Super 400 – Powers Park – Photos
Rocky Mountain High Experience: A John Denver Christmas! – Troy Savings Bank Music Hall
TROY, NEW YORK: The Troy Savings Bank Music Hall is excited to welcome back Rocky Mountain High Experience: A John Denver Christmas! Tickets for Troy Savings Bank Music Hall Members are on-sale Tuesday at 10am. Single tickets will go on-sale at 10am to the public this Thursday July 25th! Learn more below about The Rocky Mountain High Experience: John Denver Christmas!
Rocky Mountain High Experience: A John Denver Christmas
Ever since singer, songwriter, and adventurer Rick Schuler wore his first pair of round glasses at 13, the murmurs began. It was undeniable, he looked like John Denver, an artist he’d never heard of until that moment. It was during an era when the music of Denver permeated the airwaves with sweetness and sunshine, a salve to the wounded and weary soldiers returning home unloved from an unpopular war. “John Denver was the biggest star in the world, and I didn’t have any idea who he was,” says Schuler, who quickly discovered that Denver was the guy on the radio whose music he loved. “I was a very shy kid and John and me kind of became bonded. I taught myself to play guitar and it grew from there.” Nearly four decades later, Schuler has emerged as the leading performer of John Denver’s music. His Rocky Mountain High Experience® is just that, a true experience.
Tickets are on sale at 10am Tuesday, July 23rd to Music Hall Members. Anyone can become a member and gain access to the pre-sale. Single tickets go on sale to the general public Thursday, July 25th, at 10am via phone, (518) 273-0038, in person, or online at www.troymusichall.org. Tickets are available at the Troy Savings Bank Music Hall Box Office, 30 Second Street, Troy, Monday through Thursday 10 a.m. – 3 p.m. More information on the Troy Savings Bank Music Hall and upcoming programs is available on the website at www.troymusichall.org.
Candy Ambulance – Xperience History
Candy Ambulance – Xperience History – by Rob Smittix.
Candy Ambulance is a three piece group hailing from the Saratoga Springs area or maybe it’s Queensbury. I guess it doesn’t really matter now because they are actually relocating to Troy. I do like the sound of that, Troy-based Candy Ambulance, yup it does have a ring to it. However, I was thrilled to have visited the band’s house in the North-Country for this interview and a private performance previewing some new material. I may just be a fan-boy posing as a journalist.
Lifelong friends and band-mates Jesse Bolduc (Bass) and Jon Cantiello (Drums) joined their queen, Ms. Caitlin Barker (Guitar/Vocals) in a conversation with me on the floor of their rehearsal space. Barker so eloquently places F-bombs in so many of her sentences. For obvious reasons we had to omit these parts but you are encouraged to imagine them in your own mind. Let’s begin.
RRX: “I really want to get to the core of what defines you, let’s dig deep. Who is Candy Ambulance? What is your message?”
Caitlin: “Boys?” Nothing but silence from the boys.
Caitlin: “We just want to Rock and Roll and do it with people.”
Group: (Laughter)
Caitlin: “So for me, I was kind of in that place in my life, like okay it’s time to have babies; do that thing. When these two came along (referring to Jesse and Jon) I was in a relationship, I thought I was going to get married. I was settled on that, he was older and he had money, I was like alright this is cool, this will work. It took two weeks of jamming with these guys in my apartment bedroom and one open mic to move in together, we’ve been together ever since. It was just a snap decision (snaps fingers) and I think in doing so I was able to be empowered to go through and really look at myself.”
“I feel this next record is very um… very personal and I think that my song writing style is kind of introspective rather than us necessarily having a message. But… I think it’s a good time for my voice to be heard because it is about sexual abuse that I had suffered from childhood; I guess I wouldn’t say suffered… but it led me into this whole spiral of not thinking. I don’t know, I drink way too much. I have a lot of issues, fortunately functioning alcoholism is my only dangerous issue. I’m kind of lucky to have gone that route. That’s why it’s called “Traumantic” (the forthcoming album). It’s about the trauma that I dealt with and how that effected my personal relationships and the way that I viewed myself in the world after. From that point on I’ve been in a lot of bad relationships. I was with a guy for two years that was incredibly abusive, he ended up stalking me. It was awful, it was crazy, it’s like mind control, it’s like you’re in a cult.”
“So then I get with these guys (the band) and I was like F-that. I cut off people I don’t want in my life anymore, I started therapy, I am easily the happiest I’ve been in my life and it was from being in a band. So I guess the point of our band for me was that it saved me.”
RRX: “Well a band is family.”
Caitlin: “Yeah it did, it created a family and it’s two people who love me, support me and have taken care of me for 5 years, it’s amazing to have a relationship between two people work for 5 years, to have it be between three people is really special.”
RRX: “You mentioned you were on the path of starting your own family and getting married. That didn’t happen obviously. What about you guys? Same deal not married, no kids yet?”
Jesse: (Laughs) “Not that we know of at least.”
Jon: “Right, not that we know of.”
RRX: “You all look young, I can place your ages between a ten year time-span but not really sure; how old are you?”
Jesse: “I’m twenty-seven, he’s twenty-six.”
Jon: “Yeah, I’ll be twenty-seven at the end of the month.”
Caitlin: “I’m thirty. It’s probably a good thing to be in a band at thirty because it’s like a second crack at my twenties, except I like myself now. So that’s cool ya know, I’m not insecure.”
Jon: “So we’re all in our late-twenties.”
Caitlin: “I know, I get a pass until you guys are in your thirties.”
RRX: “Thirty is still young. I know it was tough for me, but none of you are struggling with getting older?”
Jesse: “I’m pretty okay with it.”
Jon: “Yeah, I’m fine with it. I mean sometimes it’s hard not to feel the pressure.”
Caitlin: “Yeah I feel that way, all my friends are having babies, they’re all married. I’m so not there, it’s very isolating. Then people are like, oh my God you guys are doing it, touring all the time and you’re successful; what’s your secret? We work our asses off 24/7 on a hobby or a passion I guess. We have this drive to do it but there’s also that simultaneous self-loathing, what am I doing with my life? You know what I mean?”
RRX: “Sometimes you ask yourself, do I need to grow up? But at the same time you’re always going to have that dream. Without having a family, kids or the obligations that come along with it, have you thought about dropping everything and becoming full-time musicians?”
Jesse: “I feel like we’re working towards that. We can’t do it just yet, it’s a slow ride.”
Caitlin: “I think that there will be a moment where it’s like, I want to cling to my security. I’m a bartender full-time and I make so much money at it. I love making money and I would feel so weird not to. It is one of those things where at some point I’m going to have to take a step. But we kind of stay a little prognostic about it and keep that as a five year goal. Hopefully within five years we can start seeing some real money from it. I don’t want any wild success, it’d be cool if it happens, I would just like to be a musician full-time. That would be a really cool thing for me.”
RRX: “Being in a band myself, I often say I’m not nineteen anymore, I can’t just hop in a van and hit the road but if I didn’t have all of these responsibilities I would do it in a heartbeat.”
Jon: “I think that’s where the pressure is off. Like Caitlin said a lot of our friends are getting married, posting on social media that they’re pregnant or buying a house. You look at a picture of them and they look ten years older than me. We graduated the same year, why do you look 40 years old? What happened to you?”
Caitlin: “Yeah, what happened to you?”
Jon: “At that point it’s like, if I wasn’t doing this I don’t know what I’d do anyway. If I didn’t play drums at all I’d be a really boring person.”
Caitlin: “I can’t not do it. People look to those who follow the creative like you’re doing something that they couldn’t do, I just couldn’t imagine not chasing it down. And I feel like everyone is capable of it. There’s no secret, you just need to do it. If you want to be good at guitar, everyone can be good at guitar you just got to learn. Jesse and I have been working really hard at trying to shred like…”
Jesse: “uh, Mr. Big.” (Laughter)
Caitlin: “Paul Gilbert.”
Jesse and Caitlin in unison: “Billy Sheehan.”
RRX: “Can you tell us more about the new Album you are working on?”
Jesse: “We’ve started mixing. Very excited to have a hand in that.”
Jon: “The material we’re about to put out is definitely the closest translation of who we are as a group, so far. I think up until now we’ve just been taking good stabs at what we might want to be, which was close to what we are. I think this next one doesn’t abandon the branding that we did to ourselves or our listeners branded us with. I think it’s just way more truthful, way more grown up and closer to what we’ve been trying to do this entire time. I don’t think you can call it punk or grunge.”
Caitlin: “And we did it with Tommy Stinson as our producer. He’s the bassist for The Replacements. We went to Hudson and recorded with him, you know it was a huge deal. I’ve been a Replacements fan for a long time, I kind of lost my mind. He’s crazy, he’s so fun. It was exactly how you’d picture a rock star, he also played bass for Guns and Roses. He’s a legitimate rock star.”
“By the third or fourth day we were on the floor, wasted at like 4:00 AM. When we did the vocals, I went down by myself. He wanted to know the content and what I was writing about because we did it live. He heard a little bit of the lyrics but didn’t really know what I was going for. Over a bottle of whiskey we had this heart to heart about my past and he has had some similar hardships. We were emotional and just going for it and then we recorded the takes; I don’t really remember it. Then we woke up the next day. He was worried that maybe I died in the room at his house. He was concerned that maybe I choked on my vomit because I wasn’t up very early. He said he was really wrestling with do I just go in there? Like I don’t really know this girl, I don’t want to just barge into the room. He was scared that I had died because that’s how much we drank.”
“So I get up and I’m like oh God we’re going to have to record all of it again so hungover. He’s like dude I know, this is going to suck. So we went and got a drink and a coffee and we go there fully prepared to have to rerecord everything. We snagged every single vocal take blackout drunk. I’m not slurring, they’re great takes. You hear him screaming at me. He’s like, “pull it out! Get it!” There was one song where we did seventeen vocal takes, I can’t even imagine what that scene must’ve looked like. The two of us just wasted but he pushed me so hard and the only one that was good was take seventeen. He said “it’s not right” and he made me sing in a way I’ve never sung before. He said you don’t know your potential, get it out!”
RRX: “Tommy Stinson was right to point out your potential, when I first heard Candy Ambulance, I thought this is a punk band but I can hear soul in your voice.”
Caitlin: “Yeah that was Tommy’s point, he was like you don’t understand you’re a soul singer. He said quit the timid girl stuff you don’t need to be that person. He was really cool and very inspiring. I think I probably considered my vocals the least strong part of the band but now I’m like alright Tommy Stinson thinks I’m cool, I can do this.”
RRX: “So any idea when we can expect the new album?”
Jesse: “We’re thinking early summer.”
For more on Candy Ambulance check out their website at www.candyambulance.com and if you wish to see them live, which is highly recommended the trio will be at Desperate Annie’s in Saratoga Springs for Super Dark Monday, May 13th at 9:00 PM with Eternal Crimes and Cindy Cane.
Sheila E. – Empire State Plaza Convention Center – Photos
Art d’Echo – Albany Institute of History and Art – Photos
Buckwheat Zydeco Jr. and Brass Machine – Music Haven – Photos
Kickin It Country at Charles Wood Park in Lake George
Join us for a Country Music Weekend at the Charles R. Wood Park in Lake George NY as E1 PRESENTS brings you a great lineup of bands! Gates open one hour before showtimes.
On Saturday, August 17, 2024, Kickin’ It Country @ Charles R. Wood Park, Lake George NY is a day filled with live music, delicious BBQ, drinks, and more! Dust off those cowboy boots and hats and get ready for a country music extravaganza!
Live Music Lineup:
-Whiskey River Band at 12:30pm;
-Tame The Rooster at 2pm;
-WailOn: Tribute to REAL Country Music at 3:30pm; and
-The American Ride- Toby Keith tribute at 5pm!
Tickets $25 general admission. $35 VIP. 12yrs. and under are FREE with paying adult.
VIP Tent: Get an up-close and personal front of stage access with private bar for quick drink service. VIP tickets will be needed for children wanting VIP access. Limited VIP space.
Food & Fun: Enjoy all the food and drinks, and bring the kids for some summer fun with bounce houses, pony rides, a petting zoo, fun vendors, and more. Drinks tent onsite.
Only yards from the lake, you can enjoy all that Lake George has to offer!
This is a rain or shine event. All ticket sales are Non-Refundable. A large tent will be onsite with tables and chairs for attendees’ convenience. We’ve got you covered!
Please note: No outside food or beverages, no tents or large umbrellas, NO DOGS unless marked as a service dog. You can bring lawn chairs and blankets!
Sponsored by Warrensburg Travel Park. For details and the ticketing link, go to www.e1presents.com or Eventbrite. Charles R. Wood Park is located at 17 Elizabeth Little Blvd., Lake George NY.
On Sunday, August 18, 2024, the Taylor Nation Band is coming to Charles R. Wood Park in beautiful Lake George NY!
This family friendly party starts off @ noon with a DJ dance party to get the crowd going and ends with nationally recognized Taylor tribute band Taylor Nation performing the music of Taylor Swift!
10yrs and under FREE with paying adult. $25 general admission. $45 VIP front of stage access. VIP tickets will be needed for children wanting VIP access. Limited VIP space.
Food & Fun: Enjoy all the food and drinks, and bring the kids for some summer fun with bounce houses, pony rides, a petting zoo, fun vendors, and more. Drinks tent onsite.
Only yards from the lake, you can enjoy all that Lake George has to offer!
For details and the ticketing link, go to www.e1presents.com or Eventbrite. Charles R. Wood Park is located at 17 Elizabeth Little Blvd., Lake George NY.
This is a rain or shine event. All ticket sales are Non-Refundable. A large tent will be onsite with tables and chairs for attendees’ convenience. We’ve got you covered!
Please note: No outside food or beverages, no tents or large umbrellas, NO DOGS unless marked as a service dog. You can bring lawn chairs and blankets!
Sponsored by Warrensburg Travel Park.
Pack your bags and head to Lake George for the weekend! You don’t want to miss out on this incredible country festival!
These events are family friendly and close to the beach! Everyone will be wrist banded at entry so you may come and go at your leisure. Come spend the weekend at beautiful Lake George and ROCK WITH US ALL WEEKEND!
These events are brought to you by concert promoting agency E1 PRESENTS. www.e1presents.com. E1 PRESENTS Box Office 518-792-0996. See you at the show!
DSP Shows Present Gillian Welch and David Rawlings
TROY, NEW YORK: The Troy Savings Bank Music Hall is excited to welcome DSP Shows presents Gillian Welch and David Rawlings! Single tickets will go on-sale at 10am to the public Friday July 27th! Learn more below about Gillian Welch and David Rawlings!
Gillian Welch’s rich and remarkable career spans over twenty-five years, and she and her musical partner David Rawlings are a pillar of the modern acoustic music world. They have been hailed by Pitchfork as “modern masters of American folk” and “protectors of the American folk song” by Rolling Stone.
After moving to Nashville in the early 1990s, Welch was launched into the public consciousness when Emmylou Harris recorded a cover of Welch’s “Orphan Girl.” Her career continued to flourish as her 1996 debut Revival, produced by T Bone Burnett, was released to critical acclaim. Firmly on the roots music map following the release, Welch followed up that GRAMMY nominated album release with 1998’s Hell Among The Yearlings, a stark duet record with Rawlings, further solidifying the duo as a force in the folk music scene.
For her work as executive producer as well as a performer and songwriter on the eight times platinum O Brother, Where Art Thou? soundtrack, Welch was awarded the Album of the Year GRAMMY, and was simultaneously nominated for her own Time (The Revelator) which Rolling Stone called one of the best albums of the 2000s and is widely considered by critics to be one of the best albums of all time. This release was Welch-Rawlings’ first on their own record label, Acony Records, helping to establish the duo’s fierce commitment to independent music.
2003’s Soul Journey was the pair’s first experimentation with a fuller, electric sound, which paved the way for the Dave Rawlings Machine project, and their first release under Rawlings’ name (A Friend of A Friend, 2009), which was accompanied by a time period of heavy touring and headlining major festivals while biding their time to return to the duet sound the two were traditionally known for. 2011’s The Harrow and The Harvest was nominated for for Best Contemporary Folk Album and Best Engineered Album at the GRAMMYs, and won Artist of the Year (Welch) and was nominated for Instrumentalist of the Year (Rawlings) at the Americana Honors & Awards. The album garnered glowing reviews and topped multiple year end “Best Of” lists.
In celebration of the twenty year anniversary of the Welch-Rawlings partnership, the two launched an archival branch of Acony Records, entitled Boots, dedicated to releasing outtakes, demos, bootlegs, and live recordings from their copious vault. Thus far they have released five album’s worth of music with more on the way.
In 2018, Welch was the first musician to receive the Thomas Wolfe Prize for Literature. The award is bestowed by University of North Carolina Chapel Hill’s Department of English & Comparative Literature and recognizes contemporary writers with a distinguished body of work. 2019 saw Welch and Rawlings nominated for an Academy Award for “Best Original Song” where they performed their singing cowboy duet, written for the most recent Coen brothers’ film, live on the show. In 2020 the duo released All the Good Times, the first album under both their names, and won the GRAMMY for the Best Folk Album.
Recently, they were crowned with the Berklee American Masters Award and honored by Americana Music Association with a Lifetime Achievement for Songwriting.
Welch and Rawlings continue to tour the world in support of their music while simultaneously writing and lending their talents to countless fellow artists’ projects. They are continuously working to release their acclaimed catalog on phonograph records of the highest possible fidelity.
Single tickets go on sale to the general public Friday, July 27th, at 10am via phone, (518) 273-0038, in person, or online at www.troymusichall.org. More information on the Troy Savings Bank Music Hall and upcoming programs is available on the website at www.troymusichall.org.
Jukebox – Music News Cuts – 7/19
Jukebox.
Massive Attack
The band Massive Attack will be attending the III Points Festival in Miami in October and have developed an East Coast tour around the event. They haven’t played here since 2019, with their Mezzanine XXI tour. There are four other East Coast dates, part of their Fall 2024 tour. The other dates are in the UK and Europe.
Massive Attack puts on a very visual, innovative, and thought-provoking show. They had this to say of the current tour: “Our new live show marks the most transgressive leap in the collaboration between 3D x United Visual Artists since 2003. By reverse engineering algorithms to expose content anomalies & recursive feedback loops, we seek to provoke a dialogue on the broken dream of the confident, empowered individual ‘self’, in the context of the global collapse of liberal democracies.”
The full roster of tour dates is below.
MASSIVE ATTACK – 2024 TOUR DATES
July 17 – Athens, Greece – Release Athens
July 20 – Bontida, Romania – Banffy Castle
August 24 – Saint-Cloud, France – National Estate of Saint-Cloud
August 26 – Bristol, UK – Clifton Down
October 17 – Atlanta – Coca-Cola Roxy Theatre
October 19 – Miami, FL – III Points Festival
October 22 – Washington, DC – The Anthem
October 23 – Boston – Roadrunner
October 24 – Queens – Forest Hills Stadium
Buju Banton
Renown Reggae performer Buju Banton has recently announced “The Overcomer Tour.” This is the first time he has toured arenas in the U.S. and will launch in August. This comes after two sold-out shows in the UBS Arena in Long Island last weekend.
The tour will start in Fort Lauderdale, Florida, and will hit Tampa, Washington D.C., Boston, Atlanta, Houston, Dallas, Los Angeles, and Chicago, and end with a November 17th show in Brooklyn.
The opening act will be Fridayy,
Fans can get tickets at StubHub. The tour dates are below.
08/23 — Ft. Lauderdale, Florida @ Amerant Bank Arena
08/25 — Tampa, Florida @ Amalie Arena
08/27 — Washington, DC @ Capital One Arena
08/30 — Boston, Massachusetts @ TD Garden
09/01 — Philadelphia, Pennsylvania @ Wells Fargo Center
09/06 — Hartford, Connecticut @ XL Center
09/08 — Atlanta, Georgia @ State Farm Arena
09/12 — Houston, Texas @ Toyota Center
09/13 — Dallas, Texas @ American Airlines Center
09/15 — Phoenix, Arizona @ Footprint Center
09/18 — Inglewood, California @ Intuit Dome
09/23 — San Jose, California @ SAP Center
09/29 — Chicago, Illinois @ All State Arena
11/17 — Brooklyn, New York @ Barclays Center
Reeves Gabrels
David Bowie- and The Cure guitarist Reeves Gabrels is about as serious a player as they come. His passionate playing has enticed generations of music lovers, and he has broadcast pure emotion on pylons of nickel wound string. He has opinions of music like everybody else, and he has strong opinions on guitar effects; he is ‘pro.’
Guitar Player magazine recently published five tips from Gabrels on the importance and use of effects pedals. We will list the tips, and for the elaboration of each tip, go to the original article.
Reeves Gabrel’s Effects Tips
- Your guitar and amp are one instrument.
- Look for effects and sound processing not made for the guitar.
- Really get to know your effects.
- A rant: effects aren’t expressive enough. And where are the innovations?
- Anything can be an effect. If you don’t mind looking silly.










































































































































