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Week 39: Jesse Sample’s Freak of the Week “Puttin’ Sammy Down”

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Jesse Sample’s Freak of the Week Airs EVERY WEDNESDAY at 5pm Eastern ONLY on RadioRadioX.com

This is Jesse Sample. Do you ever think about what you’ll be like in twenty years? Thirty years? Assuming we make it a couple more decades, how will we change? How will the world change? Will those young whipper snappers be cruising around on those forever promised hover boards? Our bodies will be older, but will our emotional worlds will be more complex? How will you find comfort as the people you know depart this world?

I’d like to be an old man who laughs a lot. Laughter is a way to shed light on what can be sometimes dark situations. I like old folks who can laugh. Surely, life will take its toll, but some people can still find the punch line. The old people that I like, laugh as though they’re young.

I’d like to further myself as a guitar player and an artist in general. New compositions offer fresh takes on my inner world. There are plenty of disciplines and styles to study within the field of guitar playing. These are all pathways to adventure. Change in perspective and fresh technical pursuit are all part of a healthy artist’s life. When we study new things and find new masters, our world becomes deeper.

Some of these things I can control. Life offers plenty of situations where laughter is absolutely the right response. And I can take lessons in different art forms and go on journeys into strange new musical worlds.

But the thing I want most for my future self is something I can’t control. Friends. They are the people that you meet along the way. They are the people that can see the sides of you that even you can’t see. Those relationships are what gives life meaning.

And here I am in the present, thinking to myself, I really want other old guys around to talk shit with while we sit in the park and watch pretty girls jog by. I want my wife around to instill the right amount of terror that keeps a  house clean. I’d like the wordless communication that I have with my siblings and my closest friends. We can’t control how long we get to keep these ties. And that makes them precious.

A friend of mine lost his dog last Tuesday and this one goes to out to him

Thanks to all of you tuned into RadioRadioX. This is the Freak of the week, “Puttin’ Sammy Down.”

Progeny @ Steamer 10 Theatre, 9/12/2026

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Do you like prog rock? Progeny brought the music of Genesis, Yes, King Crimson, and more to Steamer 10 Theatre in Albany on September 10.

Photography by Timothy Reidy.

More from Timothy Reidy here …

Gozer looks forward to new album, wellness music festival

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GOZER TURNS UP THE FANTASY ON TWILIGHT FORTRESS AND BRINGS WELLNESS TO HEAVY MUSIC WITH JOINT JAM

by I Am Lorelei!.

Albany’s Gozer makes gritty desert and hard rock built on bulldozer riffs, heavy grooves, and big hooks. The quartet’s 2023 debut, The Far Realm, reached No. 29 on the Doom Charts, a result the band says surprised them. Now they’re preparing a second album, Twilight Fortress, for late 2026, and guitarist Nick Kossor is organizing Joint Jam, a heavy-music event that pairs loud guitars with wellness. 

A New Chapter 

Twilight Fortress will be released through Octopus Rising/Argonauta Records, the Italian label known for its work in the heavy underground. After self-releasing the debut, the band says the fit made sense. “They do a great job promoting their artists,” the band says, and the label’s vision and branding line up with Gozer’s own. The partnership is only about two weeks old, and the band describes the team as communicative and professional. Their goal is simple: reach as many new listeners as possible, especially in Europe’s thriving heavy scene.

The album was recorded with Tim Lynch at The Recording Company and mastered by Alan Douches of West West Side Music. The band credits Lynch’s willingness to experiment and give honest feedback for the comfort that shows up on tape. 

The first single “Morningstar,” was chosen because it fits the band’s artistic vision and, as they put it, “has a slamming riff.” It also shows off the range of vocalist Jackson Tollerton, who moves from guttural growls to soaring, anthemic highs. Kossor says the song’s verse riff started out very different. When the band stepped back and reworked it together, they landed on the “sludgy, thunderous, barbaric” version on the record. 

Two Nicks: A Bassist And A Singer

Gozer blends classic stoner and doom with modern metalcore and progressive touches. Kossor says he supplies much of the stoner and doom influence, while bassist Sean brings the metalcore. Drummer Nick M and Tollerton, whom Kossor calls “heavy music encyclopedias,” contribute to the writing as well. Some songs arrive fully formed, others as rough demos, and recently the band has started writing from scratch together. Collaboration, they say, is the core of the band, and every member gets creative input.

