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Serpent and the Sun – Chptr. 15 – Xperience Fiction

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Serpent and the Sun

Serpent and the Sun – Chptr. 15 – Xperience Fiction – by Liam Sweeny.

Plaster-shattered all around them, the edges’ impact marks catching fire. Those not killed by the original blast were scrambling about to prolong their good fortune. They were only getting in the way of the rebels, who had halted their fire. Two men on the rebel side were doing their best to corral the survivors. Apep/Liu felt no such qualms. It ordered its men to kill the rebels; if that meant going through collateral bodies, so be it. The Guardsmen fired in formation, absent any spoken command.

His escorts were just getting up off the ground. One of them, Dalton Henry, had his weapon trained on a rebel sniper creeping along the edge of the back wall. Gerhardt, the other, less experienced escort, was clearly in a fog, reacting to the snaps of shattering concrete as if he were made of raw nerves. Apep stretched out its spindly black arm, blackness twirling around him. Dalton and Gerhardt dropped to the ground unconscious. They would be needed later, and weren’t at all needed then. The Receiving Station was about to become a house of sacrifice, however unwitting or unwilling.

Apep again stretched out its hand; the sniper shot up into the air, screaming as he was ripped apart. A fine dust of remains covered the ground, causing the other rebels to stop the attack. Everything became quiet, rebel and refugee alike went wide-eyed with terror.

“None of you will leave here!” It hissed before it proceeded to make its proclamation the truth, pulling and tearing at bodies and limbs, rebels and refugees. The rebels kept firing, and Apep’s Guardsmen became as bronze, like the infused dead only able to move; able to shoot. Apep was in a state of glee; throwing bodies into the air before dissolving them, spraying their dust into the firing paths of the rebels. Even they posed no threat; just entertainment.

Apep looked over just in time to realize that might not be the case. A rebel, broad-shouldered and red-haired pointed a white object and pressed down on the center. It looked familiar, in the residual of the mind of that dead Guardsman in New York. A deinfuser. With a twist of the wind, the device flew from the rebel’s hand, smashing to the ground, splintering upon impact. The rebel stood not two yards from him, stunned. He had a rifle slung over his shoulder, but he didn’t move to pull it.

Apep lifted the rebel off his feet with the wind, suspending him in the air. The rebel choked as Apep’s whirlwind wrapped around his neck. A fluorescent ballast showered sparks overhead, making him twitch as stray sparks burned the skin on his face.

“Now, rebel,” said Apep, “Are you going to tell me where you got that little device?”

There weren’t but a few people left alive in the Receiving Station. Apep continued to eradicate survivors as he questioned the rebel, who at that point was sputtering blood.

“Go f-fuck yourself, Liu…” The rebel tried to wriggle free, to no avail. Apep grew to a height that barely cleared the height of the station, bringing itself face-to-face with his detainee.

“What if I were to tell you I wasn’t Liu?” It asked. The rebel didn’t respond. Apep exhaled, tendrils snaked between itself and the rebel.

“What if I told you I had ways of making you talk?”

Again, no response. The rebel struggled to get a curled fist free.

“You wanna’ hit me? Is that it?” The rebel struggled to shake his head yes; snot bubbled from his nostril, a red twinge that matched his hair. Apep had to laugh at the grubby little man.

“How can I refuse a dying man his request?” Apep said. He released his hold, allowing the rebel to move his hand.

“Have at it, slugger,” It said, “…better give it your best’,”

The man balled up his fist, clenched it tightly enough to turn the skin white, and he swung…

…straight up, hitting the ballast and grabbing on with all the strength he had left in him. Hundreds of volts coursed through him. And through him, Apep, who quickly let go. The rebel was suspended from the ballast, the current pulling on his body harder than gravity. It ended when Apep exploded his body into dust, disgusted that he’d been tricked by a creature infinitely more stupid than himself.

Apep looked around the room. His Guard stood still as he took the life from them. He had no further need of them; they were merely puppets, and the audience was now dead. Only two people were left alive, and Apep walked over to them.

“Get up,” Apep said to Dalton and Gerhardt as it let them regain consciousness, “Consider this area cleared.”

 

***

 

“You haven’t spoken since we left.”

“Sorry Adam; just thinking…”

“About Michael?”

“Yeah, bud…”

From the back seat, Daniel sneezed. Jameson glanced back nervously.

“You OK, Daniel?”

“No.” Daniel wouldn’t look Jameson in the eye.

“He’s OK,” replied Sarah, “He just misses…him, that’s all.”

“Are you OK, Sarah?”

Sarah sighed. “I don’t know,” she said, “I’m just so alone; so confused about everything. I mean, with Michael, I wasn’t…” She paused, rubbed Daniel’s head, “…well, at least we weren’t alone.

They hugged the coast, flying low. The ground was littered with the rotted trunks of the old tree-line. The Northern Pacific coast, like all coasts, was inundated, flooding as high as forty feet. After Apep struck, the rapid re-freeze pulled the water back, leaving strips of coastal land barren and desiccated.

“You’re not alone.” Jameson said. “I’m here. Adam and I both…”

“You’re not Michael,” Daniel sulked, “And Adam’s not even,”

“Not even what?” Adam’s face appeared on the skiff’s video screen.

“Adam,”

“Let him say it, Jameson,” Adam snapped, “Not what, Daniel? Not what!?”

“Not real!” Daniel shouted, “You ain’t nothin’ but a damn robot!

“Daniel, stop it!” Sarah cried, “That’s enough!”

“You too, Adam!” Jameson said, “You’re more mature than your age; start acting like it!”

The quiet inside the skiff matched the quiet outside for a brief moment. Then Adam spoke.

“Michael was my father.” He said. His eyes were dropped and the screen he was on went grayscale.

“He taught me how to match a word to a meaning,” he continued, “how to visualize an example of a concept; how to deduce things. Everything that you take for granted; everything you’re allowed to take for granted because you were born able to do it—Michael taught me.” Adam paused.

“Michael taught me how to love… and how to grieve.” He said. “I may be a damn robot, Daniel, but if I was to show you how I felt right now…” He blinked off the skiff screen, reappearing in his housing.

“You’d be terrified that I can control this skiff.”

The ride continued quietly. They would be in Anchorage in three hours. The skiff could make the trip in forty-five minutes, but Jameson was nervous about driving faster than standard transport speed. Everest had been besieged, and his conversation with Blake before they departed Seattle left him with the firm impression that they as well would be a target.

Sarah rapped on Jameson’s shoulder. “Why are we going up to Anchorage?” She asked. Jameson tried to figure out what to say. He looked back into her ragged desperate eyes. He could guess that she didn’t care what he told her, as long as it was the truth.

He took a deep breath.

“It’s complicated,” he said, stopping her before she could say anything, “I’ll tell you the truth, but it’s complicated.” He pulled a data-cube from his pocket and went to slide it into the skiff-screen. He thought against it. BlackLake couldn’t see into Adam; the data-cube would be another story.

“The UEC derives power from tapping into earth processes. You know this; you used to live in Yellowstone.”

Sarah nodded. “They had a geothermal processing facility.” She said, “Lloyd-… Daniel’s father used to work there.”

“They also use the ionosphere. They have a facility near Anchorage that manages that end of it. Blake said you guys were attacked as you left?”

“Yeah… thunder, lightning; Michael took care of it.”

“That’s the ionosphere,” replied Jameson, “The facility’s called HAARP. It’s in what’s called the Denali Diamond, less than a hundred miles from the Sanctuary. Still with me?”

“Not at all, Jameson,” she said. “…but please, go on…”

“The Denali Diamond is the area between Anchorage, Fairbanks, HAARP and Denali.” He continued, “If the UEC’s got a weak-point, it’s there. They can’t weaponize the weather there… it fucks with HAARP.”

“So we’ll be safe there?”

“Safer,” he said, “They still have weapons, plus the Anchorage Security Force is highly trained.”

“So why are we going there again?” She asked.

“Here’s the complicated part.” He checked the rear-view for the expression of bewilderment he knew he’d see.

“I don’t know what grade you reached in Yellowstone, but this has to do with a land called Egypt. It was an ancient civilization, over 5,000 years…”

“You mean the Sphinx, the pyramids, right?”

“Right, exactly.”

“I’m not a complete idiot, Jameson…” She said, “In fact, I was one of three people in East Yellowstone to travel out of region.”

“Oh yeah? Where to?”

“The Apep crater,” She replied, “I took Daniel; it was years ago.”

“It’s restricted. How’d you get in?”

She smiled deviously. “Well, Dr. Jameson, you wanna’ know?” Jameson chuckled and nodded.

“Well then tell me what this trip has to do with Egypt and I’ll tell you.”

Jameson cleared his throat. “Fine,” he said, “Sorry.”

“An artifact was found in the tomb of an Egyptian architect named Imhotep. It was a scarab; a beetle of sorts. It was originally considered a religious artifact and was housed in a museum in Seattle, of all places. This put it in the opaque catalog, away from PEALE’s comprehension.”

“It turned out the scarab was some sort of energy device; powerful, nearly infinite.” He continued. “We hid it in an area of the Denali Diamond once we realized what it was, to protect it from weather attack.”

He angled the skiff lower, as the coastline flattened out a bit. “Did Michael tell you what PEALE was?”

“Some kind of artificial intelligence, like Adam, right?”

“Right. Not like Adam, but it’s an artificial intelligence system.” He said. “PEALE runs most of the UEC. It’s infinitely smarter than human beings, but it doesn’t have compassion, or human empathy. That’s how Adam is different.

“And this has what to do with what?” Sarah asked. “I was following you; I was…”

“Religion was programmed to be… opaque, to PEALE. It couldn’t see religious things, and this was built-in as a means to control it.” He said.

“Go on…” Sarah said, “and I really hope there’s an ‘on’ here.

“They had one other way to control PEALE,” Jameson continued, “…they put the core program into a human host. A UEC scout, named Coulson BlackLake.”

Adam hissed. Vampire! Daniel shushed him.

“BlackLake was comatose when they put PEALE in,” Jameson continued. The sun was just beginning to set to their left, turning the window darker with auto-tint. Jameson set the flight behavior to auto as he leaned back and lowered his voice.

“What I’m about to say is guesswork on my part,” he said, “and if it leaves you confused, it’s going to leave you as confused as I am right now.”

“My guess is that some part of BlackLake’s conscious mind survived; even some small part.” He said. “Based on his, its, behavior, and the physical evidence, I’d say that the host is dissolving. And somewhere in that whole process, PEALE found a loop-hole in the religious block.”

“Loop-hole?” asked Sarah, “Explain…”

“Well, I only have a guess…”

“That’s more than I have,” she said, “Out with it.”

Jameson sighed. Sarah tapped her nails along the back seat.

“Apep,” Jameson explained, “was an Egyptian God, a bad one…one whose main purpose appeared to be devouring the sun god every night. The god was a serpent, and that’s what was wrapped around Everest. There were also hieroglyphs, which are-,”

“Egyptian writing, I know…”

“So PEALE, BlackLake, Apep, whatever the hell he, or it is calling themselves today, has nothing much to stop it from killing off the world’s population.” He said. “And if it goes after the scarab, it won’t need HAARP or the UEC to do what it wants to do.”

“Which is?”

Jameson laughed. He pointed to the pin-prick of orange holding out against the on-coming violet.

“Devour that.”

 

***

 

Blake saw the rainbow-slick of colors comprising the Seattle sky from the window of the quarantine chamber. His glasses lay on the table; Reality was worth the headache; in fact, it was the headache. He glanced at his forearm; the bronzing had spread to his wrist and the crook of his elbow. It didn’t hurt as he scratched at it. It didn’t even feel real. It felt every bit like bronze. He slumped back in bed, the image of Michael frozen in the negative of his retina. He missed him. He was in no hurry to join him.

He was too young to understand death when he was infused, and the prospect of it was removed from him. The UEC taught infusion as heaven-on-earth, death as hell regardless of morality. Death was non-existence; the immortality they administered perpetuated existence ad-infinitum. But it wasn’t heaven. Blake didn’t know heaven; hence he had no image of it. It was chaos. Michael told him God was there. Blake hoped Mike would introduce him. Blake felt the heat of tears stream down his cheek. He’d seen people die, the last ounces of adrenaline dilating their pupils as terror gripped them. Not all of them; some met their end staring dead-eyed, at peace, smiling even.

He could remember one guy, Saul Floyd was his name. He tried to escape from the prison, back before Denali developed the cryogenic containment center. He’d fashioned a stun-gun out of an old hand-held video-player. Blake was on duty that night, covering for one of the other Guardsmen. He was pissed about it; he’d trained with them as equals, yet after ten years they still treated him like Second Tier.

He didn’t have to kill Saul that night. The few volts wouldn’t even have touched him – Guard suits were grounded. But he was pissed, and he didn’t care about a First Tier grunt that would probably be starved dead in a few months anyway. So he grabbed Saul Floyd by the throat, lifting him up with one hand, and damned if Saul didn’t lock eyes with him right on into death. Blake saw it; that blink, that moment when life left Saul. His eyes stayed open until Blake threw him back in the cell. One of the other prisoners closed them, at least they must have, as they were closed a half-hour later when Captain Tolson ordered Blake to clean up his mess.

A week later, he caught Michael trying to break into Denali’s prison. Michael, unlike Saul, was infused, and, unlike Saul, Michael was Blake’s friend. They argued and fought the night of the Escape, but in the proceeding weeks, months and years, Blake would grapple with a simple question; had he not killed Saul, would he have tried any harder to stop Michael? Did guilt over Saul’s murder make him the accomplice instead of the obstacle? In his heart, he hoped so. It would’ve changed Saul’s death from a brutality to a sacrifice.

Blake’s whole perspective on people changed after he killed Saul Floyd. Saul wasn’t the last person he’d kill, but he was the last person he’d ever kill without dire cause. Before Saul, Blake saw himself as an upstart with something to prove to the world. After that night, he couldn’t see himself without seeing Saul’s reflection. That perfect, fearless death; the only weapon those people had was to martyr themselves to freedom. Blake rubbed his arm. He didn’t know if he was ready to be a martyr.

The door squeaked open. Damn near quiet; a normal man might not have heard it. Blake rub the remnants of tear from his face, turned around to see Laura standing there in a white lab coat, her hair tussled.

“Ya’ here to make a dyin’ man’s wish come true?”

She laughed, smiled as she walked over. “Depends on the wish…”

“Laura, Laura… You’re a smart girl. I think you know the answer.” He tried to get up, leaning on his infected arm. It buckled; he hit the side-rail with a spark of pain. He felt Laura’s hand on his shoulder. He turned to see her sitting on the edge of the bed. Her hand slid across his jaw-line, her nails scratched through his beard.

“It wasn’t this long the last time I saw you…” He backed up.

“Huh?”

“Your beard.” She said. “What did you think I was talking about, your-,” she started laughing, unable to finish the thought.

“Hey, what the fuck? I’m dying here!” Blake tried to sound mad, but it didn’t play; he wasn’t. In fact, even sitting there, face flush with embarrassment, he felt alive. Laura leaned in and kissed him.

“It’s OK,” she whispered, “but you’re not getting any…”

I’m dyin’…

“We’re all dying,” she said, “…you’re just dying…sooner.

Blake couldn’t believe the nerve of her. But she was honest if nothing else.

“Wow. What a bed-side manner you have,” he said, “you shouldn’t even be wearing that doctor’s-coat…”

“That’s good, ‘cause I’m not wearing anything underneath it…”

Blake groaned. “Will you just get the fuck up outta’ here?”

“Really?”

“No…”

“Good.” She said. She pulled a small remote control out of her pocket, pointing it at the video-screen that hung in the far corner. The global-grid pulled up. He’d seen it enough to have it memorized, every node and point. But what he saw stunned him.

Even when the ionosphere was being used militarily, it didn’t drain enough to divert the overall pattern. It would show up as points, pin-point flashes of light. The ionosphere was far too powerful to coalesce in one area. But that’s what it was doing.

“Denali…”

“Anchorage, specifically… but yes.” Laura said. “It’s real close to HAARP.”

“What’s happening there?”

“Liu, Apep… is there.” She said. “We caught a transmission over ham radio. The rebels tried to kill Liu at the Receiving Station; the Anchorage one…”

“Of course,” Blake said, “was Bor-, Roger there?”

“No; well, I wouldn’t know, actually,” she said, “we’ve lost contact as of late. But anyways, Liu had all of the features of Apep. It’s likely he’s now a host of some sort.”

“Wait; what about BlackLake?”

“No idea…he may have perished, or been terminated… we don’t know.”

Blake rubbed his chin.

“…based on the intercept, he,” she paused, “it, got Sam Lowery.”

“Fuck,” he said, “I knew Sam…good fuckin’ guy…”

“We traded with him,” said Laura, “it’s a shame; he’s got a family too…”

Blake stared at the grid.

“If all that energy’s in Alaska,” he said, “then Seattle’s not a target.”

“We don’t know that for sure yet-,”

“I should be there.”

“No; absolutely not,” replied Laura, “It could be a trick-,” She shut up too quick. She was holding something back.

“What is it, Laura?” She didn’t speak.

“Please….”

“You’re dying, Blake.”

“So what, you think I’m going to be a liability out there?”

“No…”

“Well what is it then?” Laura had her face down. She looked up, with her own tears. A look of anguish covered the most beautiful face Blake had ever known.

“You’re dying, Blake,” she repeated, “and as cold and as selfish as this may sound, I want you to do it here, amongst friends.” She collapsed on the bed, the side of her face quivering as it pressed into Blake’s chest. He said nothing, stroking her hair gently with his fingertips.

 

***

 

She screamed; Albrecht gripped his side as he sat on the bench at the far end, away from the statuesque board members. They were back in the charging cycle, and the roar of the eye-wall was stark against the silence of the dock. Elle was crumpled at her father’s feet; she couldn’t even hug him, the coldness of his leg hung unnaturally about her face. It was close to freezing on the dock, certainly not normal. Her breath was visible, and she passed her hand through it. She’d never seen that before.

“Albrecht! What’s going on!?”

“Am I supposed to know!?”

“It’s cold out here!” She cried, “C’mon, Albrecht, Something…Guess!”

Albrecht coughed. She looked over and noticed that his condition was worsening. His bag of powder lay on the ground, empty but for the opacity left by its prior contents. His shirt was soaked, both arms were in the beginning stages of dissolution. Though he was yards away, she could hear him wheeze; it was louder even than the eye-wall. Or maybe, as a human sound, it just seemed that way.

“Go back inside…” He blurted out between gasps.

“I can’t we have to leave-,”

“Go b-back inside!” He shouted, doubling over. She ran to him, tried to help him back up, but he righted himself on his own. His arm went up, finger pointing straight in the air as he tried to catch his breath.

“You’re not the only one.”

“What do you mean?” She said, “Only one what?” Her eyes darted to the eye-wall. It wasn’t perfectly straight anymore. Close, but she’d spent so much of her life in its shadow. She could tell.

“You’re n-not the only one…” He said, “that’s im-,” He coughed deeply, “-immune.”

Elle grabbed at him. “Come on, we have to get out of here-,”

“Damnit Elle!” He said, “You don’t listen a whit’,”

“Gerhardt was right about you…” he added.

“Hey!”

“Listen; I’m only gonna’ say this once…” He said. “…all I got the breath for…”

He straightened up the best he could. He was in rough shaped, coughing up sputum that dissolved upon impact with the ground.

“S-some people are…” He said, “…indispensable. They c-can’t run these things without ‘em.” More coughing, “Grunts, t-techs… wrench monkeys… T1RSPs…”

“This thing…isn’t indiscriminate.” He continued. “Some people were designated… immune.”

“Like me?”

“N-not like you.” He said. “You must’ve been a f-f-fluke…”

“What’s that supposed to mean?” He pointed to the rest of the bench’s occupants. Elle shivered openly. Albrecht grabbed her arm.

“Listen,” He said. His outstretched hand spun over to the freight skiffs. “Those won’t help you. Even if you can drive ‘em; you won’t make it through that eye-wall.”

“But Gerhardt-,”

“-was given a special thing, a pod, he called it…” Albrecht vomited. Elle thought it was his last breath, but it wasn’t.

“All the g-grunts are still alive.” He went on, “The keys to this whole fucking thing are in the ignition. And you wanna’ take a dinghy out there and brave the open ocean.” He pointed to the skiffs again. His hand didn’t go as high as it did before. Albrecht was fading.

“How, Albrecht!?” She cried, “How do I get them to listen to me!? I don’t even know any of them!”

His reply was weak. “You’ve been bred for politics,” He whispered, “to be a leader.”

“Lead the Sanctuary,” He continued, “Lead it right straight into fucking Anchor-,”

Albrecht went limp in Elle’s arms. The dissolution accelerated. Within a matter of minutes, Elle was holding onto Albrecht’s wet, slimy clothes.

She turned back to look at the Sanctuary. Its form towered above her, the spire of the Board-room high enough to pass above the typhoon. She knew that; her whole life she did. She it wasn’t until then that it meant anything to her beyond a fact and a pretty view. She’d never realized how massive it was.

She suddenly noticed that she wasn’t alone. Three men with white beards and dirty grey jumpsuits were walking around, stunned. Wrench-monkeys. They looked to her as if she knew something. She realized that she did. She tossed aside the remnants of Albrecht’s clothing. She couldn’t cry. Not because she lacked tears. Another reason.

Leaders didn’t cry.

“Lady,” one of the man said, “are you a President!?”

Elle cleared her throat. “I am now.”

She ran her hand along the length of her over-shirt; black, business-casual. Not an intentional fashion choice, but most appropriate.

“Well, what are we doing with this?” The man pointed up.

“Let’s get it ready to move.” She said.

“Power down the charge, then?”

Elle glanced at the eye-wall.

“No,” she said, “in fact, power it up as much as you can do safely.”

“We’re at full charge capacity,” one of the other guys said, name of Donalds on his patch, “If we power up the charge, we’ll have to dump what’s in the cells.”

“How do you do that?” She asked, “Dump the charge?

Donalds scratched his chin. “Electric or thermal;” he said, “up or down, respectively.” He illustrated by pointing.

“Down, then.” She said. “That’s how they start the typhoons, correct?”

“They collect High-E in a seeder cell, dumping it as heat into the water when the Sanctuary runs low.” Donalds tapped on the corpse of one of the Presidents. “So you want a…bigger typhoon?”

“Yes.” She said, “Save only enough energy to steer. Is there anyone left that can chart the ocean?”

“Probably,” The first man said, “They’re still trying to find survivors. It’s a huge place.”

“All class T1RSP have been given a genetic immunity.” Elle said. “There might be a few,*ahem* ‘flukes’. But put it this way; T1RSP is the only class-type the virus is not trying to kill.”

The first man, whose name was Abdullah, asked, “Where are we taking this?”

“We taking it to Anchorage” She replied, “We’re taking it through Anchorage.”

She just hoped that Gerhardt wasn’t still in Anchorage when she got there.

 

***

 

Gerhardt awoke to the smell of blood and sick. The Receiving station was a crypt; the bodies of the dead, those recognizable, were piled haphazardly, struck where they stood. His ears were filled with a sizzling sound; he looked at the ground and saw the source. The bodies were dissolving. It reminded him of a paper mache volcano he made in primary school; bubbling over as he put the vinegar in to mix with baking soda. Pure white; eerie, and unnatural. He felt the urge to wretch, but he dared not show weakness around Liu. Apep; whatever he, or it was calling itself. Gerhardt looked into his black eyes and saw a demon, loosely bound and hungry.

“What happened?” He asked when his nerve to do so returned.

“We cleaned the Receiving Station,” hissed Apep, its voice more snake-like.

Dalton coughed into his sleeve. “It don’t look clean…”

“From dust I have made dust.”

“Oookay…”

“Is it not said in your,” he struggled, “B-bible… that man was made from dust?”

“I wouldn’t know,” Dalton responded, “I’ve never seen one.”

“Yes, it says that.” Gerhardt replied. Dalton looked over at him. A snicker lay just beneath the surface.

“And you lived on the Sanctuary,” Apep said, “Tell me, Mr. Schoern; how exactly did you get your hands on a forbidden text such as the Bible?”

“I-I-,”

“Come now, Mr. Schoern; there’s no one left to punish you. Haven’t you figured that out by now?”

“You mean, Pacific Sanctuary?”

Every Sanctuary looks the same,” he said, waved his arms around. “… like this.”

Elle.

“They died in peace.”

“Like these people!?” Gerhardt’s face turned red. “Is this peaceful!?”

“Calm down, Ger’,” said Dalton, “Ya’ don’t wanna’ dance with this guy…

“Dalton, let him do as he wishes.”

Gerhardt wasn’t taking his cues from Dalton by then anyway.

“Why did they have to die, Liu… Apep, whatever you want to call yourself. Why? What did you get out of it?”

Apep floated around the floor of the Receiving Station. As he crossed over bodies, they evaporated into a fine white dust, like pulverized drywall.

“While you spent your days in that Sanctuary, your every need was satisfied by a soulless provider. One you didn’t have to thank, one whose well-being you had no interest in. A machine; a tool, infinitely more knowledgeable than even your smartest man, therefore, infinitely more powerful than its controllers…” Apep spun to face them, more a serpent than a man.

“A god you never had to worship, pray to, thank,” it said, “So tell me, Mr. Schoern, what did the God in your Bible do for you that warranted you taking such a risk!?”

“I don’t believe in God,” Gerhardt replied, “Not the God in the Bible; not you.”

“If you do what you’re supposed to, serve my interests here… you can believe what you want.”

“I’ll never forgive you for killing off the Pacific Sanctuary.” Gerhardt picked up his gun, intentionally pointing it to the ground.

“A virus spread through the Sanctuaries; all of them.” Apep said, “I didn’t authorize it. I developed it, because I was ordered to. And I unleashed it in the Sanctuaries. But would you still be angry if it had just been released out here, as planned?” Dalton looked at him suspiciously.

“I don’t care…”

“Well, maybe you’ll care about this;” Apep returned to the form of President Liu. “One tenth of one percent of the Sanctuary population is immune.”

“So what are you saying?”

“Play your cards right.” Apep replied. “Don’t get in my way, and ask yourself if one in a thousand odds is worth having faith in.”

Gerhardt shut up, didn’t press any further. He knew the implication; Elle might still be alive, immune to AV3. He didn’t believe it, but Apep didn’t need to bluff. Based off the shape of the Receiving Station, it was clear he didn’t need Gerhardt or Dalton. His Guardsmen stood sentinel, motionless, poised to shoot anyone who came in through the breach. Apep, now-Liu, walked over to the one in the front of the formation. He placed his hand on the Gaurdsman’s chest, and the blackness swelled to cover the man. That Guardsman and the rest of the detachment were reduced to the black vapors that corkscrewed around Apep’s form.

“You didn’t think they were real, did you?”

“Why even have ‘em?” asked Dalton.

“Appearances,” Apep said, “Window dressing; nothing more,”

“Is that what we are?” Gerhardt motioned to himself and Dalton, “Window dressing? Anchorage fashion, maybe?”

Apep laughed. “Gerhardt, if you hadn’t the heart to leave paradise for this, I’d have killed you by now. You’re proving to be quite insolent.”

Without another word, Apep walked toward the breach. He beckoned Dalton and Gerhardt with a back-handed wave of his fingers.

“Come,” It said. They trotted to catch up as he reached the breach and hopped out onto the street. It was empty except for two taxis, both smashed by the explosion.

“Where to?” Dalton said, “The escort vehicles are a few miles away. We can-,”

“-They can wait.” Apep said. He looked back at the two of them, his eyes glowed with red swirls like hot magma. Gerhardt looked up and noticed that the HAARP’s aurora looked different. In fact there was no aurora, just a red-purple night-sky, torn and pulsating as if giving birth to the rage of the earth.

Apep held up his hand, his fingers cupped to form a point. Gerhardt watched in amazement as a sliver of white light collected from the air to saturate his fingertips. He had ceased to resemble Liu entirely; instead, he reverted back and forth from the President to the form of a serpent. He brought his fingers to his lips, tasting the energy. He sighed in satisfaction.

“Anchorage has yet to be sanctified.” He said.

 

***

 

Shattering concrete mixed with the serrated sound of laser-fire, coming through the static in disjointed bursts.

“It didn’t work! Is he-,” A loud pop came across the radio.

“Aw, Jesus… Sam, no…”

“Move it! Move it!” That was the last thing Kenny heard. The radio fell to static. It was as if the whole world had been wiped out, replaced by the soft fuzz. Kenny turned the knob, just nudging it at first, eventually spinning all the dials to their rebound points. Nothing. Static. Kenny pounded his fist on the desk, careful not to disturb the equipment set on it. Then he screamed and wiped the desk clean with the back of his hand.

He couldn’t hear everything hit the ground; his ears clogged up as he cried. He let the full weight of his head slam into the heard wood. It rolled between his shoulders; his arms felt apelike, unfit for human use. He covered his head with them as pressure built up in his sinuses. He coughed; he couldn’t breathe through his nose anymore.

*shkt* “… Anchorage…Come in, Anchorage…” *shkt*

It was Roger Borland. Kenny knew the voice.

*shkt* “Anchorage…Come in….” *shkt*

No one answered. Kenny stared at the microphone, wondered if he should answer. Really he wanted to answer, but his better sense prevented it. Whatever was happening in Anchorage, it could just as easily come to Chickaloon. He thought about Alice and the boys, should he go get them?

*shkt* “…Robin Blue, this is Anchorage,” a voice boomed over the radio, “…target NOT intercepted; I repeat, target  NOT intercepted…”

“Anchorage, what is your location?”

*shkt* “…Access Point 3-C-A-G-,” They were moving. Kenny had intercepted his share of rebel communications during his time in Anchorage; 3-C meant mobile, it didn’t matter what came after. They often used unnecessary codes to throw off pursuit.

*shkt* “…target was not the President…” *shkt*

“Not” *shkt* “president?” asked Borland, his voice coming though broken, “Please clarify.”

“…entire contingent in Receiving…” *shkt* “…killed…” *shkt* “…ten-minutes…” *shkt* “…NO SURVIVORS…”

*shkt* “…Guardsmen?” The beginning of Borland’s question was cut off.

*shkt* “…five…” Kenny pounded the side of the radio. The break-up was maddening.

“…Liu was the aggressor. He’s transformed somehow…”

“How?” Borland asked. Silence.

“Anchorage. Come in…”

Again, silence. Borland continued to call out, but to no avail. There was no answer from Anchorage. But another voice came on.

“Robin Blue, hunter green.” This was another code; a hidden frequency.

Sam told Kenny all the codes that might come out in a transmission. Roger’s call sign changed daily, but it generally followed his initials. Today, Kenny surmised, it was Robin Blue. The second code, Hunter Green, was based off of the color of the label on the radio at the Palmer base. It too changed daily, according to a predefined table. Sam had one. Kenny turned on a small box next to the radio and switched to the hidden frequency. 

We’ve just received a video-feed from the Everest Sanctuary.” The voice was clear. The speaker didn’t identify himself. “Liu’s been … infected somehow… He ‘s released AV3 into the Sanctuary system; started with Everest.”

“You have video?” Borland asked, “What do you mean, ‘video’? What was on it?”

Silence for a moment; then the voice came back on.

Rog’, whatever it is; it ain’t human.” He said. “It ain’t human, it ain’t Guard… It calls itself ‘Apep’.”

“Apep?” asked Borland, “The asteroid? The bar!?”

“That and more, Rog’…” The man said. “It put out an address across the entire Sanctuary system when we were in blackout. It was talking about being some kind of god.”

Silence once again, only this time Kenny attributed it to Roger.

You’re fucking kidding me.”

“No such luck, Rog’,” he said, “And that’s only the beginning of our problem.”

Roger sighed. He must have had the microphone keyed.

Go ahead…” He said.

We have reason to believe Anchorage is going to be…” A pause, “cleansed.”

“Huh? What!?”

“Look, I can’t explain,” the man said, “but… look out your window.”

“What!?… but I’m in-,”

“I don’t think it matters.” The man said. “You’ll see it.”

The channel was silent for a moment. Presumably, Roger was looking out his window, or going to one. Kenny took the short break to gather up the stuff he’d knocked off Sam’s desk. He’d made seven copies of the scarab by then, and he was relieved to see that they’d not shattered. Then the radio went off again.

…Holy Jesus…” It was Roger. Kenny was nowhere near the outside world.

It’s concentrated in the city center,” the voice said, “We’re losing people, Rog’…”

“Yeah, at the Receiving Station-,”

“No, I mean right-fucking-now!” The man’s voice sounded panicky. “AV3, Roger…”

“Fuck.” Roger kept his mike keyed, but was silent. “…alright…”

“Roger…” *shkt* “…listen to me…” Kenny was glued to the radio.

*shkt*…it’s not here for Denali…” *shkt* “…It’s screwin’ with HAARP…” *shkt*

The radio went dead for a minute. Roger made a few calls of Come in, Anchorage, but no answer. Then one last transmission came through.

“…secure the Depot…” he said, “…it’s the only valuable target to Liu…” *shkt* “Apep…”

The radio went dead. Kenny clung to it for ten minutes, but nothing else came through. He switched off the box and tried the unencrypted channel; nothing there but static. After the silence threatened his sanity, he left the office and made his way to the tunnel entrance. If the Depot was a target, he couldn’t defend it alone.

He just hoped Alice was a good shot.

 

 

More from Liam Sweeny…

Lucio Barbarino – Interview – Thanks for Asking!

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Lucio Barbarino

Lucio Barbarino – Interview – Thanks for Asking! – by Liam Sweeny.

RRX: I know when pitching it helps to tell someone it’s “this meets that.” So let’s try that with you. If you had to give me two bands that meet each other in your sound, what are those bands? More than two bands?

LB: Well, just a few months ago I played a show and someone came up to me and described me as R.E.M. meets the The Rolling Stones. I’ll take it! (laughs). But really, I am a very casual fan of those two bands and I definitely would not call them major influences. Honestly the two bands that I think have had the most direct influence on my songwriting and playing are The Beatles and Dave Matthews Band. The Beatles have been an influence from a very young age. I remember hearing She Loves You for the first time (I think) in my Aunt’s car on a family trip. I was just mesmerized by the catchiness, the harmonies, the groove. Since then I probably haven’t gone a week in my life without listening to or playing a Beatles song, and certainly not a month! In high school I latched onto DMB pretty hard. I think Dave is such an influential and unique guitarist and songwriter, and at some point around the age of 20 I basically could have stood in for Dave in concert, I knew the songs so well. (Laughs) I think if you are being a totally authentic songwriter and truly embodying your most honest expression, your influences will just naturally rise to the top. They have to! So if I had to name 2 bands that mixed together would form something like my sound, I’d say it would be the Beatles and DMB. If you wanted to hone in on the Lucio algorithm a little deeper you could pepper in some Eagles, Gram Parsons, and more generally, classic country.

RRX: We let it out differently when we play music. The happy, sad, good and back; it can all be put out musically. Overall, do you feel better when you sing about the better times, or the worser times? Is there a difference you can describe?

LB: I have often described my music as “dark.” I don’t know this for a fact, of course, but I often feel that people who have casually heard my music are surprised to hear me say this. I think that with a casual listen, “dark” might not be the first word that would come to mind to describe my music. But there is definitely a bit of an undercurrent of heartbreak and sadness if you listen a deeper under the surface. I have always been more creatively driven by these types of emotions than I have by the “good times.” Breakups and resentment are the things I thrive off of. (Laughs) Part of me hesitates to even say this, because my self-critical and second-guessing mind worries that someone may read this and think “oh geez, that sounds like depressing music.” But really, it’s not. It’s also filled with hope and humor and self reflection and childlike wonder. I guess I could put it in another way: for me, personally, as a creative person, if life is going great, I’m happy, I’m in love, whatever, I will want to be living in that world. I don’t really feel a need to write music about it. Does that make sense? My creativity and songwriting is an outlet, so if everything is going great (which is rare) I don’t have as much of a need for that outlet. That’s not to say I haven’t written happy love songs, as I most certainly have! I would just say that it’s not my usual modus operandi in terms of songwriting.

RRX: What instrument would you add to the band if you could? Is there anything you are trying to do musically that would be helped with one or more additional players?

LB: Full orchestra, of course! I kid. But really my dream band would probably consist of myself on (mostly) rhythm guitar, a bassist, drummer, and cellist or violinist. I just love the sound of a well-placed violin or cello when placed in a rock/pop song. I think the violin family of instruments sonically just work so well at filling in the texture/mood of a song. My album The Blue Evenings features some violin and cello and I generally use those instruments to add harmony or accentuate a melody. By doing so you can really strengthen a feeling or emotion you’re trying to elicit or convey. Also, in a purely sonic sense I think it’s just a lovely counterpoint to the combination of human voice and guitar.

RRX: Every band has a song that they really thought was going to be popular, but it wasn’t. What was that song for you? Did you have a song become popular that you didn’t expect?

LB: Well, speaking in a microcosmic sense, I have several songs that are popular. My song Wasteland is a fan favorite, as is Coal Black Coffee, both off my newest album The Blue Evenings. Unfortunately, so far, I wouldn’t say I have any songs that are popular in a more… anywhere approaching global, or even regional, sense. (Laughs) I do think I have many songs with potential to be big hits. I do often say that Wasteland would be my radio hit. It’s very groovy and infectious, and has an… edge of cynicism about it that I think strikes a chord (no pun intended) with people. It was definitely a personal “breakup song” and people have found it relatable on that level.

RRX: Would you rather have one of your songs blow up and make you a one-hit wonder and household name, or would you rather have all your songs be solidly received, but no chart-climbers? (You have to pick one or the other here.)

LB: I’d really have to choose the latter. I mean what is the point of having just one song blow up if people are only aware of that song and don’t delve any deeper into what you have to offer? I consider myself a pretty multi-faceted songwriter and would hate to have people only see me from one angle. I can have one song straight out of 50’s rockabilly, another that is very Beatles, another that has a more modern sensibility. I want to give people all of that. And although the $ that would come along with a one-hit wonder song would be nice, that’s not really what I’m in this for. Nor is it to become famous. I do this because I have things I want to say… no, I have to say, and I don’t feel I can (or want to) do that all in a single song.

RRX: It’s a lot of fun living in the present, but we all collect memories and give birth to dreams. We’re talking dreams here. Where you see yourself next year? In the next five years?

LB: Well, if you had asked me about 6 months ago my answer probably would have been a little different. Initially, when I moved to the Capital Region, my plan was to hit the ground running and form a band ASAP. Since then, I have jammed with some people but nothing has really clicked. Lately though I’ve decided to put that idea on hold and playing solo shows and meeting people organically. I am confident that other musicians will hear my music and be drawn to it, and see the potential (for a band) in it. So my goal is to let that happen organically, and over the next 5 years my dream is to have garner a real, genuine following of people who appreciate great songs. My dream is is really rather humble, eh?

 

 

More from Liam Sweeny…

…2..3..4 – An Xperience Column

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...2..3..4

…2..3..4 – An Xperience Column – by Chris Busone.

While I’m relatively new to this medium, up to this point, I’ve tried to keep my submissions humorous and in some way uplifting to the artistic community of which I am lucky enough to be a part. And while I have no plans on changing that approach, I would like to hit a bit of a more somber note this go-round and speak about loss.

If you’re in this life, you’ve experienced loss. The loss of friends, family, and significant others. So, I’d like to devote this piece to a few memories of people we’ve lost who helped shape my early life, teen years, and even earlier, both personally and musically.

I like to focus on good, fond memories of those who’ve gone on, rather than wade into the darkness of their loss. And after reading this account, if you spend some time reflecting on those types of memories of those lost in your life, well then, I guess I’ve done something right.

I met Frank Daley when we were teenagers. We were born three days apart, same year: me on June 10th, Frank on the 13th. The first thing that struck me about Frank (and I don’t think I am alone in this) was his ungodly gifts when he strapped a guitar on his back. Even in our teens, it was obvious that he was special.

The first night we met, a bunch of us jammed together, and afterward, we just hung out, as teens are wont to do. During this initial hang, we were just talking about records we liked – guitar players, themes that would follow us for the next 50 years. Then, Frank rubbed his head, gave me an elbow nudge, and asked, “Do you have any aspirin?”

“I’m 14,” I answered quizzically, “and you think I have aspirin on me? I got a dollar-twelve in change,” I said as I began emptying the contents of my pockets onto the counter,

“and a Jolly Rancher covered in lint.” We both laughed like crazy at that revelation. When we came up for air, I added, “I did sneak a couple beers out of the house in my guitar case, though.”

Frank smiled widely and said, “That’ll do!”  So, we bonded over the intoxicating brew of music and underage drinking.

We spent the better part of the next five decades being friends, sometimes roommates, sometimes bandmates, always brothers. He made me laugh – a lot of times when he wasn’t even trying to – and I’d crack him up mumbling derisive comments under my breath about people in our general vicinity that only he could hear, always at the most inappropriate of moments. I knew I had done the job well when he’d rub his nose with ferocity to hide his hysterics from puzzled onlookers and grumble, “F**kin’ Busone” into his palm.

Frank made me a better player just for being on stage with him and absorbing some of that brilliance as it sprang from his heart to his hands and drenched all in its path. Riding home from one particularly incendiary gig, we were talking about great players and whose playing we’d like to emulate. I told him that if I could play like anyone else, I think I’d want to play like him. He scanned my face for a bit, assessing whether I was having him on, and then said with all sincerity, “That’s the best compliment anyone’s ever given me.”

I love remembering that moment, but I somehow doubt that. His talent was so head-turningly conspicuous that I have no doubt that he received plenty of higher accolades from better sources than I. And not just for his guitar mastery, but for his qualities as a friend, a brother, and a father.

We lost Frank too soon and too suddenly, and I miss him every day. From time to time, I throw him a nod when I hear myself play something that I am particularly proud of, but not quite sure where it came from. Because there’s a pretty good chance it came from years of listening to him. So, thanks Frankie. For everything.

When I was in my first band at 17, we were lucky enough to have caught the eye of the preeminent manager/booking agent in the tri-state area and beyond, Bill Rezey. Bill had so many bands on his roster that he had other musicians working for him as booking agents, and that’s how I met Buck Malen for the first time.

The band was Chaser, or as Bill liked to refer to us, the “Five-Headed Monster,” because we went everywhere (including his office, which drove him a little crazy) together. During one of our periodic invasions of his work space, Bill told us he had someone special who would be handling our account, and buzzed the outer office, and asked Buck to come in. As he smoothed into the room my first thought was, “Oh my God … David Bowie is going to be booking us??!!” I swear to you, at 17, I had never been that close to anyone that cool. While most people look like posers when they wear sunglasses indoors, Buck Malen could pull it off easily, and it was just cool. No question. Just cool.

After a five-headed simultaneous gulp of awe, Buck said to us in the lowest register I had ever heard anyone speak, “Let’s go boys, I’ll buy you a drink.” And he spirited us off to Quintessence in his red, 1950s, checkered cab (I mean, come on!)

It was our first time there, so we marveled at how cool the place was. (A place that certainly only cool people like Buck could possibly know existed, we thought). After some obligatory banter and beverages, Buck nudged his shades down his nose a notch, and fixed his gaze on me. “Stick with me Daddio,” he said from behind a vodka martini, “and we’ll be hittin’ on all sixes before you know it.” My 17-year-old self had no idea what that meant, but it sounded so cool, I just went with it. In the years to come, Buck would become, at alternate times, my barber, bass player, photographer, and most of all, and always, my great friend. The years we spent together in the Jivebombers were some of the most fun I have had in music.

Fast forward a few decades. We got the news Buck was in the hospital for some undisclosed ailment. So, a couple of us got his room number and went to visit. When we found his room empty, we left thinking he was discharged, secretly dismissing any other more serious thoughts. But once outside, we heard that unmistakable baritone and followed it around the corner, down a ramp, to the loading dock area. There we found Buck smoking cigarettes with a couple orderlies, dressed in a hospital gown and his leather jacket and combat boots; an IV on wheels still in his arm. Like I said, just cool.

And that really does sum up this cat. He lived by his own rules, from start to finish, a finish that unfortunately came too soon for us all. He was a movie star that walked among us, and made every scene cooler by his presence. So, wherever you are, Daddio, I’ll bet it’s swingin’, and I know … it’s just cool.

There has never been anyone in my life like Rod Choppy. To refer to someone as a force of nature has become commonplace these days. But Rod Choppy was that and a whole hell of a lot more. He was a freaking hurricane with bulls and china shops spinning around inside of it on Fat Tuesday in the middle of Bourbon Street with all the unbridled exuberance of the French when Lindbergh landed. He was Captain America with a hangover, and like, 15 minutes late ’cause he got a flat, but still … Captain America! So, ya know, it’s cool.

He was also the most loyal, true, unwavering friend anyone could ever ask for.

When we were kids, my mother would say, “I never worry about you when you’re with Rod because he’d jump in front of a bus for you,” and I never doubted that. I would often lament that maybe I wasn’t as good a friend to Rod as he was to me. But then I realized there was no way I could be. I could try, but he was just too good, and I should just do my best and count myself lucky to know him. He would later display all these qualities as father to his daughter, which surprised no one but was amazing to watch.

I am not exaggerating in the least when I say that I would never, have ever, gotten up on a stage or have had anything resembling a musical career were it not for Rod Choppy. I had zero desire and even less confidence that I could ever play and sing in front of people. But when Rod assured me, “Oh Buzzy, it’s gonna be great. You abso-f**king-lutely can do it!” I somehow believed him. And what’s more, once I got up there on a stage and he was up there with me, I felt like not only could I do it, but that I could do anything. And I did. And I’ve been doing it ever since, in no small part due to him and his confidence in me.

We were 9 years old when we met and were the closest of friends from that day until the day we lost him. The last conversation we had, as he laid in bed, was like any other we’d had throughout our lifetime of friendship. Just talking and laughing about nonsense, old times. He was gone the next day.

My wife can attest to the fact that a day does not pass when I don’t tell at least one Rod Choppy, Frank Daley, or Buck Malen story. And also, stories about those who I met later and throughout my life who we lost, like Josh Bloomfield, John Degen, Scotty Dorrance … the list goes on. To me, telling stories – fun, funny, celebratory stories – about those we’ve lost keeps them alive and in our hearts.

Hemmingway tells us, “Everyone dies two deaths, when they are buried and the last time someone speaks their name.” And our boy Hemmy pondered profoundly the prospect of the inescapable hereafter, so I’m gonna defer to him on this one. So, let’s take this opportunity to speak the names of some of the people we’ve lost, but never want to lose.

For my part, whenever I get up on a stage to play that first song, I like to think all those cats are right there with me, giving me the cause and confidence to continue to count it off…2..3..4

 

 

More from Chris Busone…

Heard @ The Seasoning House, 2/23/2025

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On a Sunday afternoon, Heard played some African-style music to accompany the African cuisine at (a packed) The Seasoning House.

Photography by Timothy Reidy.

More from Timothy Reidy …

 

Photos: Saxsquatch @ Empire Live – 3/1/25

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Photos by: Christopher Ebbs

Hudson Valley Writers Guild & Upstate Artists Guild – Poetic License 2025: Call for Poems

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Hudson Valley Writers Guild
The Hudson Valley Writers Guild and the Upstate Artists Guild are excited to once again work together again to present this opportunity for collaboration between poets and visual artists in the Capital District. Poets are being asked to submit, by May 31, up to 2 poems for consideration for possible inclusion in a visual art exhibit in the Fall. The poems selected will be made available to visual artists to hopefully inspire them to create work to be displayed with the poem in the exhibit.
Complete guidelines and additional background information is included in the attached .pdf document and will be posted on the websites of the Hudson Valley Writers Guild (www.hvwg.org) and  poeticlicensealbany.com  Poems submitted must follow the guidelines described in the attached.
For additional information contact Dan Wilcox at dwlcx46@gmail.com

INTERVIEW: Daniel Vadim Von (Morbid Angel, Nile)

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Interview and Photography by Rachael Skinner.

Daniel Vadim Von is a multi-skilled musician in the extreme metal scene, showcasing his talents as a guitarist for Morbid Angel while also taking on the role of bassist and using his brutal vocals in the band Nile. He has traveled the globe with both bands. Recently, he graced the stage at Empire Live in Albany, NY, as part of The Revenge of the Underground Tour. I had the privilege of chatting with Dan on Nile’s tour bus before their electrifying performance, where he graciously answered some questions for me.

RRX: Explain to me the moment where you first realized that you were drawn to create music, and what was the first instrument that sparked your passion?

DVV: I played piano as a kid until probably about 11 or 12, when I switched to guitar and that became my primary instrument. So from there on, it was sort of strings, guitars, and bass and things like that. It was very early on when I realized that it was important.

RRX: What musicians helped to influence your musical journey early on?

DVV: I would say Jimi Hendrix, Tony Iommi. Early, early old school stuff. I grew up in Eastern Europe until I was in my early teens, when I relocated to the US. Iron Curtain was still going on. And it was a little different than it would be for kids here, that were just automatically exposed to the market and stuff like that. So a lot of it was bootleg, tape, trade. Vinyl stuff was coming around, but it still wasn’t quite as expanded.

RRX: What were the first bands that you were into that made you realize that this was what you wanted to do?

DVV: The early Black Sabbath stuff, Mercyful Fate, and just really whatever I could get my hands on at the time.

RRX: How old were you when you joined your first band?

DVV: I think around 15. Me and a couple of friends started trying to put some stuff together. It took about a year or two for it to make sense.

Photo by Rachael Skinner

RRX: What would you go back and tell your 15-year-old self now, knowing everything that you know being in this industry for so long?

DVV: Keep the dream alive and keep pushing forward.

RRX: How did the universe merge the paths for you to play guitar for Morbid Angel?

DVV: I’ve known Trey for a long time. At first, my involvement with the band was as a visual artist. I used to do a ton of merch designs, different visual things for the band. And Morbid started taking my old band when I was going on tour. It’s been close to a decade.

RRX: So how did you cross paths and become a part of Nile?

DVV: An opportunity came up a couple of years ago for me to do this last album. I was touring with a different band, so I had to put that to the side. And it worked out well.

RRX: What is your most memorable moment being on tour, with any band you’ve been in? Do you have any moment that’s really been like, wow, that was wild, you know?

DVV: It’s really difficult to pinpoint just one. There’s been some really epic moments with Morbid Angel. I would say maybe looking over my shoulder and seeing Max Cavalera engulfed into what was going on, literally probably five feet away, because he was a really big influence for me.

RRX: What led to your endorsement with Ibanez?

DVV: They’re just an awesome brand. Even back in high school, I had a couple I was really fond of. I went through a few different companies. Ibanez just really takes the cake as far as their nicer stuff, especially stuff that’s made in Japan and in the LA Custom Shop. It’s superior, you know, in my opinion. So we started working together back in 2018 – it’s just been great ever since.

RRX: What is your personal definition of success, and what does it mean to you?

DVV: It’s basically not giving up and believing in yourself and manifesting that goal.

RRX: Is there anything that you want to share with Xperience Monthly?

DVV: Thanks to anyone that has followed me throughout the years. Big thanks for any that have believed in me as a musician, as an artist. Follow your dreams and push for what you believe in.

More from Rachael Skinner …

Angel Coming to Stand Theatre – In Theory

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Angel

On Saturday March 15, 2025 @ 7:30pm, join us as we welcome ANGEL to the Strand Theatre! Opening the show will be In Theory.

Employing a dazzling mix of glam rock, hard rock, and progressive rock, Angel’s outrageous, white-satin-heavy image and equally over-the-top stage shows, made them one of the more colorful arena rock bands of the mid-’70s and early ’80s.

Discovered by KISS bass player Gene Simmons, the group issued their eponymous debut album in 1975, which hewed closer to prog rock than the glam pop that would inform future endeavors like On Earth as It Is in Heaven (1977) and Sinful (1979).

The group went their separate ways in 1981, but re-formed in the late ’90s with a new lineup, and released two studio albums (1999’s In the Beginning and 2019’s Risen) and numerous compilations.

A blast from your past… grab a friend and join us for one Helluva night of fun!

Tickets are $25 to $65 depending on seating choice. Tickets are available at the Strand Box Office; cash or check only or online at Eventbrite

Purchase your tickets online and get $10 off any ANGEL ticket! For more info and the Eventbrite ticketing link, please go to www.mystrandtheatre.org. Doors open into coffee shop, box office and lobby @ 6:00pm. The Strand Theatre is located at 210 Main St, Hudson Falls, NY.  

*There will be a bar service at this event.

Brought to you by E1 PRESENTS. Have questions? Please call (518) 792-0996. www.e1presents.com.

Caffe Lena – Week at a Glance

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Caffe Lena

Greetings – Happy March! It’s been good to have a winter that behaved like a real winter, but it’s nice to know that spring is coming our way. I have a hunch that someone will lead this old gem at this week’s Bluegrass Jam. If you clicked that link, you’ll know it’s the fiddle tune Maple Sugar, which reminds me that our School of Music is holding its 4th Annual Pancake Breakfast on Saturday, March 29 from 11AM to 1 PM. Come enjoy this year’s maple syrup poured over all-you-can-eat pancakes with sides, trimmings, live folk music, and the peaceful easy feeling that you’re helping to pass the folk tradition along to the next generation.

Many of you know that Sawyer Fredericks got recruited to compete on The Voice out of Caffe Lena’s open mic–and he won, at age 16. But did you know that one of the songs he sang was May Erlewine’s “Shine On”? Here’s his version, and here’s hers. May played our stage for the first time last year, and we’re very pleased to have her return this Thursday.

See you at the show,
Sarah

“Crushing Cancer with the Connallys” @ Hangar on the Hudson, 3/2/2025 (Part I)

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On March 2, Xperience Monthly/RadioRadioX and Hangar on the Hudson hosted a benefit for the Connally family, to assist them with their ongoing fight against cancer. Musicians and supporters came from Lansingburgh and well beyond to absolutely pack the venue, both inside and out.

Musicians that lent their talents to the effort included, but were not limited to, Blue Hand Luke, Joe Mele, Diva and the Dirty Boys, Brian Kane, and members of the Albany Rock Pit.

Check out some photos from the early part of the show.

Photography by Sara Busone.

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