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Vegas Nacy – An Xperience Interview

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Vegas Nacy – An Xperience Interview – by Rob Smittix.

RRX: Vegas, you are definitely one of the area’s best frontmen. I don’t know if you like that title or not, but I’m going with it.

Vegas Nacy: I love it. I appreciate that so much. I mean … I feel blessed, to be honest.

RRX: Absolutely, man. Obviously, you got a lot of things spinning in your life, so even to be able to have a band is a blessing.

VN: Yes, to have a band and have bandmates that you can get along with, laugh with, and have zero drama with, that’s such an extra bonus.

RRX: Oh, big time. Well, you’ve been around the block for many years in many different bands, and I’m sure things weren’t always the best, all the time.

VN: Yeah, you go through it all, and you learn to appreciate when there are some good guys behind you and alongside of you.

RRX: Well, having the right guys, knowing you’re all having fun together, is one of the big pluses. And of course, having the talent.

VN: Finding that whole package is tough. Faded Line was a band before me, started by the guitar player Jeff Manion in Western Mass … I wanna say they started in 2013, maybe 2015.

RRX: Right. But you being the killer frontman hasn’t been that long?

VN: Correct, I think I joined in 2022.

RRX: Yeah, that sounds about right, and now that you are in the band, that’s when all of us here in the 518, we’re like, oh s***, Faded Line. That’s when I became familiar with the band.

VN: Yeah, it actually really kind of took off, like you said. With my experience and my connections and stuff like that, it really helped boost the band to where Jeff envisioned it. Our original drummer parted ways for personal reasons, which I totally understand. That’s when we got Walter “Monsta” Ryan in the band.

RRX: Well, that doesn’t suck!

VN: He’s in Murphy’s Law now. He was in bands like Machine Head, Madball, Possessed, and the list goes on and on.

RRX: Oh yeah, dude’s got a resume.

VN: He’s got a resume, plus I’ve known him personally for 30-plus years. He’s just an amazing human and was a perfect addition. It was the smoothest transition; we didn’t lose any shows. We didn’t have to go off-grid for a while and do all this. It was just perfect.

RRX: Absolutely. And you’ve also been very active. You guys are always out there, constantly dropping stuff. I love the “Bury the Hatchet” song, too, by the way.

VN: Oh, thank you so much. That’s a fun one.

RRX: It just seems like you’re doing the thing, man. And to add to that, you’re opening up for Biohazard at Empire Live on March 22.

VN: That’s gonna be great. My first time opening for Biohazard was in ’95, and since then had done other shows with them. Faded Line started covering “Punishment” from Biohazard, and then we had Danny Schuler (drummer of Biohazard) get up and do the song with us. Now we’re doing the show, and it’s just a full circle moment of the whole history of kind of being in Biohazard’s crosshairs, here and there.

RRX: Oh, absolutely, people better get their tickets now, if they ain’t got them, that’s for sure.

VN: So that’s March 22. I know we’re not gonna be finished with it by then, but we are in the studio currently, finishing up our EP. Carlo, Mike, Jeff, and Walter are all done with their stuff. I go in tomorrow for another round, and I think I have one more after that. I have a couple of special guests I wanna bring in, and then the EP is gonna be titled “The Only Way Out Is Through.” I think we should be ready to rock late spring, maybe.

RRX: Well, whenever that happens, hit me up!

VN: Absolutely.

RRX: Also, big congratulations on winning the best hardcore band at the Extreme Music Awards.

VN: Thank you so much. Again, that was another great recognition. To be in a room full of your peers and just great people. What a night that was, it was just amazing.

RRX: Is there anything I didn’t ask about that you wanna get out there?

VN: Let’s see … I think we’ll be working on a video soon to go with the EP. Dave Parker is producing. He’s a member-slash-tech for Coheed and Cambria.

RRX: Oh, nice.

VN: Yeah, he’s incredible. As you’ve heard, “Bury the Hatchet.” I mean … he adds his own spice to it.

RRX: Oh, the production on that is awesome. Well, keep doing what you’re doing, man, and keep on fighting the good fight with Precious Souls.

VN: Thank you, my brother. Appreciate it.

RRX: You got it.

 

 

 

More from Rob Smittix…

Upstate Unplugged: Cold Chocolate Interview at White Lake Studios

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Cold Chocolate came to town to play the Upstate Unplugged Concert Series at White Lake Studios on 2/26/2026. RadioRadioX and Xperience’s own Sara B sat down with the band for a little Q&A!

