Lil Josiey – Interview – Thanks for Asking!

Lil Josiey – Interview – Thanks for Asking! – by Liam Sweeny.

RRX: Every artist’s first song is a milestone. But so is the latest song. Describe the first song/album you recorded, and also the latest song/album you recorded; what are the differences?

LJ: My first song, “Sunset Shawty,” marked a raw expression of ambition and youthful energy, featuring simple beats and unrefined vocals that captured a sense of innocence and aspiration. In contrast, my latest track, “Lacuna,” showcases a more polished sound, blending intricate production and mature lyricism that reflects personal growth and deeper emotional themes. The evolution from the naivety of “Sunset Shawty” to the sophisticated artistry of “Lacuna” highlights my journey through the complexities of life and music, demonstrating how experience and skill can transform an artist’s work.

RRX: What do you think is the most poorly understood thing about music, or the music you play?

LJ: One of the most poorly understood aspects of music is the profound emotional and psychological impact it has on listeners. While many appreciate music for its aesthetic qualities, the intricate ways in which it can evoke deep emotions, memories, and even physiological responses are often underestimated. Furthermore, the personal and cultural contexts that shape an individual’s interpretation of music are complex and vary widely, making it difficult to generalize the effects or meanings of specific pieces or genres across different audiences.

RRX: What historical era would you like to visit if the sole purpose was to put together a Battle of the Bands? How would you set it up?

LJ: I would love to visit the 1960s, a vibrant era brimming with musical innovation and cultural upheaval. To set up a Battle of the Bands, I’d scope out iconic venues like the Fillmore or The Cavern Club and recruit legendary bands—think The Beatles, The Rolling Stones, Jimi Hendrix, and Jefferson Airplane. I’d call it “Peace, Love, and Loud Music,” with a panel of colorful judges including artists, poets, and counterculture icons. Each band would perform their biggest hits alongside surprise collaborations, and the winner would be crowned based on audience cheers, ensuring it’s a groovy, unforgettable night celebrating the spirit of rock ’n’ roll!

RRX: Would you rather have one of your songs blow up and make you a one-hit wonder and household name, or would you rather have all your songs be solidly received, but no chart-climbers? (You have to pick one or the other here.)

LJ: I’d choose to have one of my songs blow up and make me a one-hit wonder. The idea of having that one massive hit that resonates with people and creates memorable moments is thrilling! Plus, even if I’m a one-hit wonder, there’s a certain charm to that status, and who knows—it might lead to unexpected opportunities, like a 90s nostalgia comeback tour or a spot on a reality show! It’s the excitement and recognition that would make it worth it!

RRX: We let it out differently when we play music. The happy, sad, good and back; it can all be put out musically. Overall, do you feel better when you sing about the better times, or the worser times? Is there a difference you can describe?

LJ: Singing about the better times can feel like basking in sunlight, where the melodies uplift and the lyrics dance with joy, creating a sense of connection and celebration. On the other hand, pouring my heart into the worser times feels like releasing a heavy weight; the catharsis is intense, and while it might feel dark, there’s an honesty that resonates deeply with others. Ultimately, both bring their own healing—joy brings energy, while sorrow brings understanding—and I find that the contrast between the two can create a richer emotional landscape in my music.

RRX: Let’s talk about your next project, your next few. Just not the ones you’re working on now. The ones you have your eyes on for the future. What’s coming to us?

LJ: In the future, I’m excited to explore a project that delves into the fusion of genres, blending elements of pop with electronic sounds to create an immersive listening experience. I envision collaborating with visual artists to produce a companion multimedia show that tells a story through both sound and imagery. Additionally, I’m interested in writing a concept album called “Catharsis” that reflects on personal growth and resilience, drawing from different cultural influences and narratives, aiming to connect with listeners on a deeper emotional level. This exploration of identity and experience could culminate in a live performance that showcases the evolution of the sound throughout the shows, creating a unique and memorable journey for the audience.

Check out “Lacuna” from Lil Josiey:

All links to social media: