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Show Detective – Weekend Shows – 1/24 – 1/26

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Show Detective

Show Detective.

Friday, January 24th

The Egg Presents: Yonder Mountain String Band, The Egg, Albany, 8pm

Yonder Mountain String Band, a driving force in roots music for nearly three decades  and a key player in the progressive jamgrass movement, kicks off a new chapter with  Nowhere Next. Featuring original songs inspired by lived experiences, people, and  places that have shaped them, the album is a mix of bluegrass, indie rock, and country  with soulful, funky grooves that call for a good time. Their 11th studio album follows the  Grammy-nominated Get Yourself Outside (2022), adding depth and momentum to  Yonder’s rich musical legacy.

512: The Selena Experience, Cohoes Music Hall, Cohoes, 7:30pm-10:30pm

512: The Selena Experience is a mind-blowing experience and the closest one you can get to live a Selena concert. Simply, the best Selena tribute production out there! These musicians came together and orchestrated an extraordinary show that will take you back to 1995 within seconds of their first song.

Chris Sanders, Rustic Barn Pub, Troy, 7pm-10pm

Chris Sanders is a talented singer-songwriter known for his dynamic acoustic performances.

An Evening with Timbre Coup at The Eleven at Lark Hall (FREE SHOW), Lark Hall, Albany, 7pm-10pm

Timbre Coup (pronounced Tam-ber Coo) is a four-piece original prog-rock band formed in Altamont, NY. Set apart by soaring edgy jams and a fierce song writing style, TC has graced the stage at many events including Mountain Jam, SummerCamp Festival, Moedown, Camp Bisco and many others while directly supporting artists such as Dopapod, The New Deal and Papadosio over the years.

The Boom Box, Putnam Place, Saratoga Springs, 10pm

Nate Sabat & Rakish, Caffe Lena, Saratoga Springs, 8pm-10pm

Nate Sabat: Nate Sabat is well known to Caffe Lena audiences as the bassist for house favorite Mile Twelve. With upright bass as his sole instrument, Nate crafts wildly intricate arrangements. With original songs rooted in American folk music, he takes full advantage of the never-ending variety of sounds and textures the bass has to offer. GRAMMY-winning cellist Eugene Friesen says, “Nate has so much going for him: The ability to propel any groove with chops and subtlety, a sweet bow sound that can vocalize any melody, fiercely great intonation, and, most importantly, a musical intelligence and intuition that operates with a constant smile.”

Moon Rules Apply / Flatwounds / Torpedo Lane / Senior Living, No Fun, Troy, 7pm-11pm

From “Bar People.”

1/24 5:00 PM Garland Nelson- Prime at Saratoga National

1/24 5:00 PM Vinny Michaels & Brothe SD- Frog Alley Brewing

1/24 5:30 PM Rob Aronstein- Wishing Well

1/24 5:30 PM Will Pedicone- Bootleggers

1/24 6:00 PM BJ Fitzgerald- Spa City Tap & Barrel

1/24 6:00 PM Deadbeats- Saratoga Winery

1/24 6:00 PM Grace Todd- Powers Pub

1/24 6:00 PM Jason Irwin- Hill Creek Tavern

1/24 6:00 PM Keith Pray Trio- Cock & Bull

1/24 6:00 PM Keri Alonzo- Inn at Saratoga

1/24 6:00 PM Nick Horace Duo- Carsons Woodside Tavern

1/24 6:00 PM Pat Decker- Scarlet Knife

1/24 6:00 PM Shine On- Bound By Fate Brewing

1/24 6:00 PM Tyler Giroux- 677 Prime

1/24 6:30 PM Bennett Brothers- Artisanal Brew Works

1/24 6:30 PM Steve Candlen- Diamond Club at Embassy Suites

1/24 6:30 PM Toga Boys- Dock Browns Tavern

1/24 7:00 PM Chris Sanders- Rustic Barn Pub

1/24 7:00 PM Grand Central Trio- Bunker Saratoga

1/24 7:00 PM Jeff Walton- Principessa Elena

1/24 7:00 PM Joes Boys- Bunker Clifton Park

1/24 7:00 PM On Tap Duo- Kraverie

1/24 7:00 PM Peter Apple- Cherry Plain Square #17

1/24 7:00 PM Trevor Wheelock Duo- The Bunker Mohawk Harbor

1/24 8:00 PM DJ Chris G- Misfit

1/24 8:00 PM Hit n Run- Van Slycks at Rivers Casino

1/24 8:00 PM Matt Cosgrove- Cooperstown Distillery Saratoga

1/24 9:00 PM Big Sky Country- VApor

1/24 9:30 PM Open Bar Band- Spa City Tap & Barrel

Saturday, January 25th

Lights Out: A Tribute to Frankie Valli and The Four Seasons, Troy Savings Bank Music Hall, Troy, 7:30pm

“Lights Out Presents- A Tribute to Frankie Valli, the Four Seasons, and More..” Being hailed as The Nation’s #1 Tribute to Frankie Valli and the Four Seasons, Lights Out brings an action packed show, complete with the hit songs of Frankie Valli and the Four Seasons, tight harmonies, Choreography, comedy, and audience participation! This show will keep you captivated from beginning to end!”

HARVEST & RUST unplugged, The Linda, Albany, 8pm-10pm

HARVEST & RUST returns to THE LINDA-WAMC’S PERFORMING ARTS STUDIO. It’s hard to represent the wide-array of Neil Young’s influential material in one show, but that’s exactly what the band HARVEST & RUST does. Based in Western Massachusetts, HARVEST & RUST often augment their show with other well-known local musicians to reproduce every era of Neil Young’s music. Be it the chart-topping HARVEST material (including Old Man, Heart of Gold, etc.) to the electric explorations of RUST NEVER SLEEPS (Hey Hey My My, etc.), as well as songs from Neil’s time in Crosby Stills Nash & Young and Buffalo Springfield, you’re in for a night of “complete Neil”. And, HARVEST & RUST never plays the same set list twice, which is exactly how Mr. Young does it!

DJ TGIF Presents: High Society Gala, The Palace Theatre, Albany, 9pm

We all know that DJ TGIF knows how to throw a party! For his birthday, however, he’s pulling out all the stops for this red carpet, black tie affair. Join us for a night of glitz, glamour, music, dancing and elite vibrations known as “High Society” in the Lobby & Mezzanine of the historic Palace Theatre! This Event is 21+.

Bayou Kitchen with Melissa Martin, SPAC, Saratoga Springs, 6pm

On the Louisiana bayou, people mark the seasons of the Cajun calendar with traditions and gatherings around the table. Join James Beard Award winning Chef Melissa Martin as she tells stories and shares tastes from her new book Bayou: Feasting Through the Seasons of a Cajun Life.

SSSO – Concert II: REMINISCE (UPH), Universal Preservation Hall, Saratoga Springs

This program features renowned violinist Lara St. John in Kennedy’s “Czardashian Rhapsody,” St. John and Paranosic’s “Djelem Djelem,” “Opa Cupa” and “Laruška.” The program also includes Snider’s “Eye of Mnemosyne” and Mendelssohn’s “Symphony #4.”

Sheer Terror, Empire Underground, Albany, 7pm

Harmonic Duo, Rustic Barn Pub, 7pm-10pm

Experience the mesmerizing harmonies of the Harmonic Duo, with the sound of a full band!

The Dave Matthews Tribute Band, Putnam Place, Saratoga Springs, 9pm

Tiny Blue Ghost / Stella & The Reptilians / Head Sound, No Fun, Troy, 7pm-11pm

From “Bar People.”

1/25 2:00 PM Zack Nightingale- Klarm’r Bar & Restaurant

1/25 3:00 PM Becca Frame Duo- Helderberg Mountain Brewing

1/25 5:00 PM Chris Dollard- Prime at Saratoga National

1/25 5:00 PM Shine On- Artisanal Brew Works

1/25 5:30 PM Christine Spero- Wishing Well

1/25 6:00 PM Azzaam Hameed- Panza’s Saratoga

1/25 6:00 PM Ben Zoleski- Spa City Tap & Barrel

1/25 6:00 PM Chris Carey- Scarlet Knife

1/25 6:00 PM Craig Todd- Powers Pub

1/25 6:00 PM Franklin Micare- 677 Prime

1/25 6:00 PM Jeff Brisbin- Carsons Woodside Tavern

1/25 6:00 PM Jenna Sue- Hilton Garden Inn,,, 30Park

1/25 6:00 PM Juniper & Steve Zucchini- Inn at Saratoga

1/25 6:30 PM Johnny Clifford aka Tom Petty Dude- Dock Browns Tavern

1/25 7:00 PM Bennett Brothers- The Bunker Mohawk Harbor

1/25 7:00 PM Completely Different- Kraverie

1/25 7:00 PM Get Up Jack- Parting Glass

1/25 7:00 PM Harmonic Duo- Rustic Barn Pub

1/25 7:00 PM Litt Hour- Bunker Saratoga

1/25 7:00 PM Schnectady & Saratoga Symphony Orchestra- Universal Preservation Hall

1/25 7:00 PM Sundown Express- Cherry Plain Square #17

1/25 8:00 PM DJ Vision- Misfit

1/25 8:00 PM Eastbound Jesus- Caffe Lena

1/25 8:00 PM Rob Lindquist- QuartetNine Maple

1/25 8:00 PM Scars & Stripes- Van Slycks at Rivers Casino

1/25 8:30 PM Philadelphia Freedom- Frog Alley Brewing

1/25 9:00 PM Aquanett- VApor

1/25 9:00 PM Dave Matthews Tribute Band- Putnam Place

1/25 9:00 PM DJ Biz- Night Owl

1/25 9:30 AM Special Creek- Saratoga Farmers Market Wilton Mall

1/25 9:30 PM Late Night Philosphers- Spa City Tap & Barrel

Sunday, January 26th

SSSO – Concert II: REMINISCE (Proctors), Proctors Theatre, Schenectady

This program features renowned violinist Lara St. John in Kennedy’s “Czardashian Rhapsody,” St. John and Paranosic’s “Djelem Djelem,” “Opa Cupa” and “Laruška.” The program also includes Snider’s “Eye of Mnemosyne” and Mendelssohn’s “Symphony #4.”

“A Joyful Noise!” Gospel Dinner with Soulist Garland Nelson & Friends, Caffe Lena, Saratoga Springs, 5pm-7pm

Saratoga and the entire Capital District will be thrilled to learn that A Joyful Noise is back every month this year! This is a soul-cleansing dinner hour of music directed by Soulist Garland Nelson. Nelson leads his musician and singer friends for a late afternoon of joyful noise. Songs range from traditional gospel and contemporary church music to soulful pop classics. Audience participation is downright thunderous. It’s impossible to stay quiet or in your seat as Garland Nelson stirs up the Spirit!

Libby Quinn / Retail Drugs / Laughter Has Long Legs, No Fun, Troy, 7pm-11pm

From “Bar People.”

1/26 3:00 PM Chris Carey & Tim Wechgelaer- Franklin Square Market

1/26 3:00 PM Triple Trouble- Artisanal Brew Works

1/26 3:00 PM Wamm Jam .. Ladies Open Mic- The Gallery at 344 2nd Ave Troy N.Y

“Song City” @ The Waiting Room, 1/14/2025

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The first Song City of the year featured Buggy Jive, Chase Keener, Peter Annello, and Alexandra Chang.

Photography by Timothy Reidy.

More from Timothy Reidy …

Week Three: Jesse Sample’s Freak of the Week “Interlude”

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Jesse Sample’s Freak of the Week airs every WEDNESDAY at 6pm Eastern ONLY on RadioRadioX.com 

This is Jesse Sample. Webster’s dictionary defines the word “interlude” a couple different ways. One meaning for the word is “a musical composition inserted between the parts of a longer composition, a drama, or a religious service” Okay, when I compile all the Freak of the Weeks into the big album at the end of the year, this composition will be a fine interlude in the musical sense. I’ll stick it right between Week 2 and Week 4.

Webster’s also defines interlude as “an intervening or interruptive period, space or event.” Hmmm…When it’s not strictly limited to the musical context, an interlude has many more implications. How many times in my life could I have written in an interlude? I could have made some space to breath and consider my situation instead of just reacting. You can’t always write one in, for instance, in the middle of the road when there’s a Mac truck seconds away from flattening you. But that kind of a rare situation.

We’re the composers of our lives. I reckon it’s our prerogative to write an interlude into our greater bodies of work. Why should guys like Rodgers and Hammerstein get to have all the fun? Take a minute, think about it.

Thanks to all of you tuned into RadioRadioX. This is The Freak of the Week, “Interlude”

 

Pigeon Heist – The Weird Side of the Internet

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Pigeon Heist – The Weird Side of the Internet – Liam Sweeny.

Pigeons can be the bane of urban existence, nature’s very own, indiscriminate whitewasher. Granted, they look cool, I think they do, anyway, and they’re really just rogue doves. Imaging releasing pigeons at a wedding? Pigeons and dollar-store plates and glasses – guarantee that marriage will last, because it’s starting out thinner and poorer.

