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Marshall Charloff and the Purple xPeRIeNCE @ Cohoes Music Hall, 10/4/2026

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Prince tribute act Marshall Charloff and the Purple xPeRIeNCE brought the music, lighting, and everything else to Cohoes Music Hall on October 4.

Photography by Stephanie J Bartik.

More from Cohoes Music Hall here …

Horror Business: an Interview with “The World’s Greatest Misfits Tribute”

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By Jorel Spain.

Horror Business is a long-standing local band that began in the basement of an Albany tattoo parlor in 2002. Over the past 24 years, they have performed at nearly every rock club in Albany and beyond and were named “Best Tribute Band” by Metroland two years in a row (2008-2009). They have performed as headliners and in support of other local bands such as Blase Debris, The Erotics, and Society High. Their high-energy performances have become a Halloween season staple at Albany area clubs, performing masterful renditions of classic-era Misfits songs and other Danzig-related material. I had the privilege of sitting down with two of the founding members, Billy Beer (guitar) and Nick Esposito (vocals) (Bassist Rob Marcello also contributed comments via text), to hear the story of how “The World’s Greatest Misfits Tribute” came to be.

RRX: Guys, thanks for meeting up with me here! I really appreciate you taking the time to come and sit down with me. So first off, tell me – how did Horror Business come together? 

BB: So basically, it started with me just bringing my guitar amp over to my buddy’s tattoo shop  [Slingin’ Ink] just so I could jam and not piss off any neighbors. I just started playing some Misfits songs in his basement, and then Nick came over and started singing some songs. Then the tattoo artist, Jim Hardy, was like, “Show me the bass lines on this. I’ll get a bass and play!” and the other artist, Christian, was a drummer and brought his drum set up, and it just happened. We never said, “Hey, let’s be a Misfits tribute band.” Yeah, that is how it started, you know, downstairs at the tattoo shop. 

RRX: How did the first Horror Business show happen?

BB: Our first show was at Shaughnessy Hall.  Paulie from Society High came over and brought some flyers over and was like, “Hey, would you guys like to open up for us sometime?” And I never really thought about it,  but I was like, yeah, cool, that would be awesome. 

NE: That was the catalyst.

BB:  That’s what started it all, and the cool thing about that is Danzig’s brother was in the audience! He and my brother worked at the state together, so it was a pretty cool thing.

NE: Oh, it was great! I also worked with him at the state. I didn’t realize who he was at first, so I asked him, and he said yeah! So I gave him the flyer. 

RRX: What other bands and artists do you cover? 

NE: Samhain, of course, and Stooges occasionally. And a couple Danzig solo songs.

RRX: What are some of your favorite songs to play?

NE: I’d say “Teenagers from Mars” is my favorite one to play, and “Where Eagles Dare,” too. Oh, and “All Murder All Guts All Fun.” 

BB: …which we don’t do very much! 

NE: And “Death Comes Ripping” because it’s more of a hardcore feel, you know. I always wanted to sing in a hardcore band, but the opportunity never happened really.

BB: “Mommy” into “London Dungeon” is great too! 

NE:  LOL We like them all!. We’re going to say every one of them, aren’t we?  

RRX: What’s the hardest song to play? 

RM: Hardest song is the one someone requests live, and we give in and play it, having not practiced it (LOL)! 

RRX:  Do you have a favorite show or standout performance? 

BB: I think we both agree on the CBGB’s show just for the status of it. And the Atlantic City  Jersey show I liked a lot.

NE: Yeah, same with me. Yeah. You know, it was the last week that CBGB’s was even open.

BB: So that was a special time, sad time. 

RRX: What’s the best thing about performing in a tribute band?

NE: Everybody knows the songs already. It’s music they love. 

BB: We ask people to come up and sing all the time. People do whatever they want. It’s built-in fun because they already know all the lyrics. That’s the best part. We get to have fun with it too. We’re having fun. Everybody’s having fun. 

NE: We also got the Metroland “Best Tribute Band” two years in a row. It’s nice to be acknowledged like that, especially when there’s a lot harder-working cover bands. We were playing steady a lot of shows then, not like now when we’re doing maybe 1, 2, or 3 shows a year. Society High was doing a lot of shows at the time, and they asked us to be in just about every show they did. 

RRX: Why do you like performing this music in particular? 

NE: We’ve loved it forever, together. 

BB: We’ve been friends for 40 years, we’ve always loved the Misfits, and we actually both bought the first Danzig album together! 

NE: It just fell into place that way

RRX: What other bands have you played in? 

BB: Other bands I’ve been in. The Erotics, Blase Debris, Murderer’s Row, Bomb, and then Horror Business is the one that started it all.

NE: I’m doing a side project, doing Elvis and random songs with Ike from Ike’s Wasted World. We did the thing for the Humpy’s Benefit, and we got a couple more lined up in the next couple months.

RRX: Great, so you guys had a pretty long hiatus from your 2019 show at Pauly’s up until last year’s Dark Echoes Expo at Empire Underground. What was it like coming back after that long, and how did that show come together? 

BB: I mean, it felt like a breath of fresh air. I mean, it’s like you don’t do something for so long. You know, you don’t even realize you miss it … I just love playing live, ya know? I don’t sit in my room and noodle. I don’t write, you know; I just love to do something, be physical with it. It’s not a sport, but you sweat, and you get it all out of you, and it’s cathartic. 

RRX: The energy and the enthusiasm are clear to me when I see you guys perform.

BB: 100%. Half the time my eyes are just closed. It doesn’t matter if there’s four people out there 

NE: Not at all. I’d rather have 20 people singing along than 400 people just staring at us. And that’s how it was last year, because we feed off the crowd, they feed off us, and people are coming there to have a good time. It’s just fun, you know? 

And that’s the other thing because the misfits were like that;  so if we f@#k up, it’s just part of the show, like it was for them!

RRX: Thanks again for taking the time to sit down and share your stories. I’m really looking forward to the Halloween Show at Underground later this month! 

Horror Business will perform this October 24 at Empire Underground supporting The Erotics. Keep a lookout for upcoming acts The Del-Martians, featuring current Horror Business bassist Rob Marcello and drummer Jim Kaufman;  and vocalist Nick Esposito performing with Ike’s Wasted World later this year.

Samara Joy @ Troy Savings Bank Music Hall, 9/29/2026

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Multiple Grammy-award-winning Samara Joy and her septet brought their jazz and featured a lot of soloing at Troy Savings Bank Music Hall on September 29.

Photography by Timothy Reidy.

More from Troy Savings Bank Music Hall here …

 

Fungkshui / Oobleck @ Lark Hall, 9/26/2026

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Lark Hall hosted a Saturday night dance party fueled by Fungkshui’s groove and Oobleck’s funk prowess.

Photography by Timothy Reidy.

More from Lark Hall here …

 

Five For Fighting with String Quartet in Troy 10/6/2026

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TROY, NEW YORK:     Platinum-selling Five for Fighting will perform at the Troy Savings Bank Music Hall this Tuesday, October 6 at 7:30 PM, accompanied by a live string quartet. Learn more below about the show:

John Ondrasik— the songwriter and performer known as the platinum-selling, Grammy-nominated, Five For Fighting—knows this well. In the two decades since his first major single, “Superman (It’s Not Easy),”hit the stratosphere, the artist has both evolved and come back ‘round full circle. Creativity, if nothing else, is paradoxical.

To date, Five For Fighting, has released six studio LPs, including the platinum certified America Town and The Battle for Everything; and the top-10 charting Two Lights, along with an EP and live albums. Ondrasik has penned major hits, including the chart-topping “100 Years,” “The Riddle,” “Chances,” “World,” and “Easy Tonight, ”which have earned over one billion streams and place him as a top-10 Hot Adult Contemporary artist for the 2000s.The reflective “100 Years” has joined “Superman (It’s Not Easy)”as part of the American Songbook and continues to stand the test of time at weddings, birthdays, graduations, memorials, and many a home video. Five For Fighting’s music has also been featured in more than 350 films, television shows, and commercials, including the Oscar-winning The Blind Side, Hawaii Five-O, The Sopranos and the CBS drama, Code Black.

