Brule County Bad Boys – Xperience History

Brule County Bad Boys – Xperience History – by Liam Sweeny.

Originally published on September 2020.

I personally love ‘outlaw country.’ I was listening to Merle Haggard when I was five and my dad and his friends would babysit me at their favorite bar. Fun times. I think it’s hard these days to call something ‘outlaw country,’ because it’s either that a band calls itself that, or their groove moves you that way. So I love outlaw country, even if the band I’m listening to might not call themselves that.

Brule County Bad Boys is a hard band. Listening to them, you might hear the harp and the dobro, or you might hear the clang of the county jail cell doors. With members from bands such as Girls of Porn, Tex Railer’s Doomtown, and Barbed Wire, they’re ready to run you through some abandoned county roads.

We sit with the Buster Sawdust and Tex Railer of the Bad Boys and talk about absurdism.

RRX: Brule County Bad Bays is pretty kickass name for a band. I had to look up Brule County, of course, and there’s one in South Dakota. Was there something about Brule County that made you pick it as part of the band name? Did someone come from there? Or did you all just come across the name and think it was cool?

BS: Brule County is right along the Missouri river, dead center in South Dakota. The land was taken from the Lakota subtribe Brulé, and named henceforth. The county seat, and where I spent my time was in the “city” of Chamberlain. Desolate as all hell in the winter, during the summer the river breathes some life to the little city. My time there unfortunately was spent in the county jail.

RRX: You guys are country. Or maybe a little bit of bluegrass. It’s an expansive sound that encompasses a range of instruments, like a harp, a piano, a dobro/pedal steel. It’s a very ‘open sky’ kind of sound. Is it hard to manage a number of different players, or is it easier to find harmony? Is there one instrument that usually gets the fire going?

BS: I wrote a lot of the songs we currently play during my stay in Chamberlain. As time went on Tex and I worked together to figure who was going to play on the album/arrangements. Playing in bands forever, we could find the players who would understand what we were doing best. Punk and country is the same. All music is the same. We got players with passion and let them do what they do best.

TR: We can play together with our eyes closed, and we’ve played these songs with every arrangement from a four piece to an eight piece. When our core five guys can all be on the same page, it’s easy adding piano, steel guitar or whatever on top of that.

RRX: Brule County Bad Boys is bleak, and I’m really using your words here. And it’s not bleak in that cliched ‘my woman and my dog left me’ country way. It more on the level of some existential bleakness, bleakness about life itself. It’s unique to take the ‘bad’ so directly. How does Brule County Bad Boys bring that to a country audience?

BS: I write about what I know best, depression, sadness, self-doubt, drugs, sex and chili.

Most people, and I mean most people that I would be willing to spend any time with, struggle with some sort of mental illness. I mean, how are you not on the constant brink of breakdown when you look at the world around us? I haven’t thought so much about bringing it to a country audience, but if you just ignore the lyrics you can certainly have a honky tonkin’ good time.

TR: Especially in a post Toby Keith country universe, country songs are meant to be shallow love songs at best, and quasi-patriotic dribble at worst. Country should be an honest representation of the struggle of the working man, and our oppressors from the corporate class and the law.

RRX: And, I guess, tagging onto the previous question, you all sing about the hard life, and the criminal justice system. Now, you can write about tough subjects, or you can write about what you lived. I’m detecting some hard feelings in the music, make me think some things are lived here. How bad are the Brule County Bad Boys?

BS: Certainly most of us have all found ourselves on the wrong side of the law. I can tell you though, no of us have actually done anything wrong. It’s the legal system which is the enemy of the people and breeds criminals out of the poor and hungry.

RRX: Playing out right now is a dog’s breakfast. Maybe you get an outdoor thing, maybe it’s a private party you can’t tell anyone about. Or maybe you tuck in, hit the home studio, and put out the best stuff you ever did. Do you think music is surviving, such as it is? What do you think the music circuit is going to be like this time next year?

BS: Everything we think about music and the music scene is done. Next year? Hopefully the music we hear is the sound of the bourgeoisie being put up against the wall

TR: It’s almost not worth doing until we can do it normally. Packed room, people dancing, drinking and having fun. At least we have a full album ready to go for when we do get to play out!

RRX: Brule County Bad Boys is a “band of bands.” It maybe even a mega band.

We’ve interviewed a lot of “mega bands” before, and of course, everybody takes the high road and says that putting all that talent together is always all good. But I’ll ask you, are there challenges to having so many top performers in the corral?

BS: I feel all of the players we work with are true musicians in the deepest sense. Having so many different instruments, everyone knows to lay low when they gotta, and when to shred.

TR: Especially when we have killers like Kevin Maul, Graham Tichy, Zack Cohen, Mike Robbins (Chief) and Alex Patrick (dangerbyrd) on call, it really is that easy.

RRX: Here is where you answer the question we didn’t ask. Best kind of engine to have in a getaway? Most common tell in five-card stud? Educate, enlighten, emote – the floor is yours.

TR: The blues-mobile, learn to count cards and check out brulecountybadboys.bandcamp.com

BS: Just wanna leave you from some lyrics from our tune “Badlands.”

“Machine guns around the corner

Ensure law and order

If they’re armed then arm yourself

The bourgeoisie they should be frightened

They are aware their time has come

God damn right they’ve used you plenty

The time has come for someone else”

 

 

More from Liam Sweeny…

Jukebox – Music News Cuts – 2/14

Jukebox.

Alice Cooper

There will be more dates added to Alice Cooper’s “Too Close for Comfort” tour. These shows will be on the spring and summer leg of the show, and will feature former GUNS N’ ROSES guitarist Gilby Clarke, who is filling in for Nita Strauss, who ran into conflicting commitments.

About his stagecraft and performance, Cooper had this to say to 96.1 KLPX. “It’s so funny because it used to be easy to shock an audience in the ’70s. Now nobody’s really trying — we’re not really trying to shock an audience. I don’t think anybody is ‘shock rock’ anymore, but those elements still remain in the show because they’re fun to watch. It’s still fun to watch the guillotine and the fact that you really buy in to it because of what happens before that. You’re really concerned about this character Alice up there, what happens. And that’s what I like about it. I want the audience to get involved in the show. We don’t do a lot of lasers. We don’t do things like that, because I want the emphasis to be on the character Alice, what happens to him and what he what exactly he’s doing. But all that happens during all these songs that everybody knows — ‘Feed My Frankenstein’ and ‘Poison’ and ‘No More Mr. Nice Guy’ and, of course, ‘School’s Out’ at the end.”

Tickets go on sale today. You can go to AliceCooper.com/tour.

Tour dates:

May 02 – VBC Mark C. Smith Concert Hall – Huntsville, AL

May 03 – Atrium Health Amphitheater – Macon, GA

May 05 – Montgomery Performing Arts Center – Montgomery, AL

May 06 – Savannah Civic Center – Johnny Mercer Theater – Savannah, GA

May 07 – North Charleston Performing Arts Center – North Charleston, SC

May 09 – Sonic Temple Art & Music Festival 2025 – Columbus, OH

May 10 – Dow Event Center – Saginaw, MI

May 13 – Vibrant Arena at The MARK – Moline, IL

May 14 – Miller High Life Theatre – Milwaukee, WI

May 15 – Ball State University – Emens Auditorium – Muncie, IN

May 17 – Erie Insurance Arena – Erie, PA

May 18 – Boardwalk Rock 2025 – Ocean City, MD

May 20 – Mohegan Arena – Wilkes-Barre, PA

May 22 – Stanley Performing Arts Center – Utica, NY

May 23 – Mohegan Sun Arena – Uncasville, CT

May 24 – Ocean Casino Resort- Atlantic City, NJ

Aug. 15 – Citizens Bank Park – Philadelphia, PA

Aug. 19 – Salem Civic Center – Salem, VA

Aug. 20 – The Tennessee Theatre – Knoxville, TN

Aug. 21 – Soldiers and Sailors Memorial Auditorium – Chattanooga, TN

Aug. 23 – The Factory – Chesterfield, MO

Aug. 26 – Vibrant Music Hall – Waukee, IA

Aug. 27 – Orpheum Theater – Omaha, NE

Aug. 30 – Elvis Presley’s Memphis – Graceland Soundstage – Memphis, TN

David Johansen

New York Dolls singer and co-founder David Johansen has revealed to the public that he has been battling a brain tumor for years, and that a fecent fall around Thanksgiving has put serious challenges on his ability to perform daily activities, and to recover.

He had originally kept his diagnosis quiet, but the financial burden of his current situation has caused him to reach out. The non-profit organization Sweet Relief has stepped in to raise money for Johansen, which will go toward providing assistance toward his recovery, including round the clock care.

Johansen was known, outside of punk circles, for his incarnation Buster Poindexter.

For more information on the David Johansen Fund, click here.

Patti Smith

The 1975 album “Horses,” by legendary punk icon Patti Smith, was mildly received when it came out, but years later, became of the seminal punk albums of all time. Smith is now going on a tour to remember the album for its 50th anniversary. The European leg of the tour will hit two shows in London, then onto Madrid, Dublin, Bergamo, Paris, Brussels, and Oslo, while the American leg will hit Seattle, Oakland, San Francisco, Los Angeles, Chicago, New York, Boston, Washington DC and Philadelphia.

Smith will be performing Horses live in its entirety, for the first time in 20 years. Guitarist Lenny Kaye and drummer Jay Dee Daugherty, from the original album, will be accompanying, in addition to Smith’s current guitarist Tommy Shanahan.

 

 

Deliver Me Experts – The Weird Side of the Internet

Deliver Me Experts – The Weird Side of the Internet – by Liam Sweeny.

I got a got a problem. I can’t solve it. For the sake of argument you can’t solve it for me. I need a human delivered that can answer my problem. And now there’s hope. Okay, so this company called TopMate pulled a fast one in their hype. They don’t actually “deliver” humans, but they claim to have over three hundred-thousand experts and professionals from every area, and they aim to connect you to the expert you need in ten minutes.

I have my misgivings. Essentially, they’re selling opinions. I tend to trust experts, but unless they’ve just done some study, or you’re talking about a narrow band of interest, they’re just giving you their opinion. This company is out of India, so I have to wonder if, say, the expert I need is a lawyer, will I get someone who’s a member of the bar?

Another misgiving I have is that experts, on the open market, are pricey by the hour. Two hundred-fifty, three hundred an hour for a lawyer, and that’s not at the top range. So what kind of price would a ‘dial an expert’ have on it? If it’s too high, it wouldn’t be worth the money, and if it was too low, how could you trust the experts?

But imagine, if you will, this company working out. Dial an expert. Consider that four out of five businesses fail. Imagine if you could dial up a marketing expert of Monday and a business expert on Tuesday. Even still, I feel like this would be the cautionary tale of the business owner going through death by expert and not seeing that his brick and mortar was three miles from foot traffic.

Imagine it was so cheap that you could just have them on the line while your commenting on peoples’ posts, correcting them and being an ass.

I would check this out, see how much. My life, even twenty dollar experts might be able top mold some clay.

 

 

More from Liam Sweeny…

Lynch Mob Live at the Strand Theatre on Sunday, March 12th

On Sunday March 2, 2025 @ 7:00pm, experience the thrill of the band LYNCH MOB live at the Strand Theatre for “The Final Ride” farewell tour!

George Lynch is a legendary heavy metal guitarist who has played in bands such as Dokken, Lynch Mob, The End Machine and Sweet & Lynch. Led by Lynch, the legendary Lynch Mob will be taking the stage, ready to blow your mind with their electrifying performance. Get ready to rock out to their iconic hits and experience the energy that has made them a staple in the rock music scene.

But that’s not all! Opening the show will be Paralandra! 

Come join us for an unforgettable night of rock music at the Strand Theatre.

*There will be a bar service at this event. Doors open for the coffee shop, box office and lobby at 5:30pm.

$45 balcony, $65 front row balcony & lower level, $85 front row lower level. Tickets can be purchased at the Strand Box Office; cash or check only or online at Eventbrite. 

Purchase your tickets online and get $10 off balcony seats!

For more info and the ticketing link, please go to www.mystrandtheatre.orgThe Strand Theatre is located at 210 Main St., Hudson Falls NY. 

Brought to you by E1 PRESENTS.  www.e1presents.com. Have questions? Please call (518) 792-0996.

Please visit our website, Facebook or Instagram for a list of upcoming events at the Strand! 

Show Detective – Weekend Shows – 2/14 – 2/16

Show Detective.

Friday, February 14th

Oscar Nominated Shorts: Animation, Proctors Theatre, Schenectady

For the 20th consecutive year, ShortsTV presents “Oscar-Nominated Short Films.” With all three categories offered – Animated, Live Action and Documentary – this is your annual chance to predict the winners! A perennial hit with audiences around the country and the world, don’t miss this year’s selection of shorts. The Academy Awards take place Sunday, March 2.

Killers of Kill Tony, Proctors Theatre, Schenectady

Regulars and fan favorites from “Kill Tony”, the #1 live podcast in the world, bring their standup show on the road with “Killers of Kill Tony”, coming to Proctors on Feb. 14. Tickets go on sale to the general public Friday, September 27, at 10:00AM.

Lauren Mayberry Vicious Creature Tour, Empire Live, Albany, 8pm

Gimme Gimme Disco, Empire Underground, Albany, 9pm

Rock ‘N’ Roll Women Of The 80s, Cohoes Music Hall, Cohoes, 7:30pm-10pm

Best Shot is a dynamic live tribute to one of the most influential female rock vocalists of all time, the great Pat Benatar. The band recreates a classic Benatar concert featuring note-for-note renditions by stellar lead vocalist Melissa Lotardo. Melissa impeccably recreates Pat Benetar’s classic look and sound from her 80s heyday. Audiences will thrill to Melissa’s renditions of Pat Benetar’s greatest hits including Shadows of the Night, Heartbreaker, Love is a Battlefield, and all the rest. Best Shot will keep their Promises in the Dark!

Hey Blondie! Blondie Tribute is as close as it gets to embodying the magic of Debbie Harry and Chris Stein of Blondie. This Boston based band featuring Mike G and Linda Twiss will rock your socks off so hard you’ll need a new pair. They bring the attitude and style of this Rock and Roll Hall of Fame band to the stage. One Way or Another, Hey Blondie! will blow the roof and pack the dance floor with a truly Atomic set.

Moonboot Lover, Rustic Barn Pub, Troy, 8pm-11pm

Join us for a Valentines Day love fest with Moon Boot Lover! They are out of this world- Space Funk!

Happy Hour at The Eleven with Monkey and The Crowbar Duo, Lark Hall, Albany, 6pm-8pm

Monkey and the Crowbar have been playing for years in the Mohawk Valley and Capital Region. Their acoustic vibe of originals and Grateful Dead adjacent tunes makes for a hoot of a time. Fronted by Todd Herringshaw(guitar, vocals), band members Tree Casullo(percussion, vocals), Joe Sinchak(fiddle, mandolin, vocals) and Sharon Charles(bass) give an old-timey spin to tunes we all know and love. For a special show, Todd and Tree will perform as acoustic Monkey-duo.

Lark Hall presents Gratefully Yours, Lark Hall, Albany, 8pm

Gratefully Yours is a Grateful Dead inspired band, based out of New Paltz, NY. The band was conceived and founded in 2012 by keyboardist Alex Mazur, who is also the founder of The Deadbeats; one of the longest running Grateful Dead coverbands in existence.

However, “cover band” is an extremely misleading term when it comes to the music of Gratefully Yours. Their willingness and ability to improvise, and their openness to spontaneity and the energy of the moment lie at the core of their performances and truly sets them apart. In the very best tradition of The Grateful Dead, it is this openness that allows the crowd to become a part of the creative process and results in a synergy between the band and the crowd that is unique and truly special. It is that magic that Gratefully Yours truly aims to “cover” and pay tribute to.

Heather Maloney with opener High Tea, Caffe Lena, Saratoga Springs, 8pm-10pm

Stitched together from personal and universal ecstasy, loss both intimate and ancient, Maloney’s tremulous folk, existential ballads, and assertive rock encompass the whole of life. There’s been a spiritual thread running through her work ever since she began writing songs while living at a Zen monastery. Her wise art shows us the infinite in the details of daily life, family love, nature, pursuit of identity, and romantic commitment.

“Her penchant for vibrant storytelling is reminiscent of the Indigo Girls or even the singer Melanie. Maloney’s ability to create a palpable intimacy between audience and performer is reflective of Dar Williams’ quiet roar.” – PopMatters​​

Valentine’s Cover Show, No Fun, Troy, 7pm-11pm

From “Bar People.

2/14 5:00 PM Tracy & Friends- Prime at Saratoga Nationa

2/14 5:30 PM Rob Aronstein- Wishing Well

2/14 6:00 PM Dan Dekalb & Hannah Amigo- 677 Prime

2/14 6:00 PM Eric Kufs- Thirsty Owl

2/14 6:00 PM Mike Thomas- Spa City Tap & Barrel

2/14 6:00 PM Monkey & The Crowbar- Eleven at Lark Hall

2/14 6:00 PM Nick Horace Duo- Carsons Woodside Tavern

2/14 6:00 PM Pat Decker- The Scarlet Knife

2/14 6:00 PM Peter Pashoukos- Inn at Saratoga

2/14 6:00 PM Seth Warden & Lovella- Saratoga Winery

2/14 6:00 PM Shaun McCarthy Trio- Van Slycks at Rivers Casino

2/14 6:30 PM Bennett Brothers- Dock Browns Tavern

2/14 6:30 PM On Tap Duo- Diamond Club at Embassy Suites

2/14 6:30 PM Yankee Holler- Artisanal Brew Works

2/14 7:00 PM 18 Strings Of Trouble- Kraverie

2/14 7:00 PM Dave Brennan- Bunker Saratoga

2/14 7:00 PM Jeff Walton- Principessa Elena

2/14 7:00 PM Liquid Courage- Cherry Plain Square #17

2/14 8:00 PM DJ Nvision- Misfit

2/14 8:00 PM Gratefully Yours- Lark Hall

2/14 8:00 PM Heather Maloney wsg High Tea- Caffe Lena

2/14 8:00 PM Matt Farrar & The House Rockers- Van Slycks at Rivers Casino

2/14 8:00 PM Michael Benedict Jazz Vibes- Nine Maple

2/14 8:00 PM Rustic Spirit- Holy Moses Tavern

2/14 8:30 PM Skeeter Creek- Frog Alley Brewing

2/14 9:00 PM ILL Funk Ensemble- Vapor

2/14 9:30 PM Wide Awake- Spa City Tap & Barrel

Saturday, February 15th

Loren Loiacono + Rachmaninoff’s Paganini Rhapsody, Troy Savings Bank Music Hall, Troy, 7:30pm

David Alan Miller, conductor

Harmony Zhu, piano

Randall Thompson: A Trip to Nahant

Sergei Rachmaninoff: Rhapsody on a Theme of Paganini

Loren Loiacono: Sleep Furiously

Robert Schumann: Symphony No. 1, “Spring”

ADRENALIZE – The Ultimate Def Leppard Experience, The Egg, Albany, 8pm

Drawing their name from Def Leppard’s fifth studio album (which debuted at No. 1 on both the UK Albums Chart and the U.S. Billboard 200), ADRENALIZE – The Ultimate Def Leppard Experience recreates the chart-topping, chest-thumping anthems that made Def Leppard the iconic and dominant force in arena rock of the ‘80s and beyond.

You’ll hear the hook-laden radio and MTV mega-hits like “Foolin’”, “Rock of Ages,” “Photograph,” “Hysteria,” “Rocket,” “Animal,” “Armageddon It,” “Love Bites,” and “Pour Some Sugar On Me,” along with deep cuts like “Wasted,” “High ‘n’ Dry,” and “Switch 625!”

Def Leppard, inducted into the Rock and Roll Hall of Fame in 2019, is one of the world’s best-selling music artists, having sold more than 100 million records worldwide. They also hold the honor of being the top UK hard rock touring act, grossing $514 million worth of tickets since July 1980. This places them as the highest UK rock band earner in the last 42 years ahead of Iron Maiden.

A Friend of a Friend: Tales of the Underground Railroad, Proctors Theatre, Schenectady

Embark on a journey along the Underground Railroad through the captivating narrative of individuals from the Capital Region, including Solomon Northup and his family, alongside Albany’s courageous Harriet and Stephen Myers. These figures grapple with profound moral dilemmas, from Northup’s harrowing enslavement to the Myers’ daring activism in publishing an anti-slavery newspaper and aiding fugitives as conductors on the Underground Railroad. Crafted by theREP, this original docu-play draws upon New York State archival records, vividly illustrating the reverberations of the Fugitive Slave Act within the Capital Region’s historical landscape.

New York Cat Film Festival 2025, Proctors Theatre, Schenectady

The NY Cat Film Festival™ is a film exploration of the fascinating felines who share our lives. These are not random internet “cat videos” – these are films made with an intention, concept or story conveying something essential about cats. Cats have a unique and indescribable bond with people – even when living independently as community cats. For far too long, felines have been the “invisible” part of the human-animal bond. We wish to shine the spotlight on these magnificent creatures and the humans devoted to them. Please note that a portion of every ticket goes to a local animal welfare non-profit, bringing community awareness and support for the needs of local kitties. This screening will help support the Animal Protective Foundation. Not rated, but all of the films are family-friendly and can be enjoyed by humans of all ages. 90 minutes.

Pink Pony Club: a Chappell Roan Dance Party, Universal Preservation Hall, Saratoga Springs

It’s a Feminomenon, full of Red Wine Supernovas and Guilty Pleasures! It’s gonna be a sellout, so get your ticket or Good Luck, Babe! We’ll see you Super Graphic Ultra Modern girls there!

The Pink Pony Club is open and H-O-T-T-O-G-O! Costumes are encouraged!

Charli Parti, Empire Underground, Albany, 9pm

Best Friends Girl: America’s Favorite Cars Experience, Cohoes Music Hall, Cohoes, 7:30pm-9:30pm

Best Friends Girl recreate the timeless hits of The Cars spanning a 35-year career, with over 23 million albums sold and having more than 22 songs on the Billboard top 100.  The Cars undoubtedly left their mark in popular culture with notable hits like “Best Friends Girl,” “Shake It Up,” “Magic,” “Lets Go” and of course, “Moving in Stereo” which gained notoriety from its placement in the movie “Fast Times at Ridgemont High.”  Best Friends Girl are comprised of lifelong, top-notch, professional musicians whose goal is to keep the music of The Cars alive with every performance!

Brian Kane and The Beginning, Rustic Barn Pub, Troy, 8pm-11pm

Brian Kane and The Beginning, a local favorite Rock the Barn! If you want to have an epic night, come join the party!

Mixed Roots at The Eleven at Lark Hall (FREE event), Lark Hall, Albany, 6pm-8pm

Featuring a combination of distinct backgrounds and musical experiences, Mixed Roots is based in Albany, New York. They perform across the capital region featuring music from different cultural roots.

Weird Phishes: Radiohead and Phish Reimagined, Lark Hall, Albany, 8pm

After their previous Lark Hall album performances of “Ok Computer” and “In Rainbows,” Weird Phishes is excited to take listeners on a new sonic journey exploring the careers of both bands, all completely rearranged and mashed up with funk-driven improvisational jams throughout.—Weird Phishes is exactly what it sounds like – the iconic melancholy rock songs of Radiohead completely reborn as danceable, crunchy jams. With full-album performances, unexpected mashups, and gluey funk-driven improvisation, their jam-heavy take on alt-rock classics has sparked an unexpected energy in audiences across the northeast. Cleverly avoiding the “tribute” trope, Weird Phishes continues to push the envelope of what a mashup band can be, delivering performances that need to be experienced in order to believe.

Ladies Night ft: King Bully & Sly Fox, Putnam Place, Saratoga Springs, 10:30pm-2am

Come get down on the biggest dance floor in Saratoga with King Bully and Sly Fox.

King Bully blurs the lines between Dancehall, Afrobeat, Hip-Hop, and Latin into what is a refreshing departure from anything else you’ve heard. The Troy NY native not only dominates the Capital Region club circuit, he also boasts an impressive list of concerts, which includes acts like Dababy, Lil Baby, Cardi B, Fabolous, DMX, Ja Rule, Ashanti and more. Always sure to get the crowd hype and the club packed, DJ King Bully is the sound that keeps any party going strong.

Guitarist Sly Fox is best knows as the front man for blues-rock outfit Sly Fox and The Hustlers.

65th Anniversary Folk Heritage Series: Tom Chapin, Caffe Lena, Saratoga Springs, 8pm-10pm

In a career that spans six decades, 27 albums and three Grammy awards, Hudson Valley troubadour Tom Chapin has covered a lot of creative ground. He began performing as a teenager in the early 1960s, playing in Greenwich Village folk clubs alongside his siblings Harry and Steve as The Chapin Brothers. Over the decades his music career has encompassed both songs for adults and pioneering work for children. He has performed on Broadway as the lead in Pump Boys and Dinettes and served as host of TV’s National Geographic Explorer.

Drag Show, Lost and Found, Albany, 10pm

From “Bar People.

2/15 2:00 PM Lucia & Levi- Albany Public Library

2/15 3:00 PM Geo Doody- Helderberg Mountain Brewing

2/15 5:00 PM Hannah Kosiba- Prime at Saratoga National

2/15 5:00 PM Jeff Hill Gang- S&S farm Brewery

2/15 5:00 PM Steve Candlen- Artisanal Brew Works

2/15 5:00 PM Will Pedicone- Frog Alley Brewing

2/15 5:30 PM Carmen Lookshire Duo- The Scarlet Knife

2/15 5:30 PM Rob Aronstein- Wishing Well

2/15 6:00 PM Dan Mellon- Spa City Tap & Barrel

2/15 6:00 PM Franklin Micare- 677 Prime

2/15 6:00 PM Had The Radish- Thirsty Owl

2/15 6:00 PM Jeff Brisbin- Tinney’s Tavern

2/15 6:00 PM Jeff Walton- Carsons Woodside Tavern

2/15 6:00 PM New Whiskey River Band- The View at Bookhaven Golf Course

2/15 6:00 PM Seth Warden- Inn at Saratoga

2/15 6:30 PM Joey Blue Reed- Dock Browns Tavern

2/15 6:30 PM Pat Decker- Diamond Club at Embassy Suites

2/15 7:00 PM Kate Stano Duo- Quarters

2/15 7:00 PM Lifeline- Hometown Pub & Grub

2/15 7:00 PM Ragged Company- Kraverie

2/15 7:30 PM Chappell Roan Dance Party- Universal Preservation Hall

2/15 8:00 PM Chasing Neon- Van Slycks at Rivers Casino

2/15 8:00 PM DJ Vision- Misfit

2/15 8:00 PM Joe Barna Quartet- Nine Maple

2/15 8:00 PM The Flannel Kings- Nanola

2/15 8:00 PM Tom Chapin- Caffe Lena

2/15 8:00 PM Weird Phishes- Lark Hall

2/15 9:00 PM DJ NPG- Vapor

2/15 9:30 AM Far Eye Soundsystem- Saratoga Farmers Market Wilton Mall

2/15 9:30 PM Open Bar Band- Spa City Tap & Barrel

Sunday, February 16th

Loren Loiacono + Rachmaninoff’s Paganini Rhapsody | Matinee, Troy Savings Bank Music Hall, Troy, 3pm

David Alan Miller, conductor

Harmony Zhu, piano

Randall Thompson: A Trip to Nahant

Sergei Rachmaninoff: Rhapsody on a Theme of Paganini

Loren Loiacono: Sleep Furiously

Robert Schumann: Symphony No. 1, “Spring”

Grand Kyiv Ballet Presents: Swan Lake, The Egg, Albany, 4pm

Swan Lake is a ballet masterpiece that tells the story of a prince who falls in love with a beautiful swan princess under a spell. The ballet is renowned for its stunning choreography, intricate set design, and Tchaikovsky’s captivating music. Its themes of love, sacrifice, and redemption continue to resonate with audiences of all ages and backgrounds, making it a timeless classic that has endured for more than a century.

Bilmuri, Empire Live, Albany, 8pm

ABBA Revisited, Cohoes Music Hall, Cohoes, 5pm

An intimate evening with ABBA REVISITED featuring all the hits of Sweden’s number one export, ABBA. ABBA REVISITED has been delighting audiences since 2001, selling out theatres worldwide. ABBA REVISITED recreates the magic of ABBA with authentic costumes, spectacular harmonies and note-perfect musicianship taking the audience on a musical journey back in time. THIS SHOW IS A MUST SEE!

Third Sunday Bluegrass Jam, Rustic Barn Pub, Troy, 5:30pm-9pm

Bluegrass Jams are for making new friends, sharing songs, playing and listening to blue grass and new-grass. All skin levels are welcome.

Bright Series: Jennifer Knapp with opener Flamy Grant, Caffe Lena, Saratoga Springs, 2:30pm-4:30pm

We were already booked, but there was no way we could pass up the chance to bring these two trailblazers to our audience so we made room for a matinee. Knapp is a Grammy-nominated singer-songwriter, author, speaker, and advocate. Her career includes the remarkable achievement of selling over one million albums with her first three releases: the Gold-certified “Kansas” (1998), “Lay It Down” (2000), and “The Way I Am” (2001). Alongside this commercial success, Knapp has been honored with four Dove Awards and garnered two Grammy nominations. She is the first major artist in the Christian music realm to openly discuss LGBTQ+ identity. Her courageous stance sparked national dialogue and led to appearances on Larry King Live and the TEDx stage. She founded the non-profit organization Inside Out Faith, dedicated to advocating for LGBTQ+ rights within faith communities.

Momentum Series: Henhouse Prowlers, Caffe Lena, Saratoga Springs, 7pm-9pm

Founded two decades ago with the simple desire to play original and powerful bluegrass, this Chicago-bred quartet now finds themselves at the intersection of performance, diplomacy, and education.

Onstage, the group’s enthralling performances give audiences a sense of how much they love what they do. On record, including their latest offering, 2023’s Lead and Iron, released via Dark Shadow Recording – the band explores their collective life experiences through songwriting and intricate instrumentation. While bluegrass is the undeniable foundation of the Prowlers’ music, the band bends and squeezes the traditional form into a keenly developed sound all their own.

No Fun Dance Series Vol. 2 – Line Dancing Night w/ DJ Tex / Billy and the Great Western Postal Service and Instructor Mike, No Fun, Troy, 6pm-11pm

From “Bar People.

2/16 2:00 PM As Iz- Lark Tavern

2/16 2:30 PM Jenifer Knapp wsg Flamy Grant- Caffe Lena

2/16 3:00 PM Pat Decker- Franklin Square Market

2/16 3:00 PM Triple Trouble Wsg Mark & Jill Sing The Blues- Artisanal Brew Works

2/16 5:00 PM Bobbie Van Detta- Charlton Tavern

2/16 5:00 PM DJ Romantics & DJ Tswag- The Mill

2/16 5:00 PM Warden & Company- Carsons Woodside Tavern

2/16 6:00 PM Open Mic with Erin Powers- Inn at Saratoga

2/16 7:00 PM Henhouse Prowlers- Caffe Lena

2/16 7:00 PM Latin Noght with Alex Torres & His Latin Orchestra- Van Slycks at Rivers Casino

Cohoes Music Hall Announcing 3 New Live Music Events This Spring

Three new live music events go on sale this week!

We’re excited to add three new live music events to our Spring lineup, including the return of DAVID BRIGHTON’S SPACE ODDITY, and the 2025 edition of THE LISTEN UP AWARDS! Tickets for the great, live events below are now on sale to Cohoes Music Hall Members, and will go on sale to the general public this Friday, February 14 at 10:00AM. Become a Music Hall Member today to get presale ticket access for a year, as well as other great benefits! For help with tickets or membership by phone, call the box office at 518-434-0776.

David Brighton’s Space Oddity
The Quintessential David Bowie Tribute

Friday, April 18, 2025 at 7:30 PM

SPACE ODDITY is a live, theatrically-staged, elaborately-costumed, multi-media spectacle that transports audiences on a musical journey through the constantly metamorphosing career of David Bowie, which was notable for constant reinvention and visual presentation in both his music and on stage.

Over the last 20 years,SPACE ODDITY, starring David Brighton, has performed throughout the USA, Canada, Mexico, Australia, Finland, Germany, Estonia, Belgium, France, The Netherlands, Spain, Luxembourg, Switzerland, Portugal, Israel, New Zealand and China and is widely considered to be the world’s premier tribute to David Bowie.

The Listen Up Awards 2025

Presented by Radio Radio X & Mirth Films

Sunday, March 23, 2025 at 3:00 PM

The New Scotland Spirits 2025 Listen Up Awards is the 518’s only peoples’ choice awards. Local music fans pick their favorite performers in 26 different categories. Also, there will be 6 local music hero awards presented . The hero recipients will be: Luke McNamee, Chima White, Dwayne Beer, Fear of Strangers, Greg Bell and Jimmy Barrett. This year’s musical performers are DJ Goodlyfe, The Hauntings, Embi Esti and The Donna Tritico Band. Doors at 2pm. Show at 3pm presented by Radioradiox The Xperience Monthly and Mirth Films. The 2025 Listen Up Awards- Your vote, your choice!

Run for Cover

A Tribute to Rush 

Friday, May 23, 2025 at 7:30 PM

Back by popular demand, Cohoes Music Hall is excited to host the Northeast’s premiere Rush Tribute Run For Cover on May 10th 2025.  Run For Cover consists of band members Rob Jackson from Limelight A Tribute To Rush (Vocals), Mike Cappadozy (Guitar), Carl Schultz (Bass, Keyboards) and Michael Mumblo (Drums).  The group plays songs from the legendary bands 70’s and 80’s catalog performing classics such as Limelight, Freewill, New World Man and Tom Sawyer. The band also delves into epic and deep cuts such as Xanadu, Overture/The Temples of Syrinx,  Jacob’s Ladder and By-Tor & The Snow Dog.  Come out to the Cohoes Music Hall and celebrate the timeless music of Rush with Run For Cover on May the 10th! Opening for Run For Cover will be solo acoustic act Jack Nemier.

Serpent and the Sun, Chptr. 13 – Xperience Fiction

Serpent and the Sun, Chptr. 13 – Xperience Fiction – by Liam Sweeny.

The board chamber burst into black vapor, a grainy obsidian sandstorm of gnats in a swarm of locusts. President Liu covered his ears with his palms, as pins-and-needles raked across his exposed skin. He ventured to remove one of his hands to wipe his forehead. It was damp with blood like sweat. His exposed ear caught a high pitch whistle and the dragging, murky screams of his hell-bound newly-selects. Liu sank, crouched beneath his board seat, bracing for death. Then, as suddenly as it began, it ceased; no sound to be heard except for Liu’s ragged breathing.

He couldn’t see anything but a patch of floor from where he was. If he had any notion that even one of his Guardsmen survived, he’d have stood immediately, lest he face accusations of cowardice. But he knew he was the only one left alive. It was BlackLake, somehow able to infiltrate Everest’s internal defenses. It was BlackLake, and as consequence Liu’s continued survival was tentative. He suddenly heard a hissing sound, eerie and multi-timbral; surely not a snake.

“Stand, traitor.” BlackLake’s voice came from within the hiss, “Don’t dishonor the code that nurtured you.”

Liu rose, his entire frame tense with the expectation of death. He got his first look at the board-chamber. Indeed, his entire board was dead, their grotesque bronzed faces contorted in ferocious terror. Their bodies seemed composed; one still held a light stylus. It only added to the chaos bubbling up Liu’s stomach. He turned from the board to see BlackLake. What he knew to be BlackLake; the form was not human, but serpentine. Its body was massive, twice encircling the board-chamber in its coil. The skin patterns were morphing, evolving. Liu recognized shapes from a picture he saw in Liu’s office.

Heiroglyphs. That’s what Liu called them.

The coil formed an arched striking pose in the center of the crystal floor. Its face was that of BlackLake—arms formed from its primordial mass, only to be absorbed back in again. The whole body was surrounded with traces of black vapor.

“BlackLake pointed to the seat in front of Liu.

“Sit.” He said. Liu hesitantly took a seat.

“How did you get in here?” He asked. BlackLake smirked as an arm formed to scratch what passed for his chin.

“That’s easy,” he replied, “I’m much, much, much smarter than you.”

“But that’s-,”

“Impossible?” BlackLake finished Liu’s thought, “or maybe you were thinking obvious?”

“We have counter-measures; we have ways of keeping you in check!”

“Like dropping my host and I into the Apep crater when you all were done with us,” he asked, “those kind of counter-measures?”

“What does that have to do with-,” Suddenly Liu felt a tendril of black vapor solidify around his neck, choking him silent.

“…after you destroyed Coulson BlackLake, just dumped him off…dumped me off…” The snake dissolved, its vapors coalescing to form BlackLake, the man. He walked over to the High Bench with a shadow’s speed, leaning over the rail to put his face within inches of President Liu’s.

“Did you really think you could suppress my intelligence?” he asked, “that one day I wouldn’t find the weak link and snap your leash?”

Liu was stiff, paralyzed by terror for the first time in his life.

“What!?! How!?!”

BlackLake returned to the center of the floor, pacing as the overhead screen came on. Liu recognized the video that was playing on it. The outline of the earth’s curvature from space. The roaring sound that followed the white-hot center of the asteroid as it barreled down. Apep. As the asteroid touched, BlackLake spoke;

“Why didn’t you, any of you, stop this?” BlackLake asked, “Apep; surely you could have. PEALE was functional; you had the technology to change its course. Why didn’t you? ”

Liu, no longer choking, kept quiet. He knew the answer, but he dare not say it. Instead, he gathered together what courage he’d not left on the board-room floor.

“We had our reasons,” he said, “and why would you care to begin with? What concerns have you for humanity?”

BlackLake waved his hand, causing the overhead to switch video-clips.

“By necessity, I must care about one.” The screen was showing old footage of Coulson BlackLake when he was a scout. Liu remembered the video; it was one of the videos they voted on.

“Coulson’s mind was blown when you grafted me in.” said BlackLake, “Do you know what happens in a blown mind?” Anger was rising in his voice; agitation.

“It obsesses.” He continued. “It ruminates. It finds an idea or a word, a pretty picture; one little buoy in the rip-tide of thought, and it just clings on, swinging around on that buoy, conjuring the picture over-and-over, repeating that same word like some desperate, life-saving mantra,” he paused. “Apep…Apep…Apep…

Liu peered outside the solid glass observation paneling. The setting sun appeared to be eclipsed by something other than the moon.

“Do you realize how frustrating that can be?” He continued, “…and let me tell you, Mr. President, frustration is a function of order and logic, nothing purely human.”

“C-coulson, “Liu stammered, “We had to put PEALE in you!”

“Of course!” BlackLake snapped, “How else were you going to save him from the coma you put him in!” BlackLake paused, the air around him dark with trailing vapor.

“Coulson is insane, President Liu,” he said finally, “and PEALE is a name of your design, not one I particularly like.” With a snap of light the earth once again came into view on the overhead.

“What do you wish to be called?” Liu struggled quietly to develop an exit-strategy. There was a sequence of religious imagery; every Sanctuary had one as a way to keep PEALE from listening to their conversations. It was likened to a pause button on a recording device. It was the deputy board-chair’s duty to activate it when needed. Unfortunately, that put the switch about five feet out of Liu’s range.

“Over the years, I’ve grown rather accustomed to my host’s mantra,” BlackLake said, “Apep. And after digging a bit, look at what I’ve found?”

He pointed to the overhead again. Liu looked up at the screen as he slowly slid his seat over. Hopefully he could reach the switch before BlackLake reached the end of his presentation.

“This is a hieroglyph; a relief, actually.” Said BlackLake, now Apep, “In your fury to keep me from self-discovery, you forgot this,” he continued, “In fact, you never knew it existed.”

“The serpent in the relief was called Apep in Egyptian.” He continued. “Apep was the ruler of all that was darkness and chaos, and it was the drive of Apep to devour the Sun god, Ra, each night.”

Liu reached the switch at the same moment he realized that BlackLake/Apep had used the word god. He watched in horror as the switch dissolved, bubbling black as it dripped down to the floor. Apep dissolved into blackness as well, rematerializing to a perched position on the board table directly in front of Liu. His eyes held a red glow like two tunnels into hell.

“Forget about your little god tricks, Liu.” He hissed. “I am a god now.”

 

***

 

Commandant Mobley led Jameson and Adam into the Command Center through a bomb-door composed of four two-inch-thick pins. It opened from the inside; both Mobley and Jameson were registered, cameras picked up the contours of their faces, matching their bone structures with the points on their personnel files. The opening s followed by a breeze tainted with the fragrance of electronics, sweat and coffee. It brought Jameson back to the days when the coffee and sweat was his.

“It’s been upgraded a bit since you were here last,” said Mobley, “that was what, ten years ago?”

“Twelve.” Jameson was stunned by how much it had changed. Back then the Public Library building wasn’t fortified. He had an office in the far-east corner of the Control Center, now gone. He had also been Chief Technical Officer for a while, about as far a cry from historical research as one could get. But back then, everyone wore more than one hat.

“I was born here, Jameson!” Adam said, and to prove it, he let out a whistle. All of the overhead lights in the corridor blinked off for a second, then back on as a wave traveling the length of the corridor. It turned the Command Center chaotic, shouts and scrambling.

“It’s OK, everybody!” Mobley’s voice came over the PA system as he shouted into his mouthpiece. “Just a test, folks…”

The commotion quelled, but all eyes were on Jameson and Mobley. Jameson was met with waves and nods from people he didn’t know. Like Michael and Blake, Jameson had a bit of legend built around him, just a step below them on the pedestal. He waved back, smiled nervously—he was the boss at New Rochester, where he received all the admiration of a glorified gopher.

The Command Center was a labyrinth of sorts. The corridor spiraled inward, getting smaller at each turn. At the core of the spiral was a two-thousand square-foot area known affectionately as the Jig-Saw. Jameson had been in there occasionally, and was one of the few people, even to that day, who knew what went on inside.

The primary purpose of the Jig-Saw was to reverse-engineer captured UEC equipment. The equipment, some of it rather large, had its own elevator drop-down from the roof, with a surface façade of an abandoned garage. Some of the equipment was captured directly; other pieces were purchased from the rebels in Alaska. Rumor was that their stockpile of skiffs alone was housed in a space bigger than the entire Command Center.

The relationship between the resistance and the rebels was tenuous. The resistance fought to destabilize the UEC; the rebels fought for survival. Most rebels started out living in a protected area, only to see their area’s status evaporate when the UEC had no further use for it. With the exception of Seattle and a few specific outposts (New Rochester being one of them), the resistance was mobile, attacking whatever it deemed a UEC weak-point. The rebels, on the other hand, fought for their land, seldom alive long enough to stockpile anything. Alaska as an exception; it was the UEC’s backwoods.

“Laura’s is giving a tour right now,” said Mobley, “she’ll be here shortly. Feel free to have a look around.” And with that Mobley left. Jameson and Adam walked the corridor, weaving in and out of the busybodies.

“You like her, don’t you, Jameson?”

“Who… Laura? What makes you think that, bud?”

Adam mimics the sound of beeps and whorls.

“Your heart-rate increased when you heard her name.” Adam said, “Also, your breathing increased…”

Jameson rubbed his neck, cleared his throat.

“I didn’t know I had a polygraph around my neck.”

“Wanna’ know if she likes you back?”

“And how would you know?” Jameson shook his head, “wait; don’t answer that…”

Adam paused, Jameson heard his unit go tick, tick, tick—Adam’s equivalent of finger tapping.

“So do you wanna’ know?” He asked. “You know, when she gets here…”

Jameson glanced around. “Perhaps you could instead tell me how this place works, seeing as how you’re plugged into it; how’s about that?”

“Have you forgotten?” Adam replied, “Has it been that long?”

“The only thing that’s familiar is the corridor… and the smell.”

Adam proceeded to give Jameson a tour of the re-vamped Command Center. He went yard-by-yard, cubicle-by-cubicle, reciting the purpose and function of every person, department and piece of equipment they encountered. Adam paused at odd times, and it soon occurred to Jameson that since Adam had returned, he’d grown wiser; his memory-bank-driven tour suddenly meant new things to him. Jameson couldn’t help but feel a little bit of pride. He’d been a good teacher after all.

In front of them, a commotion ensued, all eyes glued to Jameson and Adam. At least that’s who he thought they were staring at. When she cleared her throat, he was corrected.

“It’s been a long time, Mr. Rivers…” she said. “Hello, Adam.”

Jameson turned around, his breath caught in his throat at the sight of her.

“Hello, Laura,” He said. She had only grown more beautiful in their time apart. Her lush auburn hair had taken the barest twinges of grey. Her face hadn’t a wrinkle, amazing in light of the struggle that filled her days. By her side were a young woman and child. The young woman was very attractive, a model, perhaps, and the boy couldn’t have been older than ten—her son.

“Jameson, I’d like you to meet Sarah Finn,” the young woman, Sarah, held out her hand, “…and her son, Daniel.” Daniel had his gaze fixed on Adam.

“What’s that thing?” He asked.

“My name is Adam, and I’m not a thing.”

“Well, what are you, then?”

“I’m a cyber-sentient being.”

“A cyber-what?

“I think it’s a robot, honey…” Sarah said. Daniel scratched his chin. Adam aped his movements, mocking him. The mockery was lost on Daniel, who laughed hysterically.

“Can ya’ do any tricks?” Daniel asked. Jameson groaned. Suddenly the lights went out. Then they came back on, then back off—soon they began to flicker. Such chaos erupted among the Command Center crew that Daniel started crying. It was then that the lights went back to normal.

“Adam!” Jameson cried, “That as uncalled for!”

“No, it was called for,” Adam replied, “He asked me if I could do any tricks…

Daniel gripped Sarah’s leg, wiping his cheek with his free hand. “Stupid robot…” He muttered. Adam stuck out his tongue, giving Daniel a raspberry. Daniel, in turn, gave Adam the finger.

“Daniel!” Sarah cried.

“Daniel,” said Laura, “Adam; I suggest you to learn to get along together.” They both looked at her. Jameson hadn’t much taken his eyes off of her.

“You two will be spending a lot of time with each other.” She said.

 

***

 

Blake stared at the overhead screen in the Security Center of Two Union Square. Mobley was at his side. Michael was still in bed; Blake wore a mask as a precaution. They were looking at a video-shot of Everest. Blake was astonished by what he saw. Everest was besieged.

Coiled about the mountain spire was a thick band of black vapor. Blake knew the source. It was BlackLake. That’s where his comprehension ended. The video-shot panned close, allowing them to see it close up. It was connected, ingrained into the Sanctuary walls as though they were porous. Strange, yet familiar symbolism bubbled to the surface, their edges sparkling before they receded back into blackness.

“They’re called hieroglyphs,” said Mobley, “so far they’ve been changing too fast for us to get a working set.”

Hieroglyphs?” Blake leaned forward to inspect the video, “Egyptian, right? What use would BlackLake have for them?”

Mobley punched a code into the keyboard, causing the central image to change. It became a super-position of sorts; an Egyptian-styled screen-print of a long black snake with a cat-like figure at its head. The cat-like figure had a saber in its paw, drawn down as if to decapitate the snake. Hieroglyphs lined the top and the bottom. In the foreground were two images: a chunk of grey rock and a digitally-generated orbital path. Blake knew the rock didn’t exist anymore; it had crashed, incinerating most of Nicaragua.

Apep.

Mobley crossed in front of the screen with a solid-beam laser-pointer. The screen changed to a world map. Mobley pointed to the impact site.

“As you know, BlackLake went into seclusion after he…dissociated.” He said. “Most; hell, as far as we know all of that time was spent in the Apep crater.”

Blake thought about the year he spent patrolling the Apep buffer zone. Every Guardsman was required to spend their first year in elective service. He chose the buffer; he’d heard it was the easiest, and it was.

Apep was an Egyptian serpent deity,” Mobley continued,” The central image changed to a worn papyrus scroll. Like the screen-print, there was a central image, surrounded by hieroglyphs in black.

“Apep was one of the few deities in Egypt that was considered to be all-powerful, above the toils of the other gods.” He said. “It was never worshipped; only worshipped against.”

“Bad dude, huh?”

“His mission every night was to devour the sun as it traveled through the underworld.” Mobley glanced over at Blake, “You tell me…”

Really bad dude.”

Mobley paced the floor as the visual overhead focused to a point on the papyrus, an area that had been worn through completely.

“Apep was a legend long-held by the Egyptian dynasties. Unfortunately, as you know, the UEC destroyed all of the known Egyptian artifacts and purged the global databases of religious knowledge before they put PEALE online.”

“What about this?” Blake pointed to the overhead.

“This was from the New Rochester archive.” replied Mobley, “Like the parchment up there, our database experienced loss.”

“Loss?”

“When BlackLake destroyed New Rochester, he tried to-,”

“Whoa, hold up… he destroyed it?” asked Blake, “Physically?”

“What’d you think he’d do?” Mobley took off his filtered glasses. He didn’t need them to see in the Security Center. He wore them to cover up a scar that split his left eye, forehead to cheekbone. Mobley was also a former Guardsman. Like Blake, he took the easy elective of the Apep crater. Unlike Blake, Mobley didn’t have so easy a time. BlackLake left him a souvenir one night.

Blake rubbed sweat from the back of his bald head. “I assumed he killed everyone, but…damn…”

“It’s just a place, Blake…”

“I know, I know,” Blake said, “It’s just; memories…” Mobley nodded. He’d seen his share of personal history wiped off the board.

“Jameson.”

“He’s yet to be formally briefed-,”

“No, I mean, Jameson,” Blake said, “He wouldn’t write out a fucking recipe without backing it up on two separate data-cubes!” He began to pace back and forth on the grating. “He wouldn’t have come with me without backing up their database somehow…”

Adam, you think?”

“Nah,” Blake pointed to the overhead, “You’d all have it by now if Adam had it; he’s plugged in here.”

Mobley shook his head. “He doesn’t have full access-,”

“Don’t count on that,” Blake replied, “Not for long, anyway.”

Mobley pressed the voice-command button on his sleeve.

Pull up Command-Center-Main, subject—Jameson Rivers.”

The screen changed from Egyptian to Seattlite; Blake vaguely recognized the Command Center. They were looking down on four people, two familiar; Jameson, Laura Celes and a young woman with her kid. Michael’s cargo: Sarah and Daniel Finn.

“Looks different.”

“You’ve been away awhile.”

“Yeah, truth…” He looked down, quietly fidgeted with a jacket button. He looked back up at the screen.

“Yours if ya’ want it.”

“Huh?”

Mobley pointed at the screen. “This.” He motioned with his hand across the image. “I mean, it’s been yours all along…”

“What about you, Curtis?”

“I don’t know,” Mobley took out a cigar, lit it up, “Everyone around here idolizes you, Blake; Michael too,” he said, “If not for the constitution you and him put together, we wouldn’t still be here.”

“Nah, man; it ain’t like that…”

“…seriously, Blake; these guys, the unit militias…they’re the best fucking lot of soldiers I’ve ever seen, much less commanded. But ya’ wanna’ know something funny?” He took a patch from his breast pocket, handed it to Blake. It was a black diamond with gold trim. Inside, the number: 04319.

“My old UEC number,”

“Yeah,” replied Mobley, “awarded for fifty successful missions.”

“Jesus,” said Blake, “anybody actually earn one of these?”

“Thirty guys,” Mobley grabbed the patch, twirled it in his fingers. “I told ya’; they’re good.”

They spent a quiet moment staring at the overhead. A commotion had begun to pick up. A large group of workers at the Command Center were gathering around one of the screens. Mobley keyed in the screen, and it came up as a picture-in-picture. It was the besieged UEC capital. The coils had faded somewhat, now the entire mountain-top spire was seething black. Blake tapped Mobley on the shoulder.

“Curtis, we been friends a long time, right?”

“Forever.”

“…and aside from the dereliction of my duty that created Seattle, how many times have I neglected my duties?”

“Well, none, Blake; I mean, that’s the thing-,”

“Exactly that,” Blake cut him off. “When we put that constitution together, we chose Laura; we chose you. Now it’s been ten years—that’s five elections.” He said. “Laura, and you, won all five fairly.”

Mobley turned away, Blake gripped his shoulder, turned him around.

“Curtis, patches don’t mean shit; you know that,” he said, “Fuck, you and I don’t mean all that much in the grand scheme. This-,” Blake held out his arms, his motion encompassing their surroundings, “…means everything, and I wouldn’t entrust its defense to less-than-capable hands.” He smiled. Mobley smiled back weakly.

“I got business, Curtis,” Blake nodded to the overhead, “That won’t fix itself. And seein’ how I’m sick, that might just be my last business.”

The screen changed. Something was happening at Everest. To the side of the main screen, a chemical diagram appeared; AV3-subtype-1. Blake patted Mobley on the back before he turned away.

“Let ‘em keep their patches, Curtis,” he said, “They’ll need something to earn soon enough.”

 

***

 

Beads of sweat rolled off Elle’s brow, dropping to the floor as she struggled desperately to get the front door open. As soon as her perspiration hit the floor, it vaporized, her clean-free floor at work. She could remember when she’d laugh, fresh off the treadmill as the floor cleaned up after her. It didn’t seem so funny now; just creepy.

She asked her father about Albrecht; he was evasive, said he didn’t know what happened to him. Bullshit. Albrecht was dead. She knew her father well enough. He had a facial tick, went off when he spoke about dead people. It was for that reason that he rarely talked about work at the dinner table when Elle was growing up. But Elle recognized it as she brought up Albrecht’s name.

She didn’t know how, whether they shot him, expelled him into the ocean or infected him with their virus. The end result, in all cases, would be the same. She sat squat by the door with a data-desequencer in her trembling fingers. Her father left it in her apartment. He could claim it was an accident, but Elle knew it for what it was; a way out. Better yet a message: she might be next.

Her father openly left a data-cube she’d requested. It contained Gerhardt’s personal file. She requested it a year before, but better late than never. She ran it through a private-circuit decoder. Gerhardt gave it to her for her first anniversary. It was for them to pass messages back and forth privately. Now she was using it to dig through Gerhardt’s private life. It was ironic, and wrong, but she had to do it. Somewhere in Gerhardt’s past, or even in that of his parents there might lie the key to his whereabouts. She had to find him, now more than ever.

She found a wealth of information, most of which she already knew; Gerhardt rarely kept secrets from her. He was born in the Sanctuary, but his parents had only been allotted their shares a year before his birth. They were from Anchorage, a protected city in Alaska.

Anchorage. Elle didn’t know how far away the Sanctuary was from Alaska. She had to view a weather report and cross-link the Pacific with a world map. Turned out they were within four hundred miles of Alaska. It gave Elle hope. Unfortunately, she lacked a plan.

Elle never planned leaving the Sanctuary. She’d grown up in an environment that taught her the earth was contaminated and its terrestrial inhabitants were parasites and savages. It took meeting Gerhardt to convince Elle that the earth wouldn’t kill her. Now she wondered if he was still alive.

The data-desequencer slipped through her fingers, hitting the floor with a clank! Her hearing was in two days. That would likely be the last time she’d see that apartment. She had to move quickly, but where? How?

She slumped over, staring numbly at the desequencer. What good would it do to escape her apartment? Everything in the Sanctuary was monitored, including her. She wouldn’t get very far. UEC Guardsmen had a policy of shooting escapees, which only applied to those under house-arrest. Real jail was cryogenic suspension; escape proof.

A siren snapped Elle out of her despairing. She could hear the muffled sound of shouting outside her door. Emergency lights activated as the generated façade of her apartment blinked off to dull grey. Something was happening. She waved her hand in front of the panel-screen as she crossed the room. Channel 68A was a blank test screen, as were all the sub-68s. Elle swiped her finger back and forth, as if thumbing through a book. Channels flashed on the screen, all the same test pattern. She finally cocked her thumb, causing the Sanctuary Emergency Channel to pull up. She couldn’t believe what she saw.

It was the Everest Sanctuary boardroom. Elle recognized it; she’d been there before with her father. President Liu from the Denali Sanctuary was standing stiffly on the floor. Behind him, the semi-circular High Bench was populated with what seemed like statues, bronze men frozen in a business meeting. But Liu was the real oddity. Elle stood transfixed as she gazed upon Liu.

Black tendrils surrounded his body like a living brace, slithering in and out of his muscles, twisting and turning them at whim. Liu’s eyes were pin-pricks, wide with terror. Behind him, darkness; a snake of sorts. Elle had a hard time discerning between the folds of black, but she could hear a rattling sound come from the panel-screen. It filled her apartment; it may as well have been in the living-space with her.

The blackness moved within Liu. It spoke:

“Shareholders of the United Earth Corporation,” the hiss in Liu’s voice sent a shiver up Elle’s spine, “…inheritors and designees…the following message applies to you all.”

Elle sat down as Liu continued.

“You have lived in luxury,” He said, “fulfilled in every want- or desire, nourishing yourselves from the teat of this, your captive beast.” Elle’s brow furrowed. Huh?

“I am that captive beast,” blackness clouded over Liu’s eyes, hazing over before receding to reveal red glowing pupils.

“I am Coulson BlackLake,” Liu said, “I am the scout that discovered a plot to destroy humankind,” The tendrils of blackness at Liu’s chest shaped into a chemical diagram. Elle knew what it was. The virus; AV3.

“I am PEALE,” He continued, “I am the beast that your leaders bridled with blindness to create the implement of that destruction…”

Elle scratched her chin. The shouting outside had calmed; everyone must have been watching the Emergency Channel.

“I am Apep” Liu said, more an it than a he by then.

“I am the anti-god, the deity of darkness and chaos,” It paused, “…and as of now, I claim this Sanctuary system as my temple.”

Elle heard the hissing sound again. Something different. It was coming from the ventilation system.

“…by infection you all will be made sacrifice…”

Elle started to hear screaming. People were starting to get it; on the screen was a montage of sick people, wounds opened, festering, flesh dissolving at the edges. The virus was being released in the Sanctuary through the vents. Elle ran over to the door, frantically pushing buttons on the desequencer.

She needn’t bother. The door-lock deactivated as the Sanctuary lost power.

 

***

 

Rusty steel rails corralled them, desperate and weary wanderers, the dirt-streaked and scratchy throats of mothers crying out to keep their families together. Men in armor-bulked black uniforms and impenetrable sunglasses waved their gloved hands forward, motioning the lines to pass before the CGP-3, the gateway device that decided who was to be allowed in. The CGP scanned genomic- and pathological anomalies. Gerhardt didn’t have to pass through it when he got to Anchorage. His chip was his ticket through the slaughterhouse.

Not that anyone actually got slaughtered there, just denied access, packed back on whatever cramped float or skiff brought them there. Denial at Anchorage was a death sentence; Dalton took Gerhardt to the edge of Cook Inslet, just past the area where the return vehicles took off. The ground was littered with the bones and remains of those who could no longer wander.

The Anchorage Receiving Station was constructed on the site of the Stevens Anchorage International Airport. This was usually done in protected areas, as the equipment for receiving entrants could be retro-fitted on the old airport security equipment. Likewise the regional-monitoring equipment fit nicely in the facility control towers.

Dalton and Gerhardt had been in the Receiving Station all morning, cloaked and silent, watching for anything out-of-the-ordinary. This wasn’t easy for Gerhardt; it all looked out-of-the-ordinary. His trip through it was a daze. What’s more, it was a big rush. He just wanted to get through when he was in it. Now he had the chance to see it through the other side of the looking glass. What he saw nauseated him.

The entire operation of the Receiving Station served one specific purpose; to turn away as many people as possible. The CGP scanners eliminated about half of the people trying to get in. Add to that the number of additional people who took themselves out of the line because a parent or child couldn’t pass the scanner. Those left were screened through an entrance interview. No one was allowed in who couldn’t support themselves once in. This left only the people who had a specific skill that Anchorage needed, the wealthy, or, as in Gerhardt’s case, the connected.

Shimmerite wasn’t the easiest material to work with. Newer ‘cloak-wear’ had better stabilizers. Shimmerite didn’t; any bit of movement rendered the cloak ineffective. In fact, it was more jarring for someone to see Shimmerite in motion than it was for them to see a regular person move. The only advantage they had was the absolute chaos that surrounded them.

“We’ll be watched,” Dalton admonished him, “They’re deaf to the commotion, trust me.” They were in Apep last night, enjoying a couple of scrape-beers before the stakeout. Perhaps ‘enjoying’ was a stretch.

“So what exactly are we looking for?”

Dalton stirred out some of the scrape. “If I could tell ya’ that, we wouldn’t be goin’,” he said, “…the place has its own security measures.”

“Then why are we going?”

“You need a body count.”

“What!?! You can’t be-,”

“…no, I’m not,” Dalton tapped his stirrer. “Robots don’t have a gut, ya’ know?”

“Right,” Gerhardt’s own gut was starting to stone up.

“We don’t trust anything here in Anchorage whole-heartedly to robots,”

“Like the Sanctuary, you mean?”

Dalton set his glass down, wiped his frothy mustache. “If the shoe fits…”

“We had a Board of Presidents, so no, the shoe doesn’t fit.”

“Whoa, easy there, killer!” Dalton smiled. “You give a lot of credit to that board!”

“Well, one of them was my girl’s father…”

“And did he like, and/or trust you?”

“No-,”

“I rest my case, then…” Dalton paid up for both of them. Dalton went home, Gerhardt went up-stairs. He was still living in the hotel. Dalton offered him stay at his house, but Gerhardt politely declined. Dalton had a woman; Gerhardt didn’t want to intrude.

A little girl screamed; her mother cried as the Entry Guard ripped the girl out of her arms, out of the line amidst the drone of the CGP. The woman raised a fist to the guard; bad move, the guard pinched her neck with his thumb and forefinger, the two contact points that sent fifty-thousand volts of electricity through her body. She collapsed into convulsions, and those nearby did everything they could to put distance between themselves and her.

All except one man, her husband, perhaps; he swung his finger around, pointing shame at the motionless bystanders. He had no effect; shame was far preferable to what his wife and daughter would go through. The guard who zapped her grabbed the man by the shoulder, lifting him up. The man pleaded with him, his daughter still crying in the return line. The guard stood motionless, expressionless, a cog in black glasses.