But pigeons – there’s the other kind too. Racing pigeons. High-end, triple-pedigree speed racers that have a long history in wartime, getting messages through the air and maybe saving battalions. And they still race them. Some of them, the best of then, can be worth seven figures. And there’s a cat and mouse game over the owners and thieves,

For starters, you have to keep them in cages outside. This gives thieves a chance to do recon with drones, and they have to be careful because the owners have lasers that hit the drones and turn on cameras. High tech battle here.

Thousands of pigeons are stolen every year, and it’s cruel and senseless. The cruelty is visited, not on the birds, but on the owners, who become very attacked to their birds. The senseless part is that, once stolen, their pedigrees are broken, and they were worthless. They end up in Eastern Bloc countries to be bred, but again, no pedigrees. So they’re kind of doing their own thing over there.

I don’t know if it’s lost on anyone that eventually the drones trying to steal the pigeons could just film a girl say something and immediately it would get to where it had to go. I have to honestly and wholeheartedly admit that I’m clueless why anyone would spend seven figures on a creature whose down-on-its-luck cousin is eating stale chips and whitewashing park benches. I guess people have to have their toys. FYI I had doves once, and they really are loud and filthy.

 

 

More from Liam Sweeny…

Mayan DeLion – Interview – Thanks for Asking!

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Mayan DeLion

Mayan DeLion – Interview – Thanks for Asking! – by Liam Sweeny.

RRX: What do you think is the most poorly understood thing about music, or the music you play?

MD: I feel like in today’s AI era, we sometimes forget what making music is truly about. Some people might see music more as a finished product, but there’s so much more to it. When you create a melody, lyrics or harmonies, there’s a beauty in experiencing your own personal, magical universe. It’s about being fully immersed in the moment, letting your feelings and passion guide you to the next note, and building everything with love and intention. To me, the process of making music is a beautiful experience and privilege and I feel it’s something that can sometimes be misunderstood or overlooked today.

Also, making music ourselves is essential to learning and growth. We learn by doing, and if we let AI take over, we miss the opportunity to learn, grow, evolve, and deepen our connection to our emotions through the creative process. I believe these opportunities and processes are a vital, beautiful part of what it means to be human and to be a musician.

RRX: You sing or you rap, you play guitar, play drums, what have you, you have no doubt struggled to learn music. Something probably tripped you up. What was it for each of you? What did you have to overcome (bands, pick a member)?

MD: For me, it was singing. I was really afraid to sing in front of other people until I was around 14 or 15. I had a lot of self-doubt and anxiety about my voice, and I didn’t feel comfortable sharing it with others. Over time, though, I gradually pushed myself to sing in front of friends and family, and eventually that fear started to fade. Even now, I still get afraid and feel shy a lot of times, but I’ve learned to push through that fear each time it comes up. One time, I did a street performance by myself at 14, just me and my guitar. I was so anxious going into it, but after I finished, I felt so much better and more confident. It was a real turning point for me.

RRX: Our style comes from the extension of our influences. It’s like an evolution. We’re influenced, and it inspires us to influence. What can you say about your influences, and what  you feel you’ve done with their influence as a musician or band? Have you extended their work?

MD: As someone deeply curious about music, my influences are quite diverse. The most prominent ones are the pop and rock music of the 90s and early 2000s, with artists like Linkin Park and Justin Timberlake, as well as music from movies. I feel that the fat synth sounds I often use, combined with instrumentals like strings, guitar, and piano, reflect those influences. Even my style of blending singing and occasional rap is rooted in that mix of inspirations, sometimes with an added touch of depth drawn from cinematic scores.

Right now, I’m working on a track that has a cinematic atmosphere of strings combined with modern synth bass and other contemporary elements. Through this project and my other creations, I feel like I’m extending my influences while carving out my own path and creating something uniquely mine.

RRX: We let it out differently when we play music. The happy, sad, good and back; it can all be put out musically. Overall, do you feel better when you sing about the better times, or the worser times? Is there a difference you can describe?

MD: I feel that expressing myself through music allows me to experience a sense of light and peace with my feelings, whatever they may be, whether connected to my better or worse times. Sometimes, during an emotional struggle, it can be intense but liberating. Other times, even if I’m already in a different place in my life and heart, it becomes a way to cherish those moments that are a part of my story as a human.

RRX: “The best laid plans of mice and men…” I don’t really know the quote, but I know this one; sh*t happens. When we least expect it, calamity befalls us. Sometimes just comic inconvenience. Please tell us a story about some comic inconvenience that happened to you whilst performing?

MD: So, talking about “sh*t happens”.. I was 17, a singer and guitar player in a high school band, and we had a performance at a city event. Just before we were supposed to go on stage, I really had to use the bathroom. As the lead singer, I quickly ran to the restroom and was, you know, doing my thing. Suddenly, I hear the host announcing us to go on stage, and I realize no one knows where I am. The band was already up there waiting for me, and the crowd was there too, all ready for us to perform. So, I finished up as fast as I could, scrambled out of the bathroom, and sprinted straight to the stage. I’m gasping for breath, and I just open my mouth and start singing—honestly, the adrenaline from running straight from the bathroom gave my performance an unexpected boost of energy!

RRX: With the exception of singing, everyone has an instrument, an inanimate object that has the distinction of being a lifelong friend. Smooth or temperamental, these objects have a character. So pick someone to answer, can you tell us something special about what you play, your technique, your instrument?

MD: As my own music producer, my instrument is definitely the DAW. It’s like my “lifelong friend” that I can always rely on. There are all sorts of ways I work, but it always starts with choosing or building a sound that sparks something inside me or connects with my vision at that moment. Sometimes, the melody and harmony just flow quickly, with one note leading to the next. Other times, when inspiration doesn’t strike immediately, I take a sound and start playing with it, building a structure, and then I’ll loop it and layer more on top. But really there are no real rules to my process—it can change based on what’s flowing at the moment. One of my greatest loves is creating arrangements and composing, and for that, the DAW is my perfect instrument.

 

 

More from Liam Sweeny…

Serpent and the Sun, Chptr. 9 – Xperience Fiction

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Serpent and the Sun

Serpent and the Sun, Chptr. 9 – Xperience Fiction – by Liam Sweeny.

Jameson swallowed the lump in his throat as he heard Blake’s approach. Though he couldn’t see out into the hallway, the footfalls were unmistakable; thundering hard enough to shake the mug of coffee Jameson had just heated up. He would in any other case have scrambled to pick up the papers on his desk, lest they become stained with the hot spill. But this wasn’t any other case.

