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Deliver Me Experts – The Weird Side of the Internet

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Deliver Me Experts

Deliver Me Experts – The Weird Side of the Internet – by Liam Sweeny.

I got a got a problem. I can’t solve it. For the sake of argument you can’t solve it for me. I need a human delivered that can answer my problem. And now there’s hope. Okay, so this company called TopMate pulled a fast one in their hype. They don’t actually “deliver” humans, but they claim to have over three hundred-thousand experts and professionals from every area, and they aim to connect you to the expert you need in ten minutes.

I have my misgivings. Essentially, they’re selling opinions. I tend to trust experts, but unless they’ve just done some study, or you’re talking about a narrow band of interest, they’re just giving you their opinion. This company is out of India, so I have to wonder if, say, the expert I need is a lawyer, will I get someone who’s a member of the bar?

Another misgiving I have is that experts, on the open market, are pricey by the hour. Two hundred-fifty, three hundred an hour for a lawyer, and that’s not at the top range. So what kind of price would a ‘dial an expert’ have on it? If it’s too high, it wouldn’t be worth the money, and if it was too low, how could you trust the experts?

But imagine, if you will, this company working out. Dial an expert. Consider that four out of five businesses fail. Imagine if you could dial up a marketing expert of Monday and a business expert on Tuesday. Even still, I feel like this would be the cautionary tale of the business owner going through death by expert and not seeing that his brick and mortar was three miles from foot traffic.

Imagine it was so cheap that you could just have them on the line while your commenting on peoples’ posts, correcting them and being an ass.

I would check this out, see how much. My life, even twenty dollar experts might be able top mold some clay.

 

 

More from Liam Sweeny…

Press Release: NYS Music Celebrates 10 Years with New Artist Resource Guide and Anniversary Bash

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NYS Music Celebrates 10 Years with New Artist Resource Guide and Anniversary Bash

New York State, — NYS Music, your go-to source for all things music in the Empire State and recently announced
non-profit, is proud to unveil its Artist Resource Guide, a comprehensive tool designed to empower artists at every stage of their
journey. Alongside this exciting launch, NYS Music is thrilled to announce a special 10th Anniversary Celebration featuring a live
performance by Reprise at Putnam Place on Friday, March 7th, 2025, at 9 PM.

Introducing the NYS Music Artist Resource Guide
Navigating the music industry can be a challenge, but NYS Music is here to help. The newly launched Artist Resource Guide is
tailored to connect musicians with vital resources across New York State. From venues and promoters to radio stations and recording
studios, this guide offers everything artists need to thrive in today’s competitive landscape.

Whether you’re an emerging talent or an established band looking to streamline your process, the Artist Resource Guide is your one-
stop destination for building connections and taking your music to the next level. Visit nysmusic.com today and start exploring the

tools that can help you focus on what truly matters: making music.

Celebrate a Decade of NYS Music with Reprise
Mark your calendars for a night of celebration, community, and incredible music! NYS Music is commemorating 10 years of
supporting the music scene with a high-energy anniversary show at Putnam Place in Saratoga Springs.
The evening will feature a performance by Reprise, delivering their signature blend of Phish-inspired tunes that are sure to get
everyone dancing. Join us as we honor a decade of hard work by our dedicated team of writers, photographers, artists, and industry
partners who’ve made it all possible.

Event Details:
What: NYS Music 10th Anniversary Celebration with Reprise
When: Friday, March 7, 2025, at 9 PM
Where: Putnam Place, Saratoga Springs, NY
Tickets: https://theticketing.co/p/B8CSSR5B

“The past decade of NYS Music has been a labor of love, the creation of an independent music website dedicated to music in all parts
of New York State. I am immensely grateful for the efforts of our team of editors, writers and photographers, graphic designers,
sponsors, partners and web developers for their tireless efforts, especially since the music shutdown of 2020, who have made the site
that it is today. We look forward to many more years of covering musicians and up and coming artists from the Empire State and being
a go-to resource for all things music in New York.” – Pete Mason, NYS Music Publisher
Don’t miss this milestone event and the opportunity to explore the Artist Resource Guide that’s set to transform the music scene in New
York State.

About NYS Music:
NYS Music is a premier non-profit organization dedicated to showcasing, promoting and celebrating the vibrant music culture of New
York State. From news and reviews to resources and live events, we’re here to support the artists, fans, and industry professionals who
make this community thrive. NYS Music connects fans to the rich and vibrant culture of New York’s music scene.

Looking Ahead
As a nonprofit, NYS Music is excited to expand its reach and impact. By continuing to celebrate the sounds of New York State, we aim
to inspire a new generation of artists and music lovers while supporting the vibrant communities that make it all possible.

For more information, visit www.nysmusic.com or follow us on social media for the latest updates. @nystatemusic // IG

Steven Isserlis @ Troy Savings Bank Music Hall, 2/4/2025

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Acclaimed British cellist Steven Isserlis regularly performs with the world’s leading orchestras. Last week, Troy Chromatic Concerts brought him in to perform a recital at Troy Savings Bank Music Hall, accompanied by noted Canadian pianist Connie Shih.

The program consisted of:

BEETHOVEN: Cello Sonata in G minor, Op. 5, No. 2
MARTINŮ: Cello Sonata No. 1
BOULANGER: Three Pieces for cello and piano
GRIEG: Sonata for cello and piano in A minor, Op. 36

and was wrapped up with an encore lullaby.

Photography by Timothy Reidy.

More from Timothy Reidy …

Lynch Mob Live at the Strand Theatre on Sunday, March 12th

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The Lynch Mob

On Sunday March 2, 2025 @ 7:00pm, experience the thrill of the band LYNCH MOB live at the Strand Theatre for “The Final Ride” farewell tour!

George Lynch is a legendary heavy metal guitarist who has played in bands such as Dokken, Lynch Mob, The End Machine and Sweet & Lynch. Led by Lynch, the legendary Lynch Mob will be taking the stage, ready to blow your mind with their electrifying performance. Get ready to rock out to their iconic hits and experience the energy that has made them a staple in the rock music scene.

But that’s not all! Opening the show will be Paralandra! 

Come join us for an unforgettable night of rock music at the Strand Theatre.

*There will be a bar service at this event. Doors open for the coffee shop, box office and lobby at 5:30pm.

$45 balcony, $65 front row balcony & lower level, $85 front row lower level. Tickets can be purchased at the Strand Box Office; cash or check only or online at Eventbrite. 

Purchase your tickets online and get $10 off balcony seats!

For more info and the ticketing link, please go to www.mystrandtheatre.orgThe Strand Theatre is located at 210 Main St., Hudson Falls NY. 

Brought to you by E1 PRESENTS.  www.e1presents.com. Have questions? Please call (518) 792-0996.

Please visit our website, Facebook or Instagram for a list of upcoming events at the Strand! 

Show Detective – Weekend Shows – 2/14 – 2/16

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Show Detective

Show Detective.

Friday, February 14th

Oscar Nominated Shorts: Animation, Proctors Theatre, Schenectady

For the 20th consecutive year, ShortsTV presents “Oscar-Nominated Short Films.” With all three categories offered – Animated, Live Action and Documentary – this is your annual chance to predict the winners! A perennial hit with audiences around the country and the world, don’t miss this year’s selection of shorts. The Academy Awards take place Sunday, March 2.

Killers of Kill Tony, Proctors Theatre, Schenectady

Regulars and fan favorites from “Kill Tony”, the #1 live podcast in the world, bring their standup show on the road with “Killers of Kill Tony”, coming to Proctors on Feb. 14. Tickets go on sale to the general public Friday, September 27, at 10:00AM.

Lauren Mayberry Vicious Creature Tour, Empire Live, Albany, 8pm

Gimme Gimme Disco, Empire Underground, Albany, 9pm

Rock ‘N’ Roll Women Of The 80s, Cohoes Music Hall, Cohoes, 7:30pm-10pm

Best Shot is a dynamic live tribute to one of the most influential female rock vocalists of all time, the great Pat Benatar. The band recreates a classic Benatar concert featuring note-for-note renditions by stellar lead vocalist Melissa Lotardo. Melissa impeccably recreates Pat Benetar’s classic look and sound from her 80s heyday. Audiences will thrill to Melissa’s renditions of Pat Benetar’s greatest hits including Shadows of the Night, Heartbreaker, Love is a Battlefield, and all the rest. Best Shot will keep their Promises in the Dark!

Hey Blondie! Blondie Tribute is as close as it gets to embodying the magic of Debbie Harry and Chris Stein of Blondie. This Boston based band featuring Mike G and Linda Twiss will rock your socks off so hard you’ll need a new pair. They bring the attitude and style of this Rock and Roll Hall of Fame band to the stage. One Way or Another, Hey Blondie! will blow the roof and pack the dance floor with a truly Atomic set.

Moonboot Lover, Rustic Barn Pub, Troy, 8pm-11pm

Join us for a Valentines Day love fest with Moon Boot Lover! They are out of this world- Space Funk!

Happy Hour at The Eleven with Monkey and The Crowbar Duo, Lark Hall, Albany, 6pm-8pm

Monkey and the Crowbar have been playing for years in the Mohawk Valley and Capital Region. Their acoustic vibe of originals and Grateful Dead adjacent tunes makes for a hoot of a time. Fronted by Todd Herringshaw(guitar, vocals), band members Tree Casullo(percussion, vocals), Joe Sinchak(fiddle, mandolin, vocals) and Sharon Charles(bass) give an old-timey spin to tunes we all know and love. For a special show, Todd and Tree will perform as acoustic Monkey-duo.

Lark Hall presents Gratefully Yours, Lark Hall, Albany, 8pm

Gratefully Yours is a Grateful Dead inspired band, based out of New Paltz, NY. The band was conceived and founded in 2012 by keyboardist Alex Mazur, who is also the founder of The Deadbeats; one of the longest running Grateful Dead coverbands in existence.

However, “cover band” is an extremely misleading term when it comes to the music of Gratefully Yours. Their willingness and ability to improvise, and their openness to spontaneity and the energy of the moment lie at the core of their performances and truly sets them apart. In the very best tradition of The Grateful Dead, it is this openness that allows the crowd to become a part of the creative process and results in a synergy between the band and the crowd that is unique and truly special. It is that magic that Gratefully Yours truly aims to “cover” and pay tribute to.

Heather Maloney with opener High Tea, Caffe Lena, Saratoga Springs, 8pm-10pm

Stitched together from personal and universal ecstasy, loss both intimate and ancient, Maloney’s tremulous folk, existential ballads, and assertive rock encompass the whole of life. There’s been a spiritual thread running through her work ever since she began writing songs while living at a Zen monastery. Her wise art shows us the infinite in the details of daily life, family love, nature, pursuit of identity, and romantic commitment.

“Her penchant for vibrant storytelling is reminiscent of the Indigo Girls or even the singer Melanie. Maloney’s ability to create a palpable intimacy between audience and performer is reflective of Dar Williams’ quiet roar.” – PopMatters​​

Valentine’s Cover Show, No Fun, Troy, 7pm-11pm

From “Bar People.

2/14 5:00 PM Tracy & Friends- Prime at Saratoga Nationa

2/14 5:30 PM Rob Aronstein- Wishing Well

2/14 6:00 PM Dan Dekalb & Hannah Amigo- 677 Prime

2/14 6:00 PM Eric Kufs- Thirsty Owl

2/14 6:00 PM Mike Thomas- Spa City Tap & Barrel

2/14 6:00 PM Monkey & The Crowbar- Eleven at Lark Hall

2/14 6:00 PM Nick Horace Duo- Carsons Woodside Tavern

2/14 6:00 PM Pat Decker- The Scarlet Knife

2/14 6:00 PM Peter Pashoukos- Inn at Saratoga

2/14 6:00 PM Seth Warden & Lovella- Saratoga Winery

2/14 6:00 PM Shaun McCarthy Trio- Van Slycks at Rivers Casino

2/14 6:30 PM Bennett Brothers- Dock Browns Tavern

2/14 6:30 PM On Tap Duo- Diamond Club at Embassy Suites

2/14 6:30 PM Yankee Holler- Artisanal Brew Works

2/14 7:00 PM 18 Strings Of Trouble- Kraverie

2/14 7:00 PM Dave Brennan- Bunker Saratoga

2/14 7:00 PM Jeff Walton- Principessa Elena

2/14 7:00 PM Liquid Courage- Cherry Plain Square #17

2/14 8:00 PM DJ Nvision- Misfit

2/14 8:00 PM Gratefully Yours- Lark Hall

2/14 8:00 PM Heather Maloney wsg High Tea- Caffe Lena

2/14 8:00 PM Matt Farrar & The House Rockers- Van Slycks at Rivers Casino

2/14 8:00 PM Michael Benedict Jazz Vibes- Nine Maple

2/14 8:00 PM Rustic Spirit- Holy Moses Tavern

2/14 8:30 PM Skeeter Creek- Frog Alley Brewing

2/14 9:00 PM ILL Funk Ensemble- Vapor

2/14 9:30 PM Wide Awake- Spa City Tap & Barrel

Saturday, February 15th

Loren Loiacono + Rachmaninoff’s Paganini Rhapsody, Troy Savings Bank Music Hall, Troy, 7:30pm

David Alan Miller, conductor

Harmony Zhu, piano

Randall Thompson: A Trip to Nahant

Sergei Rachmaninoff: Rhapsody on a Theme of Paganini

Loren Loiacono: Sleep Furiously

Robert Schumann: Symphony No. 1, “Spring”

ADRENALIZE – The Ultimate Def Leppard Experience, The Egg, Albany, 8pm

Drawing their name from Def Leppard’s fifth studio album (which debuted at No. 1 on both the UK Albums Chart and the U.S. Billboard 200), ADRENALIZE – The Ultimate Def Leppard Experience recreates the chart-topping, chest-thumping anthems that made Def Leppard the iconic and dominant force in arena rock of the ‘80s and beyond.

You’ll hear the hook-laden radio and MTV mega-hits like “Foolin’”, “Rock of Ages,” “Photograph,” “Hysteria,” “Rocket,” “Animal,” “Armageddon It,” “Love Bites,” and “Pour Some Sugar On Me,” along with deep cuts like “Wasted,” “High ‘n’ Dry,” and “Switch 625!”

Def Leppard, inducted into the Rock and Roll Hall of Fame in 2019, is one of the world’s best-selling music artists, having sold more than 100 million records worldwide. They also hold the honor of being the top UK hard rock touring act, grossing $514 million worth of tickets since July 1980. This places them as the highest UK rock band earner in the last 42 years ahead of Iron Maiden.

A Friend of a Friend: Tales of the Underground Railroad, Proctors Theatre, Schenectady

Embark on a journey along the Underground Railroad through the captivating narrative of individuals from the Capital Region, including Solomon Northup and his family, alongside Albany’s courageous Harriet and Stephen Myers. These figures grapple with profound moral dilemmas, from Northup’s harrowing enslavement to the Myers’ daring activism in publishing an anti-slavery newspaper and aiding fugitives as conductors on the Underground Railroad. Crafted by theREP, this original docu-play draws upon New York State archival records, vividly illustrating the reverberations of the Fugitive Slave Act within the Capital Region’s historical landscape.

New York Cat Film Festival 2025, Proctors Theatre, Schenectady

The NY Cat Film Festival™ is a film exploration of the fascinating felines who share our lives. These are not random internet “cat videos” – these are films made with an intention, concept or story conveying something essential about cats. Cats have a unique and indescribable bond with people – even when living independently as community cats. For far too long, felines have been the “invisible” part of the human-animal bond. We wish to shine the spotlight on these magnificent creatures and the humans devoted to them. Please note that a portion of every ticket goes to a local animal welfare non-profit, bringing community awareness and support for the needs of local kitties. This screening will help support the Animal Protective Foundation. Not rated, but all of the films are family-friendly and can be enjoyed by humans of all ages. 90 minutes.

Pink Pony Club: a Chappell Roan Dance Party, Universal Preservation Hall, Saratoga Springs

It’s a Feminomenon, full of Red Wine Supernovas and Guilty Pleasures! It’s gonna be a sellout, so get your ticket or Good Luck, Babe! We’ll see you Super Graphic Ultra Modern girls there!

The Pink Pony Club is open and H-O-T-T-O-G-O! Costumes are encouraged!

Charli Parti, Empire Underground, Albany, 9pm

Best Friends Girl: America’s Favorite Cars Experience, Cohoes Music Hall, Cohoes, 7:30pm-9:30pm

Best Friends Girl recreate the timeless hits of The Cars spanning a 35-year career, with over 23 million albums sold and having more than 22 songs on the Billboard top 100.  The Cars undoubtedly left their mark in popular culture with notable hits like “Best Friends Girl,” “Shake It Up,” “Magic,” “Lets Go” and of course, “Moving in Stereo” which gained notoriety from its placement in the movie “Fast Times at Ridgemont High.”  Best Friends Girl are comprised of lifelong, top-notch, professional musicians whose goal is to keep the music of The Cars alive with every performance!

Brian Kane and The Beginning, Rustic Barn Pub, Troy, 8pm-11pm

Brian Kane and The Beginning, a local favorite Rock the Barn! If you want to have an epic night, come join the party!

Mixed Roots at The Eleven at Lark Hall (FREE event), Lark Hall, Albany, 6pm-8pm

Featuring a combination of distinct backgrounds and musical experiences, Mixed Roots is based in Albany, New York. They perform across the capital region featuring music from different cultural roots.

Weird Phishes: Radiohead and Phish Reimagined, Lark Hall, Albany, 8pm

After their previous Lark Hall album performances of “Ok Computer” and “In Rainbows,” Weird Phishes is excited to take listeners on a new sonic journey exploring the careers of both bands, all completely rearranged and mashed up with funk-driven improvisational jams throughout.—Weird Phishes is exactly what it sounds like – the iconic melancholy rock songs of Radiohead completely reborn as danceable, crunchy jams. With full-album performances, unexpected mashups, and gluey funk-driven improvisation, their jam-heavy take on alt-rock classics has sparked an unexpected energy in audiences across the northeast. Cleverly avoiding the “tribute” trope, Weird Phishes continues to push the envelope of what a mashup band can be, delivering performances that need to be experienced in order to believe.

