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Runways of the Dead – The Weird Side of the Internet

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Runways of the Dead

Runways of the Dead – The Weird Side of the Internet – by Liam Sweeny.

When I lived in Troy, I lived on a hill that led up to HVCC, and as far as I was told, the end of my street fed into what was at one time a nail factory, and at one time an orphanage, not sure when either existed first or second. But one of the products of this, and why I tell it to you, is that my neighbor once told me that they found a grave in her backyard when she was putting in a fence. And I did dig, just through archives instead of the ground, and lo and behold, people did get buried there.

So, shovel in my hand… no Not even close. But it goes to show that graves can pop up anyplace. So if you find yourself at Savannah Hilton Head airport, at the edge of runways 10 and 28, you might just notice two rectangular patches of asphalt.

Yes, they’re graves.

This eternal resting acreage, or partial acreage, belongs to Catherine and Richard Dotson, who were born in the late eighteenth century and survived all of the way into the mid- to late nineteenth century. They along with a hundred other people, almost all of whom were relocated were buried on land that would need to be used for military aircraft in World War Two. But the Dotson family wouldn’t let them move Charles and Catherine, hence the runway Easter egg.

So now I’m thinking. Should I get an acre somewhere, or even an eighth of an acre and set up a burial plot? I mean, it a gamble that the land you get will become extremely inconvenient in such a way that they’ll keep your name alive in the “strange news” fluff stories of 2125.

I do have one ace up my sleeve. It’s in my back pocket, which will be facing topside if my burial wishes are honored.

 

 

More from Liam Sweeny…

Hans Gruber and the Die Hards – An Xperience Interview

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Hans Gruber and the Die Hards

Hans Gruber and the Die Hards – An Xperience Interview – by Rob Smittix.

RRX: Hey, alright. So we are on a speaker phone with Hans Gruber and the Die Hards from their tour van. Who do I got on the line here?

KA: A little bit of everybody. We have Kurt Armstrong (vocals, trombone), we have …

RA: Rosey Armstrong (tenor saxophone, vocals) …

CT: Chris Thompson (drums) here.

Mike: Mike! (guitar)

KA: And then we got our driver who’s not gonna respond.

RRX: Got you. Just so you know, you are one of my most favorite live bands to see. You’re once again on the road, you’re in the van and you’re on your way to Memphis.

RA: Yup!

RRX: You guys always seem to be touring. I was so happy that, before my band stopped really doing things, we actually had a chance to play a show with you. I think it was back in 2019. It was right before the pandemic hit.

RA: Yes, I think it was that fall tour of 2019.

RRX: You guys played, I think right before us, and then we’re like, “Holy sh**. How are we supposed to follow that?” Because you guys put on a hell of a show.

CT: We were just propping you up, we wanted you to get crazy!

RRX: Oh yeah, I mean, I think we did pretty good, but you guys, hands down, crushed that night. When you played in Troy, I was talking to Onion from Escape from the Zoo, and he said the same thing. He’s like, what a tough act to follow. So how do you guys respond to that?

KA: Well, we love doing that to bands all over because there’s nothing better than watching a band realize that they got to step up. We have the advantage, and we’ve got a tour with a lot of friends, and play a lot of shows with bands that we respect, and there’s nothing greater than seeing them sweat a little bit and then show up and bring it up. One of my favorite times was when we played right before Tsunami Bomb at a festival. We had never met them, and we watched all of them on the side of the stage, stand in amazement, and actively be like … oh no, this is not gonna be good. Then the next thing you know, they put on one of the best performances I’ve actually seen in a long time. So it’s real cool to see that happen.

RRX: So you guys are basically just raising the bar for the rest of us. I appreciate that.

RA: This year in particular has been really, really crazy. We’ve done a lot, maybe a little too much. But you know? It is what it is.

RRX: Definitely. So is there anything about the band or any individual member in the band that might surprise us?

KA: Mike’s a professional poker player.

RRX: Really?

Mike: Yep. That’s what I do at home to make money when we’re not on the road.

RRX: That’s cool. Yeah, I am pretty good at poker myself, but I could never really afford too much. I’d go out to the casino, and I’d stay low stakes and that thing where they can’t put in too much money in before the flop. I forgot what they call that, but they set the limits. I got on the wrong table one time, and I was like … I can’t even f**king play because before I even see the flop, people are putting in thousands of dollars, and I got like $50.

Mike: Yeah. So, bankroll is sadly a very important part of playing poker at a professional level. It can sometimes be tough with the touring because I come back a little more broke than I wanna be. I have to have a healthy enough payroll to make sure I can withstand the ups and downs of the game because even when you’re playing really well, you’re still gonna have big losing streaks at times.

RRX: Well, at least you admit that. I know a lot of gamblers that haven’t gotten that message yet. That’s cool, though. I’m afraid, you know? I got my family and stuff. Last thing I want to do is be like, “Oh, I’m sorry, hon, but I didn’t get the rent money.” So that’s a little rough. Where are you guys at with that? Does anyone in the band have kids that they know of?

RA: No. Oh yeah **** does.

KA: Yeah, ***** has a kid in Austin.

CT: I have a cat!

RRX: Same thing (Laughs).

KA: I have a cat. Our roadie Splatt has two or three kids.

RRX: I’m sure at times being crammed into the van probably sucks. But I’m sure, at other times, it’s some of the greatest experiences that you could probably ever have.

KA: Yeah, it kind of sums it up more than anything. Overall, it’s enjoyable and it’s always gonna have its moments. Being in a tight spot with five other people, you’re always gonna get frustrated but then you’re also gonna have an absolute blast too.

RRX: Exactly, and nothing can replace that. Anything else that any of you would like to say to people to intrigue them to check you out online and go to shows when you’re in their town?

RA: Our most recent release was in September … a 7-inch split with a Japanese band called the Sensations, and they’re insane live! Just go to their Instagram and watch some of their shows. They’re just jumping off the stage onto the crowd all the time. So check that out. It’s on Ska Punk International Records. Their whole roster is pretty incredible with up-and-coming ska people.

CT: Make sure you’re following our socials. We have been recording a lot; we have a lot of stuff in the works that we’re not gonna announce yet, but … a bunch of small to big releases possibly coming out. So you’re only gonna find out that way. Also, bring your socks to shows. We love socks. We love when people make their own sock puppets, but we always have socks for them. And on a personal note, I still will always accept milk and cheese at shows. My band benefits from it, so I don’t mind sharing.

RRX: (Laughs) Yeah, I totally forgot about the socks. I was not about to take my shoe off and disturb everyone with that, but glad you did supply some of your own socks for people.

RA: Yeah. Usually, we have more but they dwindle sometimes on tour.

CT: We actually have a sock budget.

RRX: Yeah, I bet! I appreciate your time.

RA: Okay, sounds good. Thanks, Rob. We’ll talk to you. Thanks for having us.

RRX: You got it. Now, when you start rating food and beer, let me know.

 

 

More from Rob Smittix…

Timothy Reidy: 2024 in Review

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No area music photographer comes close to covering the number of concerts that our own Timothy Reidy does. He often covers two or three events on the same day. Here’s a look back at 2024 through his lens.

More from Timothy Reidy …

Serpent and the Sun, Chptr. 7 – Xperience Fiction

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Serpent and the Sun

Serpent and the Sun, Chptr. 7 – Xperience Fiction – by Liam Sweeny.

“Adam, please pay attention.”

“Why do you drink this stuff… coffee?” Adam was sitting behind a table with a cup of digital coffee in his right hand. It looked just like the one Jameson had. Adam was starting to show age, though in reality he was ageless.

“It perks me up.” Jameson replied.

“And what does that mean?”

Jameson turned up a dial on the back of Adam’s housing. It controlled Adam’s power differential, and thus, his processing speed. He had to be careful, only adjusting it a slight amount. As he turned the housing back around, he noticed Adam was, for lack of a better word, tweaked.

“Whoa!” Adam wobbled a bit. He looked dizzy. “How do you all turn it off?” Jameson flipped over the housing to another whoa! And notched the power differential back to normal. He turned the housing back around, and Adam had one hand over his forehead.

“Ouch!” he cried, “Why would you humans drink this stuff?

“It’s an acquired taste,” Jameson said, “And most humans have a degree of immunity to stimulants.”

“Mike said I wouldn’t need any… immunities.”

“He’s right,” Jameson replied, “You don’t. But we need to pay attention to today’s lesson.”

Adam grunted. Jameson realized that Adam was becoming harder to teach. He was asserting himself more, and, as a consequence, goofing off more.

“Adam, we’ll not have many more of these lessons, and it’s important for you to know what brought us to the world we now live in.”

Adam rolled his eyes. “Jameson, I can find out anything I need to,” he said, “by just connecting…”

“All they have are lies.” Jameson responded. “The truth has been taken out of the information stream long ago. What we’re learning; what I’m teaching you, I could get killed for it.”

Adam paused. A serious look passed over his face. Solemnity, almost.

“Okay Jameson,” he said, “what’s today’s lesson about?”

Jameson leaned back in his seat. “Energy.”

“Throughout the history of man, energy has played perhaps the most vital role in the expansion of power.” He said. “From ancient cultures, that energy came from legions of men working together to build megalithic structures. And, throughout history, man has evolved technologically, making these great types of achievements possible with less manpower.”

“Arguably, technology made possible the division of humans by class; that, and it made urbanization possible.” Adam nodded.

“As I said, today’s lesson is about energy.” Jameson continued. “And in the last two centuries, from the advent of steam-driven industry to oil-driven industry, energy, the source of it anyway, has become more and more important.”

“More important, in fact, than the humans it’s supposed to be helping.” He added.

“Are you referring to the Energy Wars?”  Adam asked. A picture came up on the screen of the Middle-East. Mike must’ve supplied him with an electronic copy of his World War Three map. Mike’s was the only one Jameson had ever seen.

“Yes, in a way,” Jameson replied, “but it’s important for us to understand the non-military side of the War.”

Jameson got up, spinning Adam around to face a chalkboard. He had a map of the United States drawn out, rough but recognizable.

“In the first half of the twentieth century,” Jameson said, “gasoline, the derivative of oil, was inexpensive.” His map had points on it to mark major cities like New York and L.A. He placed the tip of the chalk on New York City, and drew lines outward.

“People could afford gasoline, and the ones that could afford to leave the crowded cities moved away, to an area they called the suburbs.” Adam looked on as Jameson shaded the New York City suburbs in hash-marks. Then he drew new lines out even further.

“Eventually, some people felt that the suburbs were too crowded, and they moved even farther out.” He said.

“Because gasoline was cheap?” asked Adam.

“Precisely,” replied Jameson, “The entire structure of America was transformed by cheap oil.”

“Just America?”

“Well, the whole world,” Jameson said, “But we’re using America as our, well, case-study. You know what a case-study is, right?”

“Yes, I do.” Adam said, “It’s an example.”

“Right. And so in America, the landscape was altered because of the availability of oil.” Jameson said. “So what do you think happened when oil became scarce? Let’s see how well you’ve learned.”

Adam thought for a moment. He appeared to be making shapes with his fingers.

“They all moved back to the cities?” He said.

“Tried to,” Jameson said. “You’re close, Adam. The population pattern collapsed toward the cities.”

“Was that a bad thing?”

“It was when all the tax-money was spent in the suburbs.” Jameson replied. “The cities were unable to handle the ‘crunch’, as they called it. And it was then that the wealthiest people started what is now called the Sanctuary system.”

“What was it called then?” asked Adam.

Luxury Communities” Jameson replied, “Big apartment complexes, basically. The first two were called the Atlantic and Pacific Hydro-Towers. Now they’re the called the Atlantic and Pacific Sanctuaries.”

“Were they bad then?” Adam asked. “’Cause Mike says they’re evil now.”

Jameson paused. He knew he had to be objective. In his opinion they had always been evil, but he had his own reasons for believing that.

“Originally,” he answered, “they were just a way to get far from the problems in the cities, like an escape for those who could afford to buy in.”

“But eventually, they became so cut-off from the plight of us, terrestrials, they completely sealed themselves off.”

Jameson went to the chalkboard, drawing a circle around Central America. “They fully developed the PEALE system in 2035. When Apep struck Nicaragua a year later, they used the event to take control of the Earth.”

“How?” asked Adam, “How could people in sealed-up Sanctuaries take over the whole planet?”

“They took control of the weather.” Jameson said. He turned to see Barry Jones with his head ducked in the doorway.

“That’s it for today’s lesson.” Jameson said.

“But I still have questions…”

“…that will be answered tomorrow. I promise.” Jameson said. “I have to go talk to Barry.”

“Must I go to sleep?”

“No, Adam,” Jameson said. “You can stay up. I’ll have Susan bring you downstairs.” Jameson pressed the intercom, politely asking Susan to baby-sit Adam. Susan and Adam had bonded in recent days. Not like a mother; more of a nanny, but Jameson didn’t exactly feel a father bond either. Adam was something else entirely. When Susan brought Adam downstairs, Jameson and Barry sat down to talk.

“Give it to me.”

Barry got up, walking over to the chalkboard. He flipped it over, revealing a world-grid on the other end. It was a white-board, and Barry pulled out a black marker, barely writable.

“They’ve generated a hurricane to wipe out the New York City resistance.” Barry dotted New York. “We haven’t gotten through, but based on our link-in, it’s estimated at a Category Eight.”

“Jesus.”

“That’s not it,” Barry said, “We’re also picking up some activity in Albany, the old capital upstate. It looks like a lightning storm, but there’s also been seismic activity.”

“That’s gotta’ be Blake,” Jameson scratched his chin, “He was getting supplies in New York. The depot’s in Albany.”

“That’s not why I’m here, though,” Barry said. He walked up close to the desk, bringing his voice to a whisper.

“They’ve released a virus.” He said.

“I know that,” Jameson said, “I’ve heard it, anyways…”

“But you haven’t heard why.”

“Okay,” Jameson said, “humor me. Why?”

Barry leaned in even closer. Jameson could smell the burnt wood of Barry’s time spent in the boiler-room.

“The ionosphere’s becoming drained.” Barry said. “They’re running out of energy.”

“What!?!” said Jameson, “That’s impossible! The ionosphere is…”

“I know, I know… continually replenished,” said Barry. “That’s common knowledge anyways. But while the energy is constantly replenished, the catalysts used to manipulate it are weakening. It’s not as responsive as it used to be.”

“Are you shittin’ me?” replied Jameson, “They just sent a Cat Eight to New York City!”

“Jameson, I’m serious,” he said, “You know the difference between one point and the whole graph. The whole graph says their runnin’ out of juice.”

Jameson stared at the world-grid. The ionosphere output-graph flashed through his head.

“They’re makin’ a move,” Barry said, “while they still have cards in their hands.”

 

***

 

The skies above Albany erupted with the fury of two gods engaged in earthly combat. Lightning coalesced into a ball above the front lawn of the abandoned capital building. Windows that hadn’t already been smashed by years of nature’s reclamation were being blown to bits by baseball-sized hail-stones. Fires below burned everything combustible, hot enough to create their own micro-cells. Blake and Cyrus hovered in the middle of an F3 tornado, neither giving an inch, both being periodically impaled with debris.

“C’mon Blake, just give up,” Said Cyrus as he pulled a chunk of telephone pole from his mid-section, “I’ll let your little depot survive, I promise.” He wore a vicious smile on his face. The wound in his midsection never had time to bleed, sealing up instantly as the submicroscopic machines inside him went to work repairing his organs, blood-vessels and muscles.

Blake winced as he took a large sliver of steel to his neck. It tore through his jugular as it passed through, but like Cyrus, Blake’s wounds sealed.