Jameson would have to make a decision today, faced with a fork in the road both branches of which needed him. He couldn’t abandon New Rochester; he could scarcely believe that the place would function without him. He had the best team under his command, but there were so many details, and he never left all of those details in the mind of any other man. Paranoia tied him to his post, it seemed. But if Blake needed him to go to Denali, he might have no choice. New Rochester wouldn’t last forever, and the filtration system keeping the virus out would be destroyed once the UEC could focus on it. In a way, Jameson might have to abandon his post to keep it intact.

He told Blake to come in before he knocked. Jameson liked the antique oak door. Blake looked terrible. Jameson had known him for a long time, and had just taken Blake’s imperviousness for granted. Now he had an ionic respirator on; Jameson could see the two small plugs in his nose. Certainly he’d have the mouthpiece as well. When he smiled, Jameson could see it.

“Blake, what the hell’s wrong with you?”

“I don’t know,” he said, “I feel like shit.” He opened his mouth and pointed to the mouthpiece.

“Just a precaution,” he said, “I’m not that bad…”

“Yeah, but you shouldn’t be bad at all.”

“That is true,” Blake responded, “Look; we got other things to talk about right now.”

“Yes, yes, OK,” Jameson stammered, shocked at seeing Blake sick. Adam was out; it was just then that Jameson realized it. Though he was silent, the worried look on his face said it all. Blake was the third closest person to him, closer even than Jameson himself.

“Come, Adam,” Jameson said, “Time to rest for a little while.”

“But I’m not tired.” Adam said.

“Adam, please,”

“Jameson, let him stay on,” Blake said, “At this point it’s for the best.”

Jameson was anxious. He’d been careful to leave Adam out of his conversations with others.

“We have to go soon anyways,” said Blake. He looked around the office, shuffling papers around on Jameson’s desk.

“I’m assuming you haven’t packed your bags yet.” He said.

“Me?” asked Jameson, off-guard.

“Well, I don’t have any bags, silly!” Adam said before giggling uncontrollably. Jameson darted his eyes around his little corner of the world. The sinews and synapses of the entire city were anchored to his office with every paperclip and staple, binder ring and filing cabinet. No one knew all the nuances and intricacies that made New Rochester what it was. No one except Matthew; he was slated to replace Jameson before he was killed. Jameson was irreplaceable.

“I can’t go,” he said, “They need me here. You know that.”

We need you, J’,” Blake said as he took a seat on one of Jameson’s trunks. He kicked his feet up on the desk, a move that would ordinarily have aggravated Jameson. Now he just stared absently at Blake’s boots.

Blake coughed. That snapped Jameson out of his fog.

“Jameson, they’ll make do.”

“You could’ve warned me, you know,” Jameson paced the space between the door and the window, “gave me time to prep someone, make arrangements. I would’ve,”

“…you would’ve spent that whole time coming up with a better excuse to stay.” Blake said.

“That’s not fair!”

“It’s true. Since when was fair a consideration?” Jameson was silent.

“Was it fair that they killed Matthew to take you out?”

Jameson grabbed the nearest thing to him, a hard-cover dictionary and launched it at Blake. Blake took the impact, not bothering to flinch.

“Fuck you, Blake!” he shouted, “Matthew’s death didn’t take me out!” He got right up in Blake’s face.

“Why do you think I’m still here?” he asked. Blake was silent for long enough to let Jameson calm down.

“Why are you still here, Jameson?” he asked. Jameson opened his mouth to answer, but nothing came out. He scanned his mind for the answer to give, but nothing came up. He was speechless.

“W-what we do here is important…” He said, but he couldn’t convince even himself of that being the glue that bound him. Blake opened his coat and pulled out a folded piece of paper, stained dark in one corner.

“Donnie gave me this when we were in New York, before he…” Blake scratched his head, “…well anyways, he got it off a scout. They killed him, and managed to make printouts from his order list.” He handed the paper to Jameson. Jameson stared at it, turning it over and over. He looked up at Blake with a befuddled look.

“They had an order to wipe out New Rochester.” Blake said. “The whole area razed; everyone was to be killed. Everyone except,”

“Me.” Jameson said. “Why?”

“You know more about what’s done here than anyone,” Blake said, “More, even, than they do.”

“But that’s impossible!” Jameson snapped. “They have PEALE! They’re light-years ahead of us!”

“No,” Blake countered, “PEALE’s light-years ahead of you. Problem is; it’s light-years ahead of them too.” Blake pulled a cigarette out of his pocket that he’d rolled prior.

“You think you have piles of paper and trunks full of shit?” he said between ignition puffs, “PEALE generates that much in a day.

“So they wanted me alive.” Jameson said.

“Yeah,” Blake leaned closer, “We want you alive too, Jameson.” He said. “It’s time to put the past behind ya’.” Jameson stared out the window.

“Please Jameson?” Adam begged from his screen, “Please-please-please?”

Jameson let out a laugh.

“Fuck it.” He said. “I’m in. Adam still needs a teacher, and dare say I leave him to you…”

Blake patted Jameson on the back. “I never doubted you for a sec’.”

“Yeah, I’m sure…”

Blake headed towards the door.

“Hold on a sec’,” said Jameson, “I still gotta’ pack.”

“That’s OK.” Replied Blake as he pulled out a beacon. “Donnie got this off the scout too. It’s a UEC beacon.” He pressed a button, and a shrill beep could be heard down the hallway.

“In the future, you really gotta’ watch who you let into these places… seriously.” He smiled.

“A spy!?!” Jameson said, “You gotta’ be shittin’ me!”

“You pack,” Blake said. He pulled out a sidearm from the shoulder holster in his coat. “I’m gonna’ go do some housecleaning…”

 

***

 

The bitter cold hugged Albany like an old friend, pressing on clumps of debris amidst buildings reclaimed by only the hardiest of flora. It was a city devoid of life, save for the occasional hare or raven, in whose watchful eyes the hares would spend their uncertain lives. Just days ago the city hosted a most furious tempest, as two men behaved like banshees above the former capital building. Now all that remained was debris shot into windowsills and brick walls, warped and broken trees and structural collapse. From inside the concrete and steel of the city’s last human refuge, a raven cawed. It had found a meal buried hastily in the stones, one large enough to feed the flock. Yet something outside made it stop in mid caw; something primal, never seen before in those parts. The crow took off as black vapors coalesced about the foot of the fallen bridge.

Coulson BlackLake fashioned for himself a fine black suit from the dust of the road beneath his feet. Wholly unnecessary; he no longer felt human, and he shaped himself as such in pure mockery. As he walked toward the remains, he could smell decay. But he could also smell something else, more familiar. Indeed one of the Guardsmen had been metallicized. That boded well for him.

BlackLake stood at the edge of the rubble pile the rebel had buried the bodies in. With an extension of will, he returned to vapor, tentacles of which buried themselves into the stones, dissolving them as though they were a sublimated acid. The stones sizzled as they melted, forming puddles black as crude oil. What was left were three bodies; two human, one not-so. BlackLake sent vapor into the two sets of human remains, dissolving them as he had the rocks. Let the ravens starve.

He reached out to the metallicized one. Swift, Cyrus Swift. He was a statue features perfectly captured in alloy. But he was worth more to BlackLake alive than dead. He reached out, his vapor covering Swift, black turning to brilliant white. After a few seconds the vapor withdrew, leaving Swift curled into a fetal position on the ground, coughing. He looked up at his resuscitator.

“What the-,” Swift started, but BlackLake no sooner resuscitated him than he stretched out his arms, shooting black vapors through Swifts eyes, ears and nostrils. He could feel Swift’s brain, a landscape of electrical impulse, his to control. He sparked Swift’s memory until he found the rebel. Through the visual recollection, BlackLake made his way into the rebel’s memory. New Rochester, he thought, Canada. Then he saw a conversation through the rebel’s eyes, recent. A man with a scruffy goatee, green eyes and orange, nappy hair. Jameson. He jumped to Jameson’s neural network until he had a glimpse of what he wanted, a digital little boy. Adam. He couldn’t penetrate Adam’s neural net; he doubted he could, and he withdrew back out of the minds he’d raced through.

Swift looked up at him with a look of fear in his eyes.

“Did Denali send you?” He asked. BlackLake kneeled down.

“Why yes,” he said, “Yes they did.”

“Are you gonna’ help me get Blake?”

“No,” Coulson traced circles in the dirt, “no I’m not.”

“So why are you here?” said Swift, “I don’t get it.”

“I just needed to borrow your brain for a minute.” Coulson replied.

Swift tried to get up, but he couldn’t.

“Now what are you gonna’ do?” He asked.

BlackLake got up. The tendrils of black vapor tightly coalesced about him, giving him a more rigid form.

“I’m going to put you back the way I found you.” He said. Suddenly tendrils of vapor stabbed into Swift from every angle, enveloping him in darkness. Within a heartbeat BlackLake was staring into the permanent look of shock on Swift’s alloy face.

BlackLake drifted out to the edge of the fallen bridge. In the distance he could see a raven, perched on the railing of a section of roadway still intact. The bird looked at him curiously, cocking its head and hopping from foot to foot. He stretched out his hand to form a perch. The raven didn’t move. He then fully stretched out his hand. He snapped his fingers and the raven’s blood froze in its veins. It dropped like a brick to the ground below.

BlackLake adjusted his lapel, stepping off the edge of the bridge to once again become a black vapor, headed for New Rochester.

 

***

 

Elle stared listlessly out the window of Le Mer, the Pacific Sanctuary’s trendiest restaurant. The charging cycle was off temporarily, and the languid red-shift of dusk occupied the western horizon. Frederick was noisily slurping up whatever high-brow slop he’d ordered. Elle had done little more than rearrange the culinary decorations on her own plate. Suddenly she felt Frederick’s clammy hand cover her wrist.

“Elle, what’s wrong?” He asked. “You’re not even eating…”

Elle snapped her gaze back to the table, and Frederick. Poor fool.

“Oh, nothing hon’…” she said with the kind of smile she gave distribution clerks, “Just tired; that’s all.”

“Would it trouble you too much to wake up, darling?” He asked, looking about the restaurant. “This place wasn’t cheap, after all…”

“I’ll tell you what;” she said, folding her napkin in her lap, “include me in our plans, and I’ll make it a point to be well rested.”

Frederick leaned back in his seat, giving her a venomous stare as he twirled pasta with his fork.

“Is this what I’m to expect for the rest of our lives?” He said, “This kind of attitude?”

“Unless you learn how to respect me; yes.” She said.

“I can have my pick of women here,” he spun his fork around the air in gesture, “Real women; I don’t have to dip down the gene pool.” That last statement boiled Elle’s blood. She always knew Frederick was jealous of Gerhardt. Now that he was gone, Frederick thought it proper to sling rocks.

Elle smiled. She wouldn’t sling rocks back. Frederick’s rocks were in a sling, and in a quick, ferocious movement Elle slammed her foot into them under the table. Frederick’s face went to ash, and as he spit out the daily special, Elle gathered her things to leave.

Frederick hopped away from the table as she got up. His arm was strapped across his stomach, as that was where Elle’d put his testicles.

“Elle, wait!” he said in a strained voiced. Elle couldn’t tell if it was strained from her kick or his reluctance to make a scene. But Elle intended to make a scene regardless.

Elle spun around, and at the top of her voice dressed Frederick down.

“I love Gerhardt; I don’t care what you say or think.” She began. Everyone stopped eating and turned to look.

“He was a Second Tier citizen, a mongrel to your high-and-mighty social order.” She continued, “But he left the safety of the Sanctuary to protect me, so that I’d have no choice but to marry someone like you.

“You’re no Gerhardt, and I don’t think you’ll ever come close a day in your life.” She pointed out the window. “He stepped out into that contaminated world because he loved me.” She said. “Would you do the same?” Frederick weakly nodded his head yes.

“Well I’d rather you did than Gerhardt,” she replied, “hate me all you want.” She walked out of the restaurant to the buzz of busybodies, preparing the paragraphs that were destined to find their way into the Society Section of the Pacific Sanctuary Monitor. She didn’t care; that was why she had a bird.

Elle walked down the mezzanine, serenaded by Frederick’s desperate pleas for her to stop, then his curses. Eventually he faded into the general hubbub. The mezzanine was awash with activity, as the ground floor was involved in the Celebration of the Opening, to kick off the end of charging. It was due to formally end in three weeks. If she was a good little debutante, she’d be down amongst the revelers, competing against her friends for the chance to play Persephone returning from her time betrothed to Hades. As she gazed down, she had to chuckle. She actually felt like Persephone. If only Frederick were trapped in Hell, it would be a perfect match.

She made her way along the boutiques, walking aimlessly though she knew where she was headed. It amazed her how the boutiques managed to stay in business. Every dwelling in the Sanctuary had a transmuter; everything under the sun could be made at home. One night Gerhardt explained that the boutiques were living proof of the stupidity of Sanctuary-dwellers. People in the Second Tier seldom went to boutiques and those unfortunate enough to be in the First Tier never did. Interestingly enough, almost every transmuter technician was a member of the First Tier.

Elle hopped a TPT to the Second Tier. She wanted to go back to see Albrecht again. He was her only real link to Gerhardt, and she knew it would be the last place Frederick would come looking. Aside from that, she felt comfortable in Albrecht’s hodge-podge abode. She trusted him.

The Second Tier was also a mezzanine, much larger than the one that comprised the Third Tier. It had shops, but they weren’t in any way boutiques. Gerhardt called them bodegas. They sold artwork, electronics, newspapers and other odds-and-ends that couldn’t be easily produced at home. One shop sold organically-grown vegetables. Most likely that was where Albrecht got his seeds.

Elle turned left at the entrance to the Fourth Section living area. The people in each Tier lived behind the boutiques or bodegas in living quarters that looked quite the same from the outside. ArchiForm technology allowed each resident to personalize their living quarters, and though this was supposed to make everyone equal, it didn’t. Everything relied on plans, and plans weren’t freely distributed.

Elle noticed something odd when she got to Albrecht’s door. He had a peephole in his door, rare for the Sanctuary. Now it was gone. She knew she had the right door; she knew the Sanctuary well. She saw a woman with her son outside of an adjoining apartment. After knocking, ringing the bell, knocking and ringing the bell, Elle turned to the woman and asked her if she knew Albrecht. The woman just shrugged, putting her hands on her son’s shoulders and shuffling him inside. Strange, Elle thought. Before she left, she tried the door. Uncharacteristic, but she was worried.

Perhaps she had a good reason to worry. The door opened to a completely empty apartment.

 

***

 

Gerhardt awoke the next day to a buzzer and a raging hangover. Upon opening the door, he was greeted by a brown paper bag with a note attached that read simply,

Hurry up.

Inside was a bottle of pills, with another note attached that instructed him to take two. There was also a bottle of nearly fluorescent yellow liquid. Attached to that was yet another note;

DON’T drink the water.

The only other thing in the bag was a small map to the Anchorage Proving Ground. Gerhardt had to sit at the edge of his bed for five minutes, head in hands before he remembered Dalton and the night before. He threw open the nightstand drawer next to the bed, relieved to see his weapon. He couldn’t remember if he locked his door or not.

After downing the pills and their chaser, Gerhardt pieced himself together well enough to hop a taxi for the Proving Ground. When he got there, he was shocked to see what amounted to a building half the size of the hotel he was staying in. He scratched his head as he got to the door. What the hell are they proving here? He thought.

He entered into a medium sized waiting room with video-films strewn about the wooden end tables. He checked himself in and sat down to a video-film of The History of Anchorage. He didn’t get to the twentieth century before Dalton called his name from a doorway left of the receptionist’s booth. When Gerhardt looked up Dalton motioned him to follow.

“I see you got my package,” he said as they walked down a long corridor.

“Yeah, thanks,” Gerhardt replied, “What was that yellow stuff?”

“It’s called Flash,” said Dalton, “It’s a secret recipe, but I can tell ya’ it won’t kill ya’.”

Gerhardt laughed. “No, I guess not…” He said. “So this is a Proving Ground?”

“Yup’,” Dalton said as they made it to an elevator at the far end of the corridor.

“Awfully small, no offense…”

“None taken,” Dalton replied, “You don’t know the half of it…” The elevator slid open, and Dalton pressed the B button after they got in. The elevator took a while to descend, but it finally arrived at the basement level with a ding!

They walked out into a man-made cavern. Gerhardt squinted, but couldn’t see the far end, though the entire space was open. The sound of energy blasts, mechanical fire, splintered wood and the shriek of twisting metal tore through the air, mingled with the sound of men shouting orders, and other men just shouting.

“Holy shit,” said Gerhardt.

Dalton held out his arm. “May I introduce you to the… well, the half of it.

They left the landing they were on and walked into the melee, following a road that clung to the far left wall.

“There’s a plasma shield between us and the drills,” said Dalton, “That’s all live fire.”

“I figured as much.” Gerhardt was still in shock over the size of the place. There was one incredibly bright light coming from the top, slightly right of center. He couldn’t even look at it; it was as bright as the sun, and it made the proving ground bright as day.

Dalton stopped by a dirt pit, where a group of men were gathered around two sweaty combatants. The men would be broken up periodically by another man, a man of some rank. Dalton nudged Gerhardt and turned to place himself between Gerhardt and the fighting.

“Listen, Gerhardt,” he said, “I know we talked last night, but we gotta’ talk now too.” He turned his head to look at the fight for a moment before turning back.

“I just lost a partner,” he continued, “He… left the force. So I need a replacement.” Dalton pointed his thumb back at the fighters.

“Now I ain’t sayin’ nothin’ bad about those recruits; they got a lotta’ heart. But they’re bar brawlers. They fight from the gut, not the brain, ya’ know?” Gerhardt nodded.

“I need someone I don’t have to train,” Dalton said as they started walking, “I didn’t have too see much in the bar last night; you’re trained.”

“Yeah,” Gerhardt answered, “Fourteen years of classes.”

They made their way to a shooting range. Three men were prone, with long-barrel HKi440s. Gerhardt kept up on military-issue weapons from the Sanctuary; i440s were surplus, replaced by the i96AGZs. But the 440s were nothing to sneeze at, putting fist-sized holes in the steel targets.

“Ya’ any good with guns?” asked Dalton, “They train ya’ there too?”

“I took electives in marksmanship.” He replied.

“What was your MGS?”

“8-10-9-7,” Gerhardt said, “Wow, I’m surprised you knew MGS.”

“We’re technically a branch of the UEC,” Dalton replied, “We get their rules, regs’…” he looked at the prone marksmen, “…and hand-me-downs.”

“So are my scores good enough?” asked Gerhardt.

“You’ve got perfect accuracy and near perfect speed.” Dalton said. “Precision is good, but you could use a little work there. Reaction-adjustment is your worst rating. Judging by your performance in Apep last night, I suspect you could improve that.”

“If you’re up for it, we could get you certified today.” Dalton continued. “I can give you a pass on the manual combat requirement; we recognize Sanctuary training. And your MGS scores exempt you from most firing tests.”

“Most?”

“Yeah,” replied Dalton, “They won’t clear you with a 7 on the reaction-adjustment grading. Don’t worry though. We have an exercise that grades that alone.” “It’s a tough one, though,” Dalton added as he slid a card through the air. A wisp of blue electricity whipped through the air, allowing Dalton to enter the firing range, followed by Gerhardt.

