Home Blog Page 72

Entering ‘The Devil’s Asylum’ with Geoff Thorpe of Vicious Rumors

0

Subscribe to our YouTube Channel HERE!

Entering ‘The Devil’s Asylum’: An
Interview with Geoff Thorpe of Vicious
Rumors
By Justin Smulison

For the uninitiated, Vicious Rumors is one of the great American metal mainstays.
Founded by guitarist Geoff Thorpe, the band’s sole original member, the group is rooted
in classic metal while also incorporating elements of thrash, power and doom. Their
classic debut, Soldiers of the Night, was released in 1981 and since then, Vicious
Rumors has released a total of 14 studio LPs amid a regular shuffle of personnel.
Their latest album, The Devil’s Asylum, arrived in 2025 via Steamhammer Records and
fits in the discography perfectly alongside some of the iconic Carl Albert-era albums as
well as some of the more recent fan favorites like Celebration Decay and Electric
Punishment. New singer, Chalice, has all the hallmarks of trademark Vicious Rumors
singer – from his aggressive guttural tones to the occasional high-pitched wail, which
we can hear in singles like “Bloodbath” and “Crack the Sky In Half.”
It was a blast to speak with Thorpe for the first time in years and to catch him just ahead
of a massive U.S. tour starting Feb. 25 in Florida through March 29 in Pennsylvania (full
tour dates below).
Horns up!

Vicious Rumors online:
https://viciousrumors.lnk.to/TheDevilsAsylum
https://www.facebook.com/ViciousRumorsThisIsMetal/

VICIOUS RUMORS LIVE – U.S. Asylum Tour 2026:
2/25 —Orlando, FL — West End Trading Co.
2/26 — Tampa, FL — The Brass Mug
2/27 — Fort Myers, FL — Stet's Bar
3/1 — Atlanta, GA — 529
3/3 — Wichita, KS — John Barleycorn's
3/4 — Oklahoma City, OK — 89th Street

3/5 — Dallas, TX — Haltom Theater
3/6 — Austin, TX — Kickbutt Coffee
3/7 — San Antonio, TX — Fitzgerald's
3/9 — Albuquerque, NM — El Rey Theater
3/10 — Phoenix, AZ — Rhythm Room
3/12 — San Francisco, CA — DNA Lounge
3/13 — Reno, NV — Alturas Center Stage
3/14 — Salt Lake City, UT — Aces High Saloon
3/15 — Colorado Springs, CO — LuLu's Downtown

3/17 — Lincoln, NE — 1867 Bar
3/18 — Iowa City, IA — Wildwood
3/19 — Chicago, IL — Reggie's
3/21 — Kent, OH — The Outpost
3/24 — Providence, RI — Alchemy
3/25 — Rochester, NY — Photo City
3/26 — Catonsville, MD — Morseburgers Tavern
3/27 — Newark, NJ — Halftime Sports Bar
3/28 — Bristol, CT — Bleachers
3/29 — Harrisburg, PA — HMAC

9/12 — Brooklyn, NY  — Rage Of Armageddon Festival
9/18 — Madison, WI — Blades Of Steel Festival

The 2026 Listen Up Awards: https://www.thecohoesmusichall.org/events/2026/the-
listen-up-awards

Last Pharaoh @ Ophelia’s, 2/7/2026

0

Last Pharaoh delighted at Metal Night at Ophelia’s.

Photography by Stephanie J Bartik.

More from the show here …

 

Michael Century @ Troy Savings Bank Music Hall, 2/10/2026

0

Pianist, accordionist, and RPI professor performed for the Music at Noon series at Troy Savings Bank Music Hall.

Photography by Timothy Reidy.

More from Troy Savings Bank Music Hall here …

 

Week Seven: Jesse Sample’s Freak of the Week “Blue on a Monday Afternoon”

0

Jesse Sample’s Freak of the Week airs EVERY WEDNESDAY at 6pm Eastern ONLY on RadioRadioX.com

This is Jesse Sample. Do you remember your first beer?  I don’t but I do remember the first time I felt beer. There was a sense of joy and romance. Maybe the word is euphoria. It felt like all the things that I loved about my 14-year-old existence came into focus. It was night-time and there was rock n’ roll on the stereo in my father’s garage.

Let’s fast forward 30 years to any given night. I’ve had a few scotch and sodas after a big dinner, and for the life of me, I am not experiencing a noticeable effect. What happened? The big dinner can surely account for it but I wasn’t trying to get drunk. Perhaps catch a buzz. A simple moment of perspective where you see the world from a somewhat detached place. For me, it was a less potent version of that first magical first time.

Some guys live for it. Alcohol was never my main thing. I did plenty of drinking in my youth but at the end of the day, pizza and pasta were my things. Whatever the thing is, smashing that pleasure button over and over will eventually lead to diminishing effects. And there comes a point where its barely rendering any pleasure and maybe even causing damage. But I’ll never disparage alcohol or delicious food. For me, I think the thing that I want to address is me smashing the same button and the cost that comes with that.

And tonight, as a treat, you’ll also get the enjoy the funky bass stylings of Gary Ljungquist and crisp clean snap of Jim Dooley on drums. Sometimes you get to work with your heroes.

Thanks to all of you tuned into RadioRadioX. This is the Freak of the Week, “Blue on a Monday Afternoon.”

 

Gozer @ Ophelia’s, 2/7/2026

0

Metal Night at Ophelia’s featured Gozer (amongst others) on February 7.

Photography by Stephanie J Bartik.

More from Ophelia’s here …

 

Bullying the Tall Girl – The Weird Side of the Internet

0

Bullying the Tall Girl – The Weird Side of the Internet – by Liam Sweeny.

Bullying sucks. When you’re a kid, you’re the worst. And, as someone who was bullied in school growing up, I can say that one of the worst parts of it is the fact that you don’t see the bigger picture when you’re a kid. The bigger picture is that people make fun of you when you’re different, and different people tend to grow up and lead cool, interesting lives, and lots of bullies become nothing more than alcoholic chair potatoes.

But nobody ever made fun of my height. This is largely because when I was a kid, I was the tallest by only an inch. I wouldn’t become 6’8” until I was graduating high school. Since then, people crack jokes all the time. But what if I was a 6’7” woman?

Amira Evans is a 26-year-old from Bristol, England, and yes, she is 6’7” tall. Boys used to make fun of her in school, and I can full well imagine the things they say, though she’s sure to be getting a whole slew of custom insults that me, a man, would never get, and I won’t tell you my top imagined picks. And of course, wouldn’t you know, guys are all over this tall women with long legs.

It isn’t much of a surprise that she became a cam girl. “While I was camming, I got introduced to dominatrix content, which came naturally with my height and my body type”, she said. “I did Olympic weightlifting at the time, so I was able to squat the weight of a lot of these men who I was talking to. They loved knowing I would be able to pick them up so easily.”

What I hope for her, truly, is that she finds someone who loves her for her, and not for some height fetish. Because girls into tall guys is normal, but guys into women much taller than them, we’re not quite there yet.

 

 

More from Liam Sweeny…

Strand Theatre, Hudson Falls NY: A Man Named Cash on 2/28, 3/1

0

On February 28, 2026 @7pm and March 1, 2026 @ 3:00pm, join us at the Strand Theatre as we welcome A MAN NAMED CASH – the nationally acclaimed tribute to the music of Johnny Cash!

After last year’s record sold-out concert celebration of Johnny Cash’s birthday anniversary, A Man Named Cash is back at The Strand Theatre —this time for TWO unforgettable performances!

A Man Named Cash honors what would have been Johnny Cash’s 94th birthday with another Birthday Bash retrospective concert. Experience the music, the legacy, and the nearly five decades of timeless songs that defined the Man in Black.

A Man Named Cash is the ONLY Cash tribute to feature an Estate chosen singer – Eric Hofmanis – as seen on the acclaimed Johnny Cash The Official Concert Experience, a 100+ city national tour produced in part by Johnny Cash’s son John Carter Cash and the Cash Estate.

Recognized by fans as one of the most honest and true representations of Johnny Cash live in concert, Eric’s deeply resonant voice and profound embodiment of Cash’s spirit will leave you captivated as Eric performs an amazing array of songs from Cash’s nearly 50 year career – including I Walk The Line, Ring Of Fire, Sunday Morning Coming Down and the 2004 Grammy Award winning song Hurt.

Eric is joined onstage by Megan Houde in the role of June Carter, whose vibrant presence brings a perfect balance of joy, love, and tenderness to the performance.

Their remarkable onstage chemistry, reminiscent of Cash and Carter themselves, promises an unforgettable experience that will leave you enchanted and uplifted as they perform such hits as Jackson, It Ain’t Me, Babe and many more.

A Man Named Cash also features the legendary guitarist Scotty Mac – a member of the Blues Hall of Fame.

Tickets are $25 balcony and $30 floor for each show. Tickets are available at the Strand Box Office; cash or check only or online at Events.com. For more information, please go to www.mystrandtheatre.org.

The Strand Theatre is located at 210 Main St, Hudson Falls, NY.

Please visit our website, Facebook or Instagram accounts for a list of upcoming events at the Strand!

*****

Sincerely,

KC Morgan

Executive Assistant

Strand Theatre

210 Main St.

Hudson Falls, NY 12839

www.mystrandtheatre.org

Hudson River Music Hall Productions, Inc.

is a 501 c-3 non-profit.

GoFundMe link for the Strand Theatre Revival project:

https://www.gofundme.com/2et7nwxw

The Year of Storms, Chptr. 1 – Xperience Fiction

0

The Year of Storms, Chptr. 1 – Xperience Fiction – by Liam Sweeny.

Paint, cold and slick, its acrylic base tortured in pigment until it cried crimson rivulets and gleamed in the pale light of the streetlamp. Concrete bathed in that same light, bare, smooth over yards and rough over inches, porous and thirsty for the decoration of an eager and unsophisticated hand.

Cellie glanced down the street, ear cocked to listen for the subtle hum of the magnetic guides that came stock-standard under Municipal Authority vehicles. She could pick out that sound over those of other vehicles in the same way she could tell that the lamp overhead wasn’t cleaned that year, the same way she could feel the humidity in the air and know that the dewpoint was sixty-seven degrees. Cellie wasn’t a detective, more a detector, and if she didn’t finish her art project soon, she’d be gauging the density of her wrist restraints.

She paused and opened a slick black thermos, newly acquired, for Go, the drink that was described to her once as “coffee in three dimensions”. A flip of the dial produced a shot of the thick amber liquid, and she continued on to the finishing touches of her vandalism.

It took three hours to paint if she didn’t count the time it took to throw a coat of liquid poly on it and hide from the regular Authority drive-bys every forty-five minutes. No one who had ever seen her work would consider it a passion project, but it was. It was angular and sketchy and raw, a feat with liquid paint, and she didn’t show that side of herself on her feed. Her feed let people experience the latest bubble bath, or boutique delicacy down the street. This piece was nothing short of bloodletting.

She held a pen torch in her hand. Little more than a stick with a hot tip. Her signature was known, distinguished. She would be held for justice. And that, most decidedly, was the point.

She burned her signature into the concrete, mindful that it would be one of her most viewed signatures, and the only thing the Municipal Authority couldn’t scrub off. People would look and it would feel like a charge for whatever rebellion her fans were in the mood for. And that mattered. She slugged another shot of Go and spun around to take a selfie before packing her bag and heading to Hadley’s.

Hadley’s was the dead intersection of being both Craig Hadley’s home, and self-named place of business. It was a storefront with windows slathered in newsprint from before the Collapse, when they had the luxury to decide that trees were worth chopping down for pulp. Cellie wasn’t a connoisseur of newsprint, but she’d had chances through pure boredom to scan the window, and the world before. The cheap electronics, the expensive-looking bags, the amazing deals over what looked to be nothing special – it painted crystal clear the world that had cannibalized itself.

She knocked on the front door and felt paint flecks give under her knuckles. She hiked up the strap on her bag and hoped he wouldn’t sleepwalk. She’d hear the sirens soon. She was going to Unity Detention Facility either way, but she had to offload her scavenged Go container. Graffiti was one thing, grade D contraband was another.

The door creaked. Hadley had on a striped, stained bathrobe and a faded yellow T-shirt. He was rough-shaven and his glasses were in bland plastic frames he must have picked up from a noner. They collected all the good analog stuff like gravity.

“Early for you.”

“You gonna let me in?” Cellie tucked her thumb under the strap of her sack and wiggled it. Hadley turned around and left the door open.

“All the good ExP’s coming in later,” he said.

Cellie followed Hadley down a narrow hallway that widened to accommodate a wooden spiral staircase, the base of which bore a built-in bookshelf. There were large volumes, varying widths, and notebooks. Cellie wasn’t unfamiliar with books and paper; no one was. But actually seeing them, and even more, smelling them, was a trip.

They found their way to the main room, which held a cornucopia of gadgets and trinkets on wire racks and baskets, all facing a counter that held back a further cornucopia of silver and brass contraptions housed in a lattice of mahogany shelving.

Hadley took his place behind the counter and Cellie took her place in front of it. She emptied the sack, which amounted to the Go container and not much else. Hadley picked it up and looked it over before dipping it below the counter. The hiss told Cellie he was filling it with Go. When it was full, he placed a bucket on the counter and emptied a shot in a glass that changed color, green to yellow. He emptied the glass into the bucket and did it again after adjusting a knob on the thermos, creating a different color spectrum after a second pour.

“Not bad,” he said. “I wonder how concentrated you could make the Go with this thing. Have you tested it?”

“Not that brave,” Cellie said. “Don’t want to end up, you know …”

“Yeah.” Hadley closed the spout. “Where’d you get your hands on one of these?”

“A fan thought he was impressing me.”

“Did he?”

“Not by leaving it on my doorstep, no,” Cellie said.

“Yeah,” Hadley said. “We got stuff for fans like that if you’re looking to trade that way.”

“I’m good.” Cellie tapped on the counter glass. “All good in the hood. That was in a movie I saw. 2D.”

“You get it from me?” Hadley said. “I don’t remember hearing that. But I don’t watch them like you do. I don’t think anyone does.”

Hadley braced himself against the showcase as he held the Go container up to his face to inspect it.

“I can’t give you what one of these is worth,” he said. “All I got is two hours of a mother after her kid was born, a teenager’s skateboarding competition, third place win, and the piece de resistance – the whole life of a Unity Complex bureaucrat, who was in the office for thirty years.”

“You have someone’s whole life?”

“He traded it for a first-edition Huckleberry Finn,” Hadley said. “Just wanted to unburden himself, go to a park and read. A couple of hours of his memories might help you figure out something about your father, if you knew where to look.”

Cellie nodded. “This thermos worth his whole life?”

“Yeah, but you know I can’t give it all to you. You’re not a Mover, unless you hit top rank last month and kept it and didn’t tell me?”

“No, not yet,” Cellie said. “But you could look the other way.”

“Not worth the jail time, kid. Besides, you’d need the Mover’s upgrade to take in that many memories. Thirty years we’re talking. You’d end up coming off the mountain with white hair.”

Cellie sighed. “Too bad,” she said. “White’s in this year.”

“Sorry.”

Cellie glanced around at Hadley’s offerings, shelving her ideas about the bureaucrat. “The mother,” she said. “Right after she gave birth?”

“Nah, I think the day after she took him home.”

“Who the hell wants to experience that?”

“You’d be surprised,” Hadley said. “How many women can’t get a birth permit? If it was her experience from right after childbirth, I could sell it anywhere and retire.”

Cellie caught the pulse of Authority lights in the papered windows.

“Yeah, okay. I’ll take the kid’s skateboarding win. I’m just going to burn something over it. I don’t want to use any of my own units. Would that make us square?”

“If you don’t mind getting ripped off, sure.”

Hadley punched in a combination behind the counter, and he pulled out a black velvet pouch with an ExP storage unit. It was an industrial stock and didn’t have an ID. She knew she could transfer it into her wallet without any trace of its origin.

Cellie packed up to leave and face her fate when Hadley stopped her.

“I can still help you with your dad,” Hadley said. “I found a new reserve manifest. I don’t know if he’s anywhere in this one, but if you’re willing to pour through a couple thousand scenes, it’s an avenue for you.”

“When I get out of jail, I’ll come back and pick up a copy.”

“Jail?”

“Long story,” she said. “Resume builder. I didn’t kill anybody.”

“I’m going to tell the Authority I don’t know you.”

“You don’t know me.” Cellie said.

“Great. Then our story checks out. Don’t start a riot in there.”

 

 

 

More from Liam Sweeny…

LIFT SERIES Returns Tomorrow!

0

LIFT SERIES Returns Tomorrow!

TROY, NEW YORK:     Te popular Lift Series returns tomorrow with bluegrass favorites The Millstone Rounders!  These performances give you the unique opportunity to sit on the historic stage with the artists while they perform.  Tickets are only $25 in advance! The Lift Concert Series presents performances of new, independent music featuring regional performers, curated by S & S Presents, local artists Sam Torres and Sophia Subbayya Vastek. Concerts are designed to last about an hour and, after the performance, concert-goers are encouraged to enjoy the rest of the evening at one of Troy’s many restaurants or breweries.

February 18th

The Millstone Rounders

Featuring Oona Grady, James Gascoyne, Matt Griffin, Scott Hopkins, and Dylan Perrillo. The Millstone Rounders play and sing classic country, bluegrass, blues, and more in timeless style – completely acoustic around a single mic.

Remaining series lineup:

April 15th

Laraaji

Laraaji is an American multi-instrumentalist specializing in piano, zither and mbira. His albums include the 1980 release Ambient 3: Day of Radiance, produced by Brian Eno as part of his Ambient series.

May 27th

Julia Kent

Cellist and composer Julia Kent was born in Vancouver, Canada, and lives in New York City. She makes music using layered and processed cello, electronics, and found sounds, creating haunting and evocative soundscapes that range from hushed intimacy to cinematic expansiveness. She has released five solo records, the most recent being Temporal on UK label Leaf, and has toured throughout North America and Europe, including appearances at Primavera Sound, Mutek Montreal, Meltdown, and Unsound. She also composes for film, television, theatre, and dance, including award-winning film scores and music for productions at the Royal Dramatic Theatre in Stockholm, BAM Fishman Space in New York City, Ballett National theater Mannheim, and Balletto Teatro di Torino.

June 17th

Blue Ranger

Blue Ranger is an Albany, NY-based soft-focus folk/indie-rock trio formed in 2015 by Joshua F. Marré, known for intimate songwriting and existential themes. Featuring brothers Josh and Evan Marré with Matt Griffin and Connor Armbruster, they blend intimate, autobiographical lyrics with experimental, “shaggy” folk-rock sounds.

*All concerts begin at 6pm

Tickets are available now at the Troy Savings Bank Music Hall Box Office, 30 Second Street, Troy, Monday through Friday 10 a.m. – 2 p.m. via phone, (518) 273-0038, or online at www.troymusichall.org.    More information on the Troy Savings Bank Music Hall, the Lift Series and upcoming programs is available on our website at www.troymusichall.org.

Say Cheese – A film by Frank Palangi

By Joshua Scarselli.

This February really has been cold. This gives us the perfect excuse to stay inside and watch a movie to stay warm. While staying warm, make sure to check out the latest movie from Palangi Films and Cinema Epoch, “Say Cheese.”

“Say Cheese” is an anthology film from director Frank Palangi. The movie follows the misadventures of the people who come across an old camera. I refuse to acknowledge that something from the 1980s, such as myself, is considered old, but we will go with it. The characters in our tales come across this camera in various ways. When someone gets their picture taken with the camera, bad things happen. 

Frank Palangi implements many great visuals to tell this tale. He uses interesting camera angles that make the shots even more creepy. The first story is almost entirely shot from one perspective. Palangi uses colors to highlight certain aspects of the story. Vibrant reds, blues, pinks, and purples color the scenes and really set the tone. 

“Say Cheese” keeps the classic Palangi aesthetic going. This anthology format helps keep the pacing consistent. You don’t have to wait long for the scary payoff. “Say Cheese” is also what I call a situational horror. It doesn’t rely on jump scares and gore to tell the story. There is some gore, but it isn’t overwhelming. The main horror comes from imagining yourself in the place of the characters.

The score is another part of the movie that deserves a mention. It really works in unison with the colors and camera angles to make the scenes as creepy as they are. The eerie main theme is a personal favorite.

The film brings an excellent ensemble of actors to the screen. Erica James, Cat Alesio, Jared Curtis, and Jake Navatka are just a few of the cast that really shine. Frank Palangi even steps in front of the camera. In horror films, it can be all too easy to overact. There can be a fine line between a performance that is cheesy and one that is believable. The actors of “Say Cheese” walk that line very well.

Frank Palangi wears many hats when he makes a movie. He does almost all the work himself. Writer, director, actor, editor, he does it all. He even scores most of the movie himself as well. You can tell the time he puts into making all the parts work together. Each movie he puts out gets better, and “Say Cheese” continues that trend. 

I had a chance to catch up with one of the actors and ask them about their experience making the movie – me! This is my first time acting in front of a camera. So here is more about “Say Cheese” from … me!

RRX: How did you end up getting involved in “Say Cheese?”

Joshua Scarselli: I have reviewed a couple of movies directed by Frank Palangi. I really appreciate his attention to mood and aesthetic over jump scares and gore. I told him that if he ever had a need, I would like to be killed or kill someone on screen. Being a photographer, “Say Cheese” offered the perfect opportunity!

RRX: How was it transitioning from behind the camera to in front of it?

JS: It’s absolutely nerve-wracking. I’ve never done something like this before, so I was pretty nervous. Luckily, the part I play is that of a photographer. That made it a little easier. Frank is a great director. He made the atmosphere fun and relaxing. I would definitely do it again!

RRX: Can you tell us a little bit about the movie and the part you play?

JS: The movie is about this old camera from the ’80s. When you take someone’s picture with the camera, bad things happen. I play Jim, who is a photographer. I’m taking care of a client at a photoshoot. You’re just going to have to watch to see what happens!

RRX: Anything you would like to add?

JS: I want to thank Frank Palangi for having me in the film. Make sure you check this and his other films out on Tubi! On social media, make sure to follow Palangi Films and Cinema Epoch to find out about other upcoming films. Next month, “Warren County” premieres with a showing at the Strand Theatre in Hudson Falls, N.Y., on March 13. Don’t miss it!

“Say Cheese” is streaming now on Tubi.

Photography by Joshua Scarselli.

Read an interview with Frank Palangi here …