Gozer began as an instrumental horror-rock project. The band calls the arrival of Tollerton in 2025 the most important change in its identity. The band says that once they started working with him, they “felt the music on a deeper level.” 

Tollerton’s arrival did more than fill the vocal slot. Songs that had been shelved got a second listen. “Monolith,” the first song the band wrote together, had sat on the sidelines for about a year before he stepped in. The band says everyone felt the chemistry, and it became the launching point for what they call Gozer 2.0. They name it as the song that pushed them furthest beyond their early work. 

Building A Fantasy Universe 

Tollerton, a self-described lover of Dungeons and Dragons, The Lord of the Rings, and Game of Thrones, heard in those early riffs the soundtrack to epic battles and power struggles. The album’s songs mix dark fantasy with modern-day morals, featuring wizards, knights, cowboys, and space travel. The key, he says, is balance: each story is taken seriously by its characters, while the songs stay self-aware and fun. Sword fights, parlor shootouts, spellcasting, and time travel all carry real consequences, and the band’s grooves and solos reflect the adventure of those tales. 

The title names the album’s center. Tollerton describes the Twilight Fortress as the “nucleus of our fantasy universe,” a place where good and evil, wizard and warrior, and life and death meet. It is both the looming “grim darkness of doom” and the castle that shields its people from a premature end. It is also a meta-space where the music itself lives, like a tome pulled from the library of the universe. 

Joint Jam Prevention Over Cure 

Kossor’s other job is as a board-certified orthopedic physical therapist and clinical director at Capital Area Physical Therapy & Wellness in Malta, NY. Before that, he competed for Team USA in judo for roughly 10 years. Those two worlds meet in Joint Jam, which takes place October 10, at Putnam Place, Saratoga Springs, NY. 

Kossor began planning the event more than a year ago. His experience as an athlete and a clinician convinced him that wellness goes beyond physical health, and that music is one of those few things that can lift people universally. He also saw a gap: the 518 region has a vibrant music community, but limited representation for stoner, doom, and heavy psychedelic music. Modeled in spirit on a mind-body expo, Joint Jam is meant to be an inclusive event where people celebrate music and learn to take a proactive approach to their health. This year’s community partners are Andromeda Tattoo, 518 Art Club, Heart Support, and 3rd Rock Cannabis. 

Most benefit events respond after something has gone wrong. Kossor believes prevention is far easier, and more effective, than rehabilitation. Music is already part of the clinic’s culture. The Malta clinic plays music all day; patients can often tell which therapist picked the playlist, and every Monday is “Local Music Monday” featuring area artists. The clinic also runs patient-voted band brackets. The most recent, “Best Band with Colors in Their Name,” was won by Pink Floyd over Black Sabbath, a result Kossor says he’s still trying to accept. The current bracket is “Best Band with Animals in Their Name.” 

The lineup was curated around genre, with a focus on stoner, doom, heavy psych, and desert rock, and it mixes Capital Region acts with touring bands. Every band on the bill has either supported Gozer or helped organize a Gozer show. Kossor says he wants his relationships to work in both directions, and giving back is central to how he operates. Planning for next year’s lineup has already begun, with room for variety so the same local bands don’t play every year.

The Guitarist As Physical Therapist 

Kossor says his clinical work shapes how he plays. He’s a fan of motor learning and neuroplasticity: the more you rehearse something, the more efficient your body becomes, and some songs in Gozer’s set are now “part of my nervous system.” That helps, since rehearsals are hard to schedule around day jobs and two band members with kids under 5.

He also applies his training to his own body. He has no ACL in his left knee, and the joint is arthritic, so he keeps up range-of-motion work and quad exercises. Standing all night at a show, he jokes, is harder on him than playing one. 

What Success Looks Like 

For Kossor, Joint Jam’s report card has many categories. As a guitarist, he wants Gozer to play well and put on a show no one regrets spending time and money on. As an organizer, he wants a packed room and a good time for everyone. As a physical therapist, he hopes every attendee leaves with information on being proactive about wellness and a stronger sense of community. He plans to make Joint Jam an annual event and calls his first year a learning experience he’ll grow from.