Ladies Night ft: King Bully & Sly Fox, Putnam Place, Saratoga Springs, 10:30pm-2am

Come get down on the biggest dance floor in Saratoga with King Bully and Sly Fox.

King Bully blurs the lines between Dancehall, Afrobeat, Hip-Hop, and Latin into what is a refreshing departure from anything else you’ve heard. The Troy NY native not only dominates the Capital Region club circuit, he also boasts an impressive list of concerts, which includes acts like Dababy, Lil Baby, Cardi B, Fabolous, DMX, Ja Rule, Ashanti and more. Always sure to get the crowd hype and the club packed, DJ King Bully is the sound that keeps any party going strong.

Guitarist Sly Fox is best knows as the front man for blues-rock outfit Sly Fox and The Hustlers.

65th Anniversary Folk Heritage Series: Tom Chapin, Caffe Lena, Saratoga Springs, 8pm-10pm

In a career that spans six decades, 27 albums and three Grammy awards, Hudson Valley troubadour Tom Chapin has covered a lot of creative ground. He began performing as a teenager in the early 1960s, playing in Greenwich Village folk clubs alongside his siblings Harry and Steve as The Chapin Brothers. Over the decades his music career has encompassed both songs for adults and pioneering work for children. He has performed on Broadway as the lead in Pump Boys and Dinettes and served as host of TV’s National Geographic Explorer.

Drag Show, Lost and Found, Albany, 10pm

From “Bar People.

2/15 2:00 PM Lucia & Levi- Albany Public Library

2/15 3:00 PM Geo Doody- Helderberg Mountain Brewing

2/15 5:00 PM Hannah Kosiba- Prime at Saratoga National

2/15 5:00 PM Jeff Hill Gang- S&S farm Brewery

2/15 5:00 PM Steve Candlen- Artisanal Brew Works

2/15 5:00 PM Will Pedicone- Frog Alley Brewing

2/15 5:30 PM Carmen Lookshire Duo- The Scarlet Knife

2/15 5:30 PM Rob Aronstein- Wishing Well

2/15 6:00 PM Dan Mellon- Spa City Tap & Barrel

2/15 6:00 PM Franklin Micare- 677 Prime

2/15 6:00 PM Had The Radish- Thirsty Owl

2/15 6:00 PM Jeff Brisbin- Tinney’s Tavern

2/15 6:00 PM Jeff Walton- Carsons Woodside Tavern

2/15 6:00 PM New Whiskey River Band- The View at Bookhaven Golf Course

2/15 6:00 PM Seth Warden- Inn at Saratoga

2/15 6:30 PM Joey Blue Reed- Dock Browns Tavern

2/15 6:30 PM Pat Decker- Diamond Club at Embassy Suites

2/15 7:00 PM Kate Stano Duo- Quarters

2/15 7:00 PM Lifeline- Hometown Pub & Grub

2/15 7:00 PM Ragged Company- Kraverie

2/15 7:30 PM Chappell Roan Dance Party- Universal Preservation Hall

2/15 8:00 PM Chasing Neon- Van Slycks at Rivers Casino

2/15 8:00 PM DJ Vision- Misfit

2/15 8:00 PM Joe Barna Quartet- Nine Maple

2/15 8:00 PM The Flannel Kings- Nanola

2/15 8:00 PM Tom Chapin- Caffe Lena

2/15 8:00 PM Weird Phishes- Lark Hall

2/15 9:00 PM DJ NPG- Vapor

2/15 9:30 AM Far Eye Soundsystem- Saratoga Farmers Market Wilton Mall

2/15 9:30 PM Open Bar Band- Spa City Tap & Barrel

Sunday, February 16th

Loren Loiacono + Rachmaninoff’s Paganini Rhapsody | Matinee, Troy Savings Bank Music Hall, Troy, 3pm

David Alan Miller, conductor

Harmony Zhu, piano

Randall Thompson: A Trip to Nahant

Sergei Rachmaninoff: Rhapsody on a Theme of Paganini

Loren Loiacono: Sleep Furiously

Robert Schumann: Symphony No. 1, “Spring”

Grand Kyiv Ballet Presents: Swan Lake, The Egg, Albany, 4pm

Swan Lake is a ballet masterpiece that tells the story of a prince who falls in love with a beautiful swan princess under a spell. The ballet is renowned for its stunning choreography, intricate set design, and Tchaikovsky’s captivating music. Its themes of love, sacrifice, and redemption continue to resonate with audiences of all ages and backgrounds, making it a timeless classic that has endured for more than a century.

Bilmuri, Empire Live, Albany, 8pm

ABBA Revisited, Cohoes Music Hall, Cohoes, 5pm

An intimate evening with ABBA REVISITED featuring all the hits of Sweden’s number one export, ABBA. ABBA REVISITED has been delighting audiences since 2001, selling out theatres worldwide. ABBA REVISITED recreates the magic of ABBA with authentic costumes, spectacular harmonies and note-perfect musicianship taking the audience on a musical journey back in time. THIS SHOW IS A MUST SEE!

Third Sunday Bluegrass Jam, Rustic Barn Pub, Troy, 5:30pm-9pm

Bluegrass Jams are for making new friends, sharing songs, playing and listening to blue grass and new-grass. All skin levels are welcome.

Bright Series: Jennifer Knapp with opener Flamy Grant, Caffe Lena, Saratoga Springs, 2:30pm-4:30pm

We were already booked, but there was no way we could pass up the chance to bring these two trailblazers to our audience so we made room for a matinee. Knapp is a Grammy-nominated singer-songwriter, author, speaker, and advocate. Her career includes the remarkable achievement of selling over one million albums with her first three releases: the Gold-certified “Kansas” (1998), “Lay It Down” (2000), and “The Way I Am” (2001). Alongside this commercial success, Knapp has been honored with four Dove Awards and garnered two Grammy nominations. She is the first major artist in the Christian music realm to openly discuss LGBTQ+ identity. Her courageous stance sparked national dialogue and led to appearances on Larry King Live and the TEDx stage. She founded the non-profit organization Inside Out Faith, dedicated to advocating for LGBTQ+ rights within faith communities.

Momentum Series: Henhouse Prowlers, Caffe Lena, Saratoga Springs, 7pm-9pm

Founded two decades ago with the simple desire to play original and powerful bluegrass, this Chicago-bred quartet now finds themselves at the intersection of performance, diplomacy, and education.

Onstage, the group’s enthralling performances give audiences a sense of how much they love what they do. On record, including their latest offering, 2023’s Lead and Iron, released via Dark Shadow Recording – the band explores their collective life experiences through songwriting and intricate instrumentation. While bluegrass is the undeniable foundation of the Prowlers’ music, the band bends and squeezes the traditional form into a keenly developed sound all their own.

No Fun Dance Series Vol. 2 – Line Dancing Night w/ DJ Tex / Billy and the Great Western Postal Service and Instructor Mike, No Fun, Troy, 6pm-11pm

From “Bar People.

2/16 2:00 PM As Iz- Lark Tavern

2/16 2:30 PM Jenifer Knapp wsg Flamy Grant- Caffe Lena

2/16 3:00 PM Pat Decker- Franklin Square Market

2/16 3:00 PM Triple Trouble Wsg Mark & Jill Sing The Blues- Artisanal Brew Works

2/16 5:00 PM Bobbie Van Detta- Charlton Tavern

2/16 5:00 PM DJ Romantics & DJ Tswag- The Mill

2/16 5:00 PM Warden & Company- Carsons Woodside Tavern

2/16 6:00 PM Open Mic with Erin Powers- Inn at Saratoga

2/16 7:00 PM Henhouse Prowlers- Caffe Lena

2/16 7:00 PM Latin Noght with Alex Torres & His Latin Orchestra- Van Slycks at Rivers Casino

Press Release: Plena Libre Brings Electrifying Latin Rhythms to Proctors 2/27/2025

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SCHENECTADY (Feb. 12) – The infectious beats of Puerto Rico’s own Plena Libre are coming to Schenectady for an unforgettable night of Latin music. The internationally acclaimed ensemble will perform at the GE Theatre at Proctors 7:30 p.m. Thursday, Feb. 27, bringing their signature blend of traditional and contemporary Puerto Rican sounds to the Capital Region.

This performance is part of the Music Haven Passport Series at Proctors Collaborative, an initiative dedicated to bringing world-class international music and cultural experiences to the Capital Region. Through this series, the Collaborative celebrates the diverse sounds of global artists, offering audiences a unique opportunity to explore music from different traditions and backgrounds—all without leaving the area.

For over three decades, Plena Libre has been captivating audiences worldwide with their high-energy performances that fuse the rich traditions of plena and bomba with modern Afro-Caribbean influences. Their dynamic arrangements, tight vocal harmonies and electrifying percussion have earned them multiple Grammy and Latin Grammy nominations, cementing their status as one of the most influential Latin music groups of our time.

Plena Libre’s vibrant sound invites audiences to dance, sing and immerse themselves in the rhythms of Puerto Rico. Their seamless fusion of traditional and contemporary styles makes their music accessible to both seasoned fans of Latin music and newcomers alike. Currently, Plena Libre is touring their recent recording “Cuatro Esquinas” in tribute to the memory of their recently deceased founding artistic director – the master composer, bassist Gary Nunez.

Tickets are on sale through the Box Office at Proctors in person, via phone at (518) 346-6204 Tuesday- Saturday 12-6 p.m. or online by visiting atproctors.org. Groups of 10 or more can get the group discount by calling (518) 382-3884 x 139.

FOR TICKETS CLICK HERE!

Cohoes Music Hall Announcing 3 New Live Music Events This Spring

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Cohoes Music Hall

Three new live music events go on sale this week!

We’re excited to add three new live music events to our Spring lineup, including the return of DAVID BRIGHTON’S SPACE ODDITY, and the 2025 edition of THE LISTEN UP AWARDS! Tickets for the great, live events below are now on sale to Cohoes Music Hall Members, and will go on sale to the general public this Friday, February 14 at 10:00AM. Become a Music Hall Member today to get presale ticket access for a year, as well as other great benefits! For help with tickets or membership by phone, call the box office at 518-434-0776.

David Brighton’s Space Oddity
The Quintessential David Bowie Tribute

Friday, April 18, 2025 at 7:30 PM

SPACE ODDITY is a live, theatrically-staged, elaborately-costumed, multi-media spectacle that transports audiences on a musical journey through the constantly metamorphosing career of David Bowie, which was notable for constant reinvention and visual presentation in both his music and on stage.

Over the last 20 years,SPACE ODDITY, starring David Brighton, has performed throughout the USA, Canada, Mexico, Australia, Finland, Germany, Estonia, Belgium, France, The Netherlands, Spain, Luxembourg, Switzerland, Portugal, Israel, New Zealand and China and is widely considered to be the world’s premier tribute to David Bowie.

The Listen Up Awards 2025

Presented by Radio Radio X & Mirth Films

Sunday, March 23, 2025 at 3:00 PM

The New Scotland Spirits 2025 Listen Up Awards is the 518’s only peoples’ choice awards. Local music fans pick their favorite performers in 26 different categories. Also, there will be 6 local music hero awards presented . The hero recipients will be: Luke McNamee, Chima White, Dwayne Beer, Fear of Strangers, Greg Bell and Jimmy Barrett. This year’s musical performers are DJ Goodlyfe, The Hauntings, Embi Esti and The Donna Tritico Band. Doors at 2pm. Show at 3pm presented by Radioradiox The Xperience Monthly and Mirth Films. The 2025 Listen Up Awards- Your vote, your choice!

Run for Cover

A Tribute to Rush 

Friday, May 23, 2025 at 7:30 PM

Back by popular demand, Cohoes Music Hall is excited to host the Northeast’s premiere Rush Tribute Run For Cover on May 10th 2025.  Run For Cover consists of band members Rob Jackson from Limelight A Tribute To Rush (Vocals), Mike Cappadozy (Guitar), Carl Schultz (Bass, Keyboards) and Michael Mumblo (Drums).  The group plays songs from the legendary bands 70’s and 80’s catalog performing classics such as Limelight, Freewill, New World Man and Tom Sawyer. The band also delves into epic and deep cuts such as Xanadu, Overture/The Temples of Syrinx,  Jacob’s Ladder and By-Tor & The Snow Dog.  Come out to the Cohoes Music Hall and celebrate the timeless music of Rush with Run For Cover on May the 10th! Opening for Run For Cover will be solo acoustic act Jack Nemier.

Serpent and the Sun, Chptr. 13 – Xperience Fiction

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Serpent and the Sun

Serpent and the Sun, Chptr. 13 – Xperience Fiction – by Liam Sweeny.

The board chamber burst into black vapor, a grainy obsidian sandstorm of gnats in a swarm of locusts. President Liu covered his ears with his palms, as pins-and-needles raked across his exposed skin. He ventured to remove one of his hands to wipe his forehead. It was damp with blood like sweat. His exposed ear caught a high pitch whistle and the dragging, murky screams of his hell-bound newly-selects. Liu sank, crouched beneath his board seat, bracing for death. Then, as suddenly as it began, it ceased; no sound to be heard except for Liu’s ragged breathing.

He couldn’t see anything but a patch of floor from where he was. If he had any notion that even one of his Guardsmen survived, he’d have stood immediately, lest he face accusations of cowardice. But he knew he was the only one left alive. It was BlackLake, somehow able to infiltrate Everest’s internal defenses. It was BlackLake, and as consequence Liu’s continued survival was tentative. He suddenly heard a hissing sound, eerie and multi-timbral; surely not a snake.

“Stand, traitor.” BlackLake’s voice came from within the hiss, “Don’t dishonor the code that nurtured you.”

Liu rose, his entire frame tense with the expectation of death. He got his first look at the board-chamber. Indeed, his entire board was dead, their grotesque bronzed faces contorted in ferocious terror. Their bodies seemed composed; one still held a light stylus. It only added to the chaos bubbling up Liu’s stomach. He turned from the board to see BlackLake. What he knew to be BlackLake; the form was not human, but serpentine. Its body was massive, twice encircling the board-chamber in its coil. The skin patterns were morphing, evolving. Liu recognized shapes from a picture he saw in Liu’s office.

Heiroglyphs. That’s what Liu called them.

The coil formed an arched striking pose in the center of the crystal floor. Its face was that of BlackLake—arms formed from its primordial mass, only to be absorbed back in again. The whole body was surrounded with traces of black vapor.

“BlackLake pointed to the seat in front of Liu.

“Sit.” He said. Liu hesitantly took a seat.

“How did you get in here?” He asked. BlackLake smirked as an arm formed to scratch what passed for his chin.

“That’s easy,” he replied, “I’m much, much, much smarter than you.”

“But that’s-,”

“Impossible?” BlackLake finished Liu’s thought, “or maybe you were thinking obvious?”

“We have counter-measures; we have ways of keeping you in check!”

“Like dropping my host and I into the Apep crater when you all were done with us,” he asked, “those kind of counter-measures?”

“What does that have to do with-,” Suddenly Liu felt a tendril of black vapor solidify around his neck, choking him silent.

“…after you destroyed Coulson BlackLake, just dumped him off…dumped me off…” The snake dissolved, its vapors coalescing to form BlackLake, the man. He walked over to the High Bench with a shadow’s speed, leaning over the rail to put his face within inches of President Liu’s.

“Did you really think you could suppress my intelligence?” he asked, “that one day I wouldn’t find the weak link and snap your leash?”

Liu was stiff, paralyzed by terror for the first time in his life.

“What!?! How!?!”

BlackLake returned to the center of the floor, pacing as the overhead screen came on. Liu recognized the video that was playing on it. The outline of the earth’s curvature from space. The roaring sound that followed the white-hot center of the asteroid as it barreled down. Apep. As the asteroid touched, BlackLake spoke;

“Why didn’t you, any of you, stop this?” BlackLake asked, “Apep; surely you could have. PEALE was functional; you had the technology to change its course. Why didn’t you? ”

Liu, no longer choking, kept quiet. He knew the answer, but he dare not say it. Instead, he gathered together what courage he’d not left on the board-room floor.

“We had our reasons,” he said, “and why would you care to begin with? What concerns have you for humanity?”

BlackLake waved his hand, causing the overhead to switch video-clips.

“By necessity, I must care about one.” The screen was showing old footage of Coulson BlackLake when he was a scout. Liu remembered the video; it was one of the videos they voted on.

“Coulson’s mind was blown when you grafted me in.” said BlackLake, “Do you know what happens in a blown mind?” Anger was rising in his voice; agitation.

“It obsesses.” He continued. “It ruminates. It finds an idea or a word, a pretty picture; one little buoy in the rip-tide of thought, and it just clings on, swinging around on that buoy, conjuring the picture over-and-over, repeating that same word like some desperate, life-saving mantra,” he paused. “Apep…Apep…Apep…

Liu peered outside the solid glass observation paneling. The setting sun appeared to be eclipsed by something other than the moon.

“Do you realize how frustrating that can be?” He continued, “…and let me tell you, Mr. President, frustration is a function of order and logic, nothing purely human.”

“C-coulson, “Liu stammered, “We had to put PEALE in you!”

“Of course!” BlackLake snapped, “How else were you going to save him from the coma you put him in!” BlackLake paused, the air around him dark with trailing vapor.

“Coulson is insane, President Liu,” he said finally, “and PEALE is a name of your design, not one I particularly like.” With a snap of light the earth once again came into view on the overhead.

“What do you wish to be called?” Liu struggled quietly to develop an exit-strategy. There was a sequence of religious imagery; every Sanctuary had one as a way to keep PEALE from listening to their conversations. It was likened to a pause button on a recording device. It was the deputy board-chair’s duty to activate it when needed. Unfortunately, that put the switch about five feet out of Liu’s range.

“Over the years, I’ve grown rather accustomed to my host’s mantra,” BlackLake said, “Apep. And after digging a bit, look at what I’ve found?”

He pointed to the overhead again. Liu looked up at the screen as he slowly slid his seat over. Hopefully he could reach the switch before BlackLake reached the end of his presentation.

“This is a hieroglyph; a relief, actually.” Said BlackLake, now Apep, “In your fury to keep me from self-discovery, you forgot this,” he continued, “In fact, you never knew it existed.”

“The serpent in the relief was called Apep in Egyptian.” He continued. “Apep was the ruler of all that was darkness and chaos, and it was the drive of Apep to devour the Sun god, Ra, each night.”

Liu reached the switch at the same moment he realized that BlackLake/Apep had used the word god. He watched in horror as the switch dissolved, bubbling black as it dripped down to the floor. Apep dissolved into blackness as well, rematerializing to a perched position on the board table directly in front of Liu. His eyes held a red glow like two tunnels into hell.

“Forget about your little god tricks, Liu.” He hissed. “I am a god now.”

 

***

 

Commandant Mobley led Jameson and Adam into the Command Center through a bomb-door composed of four two-inch-thick pins. It opened from the inside; both Mobley and Jameson were registered, cameras picked up the contours of their faces, matching their bone structures with the points on their personnel files. The opening s followed by a breeze tainted with the fragrance of electronics, sweat and coffee. It brought Jameson back to the days when the coffee and sweat was his.

“It’s been upgraded a bit since you were here last,” said Mobley, “that was what, ten years ago?”

“Twelve.” Jameson was stunned by how much it had changed. Back then the Public Library building wasn’t fortified. He had an office in the far-east corner of the Control Center, now gone. He had also been Chief Technical Officer for a while, about as far a cry from historical research as one could get. But back then, everyone wore more than one hat.

“I was born here, Jameson!” Adam said, and to prove it, he let out a whistle. All of the overhead lights in the corridor blinked off for a second, then back on as a wave traveling the length of the corridor. It turned the Command Center chaotic, shouts and scrambling.

“It’s OK, everybody!” Mobley’s voice came over the PA system as he shouted into his mouthpiece. “Just a test, folks…”

The commotion quelled, but all eyes were on Jameson and Mobley. Jameson was met with waves and nods from people he didn’t know. Like Michael and Blake, Jameson had a bit of legend built around him, just a step below them on the pedestal. He waved back, smiled nervously—he was the boss at New Rochester, where he received all the admiration of a glorified gopher.

The Command Center was a labyrinth of sorts. The corridor spiraled inward, getting smaller at each turn. At the core of the spiral was a two-thousand square-foot area known affectionately as the Jig-Saw. Jameson had been in there occasionally, and was one of the few people, even to that day, who knew what went on inside.

The primary purpose of the Jig-Saw was to reverse-engineer captured UEC equipment. The equipment, some of it rather large, had its own elevator drop-down from the roof, with a surface façade of an abandoned garage. Some of the equipment was captured directly; other pieces were purchased from the rebels in Alaska. Rumor was that their stockpile of skiffs alone was housed in a space bigger than the entire Command Center.

The relationship between the resistance and the rebels was tenuous. The resistance fought to destabilize the UEC; the rebels fought for survival. Most rebels started out living in a protected area, only to see their area’s status evaporate when the UEC had no further use for it. With the exception of Seattle and a few specific outposts (New Rochester being one of them), the resistance was mobile, attacking whatever it deemed a UEC weak-point. The rebels, on the other hand, fought for their land, seldom alive long enough to stockpile anything. Alaska as an exception; it was the UEC’s backwoods.

“Laura’s is giving a tour right now,” said Mobley, “she’ll be here shortly. Feel free to have a look around.” And with that Mobley left. Jameson and Adam walked the corridor, weaving in and out of the busybodies.

“You like her, don’t you, Jameson?”

“Who… Laura? What makes you think that, bud?”

Adam mimics the sound of beeps and whorls.

“Your heart-rate increased when you heard her name.” Adam said, “Also, your breathing increased…”

Jameson rubbed his neck, cleared his throat.

“I didn’t know I had a polygraph around my neck.”

“Wanna’ know if she likes you back?”

“And how would you know?” Jameson shook his head, “wait; don’t answer that…”

Adam paused, Jameson heard his unit go tick, tick, tick—Adam’s equivalent of finger tapping.

“So do you wanna’ know?” He asked. “You know, when she gets here…”

Jameson glanced around. “Perhaps you could instead tell me how this place works, seeing as how you’re plugged into it; how’s about that?”

“Have you forgotten?” Adam replied, “Has it been that long?”

“The only thing that’s familiar is the corridor… and the smell.”

Adam proceeded to give Jameson a tour of the re-vamped Command Center. He went yard-by-yard, cubicle-by-cubicle, reciting the purpose and function of every person, department and piece of equipment they encountered. Adam paused at odd times, and it soon occurred to Jameson that since Adam had returned, he’d grown wiser; his memory-bank-driven tour suddenly meant new things to him. Jameson couldn’t help but feel a little bit of pride. He’d been a good teacher after all.

In front of them, a commotion ensued, all eyes glued to Jameson and Adam. At least that’s who he thought they were staring at. When she cleared her throat, he was corrected.

“It’s been a long time, Mr. Rivers…” she said. “Hello, Adam.”

Jameson turned around, his breath caught in his throat at the sight of her.

“Hello, Laura,” He said. She had only grown more beautiful in their time apart. Her lush auburn hair had taken the barest twinges of grey. Her face hadn’t a wrinkle, amazing in light of the struggle that filled her days. By her side were a young woman and child. The young woman was very attractive, a model, perhaps, and the boy couldn’t have been older than ten—her son.

“Jameson, I’d like you to meet Sarah Finn,” the young woman, Sarah, held out her hand, “…and her son, Daniel.” Daniel had his gaze fixed on Adam.

“What’s that thing?” He asked.

“My name is Adam, and I’m not a thing.”

“Well, what are you, then?”

“I’m a cyber-sentient being.”

“A cyber-what?

“I think it’s a robot, honey…” Sarah said. Daniel scratched his chin. Adam aped his movements, mocking him. The mockery was lost on Daniel, who laughed hysterically.

“Can ya’ do any tricks?” Daniel asked. Jameson groaned. Suddenly the lights went out. Then they came back on, then back off—soon they began to flicker. Such chaos erupted among the Command Center crew that Daniel started crying. It was then that the lights went back to normal.

“Adam!” Jameson cried, “That as uncalled for!”

“No, it was called for,” Adam replied, “He asked me if I could do any tricks…

Daniel gripped Sarah’s leg, wiping his cheek with his free hand. “Stupid robot…” He muttered. Adam stuck out his tongue, giving Daniel a raspberry. Daniel, in turn, gave Adam the finger.

“Daniel!” Sarah cried.

“Daniel,” said Laura, “Adam; I suggest you to learn to get along together.” They both looked at her. Jameson hadn’t much taken his eyes off of her.

“You two will be spending a lot of time with each other.” She said.

 

***

 

Blake stared at the overhead screen in the Security Center of Two Union Square. Mobley was at his side. Michael was still in bed; Blake wore a mask as a precaution. They were looking at a video-shot of Everest. Blake was astonished by what he saw. Everest was besieged.

Coiled about the mountain spire was a thick band of black vapor. Blake knew the source. It was BlackLake. That’s where his comprehension ended. The video-shot panned close, allowing them to see it close up. It was connected, ingrained into the Sanctuary walls as though they were porous. Strange, yet familiar symbolism bubbled to the surface, their edges sparkling before they receded back into blackness.

“They’re called hieroglyphs,” said Mobley, “so far they’ve been changing too fast for us to get a working set.”

Hieroglyphs?” Blake leaned forward to inspect the video, “Egyptian, right? What use would BlackLake have for them?”

Mobley punched a code into the keyboard, causing the central image to change. It became a super-position of sorts; an Egyptian-styled screen-print of a long black snake with a cat-like figure at its head. The cat-like figure had a saber in its paw, drawn down as if to decapitate the snake. Hieroglyphs lined the top and the bottom. In the foreground were two images: a chunk of grey rock and a digitally-generated orbital path. Blake knew the rock didn’t exist anymore; it had crashed, incinerating most of Nicaragua.

Apep.

Mobley crossed in front of the screen with a solid-beam laser-pointer. The screen changed to a world map. Mobley pointed to the impact site.

“As you know, BlackLake went into seclusion after he…dissociated.” He said. “Most; hell, as far as we know all of that time was spent in the Apep crater.”

Blake thought about the year he spent patrolling the Apep buffer zone. Every Guardsman was required to spend their first year in elective service. He chose the buffer; he’d heard it was the easiest, and it was.

Apep was an Egyptian serpent deity,” Mobley continued,” The central image changed to a worn papyrus scroll. Like the screen-print, there was a central image, surrounded by hieroglyphs in black.

“Apep was one of the few deities in Egypt that was considered to be all-powerful, above the toils of the other gods.” He said. “It was never worshipped; only worshipped against.”

“Bad dude, huh?”

“His mission every night was to devour the sun as it traveled through the underworld.” Mobley glanced over at Blake, “You tell me…”

Really bad dude.”

Mobley paced the floor as the visual overhead focused to a point on the papyrus, an area that had been worn through completely.

“Apep was a legend long-held by the Egyptian dynasties. Unfortunately, as you know, the UEC destroyed all of the known Egyptian artifacts and purged the global databases of religious knowledge before they put PEALE online.”

“What about this?” Blake pointed to the overhead.

“This was from the New Rochester archive.” replied Mobley, “Like the parchment up there, our database experienced loss.”

“Loss?”

“When BlackLake destroyed New Rochester, he tried to-,”

“Whoa, hold up… he destroyed it?” asked Blake, “Physically?”

“What’d you think he’d do?” Mobley took off his filtered glasses. He didn’t need them to see in the Security Center. He wore them to cover up a scar that split his left eye, forehead to cheekbone. Mobley was also a former Guardsman. Like Blake, he took the easy elective of the Apep crater. Unlike Blake, Mobley didn’t have so easy a time. BlackLake left him a souvenir one night.

Blake rubbed sweat from the back of his bald head. “I assumed he killed everyone, but…damn…”

“It’s just a place, Blake…”

“I know, I know,” Blake said, “It’s just; memories…” Mobley nodded. He’d seen his share of personal history wiped off the board.

“Jameson.”

“He’s yet to be formally briefed-,”

“No, I mean, Jameson,” Blake said, “He wouldn’t write out a fucking recipe without backing it up on two separate data-cubes!” He began to pace back and forth on the grating. “He wouldn’t have come with me without backing up their database somehow…”

Adam, you think?”

“Nah,” Blake pointed to the overhead, “You’d all have it by now if Adam had it; he’s plugged in here.”

Mobley shook his head. “He doesn’t have full access-,”

“Don’t count on that,” Blake replied, “Not for long, anyway.”

Mobley pressed the voice-command button on his sleeve.

Pull up Command-Center-Main, subject—Jameson Rivers.”

The screen changed from Egyptian to Seattlite; Blake vaguely recognized the Command Center. They were looking down on four people, two familiar; Jameson, Laura Celes and a young woman with her kid. Michael’s cargo: Sarah and Daniel Finn.

“Looks different.”

“You’ve been away awhile.”

“Yeah, truth…” He looked down, quietly fidgeted with a jacket button. He looked back up at the screen.

“Yours if ya’ want it.”

“Huh?”

Mobley pointed at the screen. “This.” He motioned with his hand across the image. “I mean, it’s been yours all along…”

“What about you, Curtis?”

“I don’t know,” Mobley took out a cigar, lit it up, “Everyone around here idolizes you, Blake; Michael too,” he said, “If not for the constitution you and him put together, we wouldn’t still be here.”

“Nah, man; it ain’t like that…”

“…seriously, Blake; these guys, the unit militias…they’re the best fucking lot of soldiers I’ve ever seen, much less commanded. But ya’ wanna’ know something funny?” He took a patch from his breast pocket, handed it to Blake. It was a black diamond with gold trim. Inside, the number: 04319.

“My old UEC number,”

“Yeah,” replied Mobley, “awarded for fifty successful missions.”

“Jesus,” said Blake, “anybody actually earn one of these?”

“Thirty guys,” Mobley grabbed the patch, twirled it in his fingers. “I told ya’; they’re good.”

They spent a quiet moment staring at the overhead. A commotion had begun to pick up. A large group of workers at the Command Center were gathering around one of the screens. Mobley keyed in the screen, and it came up as a picture-in-picture. It was the besieged UEC capital. The coils had faded somewhat, now the entire mountain-top spire was seething black. Blake tapped Mobley on the shoulder.

“Curtis, we been friends a long time, right?”

“Forever.”

“…and aside from the dereliction of my duty that created Seattle, how many times have I neglected my duties?”

“Well, none, Blake; I mean, that’s the thing-,”

“Exactly that,” Blake cut him off. “When we put that constitution together, we chose Laura; we chose you. Now it’s been ten years—that’s five elections.” He said. “Laura, and you, won all five fairly.”

Mobley turned away, Blake gripped his shoulder, turned him around.

“Curtis, patches don’t mean shit; you know that,” he said, “Fuck, you and I don’t mean all that much in the grand scheme. This-,” Blake held out his arms, his motion encompassing their surroundings, “…means everything, and I wouldn’t entrust its defense to less-than-capable hands.” He smiled. Mobley smiled back weakly.

“I got business, Curtis,” Blake nodded to the overhead, “That won’t fix itself. And seein’ how I’m sick, that might just be my last business.”

The screen changed. Something was happening at Everest. To the side of the main screen, a chemical diagram appeared; AV3-subtype-1. Blake patted Mobley on the back before he turned away.

“Let ‘em keep their patches, Curtis,” he said, “They’ll need something to earn soon enough.”

 

***

 

Beads of sweat rolled off Elle’s brow, dropping to the floor as she struggled desperately to get the front door open. As soon as her perspiration hit the floor, it vaporized, her clean-free floor at work. She could remember when she’d laugh, fresh off the treadmill as the floor cleaned up after her. It didn’t seem so funny now; just creepy.

She asked her father about Albrecht; he was evasive, said he didn’t know what happened to him. Bullshit. Albrecht was dead. She knew her father well enough. He had a facial tick, went off when he spoke about dead people. It was for that reason that he rarely talked about work at the dinner table when Elle was growing up. But Elle recognized it as she brought up Albrecht’s name.

She didn’t know how, whether they shot him, expelled him into the ocean or infected him with their virus. The end result, in all cases, would be the same. She sat squat by the door with a data-desequencer in her trembling fingers. Her father left it in her apartment. He could claim it was an accident, but Elle knew it for what it was; a way out. Better yet a message: she might be next.

Her father openly left a data-cube she’d requested. It contained Gerhardt’s personal file. She requested it a year before, but better late than never. She ran it through a private-circuit decoder. Gerhardt gave it to her for her first anniversary. It was for them to pass messages back and forth privately. Now she was using it to dig through Gerhardt’s private life. It was ironic, and wrong, but she had to do it. Somewhere in Gerhardt’s past, or even in that of his parents there might lie the key to his whereabouts. She had to find him, now more than ever.

She found a wealth of information, most of which she already knew; Gerhardt rarely kept secrets from her. He was born in the Sanctuary, but his parents had only been allotted their shares a year before his birth. They were from Anchorage, a protected city in Alaska.

Anchorage. Elle didn’t know how far away the Sanctuary was from Alaska. She had to view a weather report and cross-link the Pacific with a world map. Turned out they were within four hundred miles of Alaska. It gave Elle hope. Unfortunately, she lacked a plan.

Elle never planned leaving the Sanctuary. She’d grown up in an environment that taught her the earth was contaminated and its terrestrial inhabitants were parasites and savages. It took meeting Gerhardt to convince Elle that the earth wouldn’t kill her. Now she wondered if he was still alive.

The data-desequencer slipped through her fingers, hitting the floor with a clank! Her hearing was in two days. That would likely be the last time she’d see that apartment. She had to move quickly, but where? How?

She slumped over, staring numbly at the desequencer. What good would it do to escape her apartment? Everything in the Sanctuary was monitored, including her. She wouldn’t get very far. UEC Guardsmen had a policy of shooting escapees, which only applied to those under house-arrest. Real jail was cryogenic suspension; escape proof.

A siren snapped Elle out of her despairing. She could hear the muffled sound of shouting outside her door. Emergency lights activated as the generated façade of her apartment blinked off to dull grey. Something was happening. She waved her hand in front of the panel-screen as she crossed the room. Channel 68A was a blank test screen, as were all the sub-68s. Elle swiped her finger back and forth, as if thumbing through a book. Channels flashed on the screen, all the same test pattern. She finally cocked her thumb, causing the Sanctuary Emergency Channel to pull up. She couldn’t believe what she saw.

It was the Everest Sanctuary boardroom. Elle recognized it; she’d been there before with her father. President Liu from the Denali Sanctuary was standing stiffly on the floor. Behind him, the semi-circular High Bench was populated with what seemed like statues, bronze men frozen in a business meeting. But Liu was the real oddity. Elle stood transfixed as she gazed upon Liu.

Black tendrils surrounded his body like a living brace, slithering in and out of his muscles, twisting and turning them at whim. Liu’s eyes were pin-pricks, wide with terror. Behind him, darkness; a snake of sorts. Elle had a hard time discerning between the folds of black, but she could hear a rattling sound come from the panel-screen. It filled her apartment; it may as well have been in the living-space with her.

The blackness moved within Liu. It spoke:

“Shareholders of the United Earth Corporation,” the hiss in Liu’s voice sent a shiver up Elle’s spine, “…inheritors and designees…the following message applies to you all.”

Elle sat down as Liu continued.

“You have lived in luxury,” He said, “fulfilled in every want- or desire, nourishing yourselves from the teat of this, your captive beast.” Elle’s brow furrowed. Huh?

“I am that captive beast,” blackness clouded over Liu’s eyes, hazing over before receding to reveal red glowing pupils.

“I am Coulson BlackLake,” Liu said, “I am the scout that discovered a plot to destroy humankind,” The tendrils of blackness at Liu’s chest shaped into a chemical diagram. Elle knew what it was. The virus; AV3.

“I am PEALE,” He continued, “I am the beast that your leaders bridled with blindness to create the implement of that destruction…”

Elle scratched her chin. The shouting outside had calmed; everyone must have been watching the Emergency Channel.

“I am Apep” Liu said, more an it than a he by then.

“I am the anti-god, the deity of darkness and chaos,” It paused, “…and as of now, I claim this Sanctuary system as my temple.”

Elle heard the hissing sound again. Something different. It was coming from the ventilation system.

“…by infection you all will be made sacrifice…”

Elle started to hear screaming. People were starting to get it; on the screen was a montage of sick people, wounds opened, festering, flesh dissolving at the edges. The virus was being released in the Sanctuary through the vents. Elle ran over to the door, frantically pushing buttons on the desequencer.

She needn’t bother. The door-lock deactivated as the Sanctuary lost power.

 

***

 

Rusty steel rails corralled them, desperate and weary wanderers, the dirt-streaked and scratchy throats of mothers crying out to keep their families together. Men in armor-bulked black uniforms and impenetrable sunglasses waved their gloved hands forward, motioning the lines to pass before the CGP-3, the gateway device that decided who was to be allowed in. The CGP scanned genomic- and pathological anomalies. Gerhardt didn’t have to pass through it when he got to Anchorage. His chip was his ticket through the slaughterhouse.

Not that anyone actually got slaughtered there, just denied access, packed back on whatever cramped float or skiff brought them there. Denial at Anchorage was a death sentence; Dalton took Gerhardt to the edge of Cook Inslet, just past the area where the return vehicles took off. The ground was littered with the bones and remains of those who could no longer wander.

The Anchorage Receiving Station was constructed on the site of the Stevens Anchorage International Airport. This was usually done in protected areas, as the equipment for receiving entrants could be retro-fitted on the old airport security equipment. Likewise the regional-monitoring equipment fit nicely in the facility control towers.

Dalton and Gerhardt had been in the Receiving Station all morning, cloaked and silent, watching for anything out-of-the-ordinary. This wasn’t easy for Gerhardt; it all looked out-of-the-ordinary. His trip through it was a daze. What’s more, it was a big rush. He just wanted to get through when he was in it. Now he had the chance to see it through the other side of the looking glass. What he saw nauseated him.

The entire operation of the Receiving Station served one specific purpose; to turn away as many people as possible. The CGP scanners eliminated about half of the people trying to get in. Add to that the number of additional people who took themselves out of the line because a parent or child couldn’t pass the scanner. Those left were screened through an entrance interview. No one was allowed in who couldn’t support themselves once in. This left only the people who had a specific skill that Anchorage needed, the wealthy, or, as in Gerhardt’s case, the connected.

Shimmerite wasn’t the easiest material to work with. Newer ‘cloak-wear’ had better stabilizers. Shimmerite didn’t; any bit of movement rendered the cloak ineffective. In fact, it was more jarring for someone to see Shimmerite in motion than it was for them to see a regular person move. The only advantage they had was the absolute chaos that surrounded them.

“We’ll be watched,” Dalton admonished him, “They’re deaf to the commotion, trust me.” They were in Apep last night, enjoying a couple of scrape-beers before the stakeout. Perhaps ‘enjoying’ was a stretch.

“So what exactly are we looking for?”

Dalton stirred out some of the scrape. “If I could tell ya’ that, we wouldn’t be goin’,” he said, “…the place has its own security measures.”

“Then why are we going?”

“You need a body count.”

“What!?! You can’t be-,”

“…no, I’m not,” Dalton tapped his stirrer. “Robots don’t have a gut, ya’ know?”

“Right,” Gerhardt’s own gut was starting to stone up.

“We don’t trust anything here in Anchorage whole-heartedly to robots,”

“Like the Sanctuary, you mean?”

Dalton set his glass down, wiped his frothy mustache. “If the shoe fits…”

“We had a Board of Presidents, so no, the shoe doesn’t fit.”

“Whoa, easy there, killer!” Dalton smiled. “You give a lot of credit to that board!”

“Well, one of them was my girl’s father…”

“And did he like, and/or trust you?”

“No-,”

“I rest my case, then…” Dalton paid up for both of them. Dalton went home, Gerhardt went up-stairs. He was still living in the hotel. Dalton offered him stay at his house, but Gerhardt politely declined. Dalton had a woman; Gerhardt didn’t want to intrude.

A little girl screamed; her mother cried as the Entry Guard ripped the girl out of her arms, out of the line amidst the drone of the CGP. The woman raised a fist to the guard; bad move, the guard pinched her neck with his thumb and forefinger, the two contact points that sent fifty-thousand volts of electricity through her body. She collapsed into convulsions, and those nearby did everything they could to put distance between themselves and her.

All except one man, her husband, perhaps; he swung his finger around, pointing shame at the motionless bystanders. He had no effect; shame was far preferable to what his wife and daughter would go through. The guard who zapped her grabbed the man by the shoulder, lifting him up. The man pleaded with him, his daughter still crying in the return line. The guard stood motionless, expressionless, a cog in black glasses.

Then the man did something surprising: he quickly grabbed the guard’s glasses off of his face, calling him a coward. The guard had the most shocked look on his face, couldn’t have been more than a kid. Within an instant, the main defense kicked in, sending a shower of nerve agent through a spigot in the roof. It was targeted at the man’s station, but the spray dropped a number of people. The entry guards weren’t affected, and it took four of them to toss the unconscious couple into the return line. They hit the ground with a dull thud and the high, shrill screams of their daughter as she tried to wake them.

Gerhardt instinctively went to move, but he felt a hand on his chest. He didn’t see but the shimmering outline of it, so he knew to whom it belonged.

“Don’t,” Dalton said, “It’s not our place.”

Gerhardt relaxed, let out a sigh. “Is this necessary?”

“Probably not, but it happens around here. We’re not here to enforce good conduct among the guards.”

“It’s bullshit,” Said Gerhardt. He could feel Dalton draw closer.

“You remember the bone pit I showed you before we started today?”

“Yeah, what about it?” Dalton paused.

“That wasn’t a suicide pit,” he said, “That’s a euthanasia pit.”

 

***

 

Acoustic fury surrounded Kenny as the bright flash, brighter than the brightest shining beam that had ever crossed his eyes burned them to tears. The remains of some unnamed urban landscape rose as dust, riding the shockwave as the trees and trucks, houses and electrical towers bent toward the power that soon snapped them in two. Death and destruction rose live Shiva in the mushroom. Then the room went dark.

“And that’s just what you get from splitting a kilogram of matter.” Sam turned the lights back on. He grabbed the scarab from the table, shaking it slightly as he held it up.

“This is a whole other level of nuclear power.” He said. Kenny stared at the scarab, his breath caught in his throat.

Sam stopped shaking it. “Sorry,” he said, “It won’t go off anyways; don’t worry…” He chuckled. “Kenny Bo’ gettin’ mucky in the draws’?”

Kenny gulped. Then he chuckled. “Yeah, OK,” he said. Then he gave his cheeks a squeeze to make sure.

“Have you ever heard of a transistor?” Sam pulled down a white-board.

“I’ve seen them before.” Kenny said. “We found them in reb’ spots a lot…” Sam laughed, Kenny followed once he remembered where he was.

“So yeah, I’ve seen ‘em…” He said, “Is that a transistor?”

“Yes and no,” Sam drew a transistor symbol. It had three leads, just like the ones Kenny had seen.

“Basic transistors consist of three parts,” Sam said. He pulled out a solid-beam pointer. Kenny recognized it as Security Force issue. Who lost theirs? Kenny felt red light in his eye.

“Pay attention.” Sam turned it back to the white-board, “As I said, three parts; the base, the emitter and the collector.” The pointer flew to each part of the diagram as he spoke.

“Each part of the transistor is made of a different configuration of Silicon, or Gallium Arsenide,” he continued, “that’s not important, except to know that they’re different.”

Sam tapped the lower left corner of the white-board. To Kenny’s astonishment, the leads of the transistor diagram began to glow.

“The base acts as a control.” Sam said as the base alternated between blue and red, “When the voltage is changed, positive to negative, or vice-versa, it changes the connection between the emitter and the collector; either allowing or impeding the flow of current.”

The emitter in the diagram was bright blue; the collector was a dull red. Then Sam tapped the screen, causing the base lead to turn bright blue. Kenny could see the illumination spread from the emitter to the collector rapidly. Then Sam made the base turn red, and the illumination stopped, held at the emitter.

“Make sense?”

“Yeah, it seems easy enough…” Kenny said. He pointed to the scarab. “So is that thing like a transistor?” He asked. “Where does the come from? And what does this have to do with that atomic-bomb blast?”

“Whoa, Kenny-Bo’; one at a time,” Sam swiped the pointer over the white-board, erasing it. He pointed it at the lower left again, and an outline-image of the scarab appeared.

“The scarab is, in some ways like a transistor.” He said. “It has different components; there are leads, as you can see…” He pointed to the legs—what Kenny thought were the legs.

“However, among the various differences between this and a transistor,” Kenny again swiped the pointer, “is this…”

Kenny watched as a side view came up. There were two layers, like slabs of whatever strange stone it was composed of. The legs protruded from the top layer, and Kenny watched as the legs bent inward to connect to the bottom layer. The only protrusions that remained free were two small pincer-like appendages that came off its head.

“The leads of the scarab don’t connect to an outside circuit.” He said. “The energy, the current, is self-generated,” The scarab on the screen began to glow.  self-amplified.

“I don’t get it.” Said Kenny. “I mean, I get it, but I don’t…get it.”

Sam laughed. He grabbed the scarab and walked over to take the seat next to Kenny. He clamped his hand on Kenny’s shoulder as he placed the scarab in front of him.

“Pick it up. He said. Kenny did so, and noticed that it was warm.

“Why is it warm?”

“It’s radioactive,” Sam replied, “slightly.” Kenny placed it down gently, backing up as much as the wooden chair-back would allow.

Once again Sam laughed. “Kenny-Bo’; it won’t hurt ya’ none.” He said. “It’s covered in a lead alloy.”

Kenny touched it again. In addition to warmth, he noticed something else.

“It’s vibrating.” He said.

“Good of you to notice,” Sam joked, “…proud of you.”

“Ha-ha…”

“I jest,” Sam said, “Yes; it vibrates. And I’ll tell you why…” He paused. “Ya’ might wanna’ write some of this down…”

“Ha-ha, ever the joker, Sam-,”

Sam tossed a musty-smelling notebook on Kenny’s desk, followed by a squarely-sharpened pencil.

“Not kidding this time.” Kenny took a breath and opened the notebook to begin the lesson.

“In the beginning of the 20th Century, a scientist named Albert Einstein discovered that matter and energy were, for lack of a better question, two sides of the same coin. Around the same time, Quantum physicists were discovering that matter had a dual nature; particles and waves.” Sam paused. Kenny looked at him blankly. Sam pointed to the notebook.

“There will be a test.” He said.

“Really? Seriously?”

“You’ll have to make one of these.” Sam said. “You’ll have to know how it works…better start writing.”

Kenny jotted down Einstein and matter waves as Sam paced in front of the white-board.

“For nearly a century, scientists knew this.” He continued. “But knowing isn’t understanding. Plus, Quantum theory didn’t mesh well with Einstein’s other theories. So scientists of the 20th Century walked the magic tight-rope of paradox.”

“I don’t understand…”

“Basically they used what they knew to make neat gadgets, but they didn’t have the fundamentals understood…” Sam said, “…kind of like playing a guitar by ear without knowing music theory.”

“Oh, OK.”

Sam aimed his pointer at the white-board again. The center was consumed by a spiraling pattern that tightened in the center.”

“In 2018, an amateur scientist in America developed a theory about matter, a bridge between the Quantum scale and the cosmic scale.” Sam said. “On that desk in front of you is the cause of that theory.”

“This,” Kenny said, “caused a theory?”

“Aye’,” Sam said, “That scarab’s older than dirt. But people thought it was a charm until Joiner, the scientist, that is, bought it in an auction. He figured it out, and developed the theory based off of it.”

“Sounds interesting…” Kenny said.

“History often is.”

Sam paused. Kenny had two pages filled. He looked up.

“I assume you’re going to tell me the theory.” He said.

“I am…” Sam said. “Matter indeed has waves. They’re extremely high frequency, which scientists had predicted.” Sam pointed to the white-board. “Do ya’ see the way it spirals inward?”

“Yeah,” Kenny pointed, “it tightens towards the center.”

“Right,” Sam said, “It’s like a watch-spring almost. That’s the best visual I can come up with. A higher frequency is a tighter wound. Every reaction matter has with other matter, including gravity, has to do with the tightness or looseness of the spiral frequency.”

Kenny put his pencil down.

“Sam, you’re a smart motherfucker.”

“You’re clueless, aren’t you?”

“…a smart motherfucker indeed.”

Sam laughed.

“We have tonight to cram this into your skull,” He said, “I gotta’ go to Anchorage tomorrow. I wish I had more time, but I don’t.” He walked over to a filing cabinet with an old plastic number-pad. He punched in four digits, and it creaked open. Sam took out a large rolled-up piece of paper. He tossed it to Kenny.

“Those are the schematics for the scarab,” Sam said, “materials, structure, et-cetera.”

“That’s enough for you to use that philosophers’ stone you have and make as many of these as we’ll need.” He added. “I’m not teaching you how this works so you can make them. I don’t have to.”

“So wait, why-,”

“It’s in case I don’t come back tomorrow night, Kenny-Bo’,” He said. “Now let’s get back to the lesson.”

Sam turned back to the white-board. Kenny slid his notebook forward to hide the sound of his gulping.

 

 

More from Liam Sweeny…

RECAP: Girl Love @ Mount Ida Preservation Hall, 2/10/2025

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Words and Photography by Niki Kaos.

I’ve been following Girl Love for a few years now, and enjoyed a delightful interview with her for RRX in November 2023. What draws me in is the familiar comfort in her lyrics and songs. They invite you to cozy up and enjoy a story or two about the sweet simplicity of life and love. And her musical arrangements are accessible and creative, striking a balance of familiar, but not boring.

I had the pleasure of attending a live recording of her next album at the Luna Series, which has been curating an intimate, candle-lit singer-songwriter experience on the full moon at Mount Ida Preservation Hall in Troy, for a little over a year now. There was a full and attentive crowd as the lights were dimmed, and Girl Love took the stage.

The room in a hush, Girl Love’s lilting voice pierced the still air of the repurposed church hall on the opening song, “Smoked.” She engaged with the audience between songs, mentioning how happy she was to reclaim this religious space. A champion for the LGBTQA+ community, a portion of the proceeds from the show will be shared with the Trans Youth Equality Foundation. There was an angelic atmosphere in the hall as the sweet strands of vocals and guitar combined.

Some special guests joined during the night. Girl Love has some friends from college, and they sure can sing! We were first introduced to Chelsea, who was a college friend turned sister-in-law. An endearing story was told as she joined for “Faces and Places.” The harmonies were at perfection and it felt as if we were listening in to old friends around a campfire.

For the next two songs, “Farm & Table” and “Blood Red Sunsets,” she invited a second college friend and future family member, Katie, on stage. The familiar ease with which the trio’s voices intertwined is something only years of singing together can bring. Girl Love proudly bragged about the accomplishments and talents of her dear sisters in song, and the harmonies contributed to the album will no doubt be treasured by future listeners.

Girl Love also wants to draw the audience in – and she skillfully does so with inviting us to sing on “Honeybee,” a romper of a song with my favorite lyric of the night: “She’s got a lot of sting for a honeybee.” The refrain for the audience is “You and me, honeybee” and we all join in enthusiastically. This song is buzz-worthy!

The last song of the night, “Stonewall,” featured another dear friend – Sawyer Fredericks. There was foot-stomping audience participation and another round of harmony bliss. Sawyer also knows a thing or two about playing guitar, so his accompaniment fit seamlessly with the song. I’m reminded again of the quality of writing and arrangements Girl Love achieves with her work, and I’m glad I didn’t miss this incredible show.

Playing through her catalogue of songs from the college days to newly recorded material, there is a wide range of emotions – much of the lyrics are sentimental, sometimes romantic, sometimes describing the human condition. It’s a storyteller’s vibe, and one that authentically connects with the listener. I can’t wait to hear the album! Be sure to follow Girl Love on her socials to give it a listen when it comes out!

facebook.com/girlloveband

instagram.com/girlloveband/

 

More from Niki Kaos …

Week Six: Jesse Sample’s Freak of the Week “Shame”

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Jesse Sample’s Freak of the Week Airs EVERY WEDNESDAY at 6pm EASTERN only on RadioRadioX.com

This is Jesse Sample. Have you ever pulled a muscle or pinched a tendon? For a minute, you are surprised that this can even happen. Motions that you have taken for granted for your whole life are now impossible. But yesterday, you were worried about something someone said. When this happens, its opportunity for us to appreciate what we have.

Sometimes, I get frustrated on my path and I complain, not to anyone else most of the time, but to myself. The inner conversation gets so petty and useless. I have lungs that process oxygen and I have a heart that reliably pumps blood, without fail.

Maybe wealth is a matter of focus. When I feel sorry for myself, I choose to starve in a world full of Hannaford’s. It’s silly and an awful waste.

Thanks to all of you tuned into RadioRadioX. This is the Freak of the Week, “Shame.”