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Curious Comet March 8th at Dorn Space in Gloversville

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Curious Comet

Curious Comet March 8th at Dorn Space in Gloversville – by Penny Piper.

On Saturday, March 8, Dorn Space in Gloversville, NY, lived up to its reputation for showcasing unique and original acts as Curious Comet took the stage for an unforgettable night of music. Fronted by the multi-talented Niki Kaos—familiar to many as a RadioX personality, and Bob Donald—the band delivered two immersive sets that highlighted their exceptional songwriting, dynamic chemistry, and ability to create an intimate connection with their audience.

Curious Comet, featuring Niki Kaos (guitar, vocals), Bob Donald (guitar, vocals), Fred Bulmer (bass), and Mark McKay (percussion/drums), started the evening with a largely acoustic set, weaving intricate melodies with raw, heartfelt lyrics. As the night progressed, they transitioned to a more electrified sound, with McKay switching to a full drum kit, adding even greater depth and intensity to their performance.

What sets Curious Comet apart is their commitment to original music in a world saturated with cover bands. Niki and Bob’s songwriting is deeply personal, filled with haunting beauty and poetic honesty. Their onstage chemistry radiates warmth, effortlessly drawing the audience into their musical world—like the perfect pairing of Chianti and fava beans.

The setlist featured standout originals from their 2021 album Authentic Earth, including the evocative “Drowning” and the hypnotic “Again & Again.” Alongside their originals, the band curated a selection of covers that seamlessly fit the night’s atmosphere, including a stunning rendition of Regina Spektor’s “Small Bills,” a song that Niki’s voice seemed made for.

Adding to the show’s charm were the stories behind the songs. Niki reflected on discovering the “anti-folk” genre through Regina Spektor and realizing that her own music defies easy categorization. Meanwhile, Bob shared a fan’s amusing take on their song “Round Bales,” calling it “the perfect song to do quaaludes to”—a comment the band took with good humor, adding to the relaxed and inviting vibe of the night.

Curious Comet is more than just a band; they are an experience—authentic, enchanting, and brimming with talent. If you have the chance to catch them live, don’t miss it. In the meantime, you can sample their music and purchase Authentic Earth, here  on their official website. With a great summer of live music ahead, Curious Comet is a name to watch.

 

 

More from Penny Piper…

Lana Carter – Interview – Thanks for Asking

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Lana Carter

Lana Carter – Interview – Thanks for Asking – by Liam Sweeny.

RRX: Every artist’s first song is a milestone. But so is the latest song. Describe the first song/album you recorded, and also the latest song/album you recorded; what are the differences?

I released my first song when I was ten. I’m now 20, so it’s safe to say my music now is quite different lol. It was called “Finally Free,” a song inspired by Disney Channel’s “Good Luck Charlie,” when someone cheats on someone (I don’t remember the specifics). The song was about being free from someone after they cheated, and feeling good on your own without taking them back. Pretty mature stuff for a 10 year old, but it was such a fun song that marked the beginning of my love for creating and recording music.

Now, 10 years later, I recently released a song called “Only At Night,” inspired by the excitement and thrill of a night out. I’ve been living in and attending college in NYC for 2 years now, so you can see why I might’ve written a song like this. It’s still authentic to me though and very upbeat… I think a 10 year old me would’ve loved it. So many of my fans now are so similar to myself as a kid.

RRX: Tell me about your most recent song, album, or video (you pick.) Tell me a story about what went into making it. Not a process, but a cool story that took place within the process.

The music video for “Only at Night” is super fun, located on a roof top overlooking the NYC skyline. The cast and crew were all former or current NYU students, Talia Green (Director), Dillon Rowe (Assistant Director), and my co-star, Dean Maupin. The music video itself is pretty cool (I’m biased), but the coolest part was that we were able to get it uploaded through VEVO through The Orchard. It makes all the work put into it feel a little more validated and official.

RRX: Stereotypes are a bitch. I mean, aside from the really bad ones, you have cultural stereotypes about everything, including music. What do you think is the stereotype for the music you play, and how far are you away from it?

I’ll say this. I’m currently exploring pop because it’s fun and joyful and both my audience and myself enjoy listening to it. Yet I think people underestimate pop artists, viewing them as unskilled, or sometimes even unintelligent.

The leading artists right now are female pop artists. They represent the face of a bigger brand, and if they had any role in making that multi-million/billion dollar brand come to life, then they are some of the most intelligent people in my opinion.

For me particularly, I am attending a college with an 8% acceptance rate, while also managing my business as a pop-artist and content creator, with growth of close to 900K followers and releasing new music. So I would say I do not, along with most successful female pop artists, fit into the stereotype.

RRX: We let it out differently when we play music. The happy, sad, good and back; it can all be put out musically. Overall, do you feel better when you sing about the better times, or the worser times? Is there a difference you can describe?

It’s definitely a more emotional experience when playing or writing a sad song, sometimes even a negative one, but I think artists find value in how deeply they can feel while engaging with their art, and that in itself is beautiful enough to continue doing it. Music is a vessel for emotion, so whatever I am playing does have an effect on my immediate emotional state, happy or sad, which is great, because it makes for a wonderful performance where your audience can feel your emotions with you.

RRX: With services like Spotify, streaming revenue can be pretty dismal. Without spilling secrets, do you have a promotional mindset or philosophy?

Learning the art of virality on socials. Unless you’re a nepo baby, or best friends with a few, you’re gonna need to make yourself known by yourself. The great news is, there is social media which makes that possible. The bad news is that it’s a huge time commitment and takes a while to get started (usually).

RRX: It’s a lot of fun living in the present, but we all collect memories and give birth to dreams. We’re talking dreams here. Where do you see yourself next year? In the next five years?

Out of school, on a stadium stage, performing an amazing album that I’m proud of. Oh, and I want a dog. And I wanna get married to the loml. And I want to be rich. I think that’s it.

 

 

More from Liam Sweeny…

The Brass Machine / The NoLaNauts @ Lost & Found, 3/1/2025

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OLYMPUS DIGITAL CAMERA

You could get lost in the party and find the brass from the Brass Machine and the NoLaNauts at the Mardi Gras Party at Lost & Found on March 1. Glen David Andrews continued the party later into the night as well.

Photography by Timothy Reidy.

More from Timothy Reidy …

 

RECAP: The Outlaws / Colin Stough @ Universal Preservation Hall, 3/6/2025

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The Outlaws Ignite Universal Preservation Hall with Southern Rock Mastery

Words and Photography by Stephanie J Bartik.

On March 6, 2025, the Outlaws brought their signature Southern Rock sound to the Universal Preservation Hall in Saratoga Springs, NY, delivering a powerhouse performance in a venue as unique as their music. Once a historic church, the hall has been transformed into an intimate theater-in-the-round, offering fans an up-close-and-personal experience with the legendary band.

From the moment the first chords rang out, the energy in the room was electric. The Outlaws, known for their soaring harmonies and triple-guitar attack, delivered a set that honored their rich history while embracing the next generation. Fans were treated to classics like “There Goes Another Love Song” and the epic “Green Grass and High Tides,” which had the audience on their feet, lost in the sweeping guitar solos.

The night was particularly special with the addition of Henry Paul’s eldest son, Henry “Little Hank” Paul, to the lineup. Stepping into the legacy of his father’s legendary band, Little Hank fit in seamlessly, bringing fresh energy to the stage while honoring the band’s storied past. His presence reinforced the Outlaws‘ core philosophy: a brotherhood bound by history, harmony, and the road.

Performing in a theater-in-the-round presents unique challenges, as some audience members are seated behind the stage. However, Henry Paul and the band made a concerted effort to engage everyone, frequently turning to acknowledge the fans behind them, ensuring no one felt left out. It was a testament to their dedication and deep connection with their audience.