“You’ve lost your mind, Cy’,” said Blake, “Ya’ been out too long!”

“…and you’ve been alive too long,” Cyrus replied, “I think we can find a solution to both problems.” Cyrus clasped his arms around himself, drawing in energy.

Uh-oh, Blake thought to himself. He could feel his energy wane. Cyrus couldn’t kill him, but he could take away Blake’s access to energy. His connection to the ionosphere was PEALE’s connection, and Blake couldn’t top it. He began to feel himself being lowered to the ground, robbed of the wind to stay aloft. He had to do something fast.

Blake gave up his hold on the ionosphere. He used the last remaining energy he had to take him near the plaza. He hit State Street hard enough to crack the pavement, and he started running. He didn’t have to see Cyrus; he could feel him hovering in the air above. As long as he held the energy, Blake couldn’t fight him. But he wasn’t fighting Blake. It could mean that Cyrus was afraid to fight. Blake contemplated that as he ran to an old sub-level entrance at the Plaza, smashing the locked door with a push. As he flew down the steps to the Depot, the other explanation ran through his mind.

I’ll let your little depot survive, I promise.”

Cyrus wasn’t after him in the first place. He’d merely been following him. It was the depot he was after. For Blake this was confirmed by a massive rumbling below. Shit, he broke through, Blake thought. He was running as fast as he could down the stairs, hopping whole flights. He reached the thick steel door to Sub-Level Two, and as he grabbed the door, it exploded inward, sucking him through. For the first time since he was made immortal, Blake lost consciousness.

Blake awoke buried under concrete chunks and covered in fine dust. He scanned the building for integrity, and though the area he was in was collapsed, the depot as a whole had survived. And, as curious as it was ominous, he didn’t pick up life signals of any sort except his own.

He felt energy flowing through his system. Whatever had happened made Cyrus release the stranglehold he had on the ionosphere. Blake flexed his chest muscles, channeling energy into the debris he was buried in, freeing himself. He was in the depot, but it was dark. Dust wafted through the air, blanketing what little light streamed in. Blake drew in energy and released it into the dust, causing it to ionize. The dust that choked the depot became a light source.

Blake walked through the depot, stunned by the silence. The equipment had a thin coat of dust on it, but appeared unharmed. Thank God for that, Blake thought as he turned the corner to the main area. What he saw stopped him dead in his tracks.

Donnie was dead; his shirt was the only thing that identified him. His body was little more than a skeleton. Five yards from Donnie lay Ralph. Though Blake hardly knew Ralph, it was easy to identify his body. He had suffered massive chest trauma, but his body was still intact. And standing twenty yards from the two of them was… Cyrus.

Only he wasn’t standing. He was frozen in place, as if his body had been bronzed. He was crouched menacingly, and Blake recognized the stance. It was a stance they taught UEC Guards to use before an energy strike. Blake was incredulous. He approached Cyrus slowly, unsure of whether or not it was a trick. He noticed a chunk of concrete on the ground, and with a thought he launched it at Cyrus with as much speed as he could manage in the closed space of the depot. It struck Cyrus’s shoulder. With the sound of glass shattering, Cyrus’s shoulder, and with it his arm, hit the ground, shattering even further.

“What the fuck happened here?” Blake said aloud. It was Cyrus; Blake could pick up his bio-signature. Even dead, Cyrus had a signature. Blake made his way to the edge of the depot. Cyrus had blown it wide open before coming in, and as Blake stood at the edge, he saw a clear sky where just moments ago cataclysmic weather held the day. Somehow, some way, Cyrus got killed. Blake turned back to find out how.

He went to Ralph’s body. Blake noticed something in his hand. He hadn’t paid attention to it earlier; he was focused on finding Cyrus. Now that he was focused of finding Cyrus’s cause of death, the object in Ralph’s hand was a potential clue. It was small; he pried it out of Ralph’s fingers delicately, though Ralph would hardly have noticed. It looked like a flashlight; white plastic casing, squeeze-button activated, no larger than the palm of Blake’s hand.

He didn’t know what would happen if he pushed the button.  He looked at the statue that was at one time his nemesis. It was enough to keep his curiosity at bay. Blake tucked the device in his pocket before going to check the equipment he’d need to haul out of there.

 

***

 

Gerhardt’s room reverberated with the sound of old, pre-millennial rock music. When he checked in, they gave him a room right above the bar. He liked the music, but since he’d gotten out of the Sanctuary, he had a continual headache. He walked over to the window, prying open two blinds to gaze upon the street. It was dark, with few lights dotting the light-poles. In fact the brightest illumination came from the aurora in the sky. HAARP’s Aurora; Gerhardt had read about it in grade-school. Though he’d seen pictures and videos of it, it was amazing to actually see it. He reached down, opening the window with one hand as he rolled up the blinds with his other. A cold, crisp breeze greeted him as he pulled a box of cigarettes out of his shirt pocket.

Smoking was frowned upon in the Sanctuary. Illicit drug use of any kind was not tolerated, and the inhabitants were tracked and monitored. Not that it was a problem; the people selected for the Sanctuary were non-users, and a generation had by then grown up in a world without drugs. Even alcohol was prohibited in all but ceremonial occasions.

The music blared on, and with the window open, Gerhardt could hear the sounds of merriment. He was warned that Apep was a rough place, but he wanted a drink, and Apep was the closest spigot. Besides, he could take care of himself. All men in the Sanctuary were trained in self-defense. Gerhardt never understood why in the Sanctuary; violent crime was rare, almost non-existent.

Gerhardt grabbed his side-arm; a Heckler-Koch i980 Compact. Elle’s father gave it to him as he left the Sanctuary. He packed it in the pod-cruiser; shareholders were not allowed to possess DE weapons in the Sanctuary. It was a simple enough mechanism, and Gerhardt tested it out over the ocean, frying a dolphin that jumped too close to the pod-cruiser. He grabbed his trench-coat and his hat, looping the key around his right finger as he walked out the door.

He made his way to the hotel vestibule. An old woman sat behind the safety-glass cage, typing away on an old lap-top computer.

“Excuse me, miss?” asked Gerhardt. She looked up with surprise, as if unaccustomed to being addressed as miss. She nodded.

“Is there a cover-charge at the bar?”

She smiled, and started laughing. “Ain’t no cover,” she said, “Ain’t no class, neither. You’d best ta’ stay away from there,” She rapped her long fingernails along the counter.

“I need a drink.”

The woman pulled out a clear bottle without a label from under the counter.

“My uncle Joey makes the best white lightnin’ in the diamond,” she said, “better than that scrape-shit they swig in Apep.” She put the bottle back.

“That’s OK…”

“Sheila,” she said, “Sheila Walters.”

“That’s OK, Sheila,” he said, “I really need to get out,”

“You’ll need to get outta’ there, too,” she said.

“Thanks, Sheila,” he smiled, “I appreciate it.” Gerhardt walked out the door before Sheila could say another word. He got the sense that she was hitting on him, and though she was attractive, she wasn’t Elle. No one was.

Gerhardt hadn’t stopped thinking of her since he left the Sanctuary. The curls in her hair, the perfect, healthy blush in her face when she was embarrassed, the fire in her eyes when she was excited, which was frequent, and her iron, indomitable determination all haunted him as ghosts in the hollow solitude of his travels. How he missed her. As he approached the front door of Apep, he could smell the cigarette smoke mingled with rotgut alcohol and musk. The music rumbled through the door with the shouts and whoops of the patrons. He wondered what Elle would think of him walking into such a dingy place.

As he entered Apep, he saw a woman to his right and a large, burly man to his left. The woman had a wand in her hand, and as she waved it down the front of Gerhardt it went off. The man frowned, and the woman pointed to a sign on the wall.

“Can’t you read?” she asked. Gerhardt looked over at the sign.

 No weapons allowed.

 No mechanicals

 No DEs.

 No Exceptions. (Please check them in.)

“Shit,” he said, “Sorry about that,” He reached into his pocket for the Compact. He pulled it out and dropped it on the table in front of the woman. She looked at it in shock, as did the man. She looked at Gerhardt quizzically.

“You ain’t from around here, are ya’?” She asked.

“No, ma’am,” Gerhardt replied. That caused the burly man to laugh. He looked over at the woman.

“Yeah, he definitely ain’t from around here,” he joked, “Ma’am…”

“Shut it, George,” she said before throwing her eyes back on Gerhardt.

“Where are you from, kid?” she asked.

“The Pacific Sanctuary,” He replied.

“Well, what in the hell are you doing here?”

“Well, I’m staying upstairs, and,”

“No,” the woman said, “What are you doing in Anchorage?

Gerhardt paused. He didn’t really know.

“Running away, I guess.” He said. The woman and the man looked at each other. Inside Gerhardt could see a few of the patrons looking his way.

“Running away from heaven to hell, eh?” She said. She moved to the side, motioning with her hand that Gerhardt, disarmed, was cleared to enter.

“Welcome to hell.” She said. “Enjoy.”

 

***

 

Michael pushed the control stick forward, accelerating through the desolate night on the highway’s periphery. Sarah and Daniel were fast asleep, oblivious to the change in speed. Sarah had been up more or less since they met; the night’s sleep she claimed in Bozeman was a night with one eye open, to be sure. But she couldn’t hold out forever. She was human, and such a condition required sleep.

Michael remembered sleep, though his experience of it was a distant memory. Nano-System Integration, or infusion, as it was called, kept the body and the mind continually refreshed, erasing the body’s requirement of sleep. Michael had not slept, lost consciousness or so much as cat-napped since he became timeless.

He looked over at Sarah, curled up in the passenger seat, looking so innocently in her slumber. Michael could only pretend not to miss it.

They had to get to Seattle if they were to have any chance of getting through the Anchorage perimeter security. Michael was well known there. Well hated in Denali. Everyone in the Third Tier of the Sanctuaries had a death wish for him. They felt him undeserving of the immortality he bestowed upon himself. But if it weren’t for him, they never would have had it. It was his invention.

It wasn’t always a venomous relationship. When Michael hacked the nano-vaccinator, he was invited to the Denali Sanctuary as a student. He spent four years there, completing his college education with a Bachelor’s Degree in Nano-Biophysics. By then he’d met Blake. It wasn’t long after his graduation that he’d formulated the plan of the Escape. Blake went along, with minimal resistance.

A single beep sounded, raising and lowering in pitch. Blake. Michael pushed a button on a pendant he never took off.

“You survived Albany, I take it.” He said.

“Yeah.” Blake sounded tired. Odd.

“Ya’ OK, Blake?”

“Yeah, Mike,” he said, “I’m fine. It ain’t me.”

Michael turned up the cloak to ascend. He could make better time if he went as the crow flies. “Well who then?”

“Donnie.” Blake replied. “Him and Ralph,”

“Aw, I’m sorry to-,”

“And Cyrus Swift,” He said. Mike would’ve hit the floor if it wasn’t a hundred yards below.

“What!?!” he exclaimed, “Cyrus can’t die; what the fuck happened!?!”

Blake paused. Michael could hear him breathing heavily. It was eerie; Michael knew Blake a long time. The last time he knew Blake to be out of breath was during a race they had in Denali. Before he was infused.

“Ralph had something in his hand.” Blake said. “Man, Mike, ya’ should’ve seen it! It was like Cyrus was a bronze statue or something!”

Mike banked left, careful not to take the turn too sharply. “So what was it?”

“I don’t fuckin’ know,” Blake said, “It’s small; it looks like one of those old flashlights that you squeezed to turn the light on.”

“What happens when you squeeze it?”

“Are you kidding?” Blake responded, “I saw what it did to Cyrus. I only took it for that reason. As long as it isn’t killing me, I’ll be perfectly content to just hold on to it.”

“Pussy,” Michael said. Blake laughed.

“Yeah, you too,” Blake said, “So how’s your end of things?”

Mike sighed. “Well, I think she believes me.” He said. “Or she’s humoring me until she gets to a populated place.”

“Where have y’all been?”

“Just Bozeman,” replied Michael, “East Yellowstone too. She lived there.”

“Ah, I see…” Blake said. “What’s the status there?”

“East Yellowstone was wiped.” Michael responded. “Bozeman’s intact, but they activated the virus there.” Michael was silent.

“Everybody’s dead.” Blake said.

“Yeah.”

“Sorry, Mike,” He could hear Blake cough. Another odd thing. “They didn’t die in vain.”

Michael reached cruising speed. The rough, rocky terrain of Northern Montana became a blur.

“That’s yet to be seen.” He said.

They talked for a few minutes. Their link was secure. It wasn’t based on any equipment aside from the two pieces each of them had with them.

“New York was wiped out,” Blake informed Michael, “Cat Eight.”

“About damn time,” Michael replied. Blake didn’t respond, apparently shocked at Michael’s statement.

“C’mon, Blake,” Michael said, “You and I both know that New York was a diversion,” He flicked a thoroughly-chewed matchstick over the side, where it spun away, “There never should’ve been a resistance hub in New York City, you know that.”

“Yeah, I guess you’re right.”

“You know I’m right,” Michael replied, “Now we can focus on New Rochester, a bit more defensible, wouldn’t you say?”

“Yeah,” Blake said, “Oh, by the way, I got Adam to Jameson.”

“Good, I figured as much.” Michael said. “You and Jameson both are gonna’ have to meet me in Seattle. Adam will let Jameson know.”

“That’ll be fun,” Blake joked, “Jameson was afraid of his own shadow when I visited.”

“So would we.” Michael said. “It’s easier for us to be brave.”

“Infused or no, I wouldn’t be scared.”

“I would.”

Blake laughed.

“So you scrapped Cyrus, eh?”

“For a hot minute,” Blake said, “Literally.”

“How was our old bastard?” asked Michael, “Any changes from, well, normal?”

Blake paused. He never made an assessment without pausing. He called it letting the wind blow before he spoke. It made him deadly accurate with reconnaissance.

“He’d grown facial hair,” Blake began, “Which is prohibited at Denali. Judging by the amount of growth, he was out for a while; at least a month, if not more.”

“Go on…”

“He came with five other Guard members. They were most likely scouts.”

“What told you that?”

“He killed them all.”

“He could’ve fried for that,” Michael said, “Denali would’ve-,”

“He didn’t give a fuck about Denali,” Blake said, “He had a crazy look in his eyes, Mike. He snapped. He had me in his sights, and he went after the Depot!

“Yeah, that’s strange,” said Mike. “How did the equipment fare?”

“Some minor damage; no problems with the stuff I got.” Blake said.

Michael heard Daniel stirring in the back seat. He looked back to see him peeking, only pretending to be asleep. God, the kid needs a dad, he thought to himself.

“Hey Blake, I gotta’ go,” he said, “I’ll call ya’ back when I can.”

“Aiight,” Blake said, “Peace.”

“Peace.”

 

***

 

Kenny sat in the dark room, still tied to the chair. Borland turned off the light when the men walked out, and Kenny couldn’t see in front of his face. He felt suffocated, but his heavy breathing had more to do with fear than anything else. His life hung in the balance of a conversation of men who all had a reason to want him dead.

He could hear muffled voices in the background. They must have been deliberating right outside the door. Kenny had to have some hope; he wasn’t dead already. The rebels wouldn’t have hesitated to blow his brains through the back of the steel shed they had him in. He couldn’t say he’d behave any differently were he in their place. When Borland asked him his kill number, Kenny tried to hide it. He was ashamed of it. But not three months ago, he considered it the highest measure he could have. The number of desperate, hungry people he had killed. He shivered at the thought that, regardless of the outcome of their deliberations, he deserved to die.

Kenny craned his neck as light poured through the growing crack in the doorway. Roger Borland walked in, turning on the overhead. He was followed by three men, all armed with mechanical rifles. Kenny just stared ahead, preparing for his fate.

