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Eastbound Throwdown Returns to Salem, NY Sept. 11th & 12th

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Eastbound Jesus and Guthrie/Bell Productions are excited to present another year of the Eastbound Throwdown, taking place September 11th and 12th in Salem, NY at the Irwin Family Farm. The Throwdown is headlined by host band Eastbound Jesus from Greenwich both nights, and features a lineup of both regional and touring bands in the country rock, bluegrass and folk genres. This will be the festival’s 11th year, and on average it welcomes approximately 1,000 attendees.
Tickets for the festival will go on sale this Friday, April 3rd at 12pm and are $100 for a weekend pass that includes two days of music and camping. A limited number of Saturday day passes will be available at a later date when the full lineup is announced.
The event prides itself on being a big party where all should feel welcome, and also a very family friendly event with a kid’s activities area down by the stage all weekend and a family camping area. Food and beverage vendors are on site, along with an assortment of talented local craft vendors ranging from tie dyed clothing to jewelry makers.
Attached artwork by Luke Anderson

Late Nite Catechism Coming to Troy Savings Music Hall on June 14th

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TROY, NEW YORK:     Comedy show Late Nite Catechism will be joining us on Sunday June 14th at 2pm!  Pre-sale for the show starts Wednesday, April 1st at 10am and tickets will go on-sale to the public on Thursday April 2nd at 10am.  Learn more below about the show:

Late Nite Catechism is an uproariously funny play that takes the audience back to their youth. The irrepressible Sister teaches class to a roomful of “students.” Throughout the course of the class the benevolent instructor rewards the “students” for correct answers with glow-in-the-dark rosaries and other nifty prizes. Naughty students may well find themselves on stage sitting in a corner reflecting their actions. However, even the most reluctant “students” will be clamoring to get into this Sister’s class. The New York Times calls Late Nite Catechism “interactive theater at its best and full of laughs!”

Tickets are on sale at 10am, April 1st to Troy Savings Bank Music Hall Members.  Anyone can become a member and gain access to the pre-sale.  Single tickets go on sale the general public Thursday April 2nd at 10am  via phone, (518) 273-0038, in person, or online at  TroyMusicHall.org.  More information on the Troy Savings Bank Music Hall and upcoming programs is also available on the website at www.troymusichall.org.

Touki Delphine’s “Firebird”

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Touki Delphine, an Amsterdam-based collective of artists, has been touring their production of “Firebird” across the United States. It’s a monolithic “orchestra” of over 600 recycled car lights that unleashes a hypnotic visual choreography upon the audience to an electronic reimagining of Igor Stravinsky’s “Firebird Suite.” There’s even a talking egg …

Hosted at The Egg – March 21, 22, 23, 24, and 26.

Photography by Timothy Reidy.

More from Timothy Reidy here …

 

The Capital Region Flower and Garden Expo

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The Capital Region Flower & Garden Expo, March 27 – 29 at Hudson Valley Community College, was the perfect weekend event to get everyone in a spring mood.  This three-day event featured garden displays and floral exhibits for attendees to explore, educational stations and seminars, indoor farmers markets showcasing fresh flowers, houseplants, artisans, handmade goods, and wine/distillery tastings.

Photography by Sara Busone.

More from Sara Busone here …

Mark and Jill / Erin Harpe Country Blues Duo @ Caffe Lena, 3/22/2026

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Sunday night, Caffe Lena featured two blues duos, with Mark and Jill being joined by the Erin Harpe Country Blues Duo.

Photography by Timothy Reidy.

More from Caffe Lena here …

The Year of Storms, Chptr. 6 – Xperience Fiction

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The Year of Storms, Chptr. 6 – Xperience Fiction – by Liam Sweeny.

Cinnamon dusted the sugar powder that dusted the twisted pastry that Cellie had to admonish Podre not to eat so fast. She could remember eating the twistie’s closest cousin, fried dough. It was one of her first memories, at a county fair when she was four years-old. It was the last county fair in Washington County before the water restrictions choked the Capital District of New York into strict necessity, before Unity, before the Year of Storms by a couple of years. Twisties were most closely compared to fried dough because Cellie had to compare them to something, because they weren’t anywhere near as good.

Twisties, like most other food stuffs in the Post, were full of flavor but light on substance. Nothing was made from animal products, not animals raised on a farm; there wasn’t enough land in the city’s free zone for livestock farming, not enough for a city of twenty-six million. The very first thing that Unity, and all the cities, had to figure out was how to produce food for the masses with little land, and they did, but it lacked. Cellie’s consolation was that Podre didn’t know anything better.

“Hey Podie, be sparing. I can’t get you another one for at least a week.”

Podre put his twistie down, his face splotchy with sugar powder.

“I thought we could have as many as we wanted.”

“That was before I knew they were going to redo the hypno,” Cellie said. “Now I have to wait and see what’s worth what. If I don’t get hurt too bad on the Exchange, we’ll get more. I just need to see, okay, honey?”

Podre shook his head, then pulled a small piece off of what remained of his twistie. “Mommy,” he said. “Why do you tickle yourself on the blue feeds?”

“Podie, you shouldn’t be watching those feeds. And you won’t be watching them with me.”

“Daddy says that you shouldn’t tickle yourself.”

“Daddy doesn’t understand what I do. It’s because he doesn’t want to. Your daddy is a good man, but he doesn’t really have an open mind about things.”

“He said an open mind lets evil things in.”

Cellie scoffed. Siran originally joined the New Cross when he was fighting for Podre, to network his way into a good advocate for the custody fight. But they got their hooks in him. Cellie had resigned herself to the fact that Podre would grow up New Cross, and hoped that one day he’d grow to question what they taught.

“Honey, all I do is make myself laugh and feel good in creative ways, so that I can share that with people. There’s nothing wrong with it. I don’t do anything I would regret. I’m an artist.”

“Daddy said artists are going to hell because they steal God’s power to create and they don’t use it for good.”

“Do you think I’m going to hell?” Cellie said.

“I don’t think so,” Podre said. “I hope not. Mommy, do you have to be an artist? I don’t want you to go to hell, cause then I’ll have to go to the Child Center.”

“At your age, you shouldn’t worry about the Child Center,” Cellie said. “You shouldn’t even know about it.”

Cellie sipped her citrus water. She grew up with lemon water in the house. Citrus water was close, but not quite. Then again, anything cold in the sun was welcome.

“Podie, your father got mixed up in that church for all the wrong reasons,” she said. “I don’t know who’s going to heaven or hell, or if those things even exist, but I do know that no church has any clue where anybody is going when they die, and neither does your father. They’re all guessing.”

Podre chewed with his mouth shut. A crumpled last-run napkin sat next to the twistie remains, and Podre’s face was free of sugar powder. He had good table manners, she’d give that to Siran.

A woman with blue-gray hair and liver spots forking wrinkles across her face walked over to Podre and gasps.

“Such a cute child,” the woman said. “Can I just pinch his cheeks?”

“I’d rather you not,” Cellie said. “He’s just getting over chicken pox. He’s still contagious. And it’s not the form we all got vaccinated for.”

“Oh, my,” the woman said as she stepped back. “Maybe I’ll just get going then.”

Podre squinted at Cellie when the woman was walking away.

“You lied, Mommy,” he said. “You lied to that woman. Why did you lie?”

“I didn’t want her to touch your cheeks,” Cellie said. “And I didn’t want to be rude.”

“Isn’t it rude to lie to someone?” Podre said.

Cellie took a sip of her citrus water. “It’s rude to get caught,” she said. “Sometimes a lie is best for people. They’re called white lies. They protect people when the truth would hurt them and there’s no good reason to tell them the truth.”

Podre picked at the crumbs of his twistie and wiped his mouth again.

“Okay, mommy,” he said.

“Speaking of lying,” Cellie said. “I have to take you to work with me. I am going to have to lie about it. If I don’t, I won’t have anyone to watch you, and someone in the cylinder will stick their nose in and say something.”

“What lie are you going to tell? A white lie?”

“The whitest lie,” she said.

They walked down the street on their way back to the cylinder. They could’ve taken a mass transit vehicle, as they were a free service, but Cellie preferred to walk when she could. As it was, she had to take a bullet and a lift to the hotel every night. The air was crisp, as it always was with the environmental buffer that ringed the city and separated it from the free zone.

Cellie and Podre were near the essentials store by the cylinder when a panel on the wall of the store illuminated with an announcement by the city leadership; the new exchange list was out. Cellie rushed herself and Podre home as she read the new hypno exchange rates that were as she read them, being updated in her ExP jack.

Sensory experience, which was the kind of ExP she created on her feed, was down five percent on the hypno. It was bad, but not that bad. Skill experience was also down, by twelve percent. Siran wouldn’t be too happy, since most of the ExP he produced was skill ExP. But the base hypno rate, which was the currency of the realm, was down three percent. Base hypno was the currency by which rent and bills were paid and jobs, if you had one, paid for wages. Base hypno rarely went down. It was the basis for the new economy.

Cellie hoped it was a ripple and not the start of a wave.

 

 

More from Liam Sweeny…

DJ Wiz Hoffa – Xperience History

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DJ Wiz Hoffa – Xperience History – by Liam Sweeny.

Music is the distillation of performance of experience. In as many cases as it is elaborate and complex, dare even say cryptic, it is always personal. Before it makes you feel, it make the creator(s) feel, and if they don’t, you never hear it.

DJ Wiz Hoffa has been making people feel him since the dawning years of the 1990s, maybe earlier. He’s refined his craft over the past thirty years, and his words and sounds have been personal throughout the profession he’s built up.

I sit with DJ Wiz Hoffa and we talk the future of mix-tapes.

RRX: In Xperience, we’ve covered rap and hip hop artists before, but, and maybe I should say this more for myself, it’s new territory for me. So let me have you as an ambassador to this part of the local scene. And that is a tall order; I get that. So can you take me on a tour of the scene that you’re helping to make?

Photo by Rtc Visuals.

WH: Well that’s a humbling question. Over the years I would hope to think I’ve helped create a scene that tries to uphold integrity, skill and dedication on the music side and the business side as well. I wanna be the poster boy for showing people what can happen if you never give up your dreams or passions. Even more so I hope my mentality will rub off on my two daughters Amaya Amor & Semadia Rayne. At this point it’s important for me to leave a legacy behind!

RRX: I remember in high school, in lunch specifically, you had tapes. You were putting music together at 15-16, and you’re still doing it. They say if you do ten-thousand hours of something, you’re an expert, and I’d say you qualify. What have you accomplished that you thought you would back then, and what’s still on the to-do list?

WH: At that age I think one of my biggest goals was to be heard on the radio. I actually accomplished that at 15 years old. (Shoutout to DJ Money Mike & Slammin Shan from 88.3 WVCR for the opportunity). I think every artist wants to create a dope album or body of work that can be recognized and respected which I’m still working on til this day. I just dropped my first single as a producer titled “I.D.K.Y” available on major digital platforms such as ITunes, Spotify, Apple Music, Google Play etc.

RRX: Music means reinvention if you do it enough. You write, practice perform, and then you gotta do something new, something different, or people will just slap a label on you. Sharks got to swim or they drown. So almost thirty years of performing for you – have there been any meaningful reinventions in your style or approach?

WH: Hell yeah! When you’ve been in the game as long as I’ve been re-invention is almost a must. The styles and trends in music change pretty often. I try to keep my musical foundation with little alterations to make things sound fresh and relevant. It really depends on the artist I’m producing for but I’d like to say I’m great at catering to artists of all generations. Nowadays beats are way more bass heavy so that is definitely one of the things I’ve tried to perfect.

RRX: You have a new podcast, called ‘Faces of 518.’ I’m looking forward to this, because I’m expecting you to showcase a lot of local talent. So I’ll ask you this, because I can relate. The 518 is pretty big, but it does have a limit. Is there enough talent in rap and hip hop and other genres that you’ll cover to fill the guest list for a while?

WH: A lot of people would probably expect my podcast to be strictly music/entertainment based. However, I really feel a need to provide different types of content as well. I could literally go for years just focusing on music related guests…that’s just how much talent we have in the 518. One of my goals is to also have business owners, politicians, activists etc. I wanna have a good balance to appeal to different interests. You may even see a stripper or two. lol

RRX: You’re a DJ, and some people know the skill that goes into what you do, but some people, when they think ‘DJ,’ they recall their wedding DJ who basically had a big mp3 collection and a repertoire of friendly patter. But that’s really not what you do. Can you give us a ‘day in the life’ of a particularly ass-busting set?

Photo by Rtc Visuals.

WH: A great set is a memorable one. Our job as DJ’s is to create and set different moods. We can make people smile, we can make people cry too. Ultimately we want people dancing and having a great experience non-stop. There’s nothing better than taking a crowd on a journey being in full control of people’s moods, memories and emotions to the degree where they never forget the great time that they had!

RRX: Freestyle. I’m envious of anybody who can do it. Big green monster jealousy. I mean, at some point, all writers are freestyling, but to do it in front of people, so fast, so ‘right there.’ Was there any one or more things that you learned along the way that helped you be able to freestyle? Is it all confidence, or are there hacks?

WH: You know what?  I’ve never really considered myself a great freestyler. Freestyling is an amazing skill to have but I’ve always excelled more putting the pen to paper. I do think every emcee should at least know how…. it can get you out of some sticky situations if done right.

RRX: Here is where you answer the questions I didn’t ask. Turntables or software? Best headphones under fifty bucks? Educate, enlighten, emote – the floor is yours.

WH: I came up on turntables. I scratch way better on turntables. You can use turntables and software at the same time though. It allows you access to all your music without having to lug vinyl around, software has changed the game…. it allows you to do many of the same things just faster. Headphones under $50? lol I wish…..

 

 

More from Liam Sweeny…

 

Tommy Stinson at White Lake Studios March 26th

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Tommy Stinson at White Lake Studios, March 26th. Photography by Alan Gold.

Tommy Stinson

 

One Day of Music & Peace

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On March 22, More than a dozen acts came together in support of the 518 Capital Region Sanctuary Coalition at Lost & Found. Artists included:

  • Girl Love
  • James Mullen
  • Chris Gockley
  • Horsegrenades
  • Andy Scullin
  • Nocturnne
  • Simon Elijah
  • Caity Gallagher
  • Question of the Century
  • Sydney Worthley
  • JB!! aka Dirty Moses
  • Lucas Garrett
  • TJ Foster
  • The Sugar Hold

Photography by Timothy Reidy.

More from Lost & Found here …

A Night of the Kinks

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On Saturday, March 21, at the Cohoes Music Hall, Zan Strumfeld brought together Capital Region musicians to perform renditions of songs by the Kinks. Chris Carey, Mike O’Donnell, Raurri Jennings, Super 400, and the Abyssmals all lent their talents to the effort.

Photography by Timothy Reidy.

More from Cohoes Music Hall here …