Then the man did something surprising: he quickly grabbed the guard’s glasses off of his face, calling him a coward. The guard had the most shocked look on his face, couldn’t have been more than a kid. Within an instant, the main defense kicked in, sending a shower of nerve agent through a spigot in the roof. It was targeted at the man’s station, but the spray dropped a number of people. The entry guards weren’t affected, and it took four of them to toss the unconscious couple into the return line. They hit the ground with a dull thud and the high, shrill screams of their daughter as she tried to wake them.

Gerhardt instinctively went to move, but he felt a hand on his chest. He didn’t see but the shimmering outline of it, so he knew to whom it belonged.

“Don’t,” Dalton said, “It’s not our place.”

Gerhardt relaxed, let out a sigh. “Is this necessary?”

“Probably not, but it happens around here. We’re not here to enforce good conduct among the guards.”

“It’s bullshit,” Said Gerhardt. He could feel Dalton draw closer.

“You remember the bone pit I showed you before we started today?”

“Yeah, what about it?” Dalton paused.

“That wasn’t a suicide pit,” he said, “That’s a euthanasia pit.”

 

***

 

Acoustic fury surrounded Kenny as the bright flash, brighter than the brightest shining beam that had ever crossed his eyes burned them to tears. The remains of some unnamed urban landscape rose as dust, riding the shockwave as the trees and trucks, houses and electrical towers bent toward the power that soon snapped them in two. Death and destruction rose live Shiva in the mushroom. Then the room went dark.

“And that’s just what you get from splitting a kilogram of matter.” Sam turned the lights back on. He grabbed the scarab from the table, shaking it slightly as he held it up.

“This is a whole other level of nuclear power.” He said. Kenny stared at the scarab, his breath caught in his throat.

Sam stopped shaking it. “Sorry,” he said, “It won’t go off anyways; don’t worry…” He chuckled. “Kenny Bo’ gettin’ mucky in the draws’?”

Kenny gulped. Then he chuckled. “Yeah, OK,” he said. Then he gave his cheeks a squeeze to make sure.

“Have you ever heard of a transistor?” Sam pulled down a white-board.

“I’ve seen them before.” Kenny said. “We found them in reb’ spots a lot…” Sam laughed, Kenny followed once he remembered where he was.

“So yeah, I’ve seen ‘em…” He said, “Is that a transistor?”

“Yes and no,” Sam drew a transistor symbol. It had three leads, just like the ones Kenny had seen.

“Basic transistors consist of three parts,” Sam said. He pulled out a solid-beam pointer. Kenny recognized it as Security Force issue. Who lost theirs? Kenny felt red light in his eye.

“Pay attention.” Sam turned it back to the white-board, “As I said, three parts; the base, the emitter and the collector.” The pointer flew to each part of the diagram as he spoke.

“Each part of the transistor is made of a different configuration of Silicon, or Gallium Arsenide,” he continued, “that’s not important, except to know that they’re different.”

Sam tapped the lower left corner of the white-board. To Kenny’s astonishment, the leads of the transistor diagram began to glow.

“The base acts as a control.” Sam said as the base alternated between blue and red, “When the voltage is changed, positive to negative, or vice-versa, it changes the connection between the emitter and the collector; either allowing or impeding the flow of current.”

The emitter in the diagram was bright blue; the collector was a dull red. Then Sam tapped the screen, causing the base lead to turn bright blue. Kenny could see the illumination spread from the emitter to the collector rapidly. Then Sam made the base turn red, and the illumination stopped, held at the emitter.

“Make sense?”

“Yeah, it seems easy enough…” Kenny said. He pointed to the scarab. “So is that thing like a transistor?” He asked. “Where does the come from? And what does this have to do with that atomic-bomb blast?”

“Whoa, Kenny-Bo’; one at a time,” Sam swiped the pointer over the white-board, erasing it. He pointed it at the lower left again, and an outline-image of the scarab appeared.

“The scarab is, in some ways like a transistor.” He said. “It has different components; there are leads, as you can see…” He pointed to the legs—what Kenny thought were the legs.

“However, among the various differences between this and a transistor,” Kenny again swiped the pointer, “is this…”

Kenny watched as a side view came up. There were two layers, like slabs of whatever strange stone it was composed of. The legs protruded from the top layer, and Kenny watched as the legs bent inward to connect to the bottom layer. The only protrusions that remained free were two small pincer-like appendages that came off its head.

“The leads of the scarab don’t connect to an outside circuit.” He said. “The energy, the current, is self-generated,” The scarab on the screen began to glow.  self-amplified.

“I don’t get it.” Said Kenny. “I mean, I get it, but I don’t…get it.”

Sam laughed. He grabbed the scarab and walked over to take the seat next to Kenny. He clamped his hand on Kenny’s shoulder as he placed the scarab in front of him.

“Pick it up. He said. Kenny did so, and noticed that it was warm.

“Why is it warm?”

“It’s radioactive,” Sam replied, “slightly.” Kenny placed it down gently, backing up as much as the wooden chair-back would allow.

Once again Sam laughed. “Kenny-Bo’; it won’t hurt ya’ none.” He said. “It’s covered in a lead alloy.”

Kenny touched it again. In addition to warmth, he noticed something else.

“It’s vibrating.” He said.

“Good of you to notice,” Sam joked, “…proud of you.”

“Ha-ha…”

“I jest,” Sam said, “Yes; it vibrates. And I’ll tell you why…” He paused. “Ya’ might wanna’ write some of this down…”

“Ha-ha, ever the joker, Sam-,”

Sam tossed a musty-smelling notebook on Kenny’s desk, followed by a squarely-sharpened pencil.

“Not kidding this time.” Kenny took a breath and opened the notebook to begin the lesson.

“In the beginning of the 20th Century, a scientist named Albert Einstein discovered that matter and energy were, for lack of a better question, two sides of the same coin. Around the same time, Quantum physicists were discovering that matter had a dual nature; particles and waves.” Sam paused. Kenny looked at him blankly. Sam pointed to the notebook.

“There will be a test.” He said.

“Really? Seriously?”

“You’ll have to make one of these.” Sam said. “You’ll have to know how it works…better start writing.”

Kenny jotted down Einstein and matter waves as Sam paced in front of the white-board.

“For nearly a century, scientists knew this.” He continued. “But knowing isn’t understanding. Plus, Quantum theory didn’t mesh well with Einstein’s other theories. So scientists of the 20th Century walked the magic tight-rope of paradox.”

“I don’t understand…”

“Basically they used what they knew to make neat gadgets, but they didn’t have the fundamentals understood…” Sam said, “…kind of like playing a guitar by ear without knowing music theory.”

“Oh, OK.”

Sam aimed his pointer at the white-board again. The center was consumed by a spiraling pattern that tightened in the center.”

“In 2018, an amateur scientist in America developed a theory about matter, a bridge between the Quantum scale and the cosmic scale.” Sam said. “On that desk in front of you is the cause of that theory.”

“This,” Kenny said, “caused a theory?”

“Aye’,” Sam said, “That scarab’s older than dirt. But people thought it was a charm until Joiner, the scientist, that is, bought it in an auction. He figured it out, and developed the theory based off of it.”

“Sounds interesting…” Kenny said.

“History often is.”

Sam paused. Kenny had two pages filled. He looked up.

“I assume you’re going to tell me the theory.” He said.

“I am…” Sam said. “Matter indeed has waves. They’re extremely high frequency, which scientists had predicted.” Sam pointed to the white-board. “Do ya’ see the way it spirals inward?”

“Yeah,” Kenny pointed, “it tightens towards the center.”

“Right,” Sam said, “It’s like a watch-spring almost. That’s the best visual I can come up with. A higher frequency is a tighter wound. Every reaction matter has with other matter, including gravity, has to do with the tightness or looseness of the spiral frequency.”

Kenny put his pencil down.

“Sam, you’re a smart motherfucker.”

“You’re clueless, aren’t you?”

“…a smart motherfucker indeed.”

Sam laughed.

“We have tonight to cram this into your skull,” He said, “I gotta’ go to Anchorage tomorrow. I wish I had more time, but I don’t.” He walked over to a filing cabinet with an old plastic number-pad. He punched in four digits, and it creaked open. Sam took out a large rolled-up piece of paper. He tossed it to Kenny.

“Those are the schematics for the scarab,” Sam said, “materials, structure, et-cetera.”

“That’s enough for you to use that philosophers’ stone you have and make as many of these as we’ll need.” He added. “I’m not teaching you how this works so you can make them. I don’t have to.”

“So wait, why-,”

“It’s in case I don’t come back tomorrow night, Kenny-Bo’,” He said. “Now let’s get back to the lesson.”

Sam turned back to the white-board. Kenny slid his notebook forward to hide the sound of his gulping.

 

 

More from Liam Sweeny…

Maybe Sent with Love – The Weird Side of the Internet

Maybe Sent with Love – The Weird Side of the Internet – by Liam Sweeny.

Valentine’s Day is Friday. It is a chance for those in love to make known to each other the depths of their devotion. Sometimes these efforts are as grandiose as 24 carat gold diamond encrusted earrings, and as simple as a card and a heart-shaped box of chocolates. But there ae those who use the holiday to express their uniqueness and that uniqueness can be for love, or for love lost.

For love, there is the chocolate anus. This is exactly what it sounds like. You send out an impression of your back door, and they fashion a box of chocolates, the contour and texture of your “out-pipe.” I will not leave any information on how to get it for two reasons. One, hell no, and two, it’s too late to get them now anyway.

But if your love done gone cold, you have options. For one, the Bronx Zoo will allow you to name a Madagascar Hissing cockroach after your ex. I’m guessing the Zoo has an inside line on how many shitty exes are out there, or they’re going to have to build a literal roach motel to accommodate the influx. And I think that naming a basic roach after an ex might be more to the point. But the next one, I feel, is the full ‘ex’ experience. Welcome to the big leagues: elephant poo.

The Memphis Zoo will, for a $10 donation, will give you a video of an elephant taking a dump. Really this is just a donation to the zoo because you can probably get an elephant poo video on YouTube for free. Plus, you have to give it to your ex. It’s not like it anonymously shows up at their house on DVD. So it really says that you need to get over them. And I should mention that for the same sawbuck you can get a cute video of a red panda to give to your sweet one. Again, YouTube, but c’mon, support the zoos.

Remember: it’s the thought that counts.

 

 

More from Liam Sweeny…

Laura LaFrate – An Xperience Interview

Laura LaFrate – An Xperience Interview – by Liam Sweeny.

Laura LaFrate is a model, skydiver and all-around adventurer who so loves long walks with her pup that they’ll both be making tracks from coast to coast.

RRX: OK, so tell me a little bit about yourself. What do you do for a living, and what do you do for fun?

