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Whassup in the 518? – Weekend Shows

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Whassup in the 518?

Friday, December 5rd

Christmas with the Cadets, Troy Savings Bank Music Hall, Troy, 7pm

Join us for an unforgettable evening as the Cadets of La Salle Institute perform their annual Christmas Concert! This special event will feature performances from the dedicated Middle School Band, the distinguished Symphonic Band, and the award-winning Cadet Blues Jazz Ensemble.

Experience the magic of the season with traditional favorites, beloved classics, and new renditions, all performed with elegance and enthusiasm by our talented La Salle Cadets.

Passport Series: Mélisande, Proctors Theatre, Schenectady

Get ready to travel around the world – one concert at a time!

The Passport Series takes the same beloved world music that patrons of the Music Haven Concert series have come to cherish and brings it to Proctors in Schenectady and Universal Preservation Hall in Saratoga so the party can continue all year.

>*-Universal Preservation Hall

Opera Saratoga Presents: La bohème, Universal Preservation Hall, Saratoga

Celebrate the holidays with the original “RENT” — a story of young artists in love, from first blush to dying breath.

This holiday season, Opera Saratoga invites you to be swept away by the romance, laughter, and heartbreak of Puccini’s timeless masterpiece, “La bohème.” In this special staged concert, the Skidmore Chorus and members of the Excelsior Vocal Ensemble joins forces with the most exciting rising stars from the Juilliard School and the Metropolitan Opera to bring to life the unforgettable arias, soaring ensembles, and rich choral moments that have enchanted audiences for generations.

Sir Chloe, Empire Live, Albany, 8pm

Armchair Boogie, Empire Underground, Albany, 8pm

Mixtape Revