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Let Me Stand Next to Your Fire – An Xperience Column

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Let Me Stand Next to Your Fire

Let Me Stand Next to Your Fire – An Xperience Column – by Rob Skane.

I have a lot of stories that begin as follows: “I was in this band once …”’ Well, I was in this band once with a drummer who fancied himself as a “MacGyver” type of fellow. However, there were very clear gaps in his knowledge base – independent from the fact that he had a tough time counting to four and then starting over again, which is sorta important if you’re the drummer.

We had begun playing gigs here and there. Some nights we were pretty ok and other nights we weren’t. We were young and still trying to figure it all out and you can only really do that in front of people. Typically, the gigs were three sets and we had a handful of our own tunes but it was mostly cover songs.

Our drummer friend – let’s call him Wrongo – used to complain that he could never hear things to his liking when we were playing our gigs. We were often louder than we should have been, but it was fun and we didn’t know any better. Anyway, Wrongo got the idea to build his own personal monitor so that he could hear what he needed to while we were kicking out our jams. In theory, this was a great idea. In practice … not so much.

OK, let’s get knee-deep into this stupidity. I had an old guitar speaker cabinet that was built to contain 12-inch speakers, four of them, to be exact. The cabinet was empty. I have no idea what happened to the speakers, but I DO know what happened to the cabinet.

Wrongo asked if he could turn that very big and very heavy speaker cabinet into a personal monitor for him to use – all the better to hear you with, as they say in the biz. So, I let him do his thing, and he wires up the cabinet to now hold one 12-inch speaker. At best, it looked like a 7th-grade wood shop project, if only it functioned that well.

Our next gig was booked at a bar that, unbeknownst to us, was a relatively rough place – imagine “Night of the Living Dead” having a “Cheers.” To add to the fun, they hated us on sight. I mean, as soon as we showed up to load in our gear, it was uncomfortable. So, we kept our mouths shut and got our stuff set up. Wrongo positions his personal monitor at the appropriate angle on the snare drum side of his drum kit, and everything is good to go. Until we start playing.

Believe me, I’ll never forget this. Our first song of the evening was “Keep Your Hands to Yourself” by the Georgia Satellites. It was THAT type of bar, and we were trying to play nice because we knew the night had the potential to get ugly. And. It. Did. So, about 30 seconds into the song, Wrongo stops playing, and I turn around to see that his hand-wired, homemade Frankenstein of a speaker cabinet has burst into flames. He was blowing on the flames in a very misguided attempt to quell the fire. Fire, kids – it was on fire. Wrongo, it seems, had pumped about 5000 watts of power into a 25-watt speaker. Do the math.

Someone came flying over with two pitchers of water and doused the flames, not to mention our spirit. I thought we were going to get the living daylights stomped out of us that night. It was tense after that, like scary tense. It was our own rocknroll “Blair Witch Project,” I suppose. Flames notwithstanding, we finished our contractual obligation, were asked never to come back, and they stiffed us on the pay. We didn’t care; we got to leave with only bruised egos and nothing more. What a night.

We ended up leaving the charred speaker cabinet next to a dumpster behind the bar. The agent who booked us screamed at me the next day and never got us another gig. Wrongo is now living in exile in an undisclosed location. The United States consulate made him turn over his drums to the proper authorities and has forbidden him from using a soldering iron in perpetuity.

 

 

More from Rob Skane…

Joe Exotic’s Emotional Support – The Weird Side of the Internet

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Joe Exotic's Emotional Support

Joe Exotic’s Emotional Support – The Weird Side of the Internet – by Liam Sweeny.

Emotional support animals are kind of a controversy, right? I mean, it’s easy to understand. An animal can help people with anxiety, mood disorders, other neurodivergent conditions handle daily aspects of life they struggle with, like getting on a plane or waiting in line at the DMV. We as a society are pretty understanding (mostly) with service animals like seeing-eye dogs being allowed in places where pets ordinarily wouldn’t be. But a seeing-eye dog can keep their owner from crossing a busy street. They’re trained to do a bunch of things, and people aren’t supposed to pet them (yes, I’m talking to you, Andy.)