Putnam Place event page:

https://putnamplace.com/venue/putnam-place/

Gozer: The Far Realm

https://gozer4.bandcamp.com/album/the-far-realm

Howling Giant, Crucible & Ruin:

https://howlinggiant.bandcamp.com/album/crucible-ruin

Their site is:

https://www.howlinggiant.com/ 

Facebook is:

https://www.facebook,com/howlinggiant

High Desert Queen: Palm Reader

https://highdesertqueen.bandcamp.com/album/palm-reader

https://howlinggiant.bandcamp.com/ 

Black Tongue Reverend, Northern Burden:

https://blacktonguereverend.bandcamp.com/album/northern-burden

https://blacktonguereverend.bandcamp.com

Faerie Ring:

https://faeriering.bandcamp.com/music

 

The Albany Twilight Market

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Scenes from the Albany Twilight Market, September 12, Quackenbush Square.

Photography by Timothy Reidy.

More from the Twilight Market here …

RECAP: Zorbas Trio @ White Lake Studios, 9/24/2026

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Recap By “Chad from Albany” Koenig.

The magnificent White Lake Studios in Colonie hosted another session of their “Upstate Unplugged” series on Thursday, September 24 — an intimate concert performance within their main recording studio, which, despite its capacity, makes you feel like you are a part of something much bigger. And this month’s performance was no exception.

Crammed to the gills, White Lake Studios was filled with friends, family, and fans of the Saratoga-based Zorbas Trio, made up of siblings (Callista, 26, Demetra, 23, and John, 20), who showcased much of their 2025 self-titled album and gave us a sneak peek into their upcoming release that they are currently working on.

Unorthodox is a great one-word description for this talented band. Their music brought aspects of tin-pan alley with John’s nostalgic but virtuosic piano and keyboard playing, with aspects of Vaudeville, classical, and dark theater. Immediately I was reminded of Leon Redbone. Less in instrumentation, a little in style, but when you saw him and heard him you thought you were experiencing something from another time, with the quality of the music matching verbatim that of the styles in which they were recreating — but there they were — young adults playing well beyond their years, with something that I, who has seen and heard a LOT in my decades, can call “original”.

Matching John’s approach to a song are his sisters, first Demetra, who was dressed like she just spent time hanging out with Janis Joplin, yet playing a bass with checkerboard patterning, which beckons back to Sean Penn’s Vans slip-ons from “Fast Times at Ridgemont High”. A contrast of styles that was nothing short of marvelous. And speaking of marvelous —THAT VOICE. Her haunting, yet sultry vocals brought me back to the early 2000s with two obscure singers, Katie Melua and Nellie McKay. All three approach the microphone with a sound that, closing your eyes, would easily make you feel you could have been listening to a multitude of different decades with utmost believability. But all while maintaining something completely her own. And Callista, who attacks the guitar with surprising ferocity, which was a fantastic juxtaposition of being a petite young woman who also gave off vibes of days of yore. Her guitar was the glue that held the band together, and even when she wasn’t approaching the instrument as, say, an Yngwie Malmsteen might, she was the connective tissue of the whole project. I’ll say this: with her talent, she could learn a lot from delving deep into Frank Zappa’s catalog (just approach some of those songs with caution…)

Their performance was outstanding. All three musicians’ notes rang beautifully in probably the most perfect recording studio in the area. Starting with a trio of songs from their 2025 release, they immediately showed the room what they had to offer and that they were in for a treat that night, which came afterwards when they tackled the iconic “White Rabbit” by Jefferson Airplane. Demetra felt she was going to need more water to keep her voice strong, but she was spot-on. A wonderful cover of a unique song fitting of the band’s distinctiveness. They then gave us some new material — and allowed us to hear it for the first time — a pair of songs titled “Nomad” and “Blue Lion”, in which they mentioned the theme of their new album would be heavily influenced by a dark carnival. Next was a surprising cover of “25 or 6 to 4” by Chicago — a version I would love to hear on record.

“The Halloween Song” came next. A fan favorite heavily influenced by Danny Elfman and the films of Tim Burton — in this case “The Nightmare Before Christmas,” which, coincidentally, was introduced to John by their family friend Todd, who just happens to be my cousin. The audience was allowed to participate in the “creepy laugh” in the middle of the song. The lovely “Every Now and Then” followed, a moving tribute to the family’s beloved late dog. The maturity level of this was well beyond their age. “Vicarious Living” came next, which is the song from the upcoming release that I look forward to the most, as the feeling of it is heavily reminiscent of a “final boss battle” in a platformer video game.