“I’m ready for anything you got.” Gerhardt said.

Dalton grabbed an i440 and handed it to him. “We’ll find out soon enough.”

Dalton directed Gerhardt to assume a firing stance; upright, not prone. The area in front of him was darkened somehow. He could barely make out a silhouette; the target, perhaps. There was a counter that started at ten, and as it reached zero, the field before him illuminated. He could then see the target. It was an old woman.

She had shackles on her wrists and ankles with electro-locks. There was an old mechanical firearm, an AK-47 in the dirt by her feet. Though she was at least twenty yards away, Gerhardt could see despair in her face. This was his target?

He looked at Dalton, then back at her. Then back at Dalton.

“Dalton, I can’t,” he began to say, before his words were interrupted with a hollow chime coming from the counter. He looked downfield just in time to hear the clink of the electrolocks’ release. The shackles fell from the woman, and with a speed well beneath her age she reached down, grabbing the AK-47. She drew it up to get only a rough bearing on Gerhardt.

He fired the i440, sending a fist-sized hole through the center of the woman’s neck. She lurched forward as her head flopped backward, devoid of the spine to support it. She hit the dirt with an awful sound, the AK-47 in a death grip.

Gerhardt looked at Dalton, numb with shock.

“Ya’ got a 9,” said Dalton, holding a print-out. “Welcome to the club, kid.”

 

***

 

Evergreens enshrouded Sam and Kenny as they drove down the wide dirt road of Old Glenn Highway. The road was lined with torn up concrete and pavement. Kenny asked Sam about it.

“No one to maintain them,” Sam replied, “It was better for us to just clear out the mains.”

They were in an automobile; the rebels didn’t use floats. Sam told him it was ironic, in a way, that their ability to get around was dependant upon the United States drilling for oil in their backyards. Their parents protested it, whereas they themselves set up micro-refineries in the woods like moonshine stills.

The ride was surprisingly smooth. Bubba was in the back seat, occasionally dipping his head forward, leaning it on Sam’s leg, and then Kenny’s, getting petted by both.

“Nervous?” asked Sam.

“About what?”

Sam rolled down his window to spit out.

“Being on our side of the perimeter,” He said.

Kenny looked away at the roadside.

“I’d be lying if I said no,” Kenny responded, “But it’s out of my hands at this point.”

Sam chuckled. “That’s a feelin’ you’ll get used to ‘round these parts.”

Kenny chuckled as well, but his was uneasy. He felt Sam’s meaty hand on his shoulder. He looked over.

“You might not believe this,” Sam said, “but you’ve more to fear from your own people than from us.”

“…and we’ve more to fear from you.” He added.

“I’m not a spy, Sam.”

“Not saying you are.”

Kenny shifted in his seat. “Then what are you saying?”

“Easy there, tiger,” Sam joked, “just sayin’ that not everyone who pops through that perimeter is like Roger.”

“So you think I’m some kind of sleeper, or assassin or something?”

“Oh I don’t know,” Sam replied, “You could just be a nut.”

“Thanks.”

“Hey look, all I’m saying is that people don’t cut out their chip and leave the protected area for no reason. Especially someone like you.”

“Like me?”

“Someone with a badge.”

“Oh.” Kenny was quiet. Sam had a point.

“Sam,” he said, “I really don’t know what possessed me to put myself on their hit-list. I know what it was that did it, but I’ll be damned if I know why I did it.”

They turned left onto Chickaloon Branch Road, as was posted in Black paint on a white, wooden two-by-four. Bubba leaned his nose out of Sam’s window, barking at two birds flying beside them.

“We’ll be there shortly,” Sam said, “We’ve a big family, but a big house, too. You’ll actually have your own room.”

“Thanks, Sam.” Kenny looked out of his window to see a large barn at the top of a grassy hill.

“Yours?”

“Yeah,” Sam replied, “my workshop.” He spit out the window again. “Got a couple a’ horses in there too. Ever ridden one?” Kenny shook his head no.

“It’s fun,” Sam said, “If we get bored, I’ll teach ya’.

As they got further down the road, Kenny saw what he presumed to be Sam’s house. It looked like a cabin, only massive; two floors, four large windows spaced out on the second floor and a wrap-around front porch. In front of the house was an assortment of bird feeders, an old outdoor thermometer and a glass barometer with mercury-filled blown glass bubbles at varying depths floating in water. Kenny found it strange that it wasn’t frozen solid.

As they pulled up to the driveway, Kenny noticed a cross in the front yard as well.

“Are you a Christian?” He asked, pointing to the cross.

“Not really,” Sam replied, “I had to bury one of my boys a little while back. I figured a cross would be as good a marker as any.”

“I’m sorry, Sam; I shouldn’t have asked…”

“I don’t mind any,” he replied, “I’ve a pretty thick skin. Too much concern needs be for the living, if ya’ catch my meaning. ”

“Yeah, I think I do.” Kenny and Sam pulled up to the door of a garage on the side of the cabin. Sam hit a plastic button under his visor, causing the door-opener to groan to life. As they were waiting, two kids came up to Kenny’s side.

Sam asked him to roll down the window.

“Dad,” one of them said, “Mitchell blew up a propane tank in the backyard today!”

“Dad, Jimmy’s being a snitch today,” said another kid, presumably Mitchell.

Sam squinted as the afternoon sun poured through the garage’s back window. “What tank did you blow up?”

“The shitty one we never use.”

“And what did you blow it up with?” Mitchell smiled coyly.

“Better answer me, boy.”

“A quarter-stick,” He said.

“Did Jimmy try to stop you?” Mitchell nodded no. Sam looked at Jimmy, who nodded yes. Sam grunted. Mitchell’s nod was apparently more convincing.

“Looks like you’re both gettin’ your asses whooped tonight.” He said.

“Why me!?!” asked Jimmy.

“You know better than to snitch on your brother after the fact.

Jimmy walked back to the porch, stomping his feet and wrapping his arms around himself. Mitchell hopped on the hood to catch a ride in the garage.

Sam pressed the button again, and the garage door creaked down.

“We’ll have dinner in a couple hours,” he said as he kicked his boots off.

“Sam, I gotta’ ask you; why is it so warm outside your house?

Sam laughed. “It’s a long story,” he said, “call it climate control.”

“Oh.”

Again Sam laughed.

“That’s a parlor trick compared to what I got in the workshop,” he said as they walked through the oak door into Sam’s prepubescent zoo.

 

 

More from Liam Sweeny…

Strand Theatre to Host Dave Matthews Tribute Band The Proudest Monkeys

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The Strand Theatre

On Friday, Jan. 31, 2025 @ 8:00pm join us at the Strand Theatre for a night of Dave Matthews Band’s music by The Proudest Monkeys!