But I’ve seen ads that say “get around your landlord’s ‘no-pets’ policy’ by getting your pet certified as an emotional support animal.” And yes, I know that everything can be abused, but that one’s on the nose. But the thing about emotional support animals is that, legally, the concept is vague, and just about any animal can be used. So I covererd a story once about a Florida man’s “emotional support alligator.”

So here’s the latest. And I’m sort of torn. Karl Mitchell is a fully disabled vet with PTSD. And he has an emotional support animal. A few. They’re tigers. In fact, he said he rescued some of them from Joe Exotic’s place. Mitchell was being evicted, and despite initially being cooperative, he ended up getting into a physical altercation with a deputy. And of course, the tigers were taken.

Thing is, he had them for ten years. If they were going to come down on him over having tigers, this should be super old news. And can you train Joe Exotic tigers to be emotional support animals, or was Mitchel throwing everything at the wall to see what stuck?

Personally, I don’t give a sh*t what people do. But then again, I’m not allergic to emotional support Kimodo dragons.Joe Exotic’s Em

 

 

More from Liam Sweeny…

Autoignition / Unseemlier / Sunbloc / Cinnamon @ No Fun, 3/30/2025

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Byrdhouse Records brought in Buffalo punks Autoignition to No Fun on Sunday, March 30. They were supported by Unseemlier (New England emo) and locals Sunbloc and Cinnamon.

Photography by Timothy Reidy.

More from No Fun …

The Turd: An American Journey, Chptr. 1 – Xperience Fiction

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The Turd

The Turd: An American Journey, Chptr. 1 – Xperience Fiction – by Liam Sweeny.

If there was ever a more effective, or more risky way to exercise every muscle in the human body, Ernest Kreb had found it on the spotty porcelain toilet of the Mini-Mart on the corner of Madison and North Allen. His core burned. His chest felt like strips of overcooked lasagna noodles and his legs like bundles of angel hair, and all the thinking of carbohydrates wasn’t exerting a downward pressure on his bowels.

He clenched like he was taking a punch to the gut, and he pondered whether or not a real punch would do the trick. Should he go outside and grab the bum’s bottle, smash it against the wall? Would that even score a punch, or would the bum just beg him the money to replace it?

Ernest was six-foot-two and lanky with the kind of muscles that removed stubborn bolts without resorting to blowtorches and threw loads of metal scrap into dump trucks. But one dump eluded him; the big dump. The one that hadn’t dropped since the day was the same on the calendar but the month was the one prior. A

September dump awaiting an October release.

Hopefully an October release.

Ernest was not a fanciful man. He wore red cotton flannels in the winter and white tank tops in the summer. He ate toasted oat cereal with just a teaspoon of sugar, and invariably, three unseasoned chicken drumsticks weighed down his plate every dinner. He had a gorgeous wife and they had the biggest silver Airstream camper in the side yard that they took to the Nevada salt flats every January. So the salt flats was a bit odd, but in all the normalcy, Ernest had the distinction of being the person with the longest-held turd in North America. He guessed so; it wasn’t in the Guinness book. It was just a figuring, a comforting thought amidst the colorectal turmoil.

Push, Ernest wanted to scream in frustration. Two cockroaches looked to be playing hide the pickle. Did roaches do doggy style? Could they have called it roachie style? Surely roaches had been around longer than dogs.

Ernest realized they couldn’t be fucking. Roaches laid eggs. But did the male roach have to fuck the eggs out of the female?

Puuuuuush. Ernest sucked in his breath at the pain. It stung. It wasn’t coming out in a Mini-Mart. Ernest pulled out his collapsible poop knife and looked it over, like he hadn’t done that for three weeks, like he didn’t know its every surface and contour. When it did come out, it would clog any toilet short of the one at Taco Pronto, which had industrial pressure and flow. He bought the poop knife on Hudson Trading, not at all surprised that they carried it, though a little bit surprised that a poop knife existed in the first place.

He would be overjoyed to shove his hands in some lucky toilet to chop up his bulky opus.

He pulled out his phone as he rocked back and forth on the seat to goose his  guts. He checked his email. Mostly automotive and tool spam. He found an interesting article on one of his newsletters about artificial intelligence, and how it might freeze up the whole internet by making everybody want the same thing and force feeding it to them. Ernest groaned at the word ‘feeding,’ but the story was a nothingburger. The internet had been doing that since it got out of its diapers. He didn’t get on social media much. He didn’t have any friends in high school that he wanted to get stale political memes from.

Ernest took the deep breath of defeat and got up from the toilet. He didn’t bother wiping; his asshole was a desert. He lifted his pants, heard the jingle of his wallet chain. The jeans were scratchy against the goosebumps on his legs from all the pushing. He splashed cold water on his face and flushed the toilet with his toe. No point; he just wanted to get the most from his possession of the bathroom key.

When he first walked through the doors of the Clifton Corner Market, he wasn’t yet five. His father would take him there to steal cigarette packs off old man Clifton, stuffing them in the back of Ernest’s diaper, under the correct assumption that when old man Clifton accused the theft, Ernest’s dad could challenge him to go find them. When Ernest looked back, he realized he did play an unwitting role in his fathers’ lung cancer.

Times had changed, and the door keys of Clifton Corner Market changed hands going East to West, first Koreans, then Indians, then Lebanese, then finally Eastern European. A Serbian owner, known only by the flag behind the bulletproof glass partition. But it was his kids back there every day on their phones.

Ernest grabbed every box of laxatives they had on the medicine shelf. He saved a free hand for a six pack of prune juice. Two kids talked in Serbian. Serbian? Yeah, why not? He couldn’t make it out anyhow. He set the stuff on the counter loud enough to get them off their phones. Barely.

“You could get a fiber powder,” he said. “It’s something you could buy for a dollar and sell for ten. Prune juice got too much sugar in it. You could make more money anyhow.”

“Yo, guy,” the cashier said. “You be the only one that’ll buy that shit. Who the hell comes to a bodega for fiber?”

Kid looked down at Ernest’s haul. “For real, when was the last time you shit?”

Ernest cleared his throat. “Your mom won’t let me shit in her bed. Been a while.”

“Jokester,” the kid said. “You the guy who laid the Turd, huh?”

“No idea,” Ernest said. “I ain’t laid any turd yet.”

“You ain’t seen the Turd? That ain’t why you’re about to go home, plug the can?”

The kid turned his phone around. Ernest was looking at a turd. A healthy turd. Swear he saw steam, like it was right out of the chute. Perfectly cylindrical, rough texture, rough enough to catch the light; a brown two-carat diamond, and Ernest realized the light was cinematic. Someone had gone a baker’s mile to film the perfect shit.

“What the hell is that?”

“What you think it is? It’s a turd, man. ‘The’ turd.”

“So you guys just watch turds all day?” Ernest said. “Wonder you can’t keep the shelves stocked.”

“It’s got a billion hits on VidYou,” kid said. “It went up yesterday.”

“So that means what?”

The second kid, quiet save for giggles, spoke up.

“A turd just took over the internet.”

 

Nipples. American and Brazillian, African, Malaysian, pulling down droopers like they were made of solid gold. Solid gold nipples on Inca treasures, forever milking time. Male nipples thrown in for weight, and maybe for a little confusion. Jason glanced over at Genevieve to see what she was doing with her nipples, a distinct no-no.

“Eyes front,” she said. “On your own nipples, and if I see one male nipple, you’re forfeit.”

Jasen whole handed a hoagie, stuffed from the cafeteria, two hoagies sliced into a

Frankenstein’s monster, with jalapeño peppers carrying the torches. Jasen was hungry. Jasen was stoned, quite a feat in VidYou headquarters, but if there was a will, there was a jay.

“I got fifty thousand hits,” Jasen said. “What do you got?”

“Thirty-four. But my nitrous is about to hit the playground. I’ll blow by you real quick.”

“No way school kids beat perverts.”

“I should’ve ruled ‘no perv tags.’”

“But you didn’t, and it’s too late now.”

Jasen flew through channels, copying down links and placing others, creating a pipeline for his nipple montage. He was happy to finally be beating Genevieve at something, after the last game of Troll, which was exactly what it sounded like, getting on political videos and pissing people off so hard in the comments that they’d get booted for violating Terms of Service. Whoever got the most people booted in an hour won, and Genevieve had the record with forty-four.

Their bullpen was a bit like the UN in design; long, curved tables with computer stations, all facing a giant screen, used when a call had to be made about Susie

Sunshine’s nip-slip on her Barbados vacation. Was it a nipple? Was it half an areola? Throw it up on the big screen for a closer look. But most everybody that worked in the section of content moderation known as the Nipple Factory shared memes on the big screen but nothing else. This is why it was a surprise for Jasen to see his montage up on the big screen, all glory areola. He looked back to see a straight, slick-haired man in horn-rimmed glasses and a full sleeve tattoo that would indicate he was cool, but he was not. His supervisor, Bradley. Not Brad. Bradley.

“I could fire you for this,” Bradley said as he leaned over Jasen’s shoulder. Jasen caught Genevieve with her mouth covering her hand. He felt fear and loathing, fear that he would be hitting the classifieds that night and loathing that Genevieve would again best him in competition.

“You need to come with me,” Bradley said. “Some people want to see you.”

Jasen’s loathing traded its ticket in for extra fear. Who wanted to see him? The feds? The Illuminati? He was visited by the feds when he was fourteen, when his family had gotten broadband Internet for Christmas. They visited, and he couldn’t use the Internet until he was eighteen. So was it the feds?

He followed Bradley into the conference room shared by all of the content moderation bullpens and used by no one, as the trade talk of nipples, vaginae, and penii wasn’t fit for the type of room that would seat a quarterly report.

Familiar figures occupied every seat in the conference room, save one. Figures that got up on stages at shareholder meetings with trendy headset microphones to gave positive speeches. Figures framed in pictures on the ground floor. Figures with hands that likely signed Bradley’s paycheck.

It was the Illuminati. Bradley brought Jasen to the Illuminati.

“Jasen, sit.”

“I just want to say we were playing that game because nudity has been way down since the, you know, the ‘thing.’

“It’s a turd, Jasen.” The head of the table pointed to a pitcher of water – young, trendy haircut and glasses, trends he likely started. And as Jasen considered it, he felt pressure. The kind of pressure that pushes air around the intestines. The kind of pressure that imposes its will on downtown cheeks and tightens them up.

“Are you all right, young man?”

“I am, sorry,” Jason said. “I can do better, whatever I did wrong…” Groan. “I like my job.”

“We’re not here to get you in trouble,” Cool guy said. “We’re here to make you an offer.”

They outlined the problem. Jasen sat rapt, not in their pitch, but in the growing agony in his below decks. They seemed to be talking about the Turd, which was the reason they had time to play games in the first place. The original turd spawned copycats, and people were taking pictures of their turds as much, if not more, than they were taking pictures of their restaurant dinners. But this is what Jasen knew, fuck all if that’s what they were talking about. The figures at the table did seem to be mighty interested in it, but every utterance of the word turd told Jasen that what he’d spent all day cooking had to come out of the oven.

“Well, what do you say?” The older gentleman said. “Do we have a deal?”

Sensing the quickest way to get to the bathroom, he jumped up, threw both thumbs in the air and said, “Absolutely! Count me in!”

Very shortly after, as Jasen sat in the stall, he couldn’t remember whether he’d asked to be excused. Add that to the fact that he had no idea what he’d agreed to, or how to find out without looking like an idiot. Pants around his ankles, head in his hands, a throat clearing in the next stall.

“What are your sins, my son?”

“What? Yo, occupied,” Jasen said.

“I know that,” the stranger said. “I’m here to give you absolution, if you so seek it.”

“You a priest?”

“As of today,” the stranger said. “Church of Shite. Mail order thing. Not the same as Shiite, which is a Muslim sect. Just Shite.”

“Man, this shit moves fast. Look man, I don’t talk to guys when I’m in a stall, absolution or no.”

“Just think of the sweet release of unloading your sins while you unload your bowels. It is God’s Will.”

Jasen passed his baggage. He got up post haste and gave only a cursory wipe.

“Look buddy, good luck on your mission here, but someone’s going to call HR.” “Fear not, son,” the stranger said. “It is whence I came.”

 

 

More from Liam Sweeny…

Thomas Baker, Illusionist – 4/5/2025

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Thomas Baker is a Saugerties-based illusionist. He performed at the third anniversary party for the Catch Me When You Can florist shop on April 5.

Photography by Joshua Scarselli.

More from Joshua Scarselli …

 

Vixen to Come to Cohoes Music Hall on May 10th – Canceled

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Vixen

This show has been canceled. Tickets can be refunded online or at the Cohoes Music Hall. Box Office (518) 434-0776. www.the cohoes music hall.org

Experience the rock sensation VIXEN at the Cohoes Music Hall on Saturday May 10, 2025 @ 7:30pm, brought to you by E1 PRESENTS! 

Special guest JOHNNY CLIFFORD, lead singer of The BrokenHearted, will be kicking off the night with his solo act. Then we bring you another legendary band from the Northeast, BAD MARRIAGE featuring Tommy Skeotch, guitar player from TESLA to really get the night started! This triple bill promises an incredible night filled with fantastic music!

VIXEN is an all-female 80’s rock band with six number one videos on MTV and four songs in Billboard’s Top 100.

Hits include “Edge Of A Broken Heart”, “Cryin”, “Love Made Me”, and “How Much Love”. VIXEN has opened for Ozzy Osbourne, KISS, Scorpions and many others! Don’t miss the chance to experience VIXEN’s powerful vocals, infectious energy, and their chart-topping hits. Whether you’re a die-hard fan or simply looking for a night of great music, this event is not to be missed!

Grab your friends, get your tickets, and prepare for an evening of non-stop entertainment with this triple bill! Mark your calendars and get ready to rock!

$39 to $159 VIP. Tickets are available at the Cohoes Music Hall Box Office or online at www.e1presents.com.

*There is a bar service at this event.

The Cohoes Music Hall is located at 58 Remsen St., Cohoes NY. Box Office (518) 434-0776. www.thecohoesmusichall.org.

Martin Barre Band – An Xperience Interview

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Martin Barre Band

Martin Barre Band – An Xperience Interview – by Neoptolemus.

The legacy band Jethro Tull officially separated in 2011. From the ashes of that phoenix, the Martin Barre Band was born. Long considered one of the great rock guitarists, Martin Barre has continued delighting fans through seemingly non-stop touring. Along with Martin, Dan Crisp and Alan Thomson will provide an acoustic set at the Cohoes Music Hall on Monday, April 21 at 7:00 PM. Martin kindly took questions from the Xperience Monthly:

RRX: Good day, Martin. Your show is going to be an acoustic one. What kind of music can we expect to hear on your setlist?

MB: The music will be a mix of my instrumental music and songs, with some Tull acoustic songs, and a few surprises.

RRX: Your first instrument was the flute, starting as a child. Tell us about your first guitar. When and under what circumstances did you get it?

MB: Actually I played guitar first, and the first guitar was a horrible, cheap ($10) Spanish guitar. But it didn’t matter because it started the whole process for me.

RRX: You were into blues early on. What albums/players were influential?

MB: I listened to Eddie Cochran, Little Richard, Everlys, Buddy Holly, Elvis. The blues came a lot later, in the mid-‘60s; I was focused on the three Kings: Albert, Freddie, and BB. There was an overload of blues licks to absorb … but I loved that the guitar became the center of music for me.

RRX: You never took guitar lessons, and you have said you don’t listen to other guitarists much because you want to stay original. But Leslie West seems to have been an exception. What is it about his playing that appeals to you?  Did you hang out with Leslie at all?

MB: Leslie was primarily a great friend and he taught me more about stagecraft and communication than guitar playing, although I loved his feel and sound. He was just a great person.

RRX: Turning briefly to Tull, you very nearly gave up music just before your audition with them, when your band Gethsemane broke up because of financial reasons. Was it painful, pondering a future of not playing music?

MB: At the time, going back to university was not too painful, as we had persevered with music for three years. I figured we had tried our best and I needed to move on. I’m certain I would have played in a band anyway, just not every night!!!

RRX: In Tull, you replaced another Brummie, Tony Iommi. Do you know Tony? Have you ever talked with him about that time of transition?

MB: I am friends with Tony and so pleased he made a wonderful living with Black Sabbath and the music he loved. He never regretted leaving Tull; it was just not for him!

RRX: The “Aqualung” solo is one of the most iconic solos in all of rock music. I understand that Jimmy Page was in the control room when you originally played it. Any pressure?

MB: Jimmy is a friend and wouldn’t intimidate me.

RRX: Did you know immediately that the “Aqualung” solo was special, or was it just another day at the office for you?

MB: “Aqualung” was just another day in the office. No one knew how important the track would become. If Ian had, he would have played a load of flute over it! (haha)

RRX: I attended your last gig at the Strand in Hudson Falls. You seem to have a special affection for that venue. Is there a reason why?

MB: The Strand in Hudson Falls is run by a fantastic group of people, dedicated to music. That inspires me, and I will never turn away from such energy and love.

RRX: What actor do you want to play you in The Life of Martin Barre movie?

MB: Bruce Willis. He is a big fan of the Martin Barre Band!

RRX: What music do you listen to for enjoyment?

MB: I listen to classical music and always have, especially the English and German composers. I also love the great singer/songwriters — Steve Winwood, Neil Young, Don Henley …

RRX: Any guilty pleasures, musical or otherwise?

MB: Pleasure holds no guilt for me! At my age, I enjoy the outdoors in any form: running, snowboarding, wakeboarding, tennis, or just walking. Why feel guilty? I love champagne and very expensive Californian Chardonnays.  THAT’S bad!

 

 

More from Neoptolemus…

Architrave / Queen of Swords / The Abyssmals @ No Fun, 3/27/2025

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OLYMPUS DIGITAL CAMERA

Aerin Fogel brought her Toronto-based Queen of Swords through Troy on March 27 at No Fun, bookended by local support from Architrave and the Abyssmals.

Photography by Timothy Reidy.

More from No Fun …

 

Amy Ryan Band @ McGeary’s, 3/23/2025

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The Amy Ryan Band performed a great set at McGeary’s on March 23, followed by the Capital Region Blues Network jam session. A great opportunity for dinner and the blues …

Photography by Timothy Reidy.

More from McGeary’s …

Singin’ Guru – An Xperience Column

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Singin' Guru

Singin’ Guru – An Xperience Column – by Jeff and Crystal Moore.

Dear Singin’ Guru,

My voice gets raspy when I work out doing vocal exercises. I’m new at this and practicing an hour a day. I think I’m just old, and on the internet, they say that your voice degrades over time, so I should probably just sing stuff that is easy to sing, right?

Yours Truly,
Ms. Raspy

 

Dear Ms. Raspy,

That’s an awful lot to unpack, but we’re going to do it! Your problem is not that your voice is old. Your voice is untrained, and you’re overworking it with an hour-a-day workout. With the right workout—one that is supported by modern science, integrates your vocal break, considers your range, and meets your needs—you should spend no more than 20 minutes as a beginner (and even 10 might be plenty). Right now, you’re simply working too much and stressing your voice.

While aging affects all parts of the body, the notion that non-use preserves ability is entirely unfounded. In fact, all muscles—including your vocal folds—respond to use and training.

Know this: YOUR VOICE CAN IMPROVE AT ANY AGE. Yes, I am yelling this. It is a question we get all too often, and we wonder how many people out there don’t follow their lifelong dream to improve their singing because they think they’re too old. As the legendary Pablo Casals once said, “To retire is to begin to die.”

This applies not just to life but to singing as well—growth and improvement are lifelong processes. If you only sing in your comfort zone, your voice will not develop beyond its current state. Remember, many legendary performers have continued refining their art well past what some might consider “prime” age. Singing has also been linked to cognitive and emotional benefits—especially in older adults—because it promotes better breath support, posture, and mental acuity.

Your voice can be at its best at any age, even if you start training at 75. Sure, your body may not respond the same way it did at 15, but you also have advantages now that you didn’t have then—like discipline, maturity (well, at least some of us!), and the ability to commit to a structured practice routine. Numerous studies have shown that maintaining a vocal routine can help preserve lung capacity, increase range, and support overall well-being. Simply put, when you keep singing, you keep thriving.

Why Most Singing Schools Fail You

Most traditional singing schools neglect actual vocal workouts. They focus on singing songs and tell students, “If you can’t sing it, you’re just not meant to sing it.” This is completely unsupported by modern science. The great Joan Sutherland, one of the most renowned sopranos of all time, said: “Technique is the basis of every pursuit. If you neglect it, you limit yourself.”

If you continue to focus only on your chest voice, your head voice will never improve. The only way to strengthen your voice is through consistent, targeted effort—just like physical exercise.

You Are Not “Range-Bound” — You Are Just Misunderstanding How the Voice Works

Another common misconception is that your range is fixed. It isn’t. As Maria Callas, known for her vocal agility, once said: “An opera begins long before the curtain goes up and ends long after it has come down. It starts in the imagination, it becomes my life, and it stays part of me forever.” Singing is not about static ability—it’s about constant refinement and effort.

Physiologically, if you neglect your head voice (which for most female voices begins around F4), your vocal cords will never engage the necessary CT (cricothyroid) muscles. That means you’re cutting off your own ability to access your full range. Many singers get overdeveloped chest voice muscles and assume they can’t sing higher. In reality, they are range-bound due to misunderstanding, not because of actual vocal limitations. Challenging yourself is essential.

Luciano Pavarotti famously said, “If children are not introduced to music at an early age, I believe something fundamental is actually being taken from them.” But the reverse is also true: if adults stop challenging themselves, something fundamental is taken from them—their ability to fully express themselves through their voice.

What to Do If You Feel Raspy or Fatigued

If you’re experiencing discomfort, don’t panic. The first step is to assess your technique. Symptoms like raspy voice, loss of voice, coughing, or choking are often signs of incorrect form or overtraining, not indicators that you should stop training altogether.

If you feel pain, we can modify your approach. If discomfort persists, a voice-specialized ENT (Ear, Nose, and Throat specialist) can check for any underlying medical concerns. But avoiding vocal use is not the answer.

Singing well is about consistency. If you commit to just 15 minutes a day, over the course of a year, your voice will change dramatically. We see it all the time in our work with students of all ages. Whether you’re 20 or 80, consistent training leads to noticeable improvement—stronger breath support, clearer tone, and an expanding range.

Final Thoughts: Engage With Your Voice

Your voice is a living instrument. It will respond to care, challenge, and discipline. As Eddie Van Halen said (he’s a guitarist, but his advice is timeless), “You only have twelve notes. Do what you want with them, but be serious about it. If you put in the time, you’ll get what you want out of it. You have to love it enough to sit there and go at it harder than anybody else.”

You are not too old, it’s not too late, nor are you incapable. But you must engage with your voice to see progress. If you need guidance, let’s work together to unlock your full potential. Contact me at jeff@peakmusicstudios.com. Take that next step!

Always Yours,
The Singin’ Guru

 

 

More from Jeff and Crystal Moore…