Before John headed to the grand piano, the trio played a lovely version of “Dreams” by the Cranberries — one in which Dolores O’Riordan would have been proud of. Another cover I’d like to hear released. The remainder of the show saw John on the grand — giving us lusher instrumentation on songs like “Til Autumn Flowers Bloom”, “Don’t Care” and “Still I Breathe”, the latter being the first song they ever recorded. They ended the night with a trio of unreleased songs — “Detective”, which gave an ambiance of film noir, with John humorously saying that “it’s about a detective who is bad at his job”. “Sam Bellamy” followed, a sea-shanty-inspired homage to “the richest pirate in history,” before closing the show with “The Faire”, which tied everything up nicely and gave us a sneak peek into where this band is headed.

I look forward to the next album, as this performance demonstrated how they are going to expand their sound in the future, and proved that whatever you don’t expect, to expect it. This is a band that we should be honored to have in our local DNA, and that we can watch what will become of them as they mature musically right in our backyard. Go and see this band when you can. And get your CD or poster signed before they inevitably win a Grammy.

Setlist:
1.Troll
2 Jack in the Box
3 Sundaes
4. White Rabbit (Jefferson Airplane cover)
5. Nomad (unreleased)
6. Blue Lion (unreleased)
7. 25 or 6 to 4 (Chicago cover)
8. The Halloween Song
9. Every Now and Then
10. Vicarious Living (unreleased)
11. Rise Above
12. Crown To Hope
12. Three Ravens
13. Dreams (Cranberries cover)
14. Three Ravens
15. ‘Til Autumn Flowers Bloom
16. Root Hog or Die (traditional cover)
17. Don’t Care
18. Still I Breathe
19. Detective (unreleased)
20. Sam Bellamy (unreleased)
21. The Faire (unreleased)

You can find more on the band here:
https://www.zorbastrio.com, on Instagram, Tik Tok, Facebook & X @ZorbasTrio

More on the Upstate Unplugged Concert Series here:
https://whitelakestudios.com/upstate-unplugged-concert-series/

Photography by Evan Lauber.

More coverage of the show here …

Dr. Elise De – An Xperience Interview

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by Joshua Scarselli.

Today I got to sit down with Dr. Elise De. Dr. De uses her medical knowledge to run a YouTube channel dedicated to various urological and pelvic health concerns, including UTIs, pain, catheters, and diagnostics. Dr. De headed up a team that conducted the largest of its kind study into recurrent urinary tract infection-related deaths being reduced through the use of vaginal estrogen. Her team’s research is being featured in an article gracing the cover of USA Today on Wednesday, September 30.

RRX: First I want to start talking about your YouTube channel. How did you decide to take your medical experience and put it on YouTube? What drove you to that?

ED: So I find that people have a really hard time getting what they need from the fragmented healthcare system, even if they have the best doctors. People with pelvic health issues have multidisciplinary needs, so they may need neurologists, urologists, gynecologists, or pelvic floor physical therapists. For example, someone who has lower urinary tract symptoms and is not getting better — we may eventually find out they have MS. That’s a reasonably common story that we all think about. If the patient is educated to ask the correct questions, we may find it earlier. And there are plenty of other diagnoses. If you’re only looking at it from the lens of your specialty, you’re not necessarily going to come up with a diagnosis. Like a hip problem causing pelvic pain. I really wanted that information to be direct to patients. Or simple education, like a voiding diary. Physicians just don’t have time to go through all of the education needed, so having it recorded gives a resource to my practice, my partners, my colleagues within medicine, and patients who are too far away to see our practice. If the information is useful, we want them to have it.

RRX: How have you taken your YouTube channel and used it to help educate future doctors?

ED: So we use it for things like the catheter education videos on my YouTube channel. But this all started through the International Continence Society starting over a decade ago. I was on the Education Committee, and there we created something called ICS TV, International Continence Society TV. We filmed, archived, organized, curated all that, you know, really gold-standard content for the International Continence Society. At the same time that we were setting the standards for the Western world, we used this platform to create fistula education that reached every corner of Africa and other high-prevalence regions. For free. The Internet is an amazing thing. The ICS is a very multidisciplinary organization. There was a significant interest in understanding pelvic pain. The ICS supported us in creating a full 24 hours of expert pelvic pain education, and that’s all edited and curated on the ICS TV website by our Albany Med gap year pre-med student, Christine Cui. The link is below.

RRX: So coming up, you have a big article in USA Today. Can you tell us how you got involved with that?

ED: Yes, we know that vaginal estrogen prevents recurrent urinary tract infections. That is in the American Urological Association guidelines. So with Justin LaClaire, an Albany Med fourth-year medical student from Delmar who’s applying to urology; Joseph Visingardi, who was a local pharmacist and medical student at Albany and is now a dermatology resident in Rochester; Paul Feustel, our statistician at Albany; Brennan Wells, who was a visiting student at Albany; and Joe Deckert, who works for Epic Healthcare Systems in Verona, Wisconsin, we used the Cosmos Epic Database. This is a database that has 300 million de-identified medical records, and you can make very powerful correlations. We found 1.8 million women with recurrent urinary tract infection of all ages. We compared those who were and were not on vaginal estrogen. The meat of the article is that the rates of sepsis, hospitalization, and death in those prescribed vaginal estrogen were a fraction of those who were not.

We can’t be sure they took it, so it could be an indicator of bias toward simply more creative medical care, but the signal is so strong we cannot ignore it. The USA Today article cites that data, and it also tells a story of women who’ve died from recurrent urinary tract infection.

You should know it is rare to die of a recurrent urinary tract infection, so we don’t want to cause panic, but it happens. I especially worry about it in my patients who have complex anatomy, high-pressure bladder, reflux up to the kidneys, and more than simply genital urinary syndrome of menopause, contributing to the UTIs. In our article, we found that only a small percentage of women who should be on vaginal estrogen for recurrent urinary tract infections have been prescribed this treatment.

RRX: How did USA Today approach you about the article?

ED: So Rachel Rubin, who is an incredible urologist who’s a real advocate for women’s health, put me together with Laura Trujillo of USA Today. We both contributed to the article, along with some other amazing physicians and commentators. Rachel Rubin is openly vocal about this subject because she almost lost her mother to a UTI. She recommended USA Today cite the publication. Many of us were excited to see the statistics on the day that we all knew were true. Vaginal estrogen saves lives.

So Rachel Rubin put us together, and Justin and I spoke with Laura Trujillo back in July, when the publication came out, and USA Today did their own research, really looking into the data behind these deaths. I was really impressed with Laura Trujillo’s ability to tell the story of these women and also that of the data behind it. She really did her research.

RRX: The article says that your study was the largest of its kind. Can you tell us what it’s like to know you’ve done the largest of its kind study and that it’s having so much of an impact that a national publication picked it up?

ED: Well, that’s the beauty of big data. You know, you pick up on things that show really large trends in medicine. It’s more than just, you know, your own theory about what you’re doing for your patient; you can really verify some of the things that are in the guidelines and some of the things you know from clinical experience. I think at this stage in my career, anything that I am doing on an academic level is really thinking about how it can change outcomes for more people than I can see in clinic. It is how we can really improve healthcare, train the brilliant people who follow us, and empower patients living the experience directly. This article is hopefully going to be very gratifying.

What is really fun is that the Argus Hotel here in Albany, where we are doing our interview today, was very welcoming in letting us have space to hold meetings after clinical hours when we had time to review and go over findings.

RRX: Do you have any videos coming up that we should look out for?

ED: We’re always putting videos on YouTube. For example, skills for people who are placing catheters, to prevent injury to their patients. We create videos for providers, and we also create videos for patients who are dealing with refractory, chronic pelvic pain, interstitial cystitis. Patients who are scheduled for urology procedures like a uroflow, cystoscopy, urodynamics; most of the videos are useful to both patients and to providers. Like “Causes of Pelvic Pain”; most of the videos are reasonably short, 5 to 10 minutes. They will refer to greater resources, like the www.icsTV/PelvicPain series for providers who really want to learn about pelvic pain. Also, the patients who might go to the facingpelvicpain.org website and find links to organizations for more specific deeper dives into subject matter.

RRX: Is there anything you want to add?

ED: I think it’s really helpful for patients to be educated and also to use the digital tools at our disposal. So for people who are seeing a physician, when there’s a portal that you can sign up for, for example, MyChart in Epic, it’s really helpful to be signed up so that you can read your notes and see your test results in real time. You can also link your MyChart accounts with different healthcare systems.

You can ask your sister, mother, daughter, or brother to be a proxy on your chart. If you are unwell, they can have access to your chart. I have access to both of my parents’ charts. I haven’t had to use it yet because they’re both well and they manage their own health, but at the time that they need me, I now have access to seamlessly take charge of whatever their needs are.

Another thing that people can do when they have a complex medical situation, after removing all of their identifying information, is copy and paste the information into large language models such as Claude or ChatGPT and ask them, “What should I be worried about? What should I be asking my doctor?” This runs the risk of a confidentiality violation, and it is certainly not medical advice, so it is very important to carefully remove any identifying data and to use it as a question-generating platform rather than question answering.

RRX: Where can we find your social media?
ED: Thank you for asking! All the links are below, and I hope they are helpful to your readers.
Again, I want to thank The Argus Hotel for their support of my Medical students and research.
Elise JB De, MD, FACS
Professor of Urology, Obstetrics and Gynecology, Neurology
Director, Multidisciplinary Pelvic Health, Albany Medical Center
Albany Medical College, Albany, New York
Chair, International Continence Society Pelvic Pain Committee

Lucid Street @ Cook Park, 9/15/2026

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Lucid Street played a home village crowd on Tuesday, September 15, at Cook Park’s Frank A. Leak Amphitheater.

Photography by Timothy Reidy.

More from Lucid Street here …

 

Zorbas Trio @ White Lake Studios, 9/24/2026

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I first saw Zorbas Trio at Lawnstock 3. They absolutely blew me away. It was one of the few times that night everyone was silent and paying attention. When I had a chance to make their next show, I couldn’t resist.
I have never heard of White Lake Studios. I am really glad I had a chance to check this place out. They had a light reception before the show. It allowed the crowd to mingle and unwind for a bit. It was really enjoyable. Then onto the show!
The Zorbas Trio is made up of siblings Callista, Demetra, and John Zorbas. This young trio really is something special. When I tell people about them, they will ask me what genre they are. Truth be told, I have a hard time limiting them to a specific genre. They are that original, something hard to find in the social media/internet age. They played a wide range of songs from their current album and unreleased songs coming on their next album, along with some covers. A couple of my personal favorites are their Halloween song and their special take on a poem from the 1400s.
White Lake Studios did a great job with the setup. The studio is really top-notch. The amount of equipment is every audio/videophile’s dream. The stage was excellently set and lit. The atmosphere was super intimate without being overcrowded. The place was packed!
The Zorbas Trio really gave an outstanding performance. Callista and Demetra provided the guitars and vocals. They both have such an amazing range of talent. Their voices hit every note from the lowest tenor to the highest alto. They played a few different types of guitars, including a 6-string bass. John provides an equally impressive job on the keyboard. He even got onto a grand piano. When John plays, he does so in such a way that you imagine Mozart would. He is very talented.
This was an overall amazing event. Make sure to check out White Lakes Studios for the Upstate Unplugged concert series. Follow Zorbas Trio on Facebook and Instagram.
Check out www.zorbastrio.com to get their CD and find out when they perform.

Photography by Joshua Scarselli.

Read an interview with Zorbas Trio here …

Super 400 @ Hangar on the Hudson, 9/13/2026

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Super 400 Way in Troy was dedicated on September 14, but the day before, the band put on a very cool show, outdoors, at Hangar on the Hudson.

Photography by Timothy Reidy.

More from Hangar on the Hudson here …

 

King Ern – Thanks for Asking!

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By Liam Sweeny.

RRX: One of the best icebreakers is to ask someone what their favorite song is. And there are sometimes two; your favorite song, and today’s favorite song. What’s your favorite song, today’s and for all time? 

Figo: I assume that question isn’t referring to our own songs. I don’t really have a “favorite song.”

Daniel: My song of the day is “Blackhole” by Architects. If you don’t know Architects, you have to check them out. They make great music and are very interesting people. 

The best song ever is “Master of Puppets” by Metallica. This song inspired generations to pick up a guitar, just like it did in my case. Metallica is the greatest heavy metal band in the world, period. 

RRX: We lean on our friends as musicians. We don’t play for our health. We need our friends to tell us whether we’re hitting the mark. What’s the most meaningful thing a friend told you about your music, and how did it affect your playing or songwriting? 

Figo: That’s absolutely right. Why would you compose songs just for yourself? Music is meant to inspire and be shared. Before a new song is released, I let very close friends hear it first, and they are brutally honest with their feedback. However, it doesn’t have a direct influence, in my case, on my performance.