Alongside their timeless hits, the Outlaws showcased newer material, proving that their sound remains as vital as ever. Songs from their recent albums, including “It’s About Pride” and “Stick Around,” blended seamlessly with their classic catalog. When they performed “You Are the Show,” the hall seemed to swell with emotion, a reminder that their music still resonates deeply.

For over 40 years, the Outlaws have carried the torch of Southern Rock, enduring triumphs and tragedies while remaining one of the genre’s most respected bands. Formed in Tampa in 1972, they quickly made a name for themselves with tight harmonies and a guitar-driven sound. Over the decades, they’ve toured alongside legends like Lynyrd Skynyrd, the Allman Brothers Band, and the Marshall Tucker Band, earning their reputation as The Florida Guitar Army.

Despite lineup changes and the loss of key members, the Outlaws continue to evolve while staying true to their roots. Under Henry Paul’s leadership, their legacy remains intact, and with musicians like Dave Robbins, Randy Threet, Jimmy Dormire, Mike Bailey, and Jeff Aulich by his side, the band’s future is as strong as ever.

As the final notes of “Ghost Riders in the Sky” echoed through Universal Preservation Hall, the audience erupted in applause, knowing they had just witnessed a legendary band still at the top of their game. For the Outlaws, it has always been about the music—and on this night in Saratoga Springs, they proved that their fire still burns as fiercely as ever.

American Idol star Colin Stough played a brief set that leaned more Country than Southern Rock to open the night. It was well-received by the crowd.

For more on the Outlaws, visit their official website: https://www.outlawsmusic.com/

 

The Outlaws

 

Colin Stough

More from Stephanie J Bartik …

This Week at Caffe Lena – 3/10 – 3/16

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Caffe Lena

Greetings – All of us here at Caffe Lena–on stage, in the seats and behind the scenes–are big believers that Small Is Beautiful. Thanks to the long legacy and great reputation of this room, we’re able to attract some pretty extraordinary talent to this teacup of a concert hall. But once in while there’s a band we really, really want to share with you and we can’t get a “yes” for a show in our venue. That’s when it’s time to call our friends at SPAC, or UPH, or Skidmore. We love the opportunity to work together to make things happen that we couldn’t do alone.

This Friday’s concert with DakhaBrakha is a perfect example. Like millions of others, I first heard of the band when I saw their NPR Tiny Desk debut in 2015. I couldn’t believe my eyes and ears! That was the day I first started trying to get them here to Lena’s. After finally sitting down face to face with their USA rep in 2023 at a conference out in Kansas City, we got to “yes” when SPAC joined the conversation and offered their Spa Little Theater. This is an extraordinary time to be spending an evening with one of Kyiv’s most beloved musical acts.

We have two very special newcomers on the Caffe stage this weekend. Colorado singer-songwriter Emily Scott Robinson has captivated our whole staff. Big heart, beautiful voice, superb songwriting & the acclamation of top reviewers. And Liam Purcell and Cane Mill Road are perfect for the Bright Series. Originally hailing from North Carolina and now based in Nashville, these fabulous young musicians were raised in the bluegrass tradition. They are among the most celebrated young creators in the genre today.

See you at the show,
Sarah

Monday
7:00 PMOpen Mic Night


Tuesday
9:30 – 11:00 AM – Improv Theater Workshop – all welcome
11:00 AM – 1:00 PMThreshold Singers of Saratoga Springs – all welcome
7:00 PMJAZZ AT CAFFE LENA : CHUCK LAMB TRIO WITH CLIFF LYONS
8:00 PM“Live From Caffè Lena” on WEXT 97.7 or 106.1 FM


Wednesday
10:30 AMFolk Club Kids: Stories, Songs & Sing-Alongs (Infants to Pre-K)
7:00 PM & 12:00 AM“Live From Caffè Lena” on Folk Music Notebook


Thursday
1:00 PMSlow Jam
7:00 PMEMILY SCOTT ROBINSON


Friday
2:00 PMUpright Bass with Dylan Perillo
7:30 PMDAKHABRAKHA at the SPA LITTLE THEATER
8:00 PM –  KEVIN MCKRELL at CAFFE LENA 