“Well, Kenny,” Borland said, “we’re not sure what to do with ya’.” He paced the small of the room. He pulled out a piece of paper from the inside pocket of his coat.

“You died yesterday,” he said, “that’s, of course, according to the Anchorage census sheets.”

“So killing you wouldn’t send a message, except that they didn’t kill you the first time.” He leaned close to Kenny. “We’ll let that be our little secret.” He whispered.

“Same goes for holding you for ransom.” He continued. “I doubt anyone in the perimeter gives a rat’s ass about ya’ now anyway…” Kenny could hear chuckles in the background. They were right. He had no one who cared about him in Anchorage.

“But the problem is this;” Roger said, “In order for us to keep you, we gotta feed you, clothe you, et-cetera. And judging by what we found on ya’, you weren’t prepared for long-term survival.”

“I had food…” Kenny said.

“Oh yeah, that SynMix,” Roger responded, “That lasted one meal, and I’ll apologize for using it to feed our kids instead.”

“No,” Kenny said. He tried to reach the philosophers stone in his coat pocket. They hadn’t taken it from him. Kenny heard the clicks of rifle safeties.

“No, I’m not looking for a weapon, I swear!” Kenny said, “I have a,”

“What?” asked Borland. Kenny paused. The philosopher’s stone might be the only bargaining chip he had, and if he told them about it, they could just take it, and kill him. He’d have to trust them, and he knew they didn’t trust him.

“Whattaya’ got?” asked Borland again.

“A philosopher’s stone.” Kenny said.

“What the hell is that?” one of the men asked.

“It’s a transmuter,” Borland said, “A black-market transmuter.”

“It’s in my pocket.” Kenny said, “I can make SynMix, as much as you need!”

Borland was quiet. He scratched his beard as he continued to pace. He lifted his finger, and Kenny felt hands behind him, untying the rope.

“I want you to make some,” Borland said, “You got four guns on you, three that you can see. Don’t try anything funny.”

“Got it,” Kenny stretched as he got up. He was careful not to make any sudden moves. He fished the philosopher’s stone out of his pocket.

“I need some substrate,” Kenny said, “Anything will do.”

Borland tossed him an iron pot. Borland was fast; he barely had time to catch it.

Kenny held the philosopher stone against the pot, enumerating the ingredients and molecular structure of SynMix. As soon as he had a fix on it, the pot dissolved against the stone, turning into the SynMix that spilled to the floor. He looked around to see the shocked faces of the men. Except Borland; he’d seen them before.

“May I ask where you got it?” He asked.

“Uh,” Kenny said, “I stole it from evidence.

“Oh really?”

“Well, I never logged it as evidence; same difference.”

“And who was the criminal you stole it from?

“I don’t remember…” Kenny was lying.

“Try again.”

“His name was Wiley,” Kenny replied, honestly this time, “Wiley Millack” Kenny saw a blur before feeling the butt of a mechanical rifle smash across his jaw.

That was my uncle, you son-of-a-bitch!” he shouted. He lunged again, but Borland caught him, and held him back.

“What happened to Mr. Millack?” Borland asked.

“They took him to Denali,” Kenny replied, spitting blood, “from there, I don’t know; I really don’t!”

“I believe you.” Borland said. He kept pacing the room, obviously deliberating Kenny’s fate amongst himself. He picked the philosopher stone up off the ground, where it landed when Kenny was struck. He held it up in front of Kenny’s face.

“You do realize that you just gave away your only real bargaining chip, don’t you?”

“Yes, sir” Kenny replied.

“So the question goes back and around to the first question we’ve been asking ourselves since you crossed the perimeter.”

“Should you live or die?” He added, not as a question. He looked about the room. Kenny looked at the faces of the men in the room. He couldn’t get a read on any of them. All stone-faced.

“You could’ve killed me,” Borland said, “Ya’ know, when I escaped. You had me in your sights. And for whatever reason you had, you didn’t.”

“So, in a way I do owe you my life.”

“Nah, it wasn’t,”

“If you want to live, learn to shut up.” He said.

“Sorry.”

“As I was saying,” Borland walked to each gunman, lowering their rifles with his hand, “I owe you my life, technically, and I am a man of honor.

Kenny was silent. Borland got to the last man, drawing his weapon down.

“So you’ll live.” He said. “You were trained a soldier, and that you’ll remain. You will teach our boys, and myself, everything you know that’s of value. You will use that philosopher’s stone to create food, munitions, weapons; anything you can.”

“And you’ll meet some of the survivors of your kill number.” He added. Then he extended his hand.

 

 

More from Liam Sweeny…

Radioradiox Xperience Tops of 2024

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Radioradiox Xperience Monthly

Radioradiox Xperience Monthly Tops of 2024

 

Art Fredette – Top 6 Shows of 2024

I know the trend is top 5 but 5 was not enough, so here’s my top 6 shows of 2024.

  1. Cat Power does Dylan at The Troy Savings Bank Music Hall- I know, I know, a Dylan cover concert” how groundbreaking.”.   Well, maybe not groundbreaking but this show was a wonderful interpretation of classic material. Presented with authenticity and imagination.
  2. The Doom Dogs at Alias Coffee, Troy- I received a text asking if the station could promote this show, it was kind of a last minute thing. The Doom Dogs and 40 people in the back room of a cool coffee house, yes please!  2 hours of pure improvised music by 3 amazing players in an intimate setting.  This show is not only one of my tops for this year but for all time.
  3. Chappel Roan in Buffalo,NY- Yes! this is for real.  My daughter asked if I would drive her to the show and we went.  Chappel not only commanded the stage with energy and grace , she ruled.  The performance was mesmerizing and the crowd ate it up including this old guy in the fugly jeans.
  4. Acoustic Trauma Reunion at Nanola, Malta- What could be better than seeing a great local band get together for a one off reunion show? Nothing!!!  Acoustic Trauma have not lost a step.  I hope there are more reunions in the future.
  5. Justin Furstenfeld at The Egg, Albany- I am a big Blue October fan that is no secret and the opportunity to see Justin solo and acoustic is a special treat. He gave a heartfelt and sometimes heart wrenching show. Opening himself up to the audience in ways that very few artists dare to do
  6. The Lawn Sausages, The Last Schmaltz., Cohoes Music Hall- Damn,we had a good time.

Rob Smittix – Top 5 Weird Events of 2024

  1. It all started when P. Diddy’s L.A. and Miami homes were both raided by federal agents with Homeland Security on March 25th. Then he was finally arrested in New York on September 16th for sex trafficking, racketeering and processing an insane amount of baby oil. You see, this was predicted by Katt Williams way back in January when Katt told us “all lies will be exposed in 2024,” during his Club Shay Shay interview. Many believe that this is going to be the downfall of the music industry and Hollyweird itself. So here’s a question… Diddy do it?
  2. On March 26th, the Francis Scott Key Bridge in Baltimore collapsed as a result of being struck by a container ship. This was horrific indeed especially for the 6 workers that didn’t survive. Many people found this odd because of the Netflix movie ‘Leave the World Behind’ which was released in December of ’23 and was executively produced by both Barack and Michelle Obama. There was a scene in the beginning of the movie where a container ship lost control and beached itself. Conspiracy theorists found this scene to have been a prophecy of what happened in Baltimore on that Tuesday morning.
  3. On December 9th, Google announced the Willow quantum computing chip. Honestly, this one is a game changer. Apparently, Willow has completed a “computation” in less than five minutes that the experts say would take today’s fastest supercomputers an estimated 10 septillion years to figure out. Just so you understand this is what that number looks like 10,000,000,000,000,000,000,000,000! It is being said that this chip will be able to solve some of the world’s biggest problems i.e. climate change, food security and even perhaps cancer.
  4. On April 8th, a total solar eclipse took place and many have speculated that afterwards the world went into an alternate dimension or realm. Conspiracy theorists have suggested that things just don’t seem right now and everything seems just a little off. Other conspiracy theories about the eclipse included suggestions that the sun itself is not real and that we perhaps live like it’s The Truman Show. Have you noticed anything yourself?
  5. Drones!!! Since mid-November the skies of New Jersey have been taken over by (alleged) drones. I use the word alleged because at this point in time they are still considered UAP (Unidentified Anomalous Phenomena) because we’ve yet to get any answers. UAP used to stand for (Unidentified Aerial Phenomena) but the term was altered in December of 2022 because they realized that many of these phenomena were coming from bodies of water. Well, we already had the terms USO (Unidentified Submerged Object) and UFO (Unidentified Flying Object) but apparently there’s been an adjustment to the language to be more inclusive for our alien friends.