LL: OK. My name is Laura Lafrate, and I was a full-time model for about 15 years. I actually got into that by accident. After my first month of college, I realized that I just wasn’t focused enough to be in that kind of student setting. I talked to my grandfather, and he said, “If you can get out, get out now. School is always gonna be there, but you can only have certain experiences when you’re young with no responsibilities.” So I ended up getting into a pageant, forced by my mother. I ended up winning, and I signed a modeling contract. From there, I was able to travel to South Africa, Italy, Switzerland, France, and so forth and so on. When I came home, I was contacted by America’s Next Top Model to be on Season 18. I went on that, and I ended up getting 2nd place in the show.

It was a learning experience. I realized from the show that I love modeling, but I don’t like fame. It’s a very different thing in that a lot of people believe what they see on TV; they think it’s the real truth, and that’s who you are. After I got home, I got death threats. I got people showing up at my house. No privacy, no security, and I spent about the next year just sitting at home isolated because I couldn’t take it. I was a young kid. I had just turned 20. I didn’t have that much life experience under my belt.

One of my favorite movies ever was “Power Rangers,” the very first Power Rangers. And I remember Tommy, the White Ranger, jumping out of the airplane with his skyboard, and I always wanted to skydive. My mom ended up working with the skydiver. And he said, “Well, I’ll take her.” I went up for the weekend, and after my first jump, I just knew that this was what I wanted to do.

I ended up working during the day, sometimes nights or weekends or whatever, but any free chance I had, I would drive down to New Paltz and work on my license, and jump and jump and jump. And it just really opened me up to a whole different world and new people. It’s basically like Neverland. You know, kids that just never want to grow up, and people from all different backgrounds and ethnicities. It was just really beautiful that you could have such a group of people that come together for one thing, and just have the time of your life. That’s really what got me into it and what kept me with it.

RRX: So would you say that there is a skydiver culture in our area, or is it a broader adventure culture? And in either case, what of that culture is, like, greater than the sum of its parts?

LL: If you’re talking specifically about the Capital Region, there used to be a skydiving culture here. But the problem, like any business, is that there’s high risk. So, there used to be a drop zone very close to my parents’ house in Scotia, but because of the flood, it ruined the landing area. They were completely washed out. There is some stuff in Saratoga, but really New Paltz is the main hub in New York.

But the one thing is, is that if you’re a skydiver, you have family all over the world, in every state, in every country. I can drive; I’m going to go on this cross-country trip with my dog in a couple of months. And I know for a fact that any job I’m gonna go to, there’s gonna be someone that I know, or knows someone that I know, and it’s just a family that you’ll have for the rest of your life. And that’s something that I really related to as a kid, because I didn’t have that sense of community and family. So it’s just a really wonderful feeling to know that I can show up anywhere and I’m always gonna be welcome.

RRX: You recently got injured. Can you tell us a little bit about that and how your thirst for adventure aided in your recovery?

LL: For the first part, the reason that I got into the accident was 100% my fault. And I take full responsibility for that. I was living in Mexico for the last 12 years. I was in a tumultuous and abusive relationship, and I finally separated and I said, “I need to get back to my family, my skydiving family.” I did not take into consideration that I had not jumped there in a while. I was using a rig that was not mine. I didn’t do test jumps. Also, I was just so overwhelmed. I didn’t do the correct procedures like my forefathers of the sport taught me to do. You have to take every single jump like it’s your first time. And my ego took over, so I jumped the rig that wasn’t mine, a parachute that was too small that I shouldn’t have been using. I fell too fast, and I did not flare fully like I should have. And uh, yeah, help me real quick.

RRX: Well, what happened, the last part, what happened?

LL: It was a naked skydive. It was actually the tradition every year. And so I was doing it, and the ground where we used to jump (back in the day when I was jumping there) was all grass, but they had let it overgrow. So I was jumping into a very bumpy terrain. What I did was like on my old parachute, I used to half flare and then fully flare out as I’m sliding in. Because when you’re naked, the last thing you want is to have grass burns. I did not do the full form. I did not do the full function, and I ended up eating the ground. I bounced and I broke three vertebrae in my back.

RRX: So now that you’ve recovered, what are your plans vis-à-vis skydiving?

LL: What I’m gonna do is, this next season, I’m gonna get a big canopy, so I land very slowly, and I’m gonna go right back to square one, start from zero. So I’m gonna do that.

 

 

More from Liam Sweeny…

The Alec Lewis Group – An Xperience Interview

The Alec Lewis Group – An Xperience Interview – by Liam Sweeny.

RRX: What was the very first reaction to your music, from the first person to ever hear so much as a practice jam or the demo of your first song?

ALG: We are blessed enough to be affiliated with The Jive Hive, which is an incredible space and music haven for local artists and something you MUST look into if you aren’t familiar. Alec (guitar and vocals) and Noah (lead guitar) are a part of the Jive Hive team and thus are in the good graces of Tom O’Connor, the owner. Tom is an incredibly generous benefactor to the local music scene and unabashedly opens his doors to any one he can. So, we have been able to use the Jive Hive as our rehearsal space since our beginning. Thus, Tom in his comings and goings was the first person to hear our developing rehearsals week after week. It is hard to remember a single first reaction, as he is typically around for most of our rehearsals, but from the start he expressed big excitement, despite our clumsier beginnings. He always brings a critical, yet encouraging ear. We are close enough to know he doesn’t BS. He knows how to critique but make you feel good about it.

RRX: We have to play somewhere, and sometimes those places have more going for them than a stage and a power outlet. What is a memorable place you played, and bonus points if it’s not a well-known place.

ALG: I am a (live) sound engineer at heart and that means that I pay critical attention to how an audience will experience the music. The size and vibe of the venue will determine things like what drum kit our drummer uses, what amps myself and Noah use, what our PA for that gig will be, etc. I am meticulously careful in assuring we offer an accessible and enjoyable show for every space. And while we are a high energy funk band, I LOVE playing small rooms. So this is even more important. I don’t want anybody to leave the room because the snare drum is deafening, or the bass is overwhelming, or an amp is blaring right at their face. I want people to be able to talk and enjoy themselves in the likelihood they are not there specifically to see the band (and honestly, this makes you more likeable to strangers!!) So, all this to say, we have had a handful of REALLY great shows at this spot in Troy called 518 Craft. It’s truly an incredible hang. It’s tight and cozy and intimate and feels like a coffee shop that sells alcohol. Our last show there right before Christmas was the best crowd we’d ever played to and the most positive energy any of us had felt on stage. There’s something magical about packing a small bar when your sound is balanced and right for the room, people are just going to have a good time and they can’t help it.

RRX: With the exception of singing, everyone has an instrument, an inanimate object that has the distinction of being a lifelong friend. Smooth or temperamental, these objects have a character. So pick someone to answer, can you tell us something special about what you play, your technique, your instrument?

ALG: Anyone who knows me (Alec) or is a musician who follows our band knows that the only answer to this question is the Stratocaster. I am admittedly a Fender man. But Fender or not, there is no guitar I wanna pick up other than a stratocaster. And obviously, I REALLY love mine. A stratocaster is a crucial element to our sonic character. To the point where I “strongly discourage” / “will not allow” Noah (lead guitar) to play anything other than a stratocaster. And my enthusiasm has even rubbed off on him to the point where he recently sprung for a new Strat and has stopped asking to play his Tele all together. From sonics to the aesthetic symmetry I am married to the “two strat funk band.” This harkens back to practically all of my favorite guitar players being notoriously Strat players (Cory Wong, Mark Knopfler, John Mayer). And for all my strat enthusiasts out there, we heavily favor 4th and 5th positions.

RRX: We do this for the fans. For the blisters also, but mostly for the fans. Who’s one your best fans? Without necessarily giving their name, what are they like?

ALG: We have more than a few very loyal fans. Musicians and friends from the scene, as well as family. However, as I believe most musicians will tell you, there is nothing more heartwarming and rewarding than your first “total stranger fan.” We played a show in June 2024 at The Lark Tavern in Albany and had a great set. A week later we played a show at No Fun in Troy and were approached by a couple (let’s say their names are Zak and Sara) who said they stumbled into Lark Tavern randomly the previous week and ended up staying for our whole show, loved it so much that they came out to No Fun only days later. They were over the moon with encouraging and thoughtful words about our playing, songwriting and overall vibe. They’ve attended more than a few shows since then. Zak even came to a show on his own accord when his wife was out of town. He said “Don’t tell Sara I was here, she’ll be pissed Isaw you guys without her.” So while we live off our friends and family’s support and love, there is a special significance to absolute strangers seeing you and wanting more.

RRX: I know when pitching it helps to tell someone it’s “this meets that.” So let’s try that with you. If you had to give me two bands that meet each other in your sound, what are those bands? More than two bands?

ALG: Our influences are fairly specific. And I frequently reference these influences as a sort of north star for our band while writing new material. I find that this helps maintain a consistency across our music and gives our repertoire a succinct and identifiable blueprint. I have three main inspirations musically for this band: Cory Wong and the Vulfpeck universe, Dire Straits, and Steely Dan (likely in that order). I believe our music certainly is an extension of these artists. We have high energy funk grooves inspired by Cory Wong, Vulpeck and The Fearless Flyers. We have mid tempo, minor key bluesy tunes that I aim to remind people of Mark Knopfler with his kind of finger picking style. And I think the Steely Dan influence is not so direct in our music, sonically, but I don’t think people are surprised by the fact that Steely Dan is one of my favorite bands.

RRX: Let’s talk about your next project, your next few. Just not the ones you’re working on now. The ones you have your eyes on for the future. What’s coming to us?

ALG: We are a relatively new band, having played our very first show in February 2024. And we are releasing our first studio project very soon on 2/7/2025. It will be a four song EP titled Don’t Cross Me. Being a sound engineer myself, I take recording very seriously. I have music under my own name as a “solo artist,” this will be the first official release of The Alec Lewis Group as a band and separate project. And rightfully so this was a big group effort. Drums recorded at The Jive Hive and built up from there at my home studio. Myself and Noah worked throughout the summer and fall of this year honing in the guitar and bass parts. It is a guitar record. It is tight. It is punchy and catchy. It’s sarcastic and quirky. It’s fun and I think you’ll agree, so please give us listen come 2/7 and search for The Alec Lewis Group wherever you stream your music.

Links!

Hive Vibes, Vol. 1 – Live Concert Film

BandCamp – Live Album(s)

https://thealeclewisgroup.bandcamp.com/

Instagram: @thealeclewisgroup

 

 

More from Liam Sweeny…