Saturday
8:00 PMBRIGHT SERIES : LIAM PURCELL & CANE MILL ROAD


Sunday
9:00 AMDharma Meditation with Pierre Zimmerman
7:00 PMOLD BLIND DOGS

Music at Noon – Troy Savings Bank Music Hall

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Music At Noon

TROY, NEW YORK:     The Troy Savings Bank Music Hall is excited to announce that the popular lunchtime series Music at Noon returns TUESDAY with Irish favorites Toss the Feathers. Since 1988, on the second Tuesday of each month from October to May, the free Music at Noon concert series has presented exceptional musicians with a diverse mix of musical styles.  Shows are free to attend and be sure to bring your lunch!  Grab a complimentary cup of joe before the show in our upper lobby! Full Music at Noon series lineup listed below.

March 11th – Toss the Feathers

“Crushing Cancer with the Connallys” @ Hangar on the Hudson, 3/2/2025 (Part II)

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On March 2, Xperience Monthly/RadioRadioX and Hangar on the Hudson hosted a benefit for the Connally family, to assist them with their ongoing fight against cancer. Musicians and supporters came from Lansingburgh and well beyond to absolutely pack the venue, both inside and out, making the event an unqualified success.

Musicians that lent their talents to the effort included, but were not limited to, Blue Hand LukeJoe MeleDiva and the Dirty BoysBrian Kane, and members of the Albany Rock Pit.

Our photographer, Timothy Reidy, documented the event below.

More from Timothy Reidy …

Prog Digest – An Xperience Column

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Prog Digest

Prog Digest – An Xperience Column – by Klyde Kadiddlehumper.

Let’s talk legacy a bit.  And band and crosswinds.

Prog Digest is not always about music – as those who have read this column from time to time know. It is, however, about themes and thoughts and timing and influence.

Beyond the musings you see monthly, Klyde is likely to have zero legacy left behind.  Maybe a smile or two.

Musicians, on the other hand, come and go.  Some come and leave as quickly as they showed up.  Reminds me of an album in the old collection from a group called Trefethen.  Never heard from again. This 1980 recording was really the brainchild of Tom Trefethen, an audio engineer who worked with Ambrosia, Andrae Crouch, Michael Nesmith, and Alan Parsons, among others.  The album (Side A: “Am I Stupid or Am I Great,” Side B: “It’s All Mom’s Fault”) came and went and damned near no one noticed.  Klyde, of course, digs it.

Other musicians are much like a bad penny – they keep on showing up.  Not that all their music is bad.  They just become, well, less interesting.

The band Kansas would be an example in this household. “Kansas,” “Song for America,” and “Masque” are great records. “Leftoverture” is pretty darned good, but they really started to lose me at “Point of Know Return.” Beyond that, meh.

Through a number of iterations as Kansas, and one called Proto-Kaw, Kerry Livgren was a staple. Indeed, the current version has recently announced a new bass player/vocalist – Dan McGowen.  McGowen and his brother Patrick are founding members of the Tea Club – another well-regarded prog band.

OK – legacy.

Fast forward to today.  Yeah, Kansas is on the road – a tour I will admit I am not that interested in.

Then there is Emerald City Council.  A seriously interesting band whose most recent release, “Motion Carries,” is really special. Now, why does this fall under the legacy moniker?

Lead singer is Jake Livgren – nephew of the above-mentioned Kerry and singer for Proto-Kaw.  Drummer Noah Hungate is son of current Toto drummer and member of Team Illuminati. Guests include Paul Bielatowicz (Carl Palmer, Neal Morse), Mike Thompson (The Sons of Kirk), actor Jeffery Combs (Start Trek, Re-Animator), and Steve Rankin (Star Trek, X-Files).

The engineer/producer is a multi-Grammy/Emmy winner.

Artwork – well, look them up – who knew elephants could fly?

Legacies can be pretty cool.  Add to that the legacies a number of icons have left is, perhaps, even more impressive.

Mel Torme doing a turn in the song “Zaz Turned Blue” from Was (Not Was) “Born to Laugh at Tornadoes.”

Perhaps the king of them all: Johnny Cash OWNING Trent Reznor with “Hurt.”

Yeah, legacies can be pretty cool.  Some are not so much, and we can ignore those.  The real deals deserve respect and a listen.

Today – it’s Emerald City Council.  Who knows what tomorrow may hold.

Who?

Until next time.

Klyde

 

 

More from Klyde Kadiddlehumper…

Scratchoff Standoff – The Weird Side of the Internet

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Scratchoff Standoff

Scratchoff Standoff – The Weird Side of the Internet – by Liam Sweeny.

Can you ever work with someone who steals from you? I don’t mean the last yogurt in the office refrigerator, and I don’t mean someone who steals your significant other (because you can’t steal people) and I don’t even mean someone you know taking your sh*t without permission. I mean someone who doesn’t know you and lifts your possessions. Yes? No?

But what if there was half a mil on it?

Jean-David E. – Frenchman, young guy, had his backpack stolen, and it had his cards and banking information. He, of course, went to cancel his cards, and he found that one of those cards had been used in a local shop. He either went there himself or he called the police to go there. Be cooler if he went there himself; that’s how I would write this out in fiction. Shop owner said two homeless men bought some stuff, one of the “stuffs” being a scratchoff ticket. A winning scratchoff ticket. 500,000 euros, which was, at the time of this reporting, $523,000.

So what does Jean-David E. do? He puts out a public appeal to the thieves, all good if they cough up the ticket. He even offers to share the prize, make all of them rich. So I think about this, and maybe Jean-David E. had like a hundred euros in those accounts to begin with. If they come forward, how do you untangle that? Their act netted half-a-million, but they couldn’t have done a thing without Jean-David E.’s money.

The prosecutor wants to seize all the money as ill-gotten gains too. And the longer they’re out there with an uncashed ticket, the closer it comes to being expired. This is the 3D chess version of a Mexican standoff.

The only thing that can make this more complicated is if the thieves drop the ticket in a church collection box.

 

 

More from Liam Sweeny…

Peshy Kruger – Xperience History

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Peshy Kruger

Peshy Kruger – Xperience History – by Rob Smittix.

Originally published in November 2021.

On Friday November 12th at The Madison Theatre in Albany #25toLIFEEE and Peshy Kruger present #LIFEEE Behind Bars 2. For those that aren’t fluent in Rap music lingo, bars means musical bars. The event is a rap battle that will entertain the masses and there will be times the punchlines will make you spit your drink out all over the floor. Today I am speaking with the man himself. Ladies and gentlemen, I bring you Mr. Peshy Kruger.

RRX: I’ve been a fan for quite a while. I’m from the South End (Albany), I believe you are too.

PK: Yeah definitely. We’re from the same hood bro.

RRX: I enjoyed my time growing up there. It’s a character-building neighborhood.

PK: Definitely.

RRX: You have a rap battle coming up “LIFEEE Behind Bars 2.”

PK: This event that’s taking place I tried to get my birthday but I couldn’t, so I got the night going into my birthday. The event takes place November 12th and we’re going to be there at midnight so…

RRX: It will be your birthday, nice! I brought up being from the same hood, from the same area because I really find I love listening to local rap music more than any other rap music out there.

PK: There’s not too many of you guys though. I’m starting to garnish the attention but what I had to do to get the attention man. I’ve been rapping probably since I was eight.

RRX: You and me both.

PK: I started taking it really seriously when I was in high school. At Albany High we had the courtyard and that’s where all the rappers would come together. You know what a cypher is?

RRX: I do.

PK: And that eventually comes to, we’ve got a lot of nice dudes on this cypher, let’s have a battle. And battling back then was different from what the culture is now. Spitting some rhyme that you have rehearsed, not on a track but you had them down and had a couple of punchlines. Now it’s a whole art. People are crafting and getting real good with it. Definitely has evolved.

RRX: Hip Hop has always been a competitive sport. Like you said you were rapping since you were young. Me too. I was the kid with the turntables in the neighborhood.

PK: A turntable in the hood was like gold.

RRX: Oh yeah those were the days man, we used to hit Music Shack on Central Ave for the records and if you wanted a great mix you had to purchase two of the same record every time.

PK: How about the tissue on top of the tape?

RRX: Oh, my God yeah to re-record over it. Now me being an older cat a lot of the newer stuff that the kids are putting out, just doesn’t do it for me.

PK: I’m not gonna lie, I pride myself with adapting to mad different flows, it almost hurts my brain to dumb it down. I enjoy being lyrical and have somebody else spin it back like oh damn, I hear something different every time. You know what I mean?

RRX: I feel like a lot of what’s coming out now is from a generation that never knew the world without an internet or social media. They all sound alike to me; they’re all talking about the same thing. It’s an oversaturated market. That’s what I like about what you’re doing man because you do have some of the newer beat style and choruses, but your flow is very similar to us old cats.

PK: Yeah, I do that on purpose too. It’s almost like a breath of fresh air when you’re rapping how I am rapping. Before it was almost the opposite. Everybody feels like they’ve got to adapt to the new sound and I’m doing my own thing pretty much and it’s cutting through.

RRX: There’s so much talent here. I mean your brother (Eighty Gee) is one of them.

PK: That’s my older brother by the way. We started at the same time. When I said I started at eight, he was nine. He’s one of the few that can adapt that new flow but actually can sing something too. That’s why he cuts through, it’s actually lyrical, you feel me?

RRX: It is, he pulls it off very well. Now this is the second Life Behind Bars battle and the first one I believe was also at the Madison Theater. Correct?

PK: We made it hot now. I see everybody at the Madison Theater but I ain’t mad at it.

RRX: It’s good to see a venue that supports it. As you know it’s tough to get Hip Hop into venues.

PK: I had to win their trust to be perfectly honest with you. I’d be lying if I said there isn’t a dark cloud around Hip Hop because so many shows were shut down with violence. We make sure none of that happens. We have metal detectors and I’ve got my own security. Battle Rap is so diverse for fans, we have moms coming out, you know what I mean?

RRX: Well, I’m not taking no sides, but I see my guy Rich Millz is there.

PK: Yeah, Millz man, I definitely had to put Millz on. He was battling when I was battling.

RRX: I had a friend that got pretty far in Battle Rap and it got ugly sometimes, I mean you could tell they were stalking each other’s Facebook pages. I’m like oh man leave his little sister out of it.

PK: The gloves are off. The more you show it’s hurting you… you gotta act like none of it fazes you bro.

RRX: I call it boxing with microphones.

PK: It’s not even boxing, it’s UFC, because with boxing the ref is going to come in the middle when he hits the floor. In the UFC when you hit the floor, they’re still punching you bro.

RRX: Well, I know at the end of a match it’s nice to hit the gloves together or shake hands or something like that.

PK: That’s the awesome thing about it. There’s respect. Back in the day when we were rapping at each other in the courtyard and you say somebody’s mom’s name, it’s liable to be a riot (laughs). With the growth of the sport and the growth of sportsmanship, it’s more of a salute, like, “yeah you’re nice”. They understand why you have to go after that battling. That’s the beauty of it.

RRX: So, I know this is just the beginning.

PK: The sky’s the limit. That’s why we have to make sure we’ve got a good reputation and remain incident free. Nothing is unattainable, just gotta stay positive, stick to the plan and not try to take any shortcuts. Put the work in and I feel like we’re doing that. We’re doing what we’re supposed to and I’m doing it at the right time where my music is in order, it’s lined up, I’ve got a lot of eyes on me. I’ve got a lot of content building because of my music. Busta Rhymes even hit me up, you know what I mean?

RRX: And he didn’t have to do that. That’s amazing.

 

 

More from Rob Smittix…