Referencing Fight For Fighting’s success in the 2000s,AllMusiccalled Ondrasik “one of the decade’s leading balladeers.” But perhaps his biggest achievement is performing “Superman (It’s Not Easy),”at the 2001 Concert for New York, a benefit show at Madison Square Garden that honored first responders and the fallen about a month after the tragic September 11thattacks. Ondrasik performed alongside other big-name artists like Paul McCartney, The Who, Elton John, Billy Joel, and dozens more.

Throughout his multi-decade career, which began when music publisher Carla Berkowitz (now his wife of 25 years) discerned him in a dive bar, Ondrasik has been involved in multiple charity efforts. Along with supporting the troops via multiple USO tours, Ondrasik created “The CD For the Troops” project with song and comedy compilations featuring artists like Billy Joel, Melissa Ethridge, Chris Rock, and others, gifting more than one million CDs to veterans and military families. John has also been deeply involved with the ALS charity “Augie’s Quest.” and is an ambassador for his pal Gary supporting the Gary Sinise Foundation.

Tickets are available via phone, (518) 273-0038, in person, or online at  TroyMusicHall.org.  More information on the Troy Savings Bank Music Hall and upcoming programs is also available on the website at www.troymusichall.org.

The Primal Rage of Moriah Formica and Plush

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By Jason Irwin.

The last time I talked to Moriah Formica, the world was a very different place. COVID had shut everything down, live music had disappeared, and the idea of a young rock band touring the country seemed pretty unrealistic. Plush, however, was just getting started. Formica and original drummer Brooke Colucci had connected remotely during the lockdowns and recorded a version of Heart’s “Barracuda.” That video would eventually rack up millions of views and help launch what became Plush.

Fast-forward a few years, and the Albany-born band has gone from a pandemic-era internet collaboration to touring nationally, playing major festivals and sharing stages with some of the biggest names in rock. When Formica and I caught up recently, Plush was about two weeks into its current tour, appropriately titled the Mass Hysteria Tour after the band’s upcoming second full-length album. “It’s been a blast because we’re so excited to be able to finally play new music,” Formica said. “I mean, really, since the last time we talked. Since the pandemic as well.” The tour is taking Plush all over the country, from the Northeast to Ohio, Chicago, Texas and Oklahoma, including a pre-party show for Rocklahoma, before eventually heading west.

But the touring experience isn’t the only thing that has changed. Formica says the band has spent a lot of time figuring out exactly what Plush sounds like — and the result is the heaviest music they’ve released yet. “We have really been working behind the scenes to find our sound,” she said. “We’ve toured a lot since starting out, and we’ve got some really good experience under our belts. Then we kind of wanted to take that into the studio.”

That work has produced “Mass Hysteria,” due September 18, and the single “Animalistic,” a song that gives listeners a pretty good idea of where Plush is headed. Formica describes the song as an exploration of something that seems to be in plentiful supply these days: rage. “We just kind of wanted to make a song that was embracing that primal rage of being a human,” she said. “Because I think sometimes we forget at the end of the day that we are primal beings, no matter how much we might try to fight that.”

The response has been encouraging, particularly from people who have embraced the heavier direction. “I would like to say it’s been really good,” Formica said with a laugh. “We’ve gotten really positive feedback. People are really liking the heaviness of it and the fresher sound.” She admits that she does pay attention to what people think about new music, but there’s a balance. “You know, are people liking what you’re putting out? Are people digging it?” she said. “Because they’re the whole entire reason that you get to do this.” At the same time, the band has to remember why it made the music in the first place. “It’s also kind of remembering what we truly believe about the song and what our intentions were when we wrote the song and when we recorded it,” she said. “Just trying to remind ourselves how happy we are with what we’re putting out, regardless of what other people are saying.”

That confidence also seems to be reflected in Plush’s current lineup. After the departure of former lead guitarist Bella Perron, Formica took on the guitar parts live, leaving the band as a three-piece with original bassist Ashley Suppa and the band’s newest member, drummer Faith Powell. The transition could have been a disaster. Instead, Formica says it brought the band closer. “At first it was like, ‘OK, we have a tour in a week and a half. What the hell are we gonna do?’” she said. The answer was simple: rehearse. Then rehearse some more. “And to be honest with you, it has affected the group dynamic for the best and for the better,” Formica said. “We are the most united we’ve ever been, and we are airtight.” She says the smaller lineup has also helped Plush find its musical identity. I couldn’t agree more. “It’s really allowed us to find our sound too, with this next album,” she said. “We’ve really been able to find our sound and also grow into who we are as people more, too.”

There is another place where Formica feels completely at home: the 518. Plush recently played Rock the Block in Cohoes, and she notes that returning home after spending so much time on the road is always special. “There’s such a nostalgia to it,” she said. “It reminds me of when I was a teenager and playing acoustic gigs and open mic nights and just seeing a lot of the same familiar faces that were there supporting since day one.” Those familiar faces have become more than fans. “I’ve really grown to become friends with—and almost like family with them,” she said. Playing the Capital Region with Plush feels different from playing anywhere else. “It’s almost like a big jam session with your friends and family,” she adds. “The 518 does an amazing job at supporting local acts.”

And then there are the not-so-local stages. Plush has shared the stage with an increasingly impressive list of rock heavyweights, including Alice in Chains, Breaking Benjamin, Evanescence, Halestorm and Disturbed. For Formica, the Evanescence and Halestorm tour in 2021 was particularly meaningful. Amy Lee was one of her biggest musical influences growing up, and Lzzy Hale was another major inspiration. “To be able to see them each night and be on tour with them and just talk to them and thank them, and get advice from them, was so amazing,” Formica said. “It’s something that I would say definitely changed me as a person forever in the best way.”

There was a time when Formica was on the other side of that equation. I remember her once asking me if I could help her meet Maria Brink from In This Moment at an event I was covering. Unfortunately, I couldn’t make it happen. Now, she is the one touring with the big names. These days, instead of asking me to get her backstage to meet a band, I might be the one asking her to help me meet somebody. Funny how things work out.

The Disturbed tour produced another unforgettable moment when Formica joined David Draiman onstage to sing “Don’t Tell Me.” “That was a completely surreal moment where it was like, ‘This can’t be right. What is happening?’” she said. For a young musician who grew up watching these bands, those moments haven’t stopped. “Every single experience is something that feels crazy, to be honest,” she said. “We never foresaw it coming, you know, as teenagers or young adults.”

That brings us back to “Barracuda,” the song that helped start the whole thing. I played Plush’s version on my radio show the morning of our interview and asked Formica what made the Heart classic such a perfect fit. Her answer went back to her dad. “My dad is very responsible for a lot of my music tastes,” she said. “One of the bands that he would always play for me was Heart.” There was something particularly powerful to a young Formica about hearing two women absolutely tear through a rock song. “I just remember being so intrigued by the fact that there were two sisters and two women and how fierce ‘Barracuda’ sounded,” she said. Then came Guitar Hero. Formica believes playing “Barracuda” over and over in the video game helped cement the song in her musical DNA before she eventually learned it on real guitar. “It just kind of fell into place because I just loved the song so much,” she said. “I feel like I had it in my body a little bit from just playing that game.”

So, after everything that has happened since that last conversation, I had one final question (and I love doing this during interviews). If she had to choose between playing the biggest sold-out show of her life … and catching the biggest fish of her life, which one would she take? If you don’t know … fishing is one of Moriah’s favorite pastimes. So, she thought about it. A lot. “I would probably go with the sold-out show,” she finally reasoned. “There will always be fish and water. But a career and the opportunity to stand on a stage in front of thousands of people aren’t guaranteed. You can’t predict that your career is always going to be there, that your voice is always going to be there, or that you’re going to be able-bodied to do stuff like that,” she said. “You can’t know that at all, especially in this industry.” Good call. Her voice is there, the band is tighter than ever, and Plush is heading into what may be its heaviest chapter yet. And there are still plenty of fish waiting for her when the tour bus finally stops.

If you want to see in person just how far things have come for Moriah Formica and Plush, you can catch them October 20 at the Palace Theatre in Albany with Collective Soul.

Dale Watson and His Lone Stars / India Ramey @ Hangar on the Hudson, 9/23/2026

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A packed Hangar on the Hudson hosted Dale Watson and His Lone Stars, with India Ramey kicking things off.

Photography by Timothy Reidy.

More from Hangar on the Hudson here …

 

The Strength of Elephant Back

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by Sara Busone.

Sarah and Dave Snediker of Elephant Back are some of the hardest-working artists in our local music scene.   They recently spoke to Sara Busone about the latest Smaz Fest lineup, the current state of local music, recording, and the strength behind their band name.

RRX:  So, the first thing I want to ask you is: how was Smaz Fest?

SS: It was awesome!  It was a really fun way to get tons of local musicians together in one place at the same time, and it was the perfect day for it. And we got to listen to a bunch of people that we haven’t actually heard from. So that was cool, and we got to make some friendships.

RRX: How did you get involved with Smaz Fest?

SS: I mean, we started playing out back in 2022, and I had reached out to people in different bands and on social media, just to find people to play with out there. The Hard Luck Souls ended up on one of the bills we played with, and Dave Smaz is just like the nicest guy ever, and we’ve been playing with him ever since. So, at least once or twice a year we book gigs.  We got him out here in Syracuse last year, and I’ve booked The Fuze Box a few years back and got him in on that with us and … it’s just a really cool collaboration between different areas; music, musicians and things like that. But it was all through Dave Smaz we made that connection. And so, he reached out to us and was like, “Hey, I do this festival every year. You guys want to come and be involved?” And I was like, “Of course, whatever you got going on.” 

RRX: That’s awesome. If you could envision what you would love to be doing a year from now, what would that look like? 

SS: I mean … what we’re doing now, just more! We got two albums all written, so we’re going to be recording them soon.  So, hopefully releasing some albums.

DS: Yeah, it’s kind of been a can’t-stop-won’t-stop adventure since COVID.  We took some time during 2020-2021 to write a bunch of music and get together, and then went with videos, and we have been touring and recording, and we just, we really haven’t stopped.  We put out four albums already. And we have one that’s getting close to being finalized that we’re going to hopefully put out here at the end of 2026. Then we have the next one in the can and are starting to record the scratch tracks for all that, too.  We love playing out; we love the community, especially in the Albany area. Yeah, just playing music. We just can’t stop ourselves. 

RRX: You guys are definitely prolific. I’ve noticed you guys really are a hardworking duo. You guys play out a lot, and of course I met you guys when I was presenting your award at the 2026 Listen Up Awards, which was a really cool, fun way to meet you guys. Tell me a little bit about that, how that felt. 

SS: It kind of blew us away, to be honest.  We got nominated, and we’re like, “OK, let’s go there and network and meet some people.” And all of a sudden, we’re walking on stage!  So, it was pretty cool.

DS: Yeah, it was crazy. I didn’t expect to win anything. We were going there for the fun of it, and because we got nominated, and we’re like, “Oh, you know, it’s a night out for us.” We’re usually working so hard that we don’t go out and get a chance to see live music as much as we’d like to because we’re always working on it. But it was crazy to have the first one come up … and then for the second one to come up again, I was like, “Whoa, OK. That’s funny.”

SS: It did feel like a little like, “Ummm, everybody’s looking at us. Like, who are these people?” 

RRX:  That’s funny.  So, as a working band, I wanted to ask you, what do you guys think about live music in the area right now? I know we’ve lost a couple of venues. What do you see as pros or cons? What would you change? 

SS: Well, we like to play, you know? We like to play. There’s a circuit that we have in our head from Rochester to Albany. We like to play wherever we can, and when we go into Albany, there are always good venues. It’s kind of disappointing when the venues don’t make it, and you have to find new venues. I kind of have a feeling of “if we build it, they will come” kind of thing.

DS: It’s been kind of odd to me. Like post-COVID, I figured people would be coming out in droves, you know, to relax, but it seems like people got content with staying home. So, I wish people appreciated what all these hardworking musicians are doing, not to say that they’re not. Smaz Fest was awesome, and there are certain venues in certain places that still get good crowds and get a good community going, but it’s not as many as there used to be.  You find yourself saying, “Oh, remember the good old days,” kind of thing.  It’s still there, but you’ve got to be positive about everything. 

RRX:  What do you think about the democratization of art … the way that people are able to sit down and make an album in their home? The way that people have more accessibility to different platforms?  What are your perspectives on that?

DS: I think there’s some good and bad. I don’t want to date myself too much, but I can remember being in bands, and all we wanted to do was make a record. And the only way to make a record was in the studio, so you’d work for six months at a job just to get enough money to go into the studio for a day and cut a record. And nowadays it’s so easy to make a record. I actually love it. You do have people that are making records that probably shouldn’t be making records, but the really good stuff floats to the top and is recognized.

SS: I mean, it’s twofold. It’s like COVID allowed us personally to… I took courses online through Berkeley, and I was able to get a Pro Tools certificate.  So, I have the ability, and we were able to get equipment that we can record at home, and if that wasn’t available, we wouldn’t have put out the first album. So, our first album was completely done in-house. We recorded it ourselves. We mixed it ourselves, and we had someone master it for us. So that album, that first album that got us out into the universe, wouldn’t have happened if we didn’t have technology available for, like, at-home use. However, on the flip side, on the next two albums we went crazy, and we drove all around the world to record. We recorded at Abbey Road Studios. We recorded at Cyber Sound in Boston. We did a whole bunch of stuff … we recorded in Ithaca, Syracuse, etc.  But I think there is value in having the knowledge of what needs to be mixed, where and how and why. So, the availability of Logic and all of these other programs and YouTube videos … you can YouTube anything these days.  It kind of floods the market – anybody can do anything.  I think, like Dave said, you know, the cream rises to the top at the end of the day. So I think it’s getting more people interested in doing things; I think that’s a positive for sure, and I feel like hopefully the people that are working harder, it’s paying off. 

RRX: I feel like you guys are the hardest working band locally. I’ve got to ask this … please tell me about your band name!

SS: That’s a big Dave question. 

DS: OK, I’ve had the name in my back pocket for many years, and I always thought of it as like a symbol of strength. People have won wars off the backs of elephants, so it’s like elephant back, you know? With a lightning bolt on back of the elephant, and I just had that image in my mind. I sat there when we were first getting together and playing, and I’m like, “I have this idea for a name and a logo,” and she’s like, “Oh, I can do that.” And then she comes up with the logo. 

SS: Yeah, it was pretty fun because when we first started writing music together, I was like, “Well, do you have any ideas?” “I’ve always wanted to name a band Elephant Back.” Yeah, he had this idea for the logo, and I was like, alright.  I messed with it, and we came up with it. So, it’s been interesting because I think every time we tell somebody that’s our name, they’re like, “… what???” (laughs)

Be sure to check out Elephant Back October 9th at Artisanal Brew Works in Saratoga Springs.  They will be releasing a video for their song, “Soundbite”, very soon.

RECAP: Eric Idle @ Universal Preservation Hall, 10/1/2026

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by “Chad from Albany” Koenig.

The first night of the Saratoga Book Festival rolled into town on Thursday, October 1. Spearheaded by the Friends of the Saratoga Spring Public Library, venues throughout downtown Saratoga will be hosting a trove of events, and boasting presenters such as Joan Lunden, Julia Alvarez, Chris Bohjalian, John Searles, and the subject of the sold-out performance that opening night- the legendary Eric Idle.

Held in the uniquely fantastic Universal Preservation Hall—the former 19th Century Gothic Methodist Church of Saratoga— actor and comedy icon Eric Idle, most well known as one of the founders of the Monty Python sketch troupe, discussed his new memoir, “Idle in Provence: A Brief History of Thyme,” a comedic chronicle discussing a ramshackle house, located in Southeastern France in 1971, that he purchased, and the restoration of it over the past 55 years. His book weaves the restoration of his “Shackeau” throughout his illustrious career as an ever-present part of his life, and tells the tales of famous friends visiting and enjoying the anonymity that came along with it.

Coming out to the stage to a standing ovation at the sold-out hall, Idle mentioned that he was appreciative of Saratoga simply for being the birthplace of David Hyde Pierce, who portrayed Sir Robin in the Broadway smash “Spamalot.” He immediately went on to explain the crux of the book and the origin of its purchase in 1971, during the first couple of seasons of “Monty Python’s Flying Circus.” He went further into the early days of that sketch show, and he remains surprised by its longevity 55 years in. He explained how fortunate the cast was to have had a show that aired at 10:30 pm on a Sunday night on the BBC, and the freedom they were allotted to be on during those late hours. “Flying Circus” yielded sketches that became famous in Britain six years prior to Saturday Night Live using that same model. And with the records released of their sketches, it was able to reach a global audience, including the United States. But as Idle noted, Canada embraced them first. That part of the conversation concluded with a humorous story of how the Monty Python cast toured Canada from Toronto to Vancouver in 1973 (under the moniker of “The First Farewell Tour of Canada ”). After Vancouver, they went to L.A. to debut on The Tonight Show. Idle explained that the American audience did not understand their humor at all, so they hurried their act and immediately ran outside to laugh on the lot because of how terribly they bombed.

The conversation shifted back to his French home and the renovations throughout the ’70s. He then started to talk about the celebrities that visited over the decades—many of whom are shown in color images within the book. He was asked who his most famous visitor was, and he responded with Robin Williams. Idle discussed that the location of the French house was ideal for people of note, as their celebrity may not have traveled to this region in those days. Williams first visited during his days on Mork & Mindy, and in America at the time, Williams couldn’t go anywhere without someone saying “Nanu Nanu” to him. But in Provence, the comics would go out to a dance club, and neither would be noticed. Williams even jumped on a table and said “Hey everyone, I’m Mork!” to a slew of startled faces, Idle recounted.

Other celebrities to have visited over the years ranged from Paul Simon, Penny Marshall, Art Garfunkel, and recently, Puddles Pity Party. But it was the stories involving George Harrison that were most fascinating. After explaining how the two sparked an immediate friendship after the Beatle tapped him on the shoulder to meet him at an event, their admiration for each other’s groups (Idle quipped, “I asked him about his John, and he asked me about my John,” obviously referring to Lennon and Cleese, respectively). He then told the story about how he told Harrison that Python were in need of financial assistance to fund 1979’s “Life of Brian” and that Harrison would do what he could to help. Not long after, Harrison told Idle that he got the money, and Idle asked how. Harrison re-mortgaged his house to the tune of 4.5 million dollars to assist them. Idle said, “Why did you do that?” and Harrison replied, “I wanted to see a movie!” Idle closed that bit by saying that still ranks as the most amount of money anyone ever spent on a movie ticket.

As the hour-long session came to a close, Idle briefly told stories about his four times hosting the early days of Saturday Night Live, as well as his memorable role in “National Lampoon’s European Vacation,” before the moderator mentioned that Idle wanted to sing a song to the crowd. The joyously entertained crowd sang along with him as Idle played to a backing track, the iconic “Always Look on the Bright Side of Life,” which he penned for “Life of Brian.” An honor for those fortunate enough to be in the lovely Universal Preservation Hall.

The seemingly too-short event made us realize that we were in the presence of greatness. And the ambiance of the church was wonderfully fitting, almost in a Monty Python-esque way, especially knowing that the song that we sang in unison, on film, was sung and whistled optimistically by the cast being crucified in the desert sun, which, of course, was famously controversial. One couldn’t ask for a better backdrop.

Saratoga Book Festival information can be found here.

Universal Preservation Hall information can be found here.

Signed copies of the book are available here.

Cemetery Art 3

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Welcome to the third installment of Cemetery Art! Right in time for the 1st day of Halloween, I took some time to go to Oakwood Cemetery in Troy, NY. (Yes, Halloween is the entire month of October, and I will die on this hill!)

Oakwood Cemetery is really a stunning place. There are rolling hills and great architecture to explore. Oakwood is also home to some notable figures, including Uncle Sam himself! It would take all day to really explore it.

Instead of my usual trip where I seek out the monuments, I took another approach: a spooky photo shoot! The wonderful Kira served as my model. She really did a fantastic job helping bring my vision to life. Being on the other side of the camera takes some guts. I definitely have a hard time with this.

Doing an actual photo shoot can be much more difficult than taking pictures of the stones. There are moments when the stones are the main subject and the model is there to complement them. You also need to be respectful of where you are. Capturing your vision without any desecration is key. Saying thank you to the people for the use of their stones can help avoid any attachments. (You either know or you don’t.)

These monuments were put there for the living. They serve as reminders of those who came before us. The monuments give us a brief glimpse into parts of people’s lives. We should use this in our own art when we can. They are already immortalized in stone. I like to immortalize them with my lens. Later in the month, I’ll visit again and take pictures of the graves for Cemetery Art 3, Part 2.

Happy Halloween!

Photography by Joshua Scarselli.

More from Cemetery Art here …