a piece of paper, feeling the feels.

RRX: What would you like fans to know before they come to see you play? (No basic stuff; get specific.)

AC: Be ready to speak life into you and do a breathing exercise!

LINK TO MIXTAPE https://youtube.com/playlist?list=OLAK5uy_mRVictaks-yPdSKpeQrIH_BO473KVQzvU&si=fh-1BzQw65WfDrZd

LINK TO AILA’s OTHER MUSIC

https://on.soundcloud.com/3g2ieK6H9SGJmtDP8

 

 

More from Liam Sweeny…

Psychic Raiders – The Weird Side of the Internet

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Psychic Raiders

Psychic Raiders – The Weird Side of the Internet – by Liam Sweeny.

One of the things about government secrecy is the fact that, because we can’t know, we’re left to imagine, and inevitably, the actual secrets turn out to be pretty mundane, like the favorite foods of some opposition leader in a country most of us couldn’t find on a map. But once in a while, the government is covering up something that is interesting. For example, lately we’ve been privy to a whole ton of tacit admissions to decades of documented UFO phenomena. And this is probably the most important government revelation, but it’s not the one I’m going to mention.

What about the really bizarre stuff?

From 1970 until 1995, the CIA conducted a psychic program, where, through the use of psychics and telekinetics, they explored finding out about secret, unreachable things, which may have culminated in finding the Ark of the Covenant?

For those of you, all four of you, that don’t know what the Ark of the Covenant is, it is the most holy artifact of the Old Testament, a gilded container, designed by God, to hold the stone tablets that Moses brought down from Mount Sinai. A magical artifact. A lost artifact. The inspiration of a hundred History Channel documentaries, and of course, the first Indiana Jones movie, Raiders of the Lost Ark.

Declassified documents show that they used psychics to find the Ark of the Covenant, presumably to fight the Soviet Union, at least to start. Was this the point, or were the psychics just bored one day? Or is it something that, once you get into the woo-woo stuff, it inevitably descends into aliens, bigfoot, and the Ark of the Covenant?

All in all, we don’t know where the Ark is, though some believe it was taken from Jerusalem to Ethiopia at the beginning of the Babylonian Captivity. But if you can imagine the CIA sending mercenaries out retrieve the Ark of the Covenant with a spoon-bender riding shotgun, it might be true. Maybe that part’s still a government secret.

 

 

More from Liam Sweeny…

Gaelic Storm / Reverend Peyton’s Big Damn Band @ Troy Savings Bank Music Hall, 3/28/2025

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There was a Gaelic Storm inside the Troy Savings Bank Music Hall on March 28. Both the headliner and opener Reverend Peyton’s Big Damn Band got the crowd on their feet.

Photography by Timothy Reidy.

 

Gaelic Storm

 

Reverend Peyton’s Big Damn Band

 

More from Troy Savings Bank Music Hall …

 

John Waite – Xperience History

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Tom Waite

John Waite – Xperience History – by Rob Smittix.

Originally published November, 2022.

RRX: When I got the message down the line that I was going to talk to you, I thought it was pretty cool because, first, of all the bands that you were in and your solo work is like the soundtrack to growing up years. Which is really cool.

JW: Well… me too.

RRX: What’s going on in your life now?

JW: Well just coming back, we were on the road with Rick Springfield and Men at Work. We did a five in a half week tour of America to back up the release of my new EP of original songs called “Anything.” That’s just gone through the roof, I’ve had a ton of success with that. At the same time released a greatest hits called “Singles,” so we’ve got that going. We did the tour of America, came back and had like five days off in Santa Monica. But I played with the band at a friend’s wedding on day three, I came home day four and on day five I flew to Holland. We did seven sold out shows in Holland. I got to play with Rinus Gerritsen of Golden Earring, who got up and played on “Masters of War.” He’s such a fantastic bass player, I’ve been a huge fan all of my life.

RRX: That’s cool.

JW: Then I flew to England to see my Mum, who is ninety-seven. I went to my hometown for five days then I flew to New York then straight up to Boston and played the county fair and then came home. It been a banging two months then I come home and I’ve got this cold. But everything is going so well, there’s a documentary coming out about me in December on Netflix, that’s going to be interesting too. So, there’s such a lot going on, I’m just taking the time off and digging it, you know?

RRX: Definitely sounds like you’ve been on the move, it’s really cool that you got to see your mom though during that time.

JW: Yeah! You know what I mean, ninety-seven and still kicking. We hung out, took her to lunch and she washed my socks. It was lovely, it was good to see you, Mum!

RRX: Absolutely.

JW: Then I hung out with a couple of old friends, had a lot of Indian food and it was great. It was good to go home. Lancaster will always be a really great place for me to go back to. I always go back there. It wakes me up, it reminds me of where I am from and it’s a beautiful thing.

RRX: Now obviously you are always on the move, but you have a little off time now. Over the course of all of these years have you ever taken a long-extended break?

JW: A couple of times. After The Babys broke up I went back to England, got married and just didn’t think that I would ever record again. Times like that and after Bad English I went back to Pound Ridge and didn’t do anything for a year. I always did it on my own terms, I don’t dance to the music business. When I want to record I do, when I want to tour I do and if I’m not inspired I don’t. I’m not a part of the big machine. I try to make it so it’s always authentic, I guess that’s why I maintained as long as I have. It’s always from the heart, it’s never been just about the money or the business.

RRX: You can tell too with the music too. It’s so universal in a sense that a vast majority of people that are fans of other types of music tend to like your music as well.

JW: I think if you speak from the heart, people listen from the heart. I don’t really go beyond that, I just work with what I know, like a conversation. I try to talk to people the same way that I write songs. I just say what’s om my mind, put a melody behind it and you have something.

RRX: I agree with that whole-heartedly.

JW: I think that talent is like a burning light and people are drawn to it. I was a shy kid, I was a bass player that sang and could write some songs but I wasn’t looking to be successful on any level other than just being a band and making music. But I think people are drawn to that. Emotional honesty is like a burning vivid light and people are drawn to that and I think I have that. I think I still have it. I’m not trying to be a songwriter and be successful, it’s art and it’s honest.

RRX: Right.

JW: Sometimes you have a song like “Missing You” that just comes out of nowhere and it did. It wasn’t meant to be a hit and that’s why it was a hit because it was just so unvarnished, this is how I feel.

RRX: “Missing You” has this magic element to it. I mean it really resonates.

JW: Yeah, but I made that up on the spot, it only took 20 minutes.

RRX: No way!

JW: I had no idea I was going to write that. You walk into music, it takes you with it and then you’re free. To sit down and try to write songs I don’t know how to do that, I just close my eyes and away I go.

RRX: Man, that’s something that I wish came to me all of the time, that’s great.

JW: Well, you know it doesn’t come all of the time. You have to wait for it. It’ll tap you on the shoulder and say here I am. You’re a conduit, you’re the messenger and I can’t really take credit for it. You make it up on the spot, look back at it and say how the f**k did do that?

RRX: I couldn’t have said that better. There are people that have known you for years but you don’t know them. Do you know what I mean? Is there anything you would share with people that maybe would surprise them about John Waite?

JW: No, I walk out on stage and what you see is what you get. There’s a sense of connection, of family, history and expectation for something new. That’s my job and that’s what I love and when I look out there at the people, they’re one with me. That’s all I know. I can’t describe it. I’m not so gifted with words that I can describe what that is but it’s the reason I get up in the morning and have a life. It’s seriously important. You look at them and you’re connected, it’s the most wonderful thing you know? To have someone understand you in life is the biggest thing and I feel understood.

RRX: I couldn’t have said it better and I’ll see you at The Strand November 15th with you being backed by The No Brakes Band.

JW: Yeah, we’re still kicking, it’s a wonderful thing. I turn around on stage, look at them and just start laughing, it’s the greatest. So, c’mon man, come backstage I’ll buy you a beer.

RRX: I’m all about it.

JW: I enjoyed the conversation. God bless.

 

 

More from Liam Sweeny…

Eric Burdon – The Animals – An Xperience Article by Tony Mastrianni

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Eric Burdon

Eric Burdon – The Animals – An Xperience Article – by Tony Mastrianni.

That LEAPING GNOME who used to make his home in Newcastle, England, Eric Burdon turns 84 on May 11 of this year. Can you believe that “The House of the Rising Sun” celebrated its 60th Anniversary last year? This is the bluesy R&B track that hit the top of the charts in America in 1964. Here we are some sixty years later, and the “best blues singer to ever come out of England” (as late great Rolling Stones icon Brian Jones called him) is moving up in rock and roll legend territory. In recent years, he has played on a limited basis at blues festivals and rare concert appearances in Europe and the U.S., in addition to becoming an accomplished painter and author.

This gaudy urchin has previously performed onstage with the likes of legends such as Chuck Berry, Jimi Hendrix (his closest friend), Jimmy Witherspoon, and Otis Redding, just to name a few. Burdon received hard-earned praise from Bruce Springsteen in his keynote speech at South by Southwest in 2012. He then joined Springsteen onstage and soon enjoyed a Renaissance among critics and record collectors alike. Even Rolling Stone (who had called him a pseudo-black man in 1970) praised Mr. Burdon during the latter years. Despite Springsteen’s effort to have Eric and his new band join him on a major tour back some years ago, Eric declined and opted to continue doing limited tours in smaller venues.

Here is a look at some of the robust reissues and rare recordings that have become available on vinyl in recent years:

In 2013, he recorded an impressive four-track, self-titled EP with garage rockers the Greenhorns (Readymade Records), which was soon followed up with the acclaimed, full-length original solo album (now also available in vinyl) “’Til Your River Runs Dry” (ABKCO Records). Bottom line: though he has a reduced workload, his collectability and fame have seen an enormous increase over time. ABKCO Records reissued the first four MGM albums on vinyl in 2022. The sound quality is astounding. “The Animals,” with bonus track “Talkin’ ‘Bout You (unedited)”; “The Animals on Tour,” which includes bonus tracks “Baby What’s Wrong,” “F-E-E-L,” plus “New Year’s Radio Spot”; and “Animal Tracks,” which includes several bonus tracks: “Roadrunner,” “I Don’t Want Much,” “We Gotta Get Out of This Place (UK Single Version),” “It’s My Life,” and “I’m Gonna Change the World.” The fourth album in this reissue collection is the original “Animalization” album, loaded with a blend of bluesy rockers featuring Eric’s most versatile vocal showcase from the mid-’60s. They also reissued the band’s hallmark collection titled “The Animals: Retrospective,” a double vinyl set featuring 22 tracks, 14 of which were Top 40 charted radio tracks encompassing 1964-1966. This artifact contains many mid-period hits and many great musical expressions in such stellar songs as “When I Was Young,” “San Franciscan Nights,” “Monterey,” and “Sky Pilot.” The album concludes with the 1970 hit “Spill the Wine,” by Eric and War.

Eric spoke with passion as he described the sound quality of the ABKCO recordings, stating: “The idea of hearing our earlier work in Atmos spatial audio was like stepping into a whole new dimension for me. It was like rediscovering the magic all over again. I mean, we poured our hearts and souls into those recordings, and to hear them now brought to life in such an immersive way, it’s like a dream come true. The quality and depth of the playback experience, it’s everything.” These original four early ABKCO reissued LP’s are a testimony that the Animals have solidified their place in the top tier of rock and roll history.

Sundazed Music reissued the “Winds Of Change” album a few years back. This MGM 1967 LP featured the new West Coast Eric Burdon & The Animals (spurning merry old England). A blue-colored, vinyl-issue quality pressing and a reproduction of the original gatefold cover. This latter incarnation of the “new” Animals included Danny McCulloch (bass), Vic Briggs on guitar (who recently passed away), drummer Barry Jenkins of the Nashville Teens fame (who also just left this earth), and John Weider (who played the violin, dobro, and other strange instruments).

As far as the later, more obscure Animals MGM albums go, sooner or later, some company is going to obtain rights to reissue Eric & the Animals’ last three LPs: “The Twain Shall Meet,” “Every One Of Us” (which also included the great Zoot Money on keyboards and vocals. Only Zoot could come close in his efforts to out charisma Eric.), and finally “Love Is,” the double-LP that also included newest bandmate, the then 18-year-old guitarist Andy Summers (yes, the lad that grew up and joined the Police years later). These later psych-rock albums were issued in the states between 1967 and 1968 on MGM. Sadly, “Love Is” was never released in the UK back in 1968. Eric had seemingly deserted England when he took up residence in California a couple of years earlier, becoming a West Coast iconic figure.

There is an extremely rare double-LP import issued a couple of years ago by the London Calling label titled “The Animals: Live in the Sixties. This was issued as a gatefold limited edition, hand-numbered, 180-gram orange vinyl with a special color insert. Only 2,000 copies were issued. It includes 1966-67 rare tracks and outtakes from a variety of sources, including French and German TV show live tracks, BBC radio live takes, the group’s performance from a Mike Douglas Cleveland TV show, as well as three interview clips from Eric.

Finally, Rhino Entertainment issued a delectable 3-LP box set in 2022: “Eric Burdon & War: The Complete Vinyl Collection.” Reissued for the very first time in this millennium on colored vinyl, it contains the original MGM albums “Eric Burdon Declares War” and “Black Man’s Burdon,” as well as “Love Is All Around” (ABC Records). The War years started in 1970 when Eric walked into an L.A. nightclub and watched this Compton-based funk band with a Danish harp player (Lee Oskar). He asked, “How would you guys like to come with me and go to the top of the charts?” The wine was spilled, and “Spill The Wine” made Eric the first performer ever to take both a British band and an American Band to the top of the charts. In 1971, Melody Maker (the British music mag) did a front-page feature piece calling Eric and War “the best live band we’d ever seen.” Not bad for a man who grew up in a British seaport industrial town upon the Tyne River and who said he “had to sing like Big Joe Turner.”

 REGARDING  THE REST OF THE 20th Century and BEYOND:

In September 1970, Jimi Hendrix died after a jam session with Eric Burdon & War at Ronnie Scott’s jazz club in London. After that, Burdon often broke down on stage. On February 5, 1971, he left the band in the middle of their European tour, allegedly due to exhaustion. After returning home and taking time off, Eric recorded an album in the summer of 1971 with Witherspoon called “Guilty!” The band featured blistering guitar work by the then-young Las Vegas guitarist John Sterling. A decade later, John asked me to write the liner notes for the 2001 Eric Burdon CD “The Night” (issued by the now defunct One Way Records).

Capitol Records deserves praise for originally issuing a pair of standout LPs. “Sun Secrets” is the best of the post-War ’70s recordings by the Eric Burdon Band, released in 1974. It includes bold remakes of Animals’ classic LPs “When I Was Young” and “Don’t Let Me Be Misunderstood.” Also, check out the follow-up LP, “Stop,” if you can find a copy.

I’ll stop here before we get into various Animals reunions and reformations (United Artists Records and IRS Records), solo projects, obscure indie label CDs from the ’80s and ‘90s, and current-century solo recordings, projects, and work with Brian Auger and other luminaries. There were some quite obscure unofficial releases and some originally-issued vinyl (though most were CD-only releases) by predominantly independent or European companies.

Eric presently resides in Greece with his wife. It appears that he is doing pretty well.

 

 

Prog Digest – An Xperience Column

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Prog Digest

Prog Digest – An Xperience Column – by Klyde Kadiddlehumper.

Well, spring has arrived. I can tell. Damned allergies are starting to kick my ever-loving butt.

Which, of course, leads to this month’s little fireside chat.

Knowing full well that explaining the “logic” that leads to these things is a combination of age, chemicals, experience, and outright insanity – the train went like this:

Allergies. Pollen. Trees. Leaves. Birds. Specifically – pigeons.

Which, of course, leads to the OG of satire in my lifetime – Tom Lehrer.

I can already hear the bulk of you reading this going – who? Huh? Never heard of the guy.

Lesson time kids.

In a 2024 interview, Mr. Lehrer is quoted as having said “My songs spread like herpes.”  Still with us at 96, he is the GOAT. Born before the Great Depression (in 1928), he holds a Master’s Degree in Mathematics. Having later abandoned his PhD pursuit in the area of modes in statistics, the bulk of his professional career was teaching mathematics at the likes of MIT, Harvard, and UC Santa Cruz. He taught his last class in 2001 on the topic of infinity.

If you’ve listened to Dr. Demento over the years, he is a favorite.

Why the introduction? This, my gentle readers, is the background of a man who has written such classics as “Poisoning Pigeons in the Park,” “The Elements,” “The Old Dope Peddler,” and “The Masochism Tango.” Oh, and “The Vatican Rag.”

I can imagine Gore Vidal (oh, PLEASE read his “Live From Golgotha”) sitting around, listening to these little ditties and thinking – “Why would I try to write music? This man has simply beaten me to all the good stuff.”

Proof – you want proof. Well, the beauty is that we can reproduce his lyrics without fear of suit as he has released ALL of his lyrics and publishing rights and recorded material to the PUBLIC DOMAIN.

So –

From “The Masochism Tango”:

Your eyes cast a spell that bewitches.

The last time I needed 20 stitches

To sew up the gash

You made with your lash,

As we danced to the Masochism Tango.

From “Oedipus Rex”:

There once was a man named Oedipus Rex.

You may have heard about his odd complex.

His name appears in Freud’s index,

‘Cause he loved his mother.

From “The Elements” (to the music of “Modern Major General”):

There’s sulfur, californium and fermium, berkelium,

And also mendelevium, einsteinium, nobelium,

And argon, krypton, neon, radon, xenon, zinc and rhodium,

And chlorine, carbon, cobalt, copper, tungsten, tin and sodium.

These are the only ones of which the news has come to Ha’vard,

And there may be many others but they haven’t been discavard.

Elements 103-118 were added later.

And, of course – From “Poisoning Pigeons in the Park”:

So, if Sunday you’re free,

Why don’t you come with me,

And we’ll poison the pigeons in the park.

And maybe we’ll do

In a squirrel or two

While we’re poisoning pigeons in the park.

Perhaps the most telling things about Tom Lehrer are that, according to Wikipedia, two of his papers are noted in the American Mathematical Society database, and two of his songs were reprinted in Mad Magazine. Hell, 2 Chainz sampled “The Old Dope Peddler” for his debut album.

Prog enough for ya?

Look the man up. Go to tomlehrersongs.com, where you can not only read the lyrics of his songs but also listen to them and download ALL his recordings.  There are so many more that are absolute gems – I encourage you to check them out.

When the air becomes uranious,

We will all go simultaneous.

Until next time.

Klyde

 

 

More from Klyde Kadiddlehumper…

The Big Bus Heist – The Weird Side of the Internet

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Big Bus Heist

The Big Bus Heist – The Weird Side of the Internet – by Liam Sweeny.

The essence of crime is getting away with something, however small, as a rebellion against the social order. But a crime story. A genuine noir, is when that one little gain comes with a whole lot of loss. Save a penny, lose the world, that sort of thing, If you’re in for a crime story, a true Noir, look no further than the case of Japanese bus driver who pinched up a 1,000 yen note (basically seven dollars) off the bus floor and pocketed it. Little did he know there are cameras everywhere, though how, after working a bus for over three decades he didn’t know that is amazing, but either way, his mug ended up of the Kyoto Municipal Transportation Bureau, and he was fired. Notably, he lost his pension, which was $80,000 American.

I don’t get this. If you’re three decades into your job, why do you take such a stupid risks?

This reminds me of that Twilight Zone episode where the banker can hear everybody’s inner voice. And he hears the other banker plotting a big heist, which freaks him out and it’s revealed later that the guy was never going to rob the bank but dreamed about it every day.

Maybe that was the thing with this guy, he just couldn’t hold back that day.

And of course, he sued the bus company. Can you imagine that, suing the bus company that you just robbed. That’s like a burglar suing you for having a cool pool to break a leg in.

So he robbed, they fired, he sued, and they won. The question is this: what did he need for seven bucks? Was the theft an “FU” or didn’t he like really need a cop of coffee? What can you even get in Japan for seven bucks?

 

 

More from Liam Sweeny…

PRESS RELEASE: ORBITAL’S GROUNDBREAKING ‘BROWN ALBUM’ SET FOR REISSUE ON 5/23

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ORBITAL’S GROUNDBREAKING ‘BROWN ALBUM’ 
SET FOR REISSUE ON MAY 23 on London Records

THE ‘BROWN ALBUM’ WILL BE AVAILABLE ON 4-LP BOXSET, 4-CD BOXSET, COLORED AND GALAXY VINYL, 2-CD & CASSETTE

 

ORBITAL 2 (THE BROWN ALBUM EXPANDED)

Orbital’s seminal second album, commonly known as the Brown Album, will be re-released on May 23 via London Records on vinyl, cassette, CD and digital platforms. It is the first time the album has been pressed on vinyl for over a decade.

The Brown Album reissue celebrates the legacy of the groundbreaking 1993 album which pushed the boundaries of electronic music and solidified Orbital‘s place as the Godfathers of Rave. Alongside the release, Orbital will be continuing their series of LEDs (Limited Edition Drops), with the 4th installment in the form of Radiccio, their 4-track 1992 release, out now digitally and available to purchase on a 12” vinyl reissue.

The Brown Album reissue will be released with 23 additional tracks – rarities and previously unreleased material from the Brown Album period. The album has been cut at half speed, to ensure maximum audio fidelity. It will be available in a host of special physical formats, with the vinyl box set featuring a special hardback book containing unseen photos, a slipmat, a track-by-track by Phil and Paul Hartnoll themselves, and interviews and essays on the making of the album by esteemed music journalist Andrew Harrison. Also included are rare mixes from UnderworldCJ Bolland and Psychick Warriors Ov Gaia.

Released in 1993, the Brown Album defied expectations and had a significant genre and cultural impact – showcasing the duo’s scope and ambition. It was also met with widespread critical acclaim upon release, with NEW MUSICAL EXPRESS (NME) awarding it 9/10 in their review, and it was chosen as one of MIXMAG’s best albums of all time. The album staked out a creative space far beyond the reductive world of by-numbers rave bangers, and featured experimental elements inspired by avant-garde composer Steve Reich and nods to their squat-punk roots. Tracks like “Satan” resonated with the “crusty rave” scene, finding a welcoming audience at Megadog nights. The album’s blend of diverse influences and its rejection of conventional norms helped to solidify Orbital’s reputation as innovative artists, expanding the horizons of electronic music beyond local DJ nights.

Another standout track, “Halcyon + On + On,” became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III’s “It’s a Fine Day.” The track’s dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. The album also includes “Impact (The Earth Is Burning)” – another defining moment, and “Lush 3-1” and “Lush 3-2.”

With the Brown Album, brothers Phil and Paul Hartnoll created a unique listening experience, developed from live performances, moving their sound on from their debut, Green Album released two years prior. It explores wider ranges of sounds than previously heard from the duo as they had evolved from the M25 to an international touring act – from ambient textures to hard-hitting techno, didgeridoo, and sampling an Australian pedestrian light. It was created at the Strongroom Studio in London’s Shoreditch – a Brill building of rave and a true hub of creativity influencing the album’s direction. The album encapsulates the energy of early 90s rave culture and draws inspiration from diverse sources such as Mutoid Waste parties and the emerging jungle scene of the time.

RECAP: Chain of Fools @ Frog Alley Brewing, 3/28/2025

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A New Supergroup Shakes Up the Capital Region

Words and Photography by Stephanie J Bartik  (NY Rockstar Photographer)

On Friday, March 28, 2025, a powerful new sound took over the stage for just the second time ever—but you’d never know it from the roar of the crowd or the chemistry in the band. Chain of Fools, an electrifying fusion of talent drawn from three beloved local acts, made their sophomore appearance at a packed Frog Alley, bringing their signature blend of classic rock, country grit, and unexpected flair. Their debut had come just a week earlier at Sharpshooters in Amsterdam, NY, but by their second gig, the band already had fans talking.

Chain of Fools is no ordinary cover band—they’re a full-on experience. The lineup reads like a “who’s who” of the local music scene. Guitar wizard Matthew Spataro brings thunder and soul with every riff, having spent years lighting up stages with Akaysha, Drama, the Penny Knight Band, and Legacy. His guitar work drew high praise recently: “Magical… his fingers dancing across the strings to create melodies that soared and shimmered.”

Lauren Ugalde (Kerr) returned to her Upstate NY roots with a vengeance, adding her powerhouse vocals and theatrical flair after a four-year rock hiatus. A classically trained vocalist with experience spanning from the Maximus Band to musical theater hits like “RENT “and “The Last Five Years,” Lauren adds a dynamic spice to the band’s already rich mix.

On vocals and country charisma, Vinny Michaels brings a fresh edge. Known for his success in the country scene—sharing stages with stars like Luke Combs and Old Dominion—Vinny now stretches his vocal muscles into rock territory. His blend of country charm and ’80s rock passion has quickly become a signature highlight of the group’s set.

Drummer Mike Porter, a seasoned rhythm machine, anchors the band with undeniable energy. With roots in groups like the Grand Design and the Shakedown, Porter is known for his adaptability and heart-pounding beats. There’s a reason he’s one of the most in-demand drummers in the Capital Region—he brings fire to every show.

Adding depth and harmony, Dan Barnum fills the stage with keyboards and vocals that replicate the originals with uncanny precision. Dan’s ability to balance faithful renditions with spontaneous flair makes him a crucial part of the band’s sound.

And last but far from least, Mike Marzullo, whose resume includes touring the East Coast with the New York Flyers and sharing stages with legends like Eddie Money and Pat Benatar, handles classic rock vocals with a voice that has only grown more powerful with time. His renditions of Foreigner and other rock staples had the crowd belting along Friday night.

From Journey to Brooks & Dunn, from rock anthems to soulful ballads, CHAIN OF FOOLS had something for everyone. The show was a celebration of collaboration, diversity in sound, and a mutual love of music that crosses genres and generations.

Catch them next on April 12th at Meadowbrook Saloon (119 Meadowbrook Rd, Glen NY) at 9 PM.
Follow them on Facebook for updates.

This is one band you don’t want to miss.

More from Frog Alley Brewing …

Jukebox – Music News Cuts – 4/4

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Jukebox.

Godsmack

It has recently been revealed that Shannon Larkin and Tony Rombola of Godsmacl had left the band last year, as the aren’t appearing in the European/UK tour that the band has launched. For the tour, they’ve subbed Evanescence drummer Will Hunt and Faster Pussycat bassist Sam Bam Koltun.

In a Facebook post that’s since been deleted, Larkin confirmed the change (post transcribed by Blabbermouth), “First of all, I just want to thank everyone for the outpouring of texts from all my family and friends. I’m okay, Tony’s okay. We did quit the band last year after lots of talking to Sully and Robbie, and they understood that we didn’t want to tour anymore. That’s the reason. We understood that they wanted to tour, and so we understood each other. And in the end Godsmack’s out there touring and we are out here happily living our lives…Tony’s turning 60. I’m turning 58. It’s not a physical thing. We just want to be home with everything that we love. 40 years I’ve been touring, 28 years for Rombola. We’re getting a little older, so we decided to quit. It wasn’t a bad thing. I will talk more about it in the future, but it’s all love. We’re brothers for life with Sully and Robbie, and we wish Will and Sam all the best. All the fans, keep going — they’re kicking ass.”

Larkin joined Godsmack in 2002, and joined in 1996.

Regina Spektor

Regina Spektor is pairing up the announcement of a midsummer tour with the repressing of five of her vinyls. She will be launching the tour in July 22nd in San Francisco and will conclude in Houston on August 9th. The albums being reissued are Begin to Hope, Far, What We Saw from the Cheap Seats, Remember Us to Life, and Live in London. The albums will be released in limited edition colors.

“It’s been six years since Far was in print, and over ten years since I visited some of these cities,” Spektor said. “I’m so excited to revisit all these records and these towns! The vinyl looks so beautiful in their new colors, and I can’t wait for them to get spinning.”

Tickets went on sale yesterday at 10am.

Regina Spektor 2025 Tour Dates:

07/22 — San Francisco, CA @ The Masonic

07/24 — Jacksonville, OR @ Britt Festival Pavilion

07/25 — Portland, OR @ Revolution Hall

07/26 — Portland, OR @ Revolution Hall

07/28 — Seattle, WA @ Woodland Park Zoo Amphitheatre

07/29 — Spokane, WA @ Martin Woldson Theatre at The Fox

07/31 — Boise, ID @ Revolution Concert House & Event Center

08/01 — Sandy, UT @ Sandy Amphitheatre

08/03 — Denver, CO @ Mission Ballroom

08/05 — Austin, TX @ ACL Moody Theatre

08/06 — Dallas, TX @ Majestic Theatre

08/08 — San Antonio, TX @ Tobin Center

08/09 — Houston, TX @ Bayou Music Center

Sparks

A new single has been released by Sparks, and to go with it, they are adding tour dates later in the year. The single, “Drowned in a Sea of Tears,” is off of their new album, MAD! which will be available for sale on May 23rd. The new dates will begin on September 5th in Atlanta, and will hit Boston, Philadelphia, Brooklyn, Seattle, San Francisco and Toronto. It will conclude at the Greek Theatre in Los Angeles on September 30th.

Tickets will be available for presale on April 9th at 10am local time, and public sale on April 11th.

Sparks 2025 Tour Dates:

06/08 – Kyoto, JP @ ROHM Theatre

06/10 – Osaka, JP @ Zepp Namba

06/12 – Tokyo, JP @ EX Theater

06/13 – Tokyo, JP @ EX Theater

06/18 – London, UK @ Eventim Apollo

06/19 – London, UK @ Eventim Apollo

06/21 – Manchester, UK @ O2 Apollo

06/22 – Manchester, UK @ O2 Apollo

06/24 – Glasgow, UK @ Royal Concert Hall

06/26 – Haarlem, NL @ PHIL Haarlem

06/28 – Brussels, BE @ Cirque Royal

06/30 – Paris, FR @ La Salle Pleyel

07/01 – Cologne, DE @ Live Music Hall

07/03 – Copenhagen, DK @ The Koncerthuset

07/04 – Stockholm, SE @ Grona Lund Tivoli

07/06 – Berlin, DE @ Uber Eats

07/08 – Milan, IT @ Teatro degli Arcimboldi

07/12 – Bilbao, ES @ Bilbao BBK

07/15 – Dublin, IE @ National Stadium

07/16 – Dublin, IE @ National Stadium

07/18 – Edinburgh, UK @ Edinburgh Playhouse

07/19 – Wolverhampton, UK @ The Halls

09/05 – Atlanta, GA @ Tabernacle

09/08 – Philadelphia, PA @ Keswick Theatre

09/09 – Washington, DC @ Lincoln Theatre

09/11 – Boston, MA @ Berklee Performance Center

09/12 – Brooklyn, NY @ Kings Theatre

09/14 – Columbus, OH @ The Athenaeum Theatre

09/15 – Cleveland, OH @ TempleLive at Cleveland Masonic

09/17 – Toronto, CA @ Queen Elizabeth Theatre

09/20 – St. Paul, MN @ Fitzgerald Theater

09/23 – Vancouver, CA @ Vogue Theatre

09/24 – Seattle, WA @ Moore Theatre

09/26 – Portland, OR @ Revolution Hall

09/27 – San Francisco, CA @ Golden Gate Theatre

09/29 – El Cajon, CA @ The Magnolia

09/30 – Los Angeles, CA @ The Greek Theatre