The Proudest Monkeys Band, a Dave Matthews Band cover jam band, formed in 2017 here in the Capital Region. They perform crowd pleasing favorites like Ants Marching, Grey Street, Crush and Two Step among other classics.

The band features members Jonathan Newell on lead vocals and guitar, Adam York on Saxophone, Tommy Ryzuk on Bass Guitar, Rye Wylie on Drums and Tania Susi on Violin.

If you’re a fan of Dave Matthews Band, you’ll enjoy this tribute band!

$15 general admission. Tickets are available at the Strand Box Office; cash or check only or online at Brown Paper Tickets.

Doors into the lobby, coffee shop and box office open at 6:30pm. For more information and the ticketing link, please visit our website at www.mystrandtheatre.org. The Strand Theatre is located at 210 Main St, Hudson Falls, NY.

Please visit our website, Facebook or Instagram accounts for a list of upcoming events at the Strand.

Run Rabbit Run @ Cohoes Music Hall, 1/18/2025

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Run Rabbit Run celebrated 50 years of the “Wish You Were Here” album at Cohoes Music Hall and left the crowd comfortably numb.

Photography by Timothy Reidy.

More from Timothy Reidy …

Universal Preservation Hall Announces Star-Studded Lineup

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Universal Preservation Hall

Universal Preservation Hall Announces Star-Studded Lineup: Michael Feinstein, Joan Osborne, and More Take the Stage

SARATOGA SPRINGS, NY (Jan. 21) – Universal Preservation Hall is thrilled to announce an extraordinary lineup of performances coming to its historic venue in the heart of Saratoga Springs. Tickets are on sale this Thursday for newly announced unforgettable concerts featuring world-class talent in the Great Hall.

Feelin’ Good: A Tribute to Michael Bublé brings the suave charm and silky vocals of the modern-day crooner to life in a captivating performance celebrating the hits of Michael Bublé 7:30 p.m. Thursday, Feb. 13. Anthony Bernasconi perfectly emulates the effortless class that Bublé so famously exudes. He has captured the velvet voice and smooth moves that have famously reinvigorated the next generation of artists. With an easy-going disposition and a million-watt smile, Bernasconi has created an immersive experience that is sure to delight Bublé fans of all ages.

Five-time Grammy nominee and “Ambassador of the Great American Songbook” Michael Feinstein will grace the Great Hall with his unparalleled artistry 7:30 p.m. Thursday, April 3. Known for his compelling interpretations of timeless standards, Feinstein delivers a performance steeped in elegance, emotion and pure musical brilliance. In addition to his recognition as one of the leading musical entertainers and piano virtuoso of recent decades, Feinstein’s work as an educator, archivist and interpreter has established the honored musician as a pre-eminent force in contemporary music.

Renowned singer-songwriter Joan Osborne takes the stage to honor one of America’s greatest musical poets in “Joan Osborne: The Music of Bob Dylan” 7:30 p.m. Thursday, April 10. With her soulful voice and deep connection to Dylan’s catalog, Osborne reimagines these iconic songs in a way that only she can.

Grammy-winning jazz vocal ensemble New York Voices will dazzle audiences with their dynamic harmonies and sophisticated arrangements 7:30 p.m. Saturday, May 24. With a career spanning over three decades, this critically acclaimed group continues to redefine the art of vocal jazz, bringing both fresh energy and reverence for the classics.

Tickets are on sale through the Box Office at Proctors in-person, via phone at (518) 346-6204 Tuesday-Saturday 12 p.m.-6 p.m. or online by visiting atuph.org. Groups of 10 or more can get tickets by calling (518) 382-3884 x 139. This season is sponsored by Bonacio.

Monthly Healing Song Circle with The Lightning Girls

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Monthly Healing Song Circle

ALBANY, NY – Experience the transformative power of music at the Monthly Healing Song Circle with The Lightning Girls! This heart-opening event invites you to come as you are and let your voice become a bridge to your own heart. Join The Lightning Girls—an inspiring female rock-and-roll duo—for an uplifting evening of mantra singingKirtan-style music, and soulful connection.

What to Expect:
Through the universal language of song, The Lightning Girls will guide participants in creating a sacred space for healing, joy, and community. This monthly gathering is open to all, whether you’re a seasoned singer or simply curious. Lyric sheets will be provided, featuring original, soul-nourishing songs by The Lightning Girls, alongside timeless mantras designed to lift your spirit and bring peace to your mind.

No prior experience is necessary—just bring your heart, your voice, and a willingness to connect!

Event Details:

When: Last Friday of every month, 7:30 PM (next one January 31)
Where: Good Karma Yoga Studio, 2 Walker Way, Albany, NY 12205
Cost: $15 (Adults), $10 (Seniors & Students)


Meet The Lightning Girls

Isha Justyna Kostek
Originally from Poland, Isha has dedicated her life to facilitating transformation and connection through music and movement. A certified active meditation instructor trained at the Osho International Meditation Institute in India, she has shared her expertise at spiritual gatherings, women’s circles, ecstatic dances, and more across NYC, upstate New York, and beyond. As a certified master-level sound healer and founder of Ecstatic Dance Oneonta, Isha brings a unique blend of mindfulness and empowerment to her musical endeavors. IG: @isha_activemeditations

Niki Kaos
A dynamic singer-songwriter from Troy, NY, Niki Kaos inspires musicians and audiences alike through her heartfelt melodies and community spirit. As part of The Lightning Girls and the indie alt-rock band Curious Comet, Niki has honed her craft in songwriting and performance. She also co-wrote and co-directed the musical Moochie The Dumpster Kat, showcasing her creative versatility and love for the arts.


Why You Should Attend:

  • Healing Through Music: Allow the power of your voice and collective song to foster emotional release, self-discovery, and inner peace.
  • Community Connection: Share this meaningful experience with like-minded individuals in a safe, inclusive space.
  • No Pressure, Pure Joy: Whether you’re an experienced vocalist or completely new to singing, this event is for everyone!

Don’t miss the chance to sing, heal, and connect in the company of The Lightning Girls. Let your voice be a vessel for love, joy, and transformation.

For More Information and Tickets:

https://www.facebook.com/share/15fgS2AWfz/


About The Lightning Girls
Since 2021, The Lightning Girls have been lighting up hearts with their unique blend of healing, empowerment, and soulful music. This duo creates spaces where voices unite, hearts open, and peace prevails—one song at a time.

Join the Song Circle and Be Part of the Magic!