Daniel: My friend Figo always inspires me to push myself further. He keeps telling me that I’m a great guitar player, even though I wouldn’t say that about myself. I remember one time when another friend of mine, who was in a successful band and toured around the world, told me after a jam session at his house that I should pursue music because he believed I could achieve something. 

Those small moments, even though I don’t realistically believe I’ll “make it” in the music business, inspire me and give me more fuel to rock and roll. Sometimes, those are exactly the words you need to hear. 

RRX: People aren’t going out to concerts as much. And musicians are caught up trying to figure out algorithms and marketing instead of sweating it out through a show. Do you see us going out more in the future? Why or why not? 

Figo: I can’t confirm that people aren’t going to concerts much. As for the whole issue of algorithms and marketing—well, you obviously can’t do without them; they’ve always been part of releasing music. But I suspect you’re referring to the whole social media side of things—how many likes and followers you get, and so on. I sometimes get the impression that some bands do it solely for that reason, defining and measuring their music by likes and streams. Sure, I’m happy about likes and streams, but I don’t measure our songs by likes or streams. I’m not out there chasing likes. 

Daniel: Realistically, I think the world will keep moving in the direction of digitalization, AI, and so on. Music has never been so easily accessible to everyone, and at the same time, it feels like people are not as fascinated by live shows anymore. We have YouTube, Spotify, etc. We can have a live show in our homes, so why go out somewhere? 

One day, VR shows will be something completely normal, and they will present another threat to live shows. Live shows are still popular, but the business is brutal. Prices keep rising, while the motivation to attend keeps declining. It’s just the sad reality. 

I think live shows will never die, but then again, dinosaurs didn’t know they were going to go extinct in the blink of an eye either, right? 

RRX: Songwriters are poets. Maybe. People who consider themselves poets might not see song lyrics as poetry proper. What do you think? Are song lyrics poetry even if they don’t match accepted poetic structures? 

Figo: To start with, I don’t really care what a poet says about lyricists, or vice versa. I write song lyrics.

RRX: A big part of the music is the life that inspired the music. Do you have an internalized way of turning your life’s highs and lows into song, or do you go into songwriting openly and your life just happens upon you at that time? 

Figo: I don’t have a specific method or formula; I simply write, and while I’m writing, I’m not always fully aware of what it’s actually about—that only becomes clear later on. With the exception of *Disgust At The Horror*, the lyrics for all my releases to date—whether for King Ern or as part of collaborations—date back to 1995 and were originally intended for a book. However, since I found writing a book difficult and the material resembled song lyrics more than anything else, I opted for lyrics; in a sense, then, I am singing my book. 

Daniel: I’ve tried many times to write a song inspired by life events or emotions, but since I don’t write lyrics, I find it very difficult to express those things through an instrument alone. I approach my music in a cold, calculated, and structured way. But I can’t directly transfer emotion into my music, for example, how being enraged or sad could transform me in a split second into a virtuoso. 

I’m still the same Daniel, but now I’m twice as pissed off because I was already pissed off before I picked up my guitar, and now I’m pissed off because I can’t write a good riff on the spot.  

RRX: Writing about life, singing about your deepest moments, you must draw a line between what you give the public and what you keep. How do you decide where that line is? And has it shifted over the years? 

Figo: As a rule, I don’t explain my lyrics, nor would I discuss them, because I don’t write for others and I leave the interpretation to the readers. If I am asked what the lyrics are about, I do answer the question. I don’t expect my lyrics to be understood, I am the content of these lyrics.  

RRX: When you’re putting songs together, is it a gathering of parts, or is one instrument the “bedrock” that you lay down first? If you’re solo, is it singing first or instrument first? 

Daniel: Basically, my songs usually start with a riff. I develop the riff into longer sections. I constantly ask myself, “What does this song need?” and, based on my intuition, I start adding new layers that complement the riff. So far, I have composed only one song based purely on a feeling, but usually, the riff is the foundation on which I build the entire song. 

RRX: Have you ever teared up when you were writing a song? Or smashed an instrument, or even felt the urge to do either so strongly you had to restrain yourself? If so, what was happening? And what song came from it? 

Daniel: There was only one song that I composed in one sitting because I needed to quickly express my deep sadness and meditate. It was a reaction to a huge disappointment at one stage of my life and a manifestation of my feelings. The song was never released. Maybe one day