Liam Sweeny – Top 5 Articles Written in 2024

  1. Slab City – I explored Slab City, a southern California desert city with no government, no local laws, and no police. I spoke with a desert nomad camped out on a holy mountain, a dancer and resident of Slab City, and the unofficial “sheriff,” a vigilante with a heart for the people.https://radioradiox.com/2024/09/01/slab-city-an-xperience-article/
  2. Underground DIY Scene – In this article, I talked to the people behind Albany’s post-pandemic “DIY” scene, consisting of secret house venues and a flood of new, exciting bands.https://radioradiox.com/2024/11/27/diy-underground-an-xperience-article/
  3. Sealand – I interviewed Prince Liam, a head of state of Sealand, arguably the smallest nation in the world, off the coast of Britain.https://radioradiox.com/2024/01/04/principality-of-sealand-an-xperience-interview/
  4. McMurdo Research Station, Antarctica – I reached out to McMurdo station in Antarctica to find out what isolated scientists do for fun.https://radioradiox.com/2024/10/08/mcmurdo-station-antarctica-an-xperience-interview/
  5. John Holmstrom – Jim Holmstrom is the co-founder of Punk! Magazine, an iconic publication in New York City in the mid-late 70s.https://radioradiox.com/2024/09/02/john-holmstrom-an-xperience-interview/

 

Rob Skane – Top 5 Things I Didn’t Do

  1. I didn’t go to Coachella…again.
  2. I didn’t play bagpipes.
  3. I didn’t go Roller Blading.
  4. I didn’t watch television.
  5. I didn’t change my guitar strings…again

Stephanie J. Bartik – Top 5 Books that Predicted the Future

With the drones, alien stories, etc., which pepper our news stories these days, what is one of the most fitting Top Five lists I can come up with?
When people complain that their social media site is down, and are fraught with despair, not knowing what to make of it, perhaps they can do something like we used to do in The Good Ol’ Days…read a book.  And, at this time of year, many of us have seen the story of Ebenezer Scrooge, and the famous quote “… I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh tell me, I may sponge away the writing on this stone!”  And the answer was yes, there is always a way to change the path of the future. Do not let the past rule your future-  Do not be afraid of what might be, it is not etched in stone.  There is always hope, if you believe it, you can make it happen.

Certain books in the realm of literature have transcended their role as entertainment or social commentary to become eerily prescient visions of the future. These works, often written as cautionary tales, anticipated technological, social, and political developments that we now grapple with daily. By analyzing trends of their time and projecting them forward, these authors created stories that remain deeply relevant. Here are five books that not only captured the imagination of their eras but also foresaw the world we live in today.

  1. 1984 by George Orwell (1949)

George Orwell’s dystopian masterpiece depicted a world dominated by authoritarian regimes that control not only the actions but also the thoughts of their citizens.

  • Predictions: Orwell envisioned mass surveillance through devices like the “telescreen,” constant government propaganda, and the erasure or rewriting of history to suit political agendas. The concept of “thoughtcrime” highlighted the suppression of free thought.
  • Reality: While Orwell was primarily critiquing totalitarian regimes of his time, such as Stalinist Russia, many elements of his world are eerily relevant today. Governments and corporations track individuals through smartphones, facial recognition, and online activity. Terms like “Orwellian” are used to describe modern issues such as censorship in authoritarian states, mass data collection, and algorithm-driven misinformation.
  • Legacy: Orwell’s 1984 remains a warning about the fragility of truth and the dangers of unchecked power, inspiring vigilance in maintaining privacy and democracy.
  1. Brave New World by Aldous Huxley (1932)

Huxley painted a chilling portrait of a society addicted to comfort, where personal freedom is sacrificed for pleasure and stability.

  • Predictions: Huxley imagined advances in reproductive technology (e.g., artificial wombs), genetic engineering (e.g., selective breeding for societal roles), and the use of a drug called “soma” to suppress discomfort and ensure compliance. He also predicted the rise of shallow consumerism and distraction through entertainment.
  • Reality: Today, discussions about cloning, CRISPR gene editing, and designer babies echo Huxley’s vision. Social media and consumer culture provide instant gratification but often stifle critical thinking. Furthermore, the increasing prevalence of antidepressants and recreational drug use for escapism mirrors the societal dependence on “soma.”
  • Legacy: Huxley’s work critiques humanity’s willingness to trade meaningful freedom for material comfort, offering an important counterpoint to Orwell’s 1984.
  1. Fahrenheit 451 by Ray Bradbury (1953)

In Bradbury’s dystopia, books are banned, and “firemen” burn any that are found. The novel examines themes of censorship, anti-intellectualism, and media manipulation.

  • Predictions: Bradbury foresaw the growing dominance of screens and entertainment over meaningful discourse. The society in Fahrenheit 451 is distracted by giant wall-sized televisions that provide shallow, mind-numbing entertainment.
  • Reality: The rise of smartphones, streaming services, and social media mirrors Bradbury’s concerns about a culture increasingly driven by visual stimulation rather than intellectual curiosity. His warnings about censorship have also gained renewed relevance in debates over banned books and free speech in schools and libraries.
  • Legacy: Fahrenheit 451 is a stark reminder of the importance of critical thinking and the preservation of knowledge, urging readers to resist complacency in a world of distraction.
  1. Neuromancer by William Gibson (1984)

A defining work of cyberpunk, Neuromancer laid the groundwork for modern science fiction with its portrayal of a digitally connected world.

  • Predictions: Gibson introduced the concept of “cyberspace,” hacking, and artificial intelligence as integral parts of future society. His world explored themes of corporate dominance, digital addiction, and the blurred lines between the physical and virtual.
  • Reality: The internet was in its infancy in 1984, yet Gibson’s vision closely resembles the digital landscape we inhabit today. Cybersecurity threats, AI integration, virtual reality, and even the gig economy echo his predictions. Neuromancer also delves into the ethical dilemmas posed by human-machine interfaces, a topic that’s increasingly relevant with advancements in brain-computer interfaces.
  • Legacy: Gibson’s work has inspired not just fiction but also tech development, with terms like “cyberspace” and “hacker” becoming part of everyday language.
  1. The Machine Stops by E.M. Forster (1909)

Decades before the internet, Forster’s novella imagined a world where humans live isolated lives, relying on technology to communicate and meet their needs.

  • Predictions: In Forster’s world, people rarely leave their pods, instead interacting through a global network that provides instant access to information and communication. Dependency on the titular “Machine” creates a society that has lost touch with the physical world.
  • Reality: The COVID-19 pandemic highlighted the prescience of Forster’s vision as much of the world relied on video calls, online services, and digital connections during lockdowns. Beyond that, his work prefigures the dominance of virtual work, social media, and our growing reliance on technology for almost every aspect of life.
  • Legacy: Forster’s story is a profound critique of overreliance on technology, encouraging readers to maintain human connection and question technological convenience.

Broader Themes and Takeaways

What unites these books is their ability to foresee and critique humanity’s relationship with power, technology, and society. From Orwell’s warnings about authoritarianism to Huxley’s critique of hedonism and Gibson’s exploration of the digital frontier, these works are not just prophetic but also deeply cautionary. They challenge us to reflect on where we are headed and whether we can steer the course toward a more balanced, humane future.

By engaging in these visionary texts, readers can better understand the complexities of modern life and be inspired to think critically about the choices we make as individuals and as a society. After all, the future is not set in stone—but these authors remind us that it’s often shaped by the lessons we choose to heed.

 

Niki Kaos – Top 5 Moments in 2024

  1. Moochie The Dumpster Kat
  2. Nikki Giovianni & Javon Jackson at NJPAC
  3. Bianca Del Rio at Universal Preservation Hall
  4. The Lawn Sausages at Cohoes Music Hall
  5. Diva Dinner at 344 2nd Street Gallery in Troy

 

 

 

 

 

Mixed Roots @ The Eleven, 12/20/2024

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Mixed Roots brought the reggae and more to the Eleven for a free show on December 20.

Photography by Timothy Reidy.

More from Timothy Reidy …

My Top Live Band of 2024: Symphony X

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Symph X

My Top Live Band of 2024: Symphony X – by Justin Smulison.

With trips To ‘Paradise’ and the ‘Underworld,’ Symphony X delivered the standout metal performance of 2024.

Live shows still provide a thrill for me. I’m one of those people who still gets excited for new music and who wants to experience a performer or group live in the hopes of exceeding an expectation or hearing the songs in a new way.

While I didn’t attend too many live shows in 2024, the best performance undoubtedly occurred June 2 at Mulcahy’s in Wantagh, Long Island – a mid-size venue that attracts international acts like Exodus and Accept – when Symphony X took the stage with support from Heathen.

Formed in the 1980s, Heathen is a respected thrash quintet from the San Francisco Bay area with four LPs under their belt. Co-Founding guitarist Lee Altus has been a member of Exodus since 2005 and restarted Heathen at the turn of the century. Their most recent album, Empire of the Blind, was released in 2020 and demonstrated how they can remain true to thrash foundations while branching into the occasional prog and power territory on songs like “The Blight” and “Sun In My Hand.” They play with intensity, but the highlight of their set was the dynamic dual soloing and that level of musicianship served as the proper introduction for the headliner.

Hailing from New Jersey, Symphony X is more than just a metal band. Their albums are frequently concepts comprised of classical, prog, thrash, power and all sorts of musical and vocal nuances that command your attention.

I had not yet seen the band and despite my bias, I had to experience for myself if the quintet could deliver the same impact on the stage as they do in-studio. And they did, on every level.

Opening with the title track from Iconoclast, a nearly 11-minute rocker. The first two-and-a-half minutes allow the musicians – guitarist Michael Romeo, bassist Michael LePond, keyboardist Michael Pinnella and drummer Jason Rullo to demonstrate their technical abilities and showcase that they could be an equally successful instrumental metal group.

But they raise the stakes when singer Russell Allen steps on stage – connecting with the audience and soaking in the eruption before launching into lyrics about a future, technology-driven dystopia and the rebellion rising.

Next, the band immediately launched into “Nevermore,” off Underworld (released 2015, their most recent studio album), which was one of my favorite songs of the catalogue. I rushed to stage left to see Romeo play this tune to believe my own eyes – indeed he does play such a fast and controlled guitar lead (that also served as a harmony to the chorus).

“Inferno” followed in a similar vein – further demonstrating that metal can be more than just chugga-chugging power chords and growled vocals. About mid-set they slowed it down with “Without You,” a heavy tune but as close to a ballad as they’ll get. This gave the audience a chance to collectively catch their breath and enjoy some of the subtleties of the keys during the bridge.

The set continued with more from Underworld, Paradise Lost and Iconoclast, (largely focusing on releases since 2000) with one track, “Sea of Lies,” from 1996s The Divine Wings of Tragedy. Where other singers might stand there like a plant to ensure they hit their marks and get the lyrics right, Allen was very much interacting with the audience and acting out as much of the songs’ narratives where applicable – and with songs about traversing Hell, maritime voyages and dystopian futures, he had no shortage of inspiration.

It’s also worth mentioning that LePond and Rullo are top-level players, but the music does not allow for lots of improvisation and so they “settle” for establishing themselves as one of the tightest rhythm sections I’ve ever heard.

The band seemed genuinely grateful for the responses from their audience and returned with an encore consisting of a dynamic solo from Pinnella before closing out with three more fan favorites – “Paradise Lost,” “Run with the Devil,” and “Set the World on Fire.”

Symphony X is the first band in a while to provide the “shock and awe” I remember feeling when experiencing live shows as a teenager. I hope they can capture the same energy as they prepare their next album, and premiere new batch of live hits.

 

Year In Review: The Year in Jazz2k

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Year In Review

YEAR IN REVIEW: The Year in Jazz2K – by J Hunter.

I know what you’re thinking: “Who in his right mind would WANT TO look back at 2024? It was a dumpster fire inside a dynamite factory!” While that’s a fair point in general terms, I have to say the music coming across my ever-cluttered desk at RadioRadioX World Headquarters was one of the few things that made living in 2024 America marginally dealable.

We’ll count down the year’s 10 Best Jazz2K Releases in the next column, but for right now, let’s hand out some bowling trophies!

BEST PARTY DATE:

GHOST-NOTE – Mustard n’ Onions (Mack Avenue)

What do you get when the percussion section for the musical hivemind Snarky Puppy goes into business for itself? You get Ghost-Note, a jazz/funk/rock hybrid that hits like a cross between James Brown and an oncoming tidal wave. Mustard n’ Onions has you up and dancing from the jump thanks to boffo performances from Ghost-Note’s own hivemind, including funked-up stuff from altoist Casey Benjamin, bassist Marcus Miller, and ex-Prince sideman MonoNeon. Handle with Care! This date could explode on contact!

LIFETIME ACHIEVEMENT AWARD:

CHARLES LLOYD – The Sky Will Still Be There Tomorrow (Blue Note)

Multi-instrumentalist Charles Lloyd may not be the oldest living jazzman, but it’s not the years, it’s the miles. Even as 90 creeps slowly towards Lloyd, he continues to make wild, dizzying, multi-leveled music that continues to both confound and delight. The Sky sees Lloyd getting back together with longtime collaborators like Jason Moran and Brian Blade. Moran’s infinite keyboards and Blade’s ever-surprising percussion skills mix with Larry Grenadier’s super-PHAT bass to give Lloyd the rhythm section he needs to bridge all the musical galaxies he travels.

BEST VOCAL RELEASE:

MILTON NASCIMENTO & ESPERANZA SPALDING – Milton + esperanza (Concord)

Bassist/composer/wunderkind esperanza spalding has been making her own sprawling journeys through jazz’ multiple dimensions, usually leaving us all happy, breathless, and exhausted. On this trip, she’s got a towering traveling companion in 82-year-old legend Milton Silva Campos do Nascimento. While the Brazilian multi-instrumentalist only handles gravelly vocals on the recording (including on a workup of Lennon & McCartney’s “A Day in The Life”), Nascimento also contributes gorgeous original compositions that let spalding unfold her musical freak flag and wave it wide & high. Milton + esperanza is probably a one-time comet, so be sure to look up and check out the beauty!

BEST SOLO OR DUO RELEASE:

CHICK COREA & BELA FLECK – Remembrance (Thirty Tigers)

We’ve already had two recordings from piano icon Chick Corea & banjo master Bela Fleck’s past duo tours, so another dose of nostalgia might seem a bit redundant. However, on their last tour in 2019, Corea & Fleck left behind their respective “greatest hits” to play nothing but new, unrecorded compositions from both artists. Given a chance to jointly explore the unknown, Chick and Bela jump into the task with all four feet, showcasing their infinite lyricism and the adamantine chemistry that had audiences on their feet every time Corea & Beck hit the road. ENCORE!!!

ROOKIE OF THE YEAR (Best First release as a leader):

SARAH HANAHAN – Among Giants (Blue Engine)

While Among Giants may be altoist Sarah Hanahan’s first recording with her name on the masthead, the Massachusetts native, has been making waves ever since she got her Masters from Juilliard, playing around NYC with her own groups when she wasn’t working with Joe Farnsworth or the Mingus Big Band. Far from being a shrinking violet, Hanahan jumps right off the raft and into deep water with the opening track, Alice Coltrane’s sprawling composition “Welcome”, and handles it like Michael Phelps taking a warmup lap. Hanahan leads a veteran lineup that features keyboardist Marc Cary, bassist Nat Reeves and tempestuous drummer Jeff “Tain” Watts, and you couldn’t tell there weren’t four legends on the date.

LOCAL HERO AWARD (Best Capital Region jazz release):

STECKLER / IKAWA / PLAXICO / LEWIS – Old Friends Beckoned, New Sounds Reckoned (Skycheck)

The Capital Region jazz scene continues to recover from Lockdown, handing us knockout recordings this year from the Terry Gordon Quintet, bassist Danton Boller, and altoist Keith Pray. (More on his contribution to 2024 in the next column!)  In the end, though, I had to go with the latest release from multi-instrumentalist Matt Steckler. The Schenectady native has been making various degrees of wild, untamed music ever since he went off with the off-the-wall big unit Dead Cat Bounce in 1997. This time out, Matty Stecks hooks back up with old partners (including revered bassist Lonnie Plaxico) to create a simple, beautiful document that shows friendship goes a long, long way in this impersonal age.

While I’ve been doing Top Tens for years, the recordings that just missed getting an award or making the countdown always stayed with me afterwards, filling me with doubt & regret. In that light, I came up with “The Rest of The Best”, so I could take one more night and give them the due they deserve. Here are the tasty morsels waiting for you if you hear my show on Saturday, December 21st:

  • ALEX SIPIAGIN – Horizons (BRM)
  • BEN ALLISON / STEVE CARDENAS / TED NASH – Tell The Birds I Said Hello: The Music of Herbie Nichols (Sonic Camera)
  • ANTHONY BRANKER & IMAGINE – Songs My Mom Liked (Origin)
  • BILL WARFIELD & THE HELL’S KITCHEN FUNK ORCHESTRA – Chesapeake (Planet Arts)
  • BRIGHT DOG RED – Bad Magic (Ropeadope)
  • CHAD McCULLOUGH – In These Hills, Beyond (Calligram)D GIBSON – Fellowship (Imani)
  • JAMIE BAUM SEPTET + – What Times Are These (Sunnyside)
  • JD ALLEN – The Dark, the Light, the Grey and the Colorful (Savant)
  • JOEL ROSS – nublues (Blue Note)
  • JOHN BEASLEY / FRANKFURT RADIO BIG BAND – Returning to Forever (Candid)
  • MONIKA HERZIG’S SHEROES – All in Good Time (Zoho)
  • RYAN KEBERLE & CATHARSIS – Music is Connection (Alternate Side)
  • THE BAD PLUS – Complex Emotions (Mack Avenue)
  • TROY ROBERTS – Green Lights (Toy Robot Music)
  • WARREN WOLF – History of the Vibraphone (Cellar Music Group)

NEXT TIME: We count ‘em down! Be there. Aloha.

 

 

More by J Hunter…

Shadows Fall and friends @ Worcester Palladium, 12/21/2024

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Shadows Fall celebrated 20 years of “The War Within” at the Palladium in Worcester, and brought along Unearth, E.Town Concrete, Jasta, Within the Ruins, and Brick by Brick to join the party. Jake Fox was there to capture the night.

Photography by Jake Fox.

Shadows Fall

 

Unearth

 

E.Town Concrete

 

Jasta

 

Within the Ruins

 

Brick by Brick

 

More from Jake Fox …

This Week at Caffe Lena – 12/30 – 1/5

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This Week at Caffe Lena

Greetings – On January 1, Caffe Lena will enter it’s 65th year. Reaching that milestone has a lot to do with great music that stands the test of time. But just as important is a thriving downtown, a community that supports its independent businesses, and people who love to get out of the house and enjoy what’s happening.

Among the many thousands (like you!) who have played a part in sustaining the Caffe, there a few heroes who stand out. One of the best known is our front-of-house sound engineer, Joe Deuel. He has worked here for the better part of five decades. From washing dishes and shopping for Lena Spencer’s groceries, to mixing sound for live shows and maintaining our early websites, Joe has been pivotal to the Caffe’s survival. Throughout all those years, he documented concerts and life around the venue with photographs. After a good deal of urging, Joe has agreed to sit on stage with me, show us his photos, and tell us his stories. It’s no suprise that the event is completely sold out, but we will be livestreaming so you can watch from home. You don’t want to miss this special glimpse behind the scenes of America’s Longest Running Coffeehouse.

See you at the show,
Sarah

P.S. See you New Year’s Eve! Join us for our annual Salute to the Year on YouTube, or come in person for the Saratoga New Year’s Celebration.

– WEEK AT A GLANCE –
– HIGHLIGHTS –

Stream on YouTube at 8 PM, 12-31-24

Back in 2020 & 2021, when the only way to enjoy live music was via livestream, we recapped Lena’s year of “Stay Home Sessions” with a highlights reel on New Year’s Eve. Well, it turned out to be a whole lot of fun so we’ve kept the tradition going! Break out the bubbly and join your fellow stay-home audience members at 8 PM for a free YouTube Premiere featuring 24 songs picked from the thousands that were played on Lena’s stage over the past 12 months.

Sample Song | In-Person Tickets

Let the sounds of the Caribbean provide a hot start to your New Year! Get your Saratoga New Year’s pass and catch Ben Folds up at the City Center, then head down to Phila Street for the roots-rock-reggae repertoire of Los Sugar Kings! Their dynamic live shows pull the audience into a space that’s passionate, thoughtful, and joyful. Additional events are scheduled for UPH and Putnam Place, all included with your Saratoga New Year’s pass.

Sample Song  | In-Person Tickets | Watch on Caffe Lena TV

Gorgeous sibling harmonies, wise folk/pop lyrics and hilarious banter define The Nields’ performances. Sisters Nerissa and Katryna captivate audiences with warmth, wit, and hooky melodies. Often compared to The Indigo Girls and The Roches, their vocal blend is “sublime” (Chicago Tribune) and “infectious” (Austin Chronicle).

Sample Song | In-Person Tickets (Free, but register ahead!)

Once Nerissa & Katryna Nields became parents themselves, they began sprinkling shows for little ones into their tours, playing sets of family-friendly originals with folk classics, creating an engaging, all-ages experience. Expect your kids to shout out answers to their questions, and participate in raucous clap-alongs to new classics like “Molly the Donkey.” The atmosphere is a joyful, participatory experience where children and adults alike join in song and laughter.

SOLD OUT! | Watch on Caffe Lena TV

Kick off Caffe Lena’s 65th Anniversary with a special slideshow and conversation featuring the work of Lena’s house photographer and sound engineer, Joe Deuel. In a conversation led by Executive Director Sarah Craig, Joe will share familiar and never-before-seen photos, plus stories spanning five decades of performances and behind-the-scenes moments.

Sample Song | In-Person Tickets | Watch on Caffe Lena TV

(Note 8 PM start time) Troy’s legendary power rock trio crafts deep-hearted songs with infectious grooves, bouyant melodies, and riveting chemistry. They’ve been honored by their hometown with a “Super 400 Day,” and induction into the Capital Region Eddies Hall of Fame.

– JUST ANNOUNCED –
Rochmon Record Club Listening Party: Traffic’s “John Barleycorn Must Die”
Tuesday, February 18, 7 PMPete Muller & The Kindred Souls with Cassandra Kubinski
Thursday, February 20, 7 PM

“A Joyful Noise!” Gospel Dinner with Soulist Garland Nelson & Friends 
Sunday, February 23, 5 PM

Laurie MacAllister of Red Molly
Friday, April 25, 8 PM

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518-583-0022