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Music at Noon at Troy Savings Bank Music Hall Returns Next Week

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TROY, NEW YORK:     The Troy Savings Bank Music Hall’s popular lunchtime series Music at Noon is back on Tuesday, March 6th with Oxalis Trio. Since 1988, on the second Tuesday of each month through June, the free Music at Noon concert series has presented exceptional musicians with a diverse mix of musical styles.  Shows are free to attend and be sure to bring your lunch!  Free coffee will be available before the show! Full Music at Noon series lineup listed below!

March 10th – Oxalis Trio

flute, oboe, and piano

April 14th – Veena & Devesh Chandra

Sitar and Tabla

May 12th – Findlay Cockrell

Piano

June 9th – Hammerhead Horns

Roots, Ragtime, Barrelhouse Blues

Music at Noon free to attend thanks to the support of our generous sponsors:

Program Sponsors:

Architecture+

CDTA

Fenimore Asset Management / FAM Funds

Arrow Bank

Berkshire Bank

M & T Bank

Price Chopper/Market 32

Stewart’s Shops / Dake Family

Lucille A. Herold Charitable Trust

Full Season / Additional Sponsors:

Supported by New York State through Alive Downtowns

Troy Redevelopment Foundation

New York State Council on the Arts

Fagan Associates

The McCarthy Charities

Access Plus

Troy Savings Bank Charitable Foundation

Emry’s Garden

The Moore Insurance Agency

Review Foundation

Robison Family Foundation

Hatchet Hardware

The Ruck

Bacchus Wood-Fired

Teachers with buses and large groups should call ahead to reserve seats. Limited number of ADA accessible seats available.  Patrons and groups with special seating requests please contact the Box Office at 518-273-0038.  For more information about Music at Noon or the Troy Savings Bank Music Hall’s upcoming programs visit our website at www.troymusichall.org.

Silver Arrow Band @ Lost & Found, 2/23/2026

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The last Monday in February saw the Silver Arrow Band bring one of their showcases to Albany’s Lost & Found, this time with Caity Gallagher as host.

Photography by Timothy Reidy.

More from Lost & Found here …

 

 

NIN – Valentine’s Day with the Irwins

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NIN – Valentine’s Day with the Irwins – by Jason Irwin.

What is more romantic than an evening of industrial rock in Newark, New Jersey? I can’t think of a single thing. Our story begins at 7:30 am on Saturday, February 14. I wake up early in general — a habit that comes along with doing a morning radio show. My wife, Lisa, truly enjoys her weekend sleep-in sessions, so I know I have a good two hours before she shows signs of life. But I’m a restless person anyway, so I start prepping for our trip. Lisa does the packing in general, but I try. Snacks. I need emergency snacks, always. And of course, a NIN travel playlist had to be established. I’m good at things like that. Remembering toothpaste — not so much. The better half eventually arose, and we hit the road at about 11:30.

Our hotel was adjacent to the venue — win #1. That isn’t always the case, but if it’s possible, boy, is that convenient. On-site parking, another plus. We did realize that we left ourselves with about 5 hours of free time before the show, and that can go a couple of ways with us. Time to find out. We had asked Lisa’s mother, who is from the Garden State originally, “Karen: We’re going to Newark, what do you recommend?” “Don’t go,” was the answer. I’m assuming she meant it jokingly. We ignored her warnings and set out from our hotel to see what the city had to offer. We didn’t make it far, as there were plenty of establishments located around the perimeter of the Prudential Center. Another win. This was appreciated and in stark contrast to another one of our adventures — Green Day at Citi Field in NYC in ’24. There is absolutely nothing around that place (although I did score some black-market White Claws from a hot dog vendor, but that is another story). Edison Place acts as one of the venue’s perimeter streets, and it didn’t take us long to hear Nine Inch Nails blasting from at least two different restaurants directly across from one of the Center’s main entrances. Our first stop was Redd’s Biergarten, a really cool — and large — German-American spot. We only stayed for a warm-up of a couple of beers so we could find some more Irwin-friendly (we’re basic) cuisine, which we did just a few doors down at American Whiskey — more of a restaurant than a bar, but we did enjoy a fantastic chicken parm and grabbed a couple more drinks. Lisa impressively (usually it’s me) initiated our first confrontation by arguing with a guy about Phil Collins. She doesn’t like him. Don’t ask me why. That smoothed over soon enough, and after a stop back at Redd’s for a Green Tea shot, we headed back to the hotel to prep. Lisa — a full wardrobe change. Myself — trading my Converse for a pair of Doc Martens. Have to fit in, right? I had a beer (I packed the snacks, remember?), then I shared some time split between watching her try on outfits and looking up Barry Manilow’s contact information for a possible Xperience interview. And then, we were off.

There was a pretty long line to enter the venue from our hotel, and I attempted to make friends by leading our fellow standees into several choruses of Nine Inch Nails-themed show tunes. A few actually joined in. Most were not impressed. Once inside, we hit up the beverage stand and took a stroll around to get the vibe. I can say that I have never seen longer merch lines before in my life. I’m not big on official band wear. Too expensive, and I’m too impatient to stand like that for that long. Besides, a guy was selling the same shirts outside the bar earlier at greatly reduced prices. Licensed? Probably not. We eventually found our seats, and after making friends with the people on either side of us, we discovered that they were not our seats. I’ve never been “that guy” before. That night, I was “that guy.” After relocating a few rows back, we attempted to make friends with the people on either side of us, again. That went reasonably well. At this time, the Grammy-nominated opening act, German-Iraqi electronic artist/DJ Boys Noize, had begun pounding the crowd with beats and sounds. I would have preferred a live band, but I’m sure Trent Reznor doesn’t care about my opinion. The crowd was mildly interested, but you could tell they were just waiting for the main act. Can’t blame them for that.

Ok, now the show. Finally, right? I’ve seen Nine Inch Nails before, a ways back. Lollapalooza at SPAC in 1991 was the first. That was something to see. I think a few times in between, somewhere, sometime. This was a new one for Lisa. She’s a Swiftie, so I assured her it would be “something like that” when I presented her with the initial idea. Kind of similar, I’d say. Lisa loves Valentine’s Day, so I didn’t want to let her down with my activity selection.

Note: Spoilers ahead! The show structure of the Peel It Back Tour is pretty interesting. It was divided into four parts and alternated between two stages — one conventional (as conventional as NIN can be) main stage and a smaller center stage. The show opened up from stage 2 with a whisper. I thought that was a pretty fantastic approach. Just the frontman and his piano, and a slowed-down version of “(You Made It Feel Like) Home,” followed by “Non-Entity,” for which he was joined by most of his band, including longtime collaborator Atticus Ross. “Piggy” came next, which, being more recognizable, amped up the crowd for what was to come next. The main stage was shrouded in translucent scrims that also acted as projector screens for roaming stage cameras, and paired with plenty of white strobe lighting and fog, presented a pretty cool effect. This was the “Unpeeled” portion of the show. “Wish” was the first number here, and here we got a treat. One of my all-time favorite drummers, Josh Freese, exploded from the darkness and (literally) kicked this one off in high contrast to the low-key (literally, again) first act. Freese — recently formerly a member of this band, recently fired from the Foo Fighters, and replaced by former NIN drummer Ilan Rubin, weird swap — seemed happy to be back. I’m pretty sure I treated Lisa to an overextended version of this story around this time. This was followed by the equally hard-hitting “March of the Pigs” and then a few lesser-known (to me) songs before moving back to the center stage. Here, the band was joined by only Ross and opener Boys Noize for a few remixes, including “Closer,” which drove the arena absolutely wild. Mr. Noize was definitely more appreciated here. The stage was completely drenched in fog for most of this set, which I found annoying, but it didn’t seem to affect the energy of the crowd. Bits of the band were shown on the main stage’s cloth cover … which was soon to be “Un-peeled.” Get it? Now, we had a concert going. For the final act, we were exposed to the band in full form (and full view) as they pounded out hits like “Head Like a Hole,” “The Hand That Feeds,” and “The Perfect Drug” wedged into a few lesser-known tunes. I expected to hear the 2005 hit “Only” at some point, but that one was left out this evening. I was prepared for variation from show to show. I think that’s understandable — especially from an artist like Reznor, who couldn’t really care less what I — or anyone — thinks. We did get his Bowie cover “I’m Afraid of Americans,” though … which was more than an acceptable trade. The show closed appropriately with “Hurt,” which has gathered its own cult following. I liked Johnny Cash’s cover, but when you revisit the original … man, you really feel the emotion that created it. Lisa truly enjoyed the show as well, so my true mission was accomplished.

After the concert, we did what the Irwins do, and hit the scene. Apparently, for longer than we thought, as we discovered the next day from our credit card record. Regardless, I was up pretty early, as usual. I scanned the room and noticed evidence that I had consumed a few more drinks after the show. So … one of those nights, I guess. At least I remembered the concert. I did some social media, cleaned up a bit, then scored some points by bringing her breakfast to our room while she was still in recovery mode. “This seriously is the best apple juice I’ve ever had,” she claimed. I mean, it was just a 12 oz. Tropicana from the hotel Starbucks. “Thanks,” I said. “It was eighteen dollars.” I should also mention that while I pride myself on not requiring a lot of sleep, my lovely wife offered to drive home so I could rest. Although she did accuse me of snoring, which I most certainly do not.

 

More from Jason Irwin…

The Heights – An Xperience Column

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The Heights – An Xperience Column – by Liam Sweeny.

Over the past two years, I’ve stepped away from many commitments. Most exist in the arena of live musical performance, but also within my personal life. Like many, I felt overwhelmed, confused, uninspired, exhausted, and without purpose. I’ve heard from others who are experiencing a similar circumstance. In this month’s edition of The Heights I will concentrate on presenting the philosophies that guided me through my storm and helped me to find myself among the chaos.

The first concept that one must come to terms with is that no transformation into greatness arises without traveling through the darkness. We must also know that not all darkness is negative. As one man put it, “Just like a seed buried beneath the soil, we will inevitably break open and enter the light as a growing tree.” That seed needed to remain in darkness until it was prepared to be revealed in all of its greatness. People are no different than nature. We need time, water, sun, a caring hand, and at first the dark if we are to become who we are truly meant to be. Embrace your situation, know it isn’t forever, and always be preparing yourself for what you believe you are deserving of.

The second hurdle we must overcome is repeating the phrase “Why is this happening to me?” What I have learned to say is “Thank you, Lord, for this opportunity to see what it is I have yet to resolve in my life.” Like many, I thought my pain and lack of progress were bestowed upon me because some force deemed me unworthy of greatness. I believed my future was doomed to be riddled with a collection of failures and shattered aspirations of what I could have been. I realize now that my life was a consequence of my poor decisions. That what I believed I could become was not being backed by the preparation necessary to arrive at my desired destination. There was no outside force holding me back. It was I who was allowing the chatter from others, low self-esteem, a violent childhood, and bad habits to rule over my suspended potential. I let the external dictate my outcomes. I now know that the external can never award our souls the ultimate reward of peace. Peace does not manifest itself from money, the approval of others, or external successes. Peace is rewarded to those with the willingness to look inward, let go, and let God into our hearts. Maybe not for everybody, but it has sure worked for me.

The third barrier standing in many people’s way is the resonating emotional pain that has built up over many years of loss, heartache, and rejection. Pain that seems like it will never divorce itself from our hearts and minds. But nothing could be further from the truth. What is pain? It is pretending that everything is fine when it is not. It is holding onto the rejection of a loved one or former partner. Pain is a mirror that reminds us of what we no longer have or what we never became. Yes, maybe these statements are true, but pain is also something much more profound. Pain is the very thing that attempts to destroy you, only to rebuild you back as the person you were always meant to be. Pain doesn’t shatter us because we are weak. It does this so we may finally meet the truest version of ourselves. Is it an easy path to look inward, acknowledge our hurt, and begin the journey to become a fully realized person? No … and that’s exactly how it must be for some. One must endure if wishing to become pure. The beauty is that a beautiful life awaits everyone willing to prepare themselves for its arrival.

Every great story has a comeback. Each molded in its own unique image. Each at the exact time as it was created to unveil itself. The road to becoming who you know you are meant to be isn’t like the movies. It doesn’t happen in 90 minutes or because you wish it to be. It happens when you have prepared your mind, body, and spirit to receive it. It happens when you let go of the pain, accept that not everybody is going to like you, and stop searching outward for validation from those undeserving of your spiritual wealth. When you finally awaken to the reality that happiness isn’t the goal, wholeness is, then you can truly start to love yourself, respect yourself, and accept yourself.

I’ll end with this …

Our outer world is a mirror into our inner world. It’s a reflection of those things which we have yet to resolve. Most of what we experience or are denied comes as a result of the choices we make. Poor choices garner poor results. I spent nearly all of my life incarcerated in an emotional prison that I allowed others to build for me. I accepted that I wasn’t good enough to be successful. That I wasn’t kind enough to be loved. Not because I believed this in my heart, but because of my experiences as a child, as a young student being judged by those who were entrusted to educate me, and as a denier of a higher power. When I look back now, I do not recognize that person. I’ve been fortunate to have great people enter my life as a man. Some of which are gone now, but many are still here guiding me through the darkness. People like Lee Shaw, Hal Galper, and Nat Phipps have passed onto heaven. They left impressions on many who, to this day, still share their lessons. Those who remain, such as Chris Garabedian, Ralph Lalama, Stacy Dillard, Keith Pray, Kevin Champagne, and others, continue to inspire me today.

If you’re struggling, I encourage you to stop, reflect, and make the difficult decisions. Understand that life is worth more than simply existing inside of it. You are deserving of greatness, success, and peace. Understand that our universe does not award perfection; it awards alignment. And, the greatest gift you will ever receive is to truly know yourself.

God Bless You.

Warmest Regards,

Joe

 

More from Joe Barna…

 

Life After Death – The Weird Side of the Internet

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Life After Death – The Weird Side of the Internet – by Liam Sweeny.

One time I had surgery. One time. And it was mouth surgery, and since I have a big mouth, they decided to chemically shut it. And I’ll never forget waking up. Because you don’t really wake up from anesthesia. You just sort of “come on line.” You just kind of slowly realize that you exist again. It’s even a surprise to you. But that’s if everything was uneventful. But if you flatline? What about the super-long-acting anesthesia, the sweet water injections of the river Styx. The big sleep.

Out-of-body experiences cross generations and geography and culture, and we’re a culture that’s separated the reality of illness and death from being just ordinary. Sick ends up in a hospital; dead goes on a slab downstairs. But in between those two places you might not remain in your body. And I can’t believe it’s just a trick of the mind when people are recalling the surgeon’s watch behind a screen. I’m a man of science, but not a prisoner of it. And if you’re coming to me about the afterlife, you should use a different GPS,

So near death experiences are the tunnel, the light, your family, peace and love… and then you’re back a changed person, secure in the fact that you know what’s in store for you.

But you do know some people go to hell, right?

If you want to learn what it’s like to get sent to hell, you have to start on Reddit, which is hell’s version of the Vatican. One person reported hell, actual hell. Torment, damnations, custom leather, all of it. And another person, the unnamed person that gort me to write this, felt themselves burning as they were being squeezed back into their bodies, like a million fire ants.

You never hear these accounts, but honestly, would you want to?

 

 

More from Liam Sweeny…

Sara B PRESENTS Live From The 518 Episode 7

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Sara B is back at it and she’s Live from the 518!

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Big Sandy and His Fly-Rite Boys / The AM’s @ Hangar on the Hudson, 2/27/2026

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Friday night at the Hangar saw the return of Big Sandy and His Fly-Rite Boys, with local favorites, the AM’s, providing support.

Photography by Timothy Reidy.

More from the Hangar on the Hudson here …

 

The Last Conspirators Release 50 Track Career Spanning Anthology: ‘History 2006-2016”

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The Last Conspirators Release 50 Track Career Spanning Anthology: ‘History 2006-2016” plus new material planned!

The Last Conspirators has been the songwriting, recording and performing vehicle for songwriter/vocalist Tim Livingston since 2006. The All Music Guide calls Livingston “…a pioneering figure on the punk scene in New York State’s Hudson Valley” and The Times Union calls him an “Albany rock legend”. He was the founding member of one of Albany’s first punk bands (the Morons ’79-’82). Now 2026 marks the return of the the Last Cons with a new 50-track anthology “History: 2006-2016” and now after spending the past decade focusing on other creative outlets (writing, videos projects. radio hosting), Livingston is back with the intent to release new material once again under the Last Conspirators banner.

The current incarnation of “the band” consists of the duo of Tim and songwriting partner composer/guitarist/bassist, producer Nick Bisanz. Nick, who keeps busy as a solo recording/performing artist, with his band Nicky and the Tone Chasers, plus various live and session work, finds himself also moonlighting with Livingston to help shape the Last Conspirators future sound. Nick was instrumental on the album “A Celebration of Fury” both on bass and guitar  and also co-wrote the bands 2016 album ”Hold That Thought Forever” with Livingston, contributing all guitars and heavily to the arrangements. Livingston and Bisanz will be writing, recording and producing the new Cons material themselves, working together from opposite ends of the country with Nick in New York and Tim based on Florida’s Gulf Coast. The only rule to the collaboration.. no musical boundaries!

The new career spanning anthology contains all four of the the Last Conspirators critically acclaimed albums, plus 17 previously unreleased tracks including both acoustic and full-band Radio Sessions and a “Historic” live track. Out on the bands Driving Rain Music label the compilation is currently available on all digital outlets (Release Date March 27, 2026).

You can LISTEN / STREAM IT HERE:  https://lastconspirators.com/music
Video of “Addiction” Anniversary Single Here:  https://www.youtube.com/watch?v=eWQlUiw7LVY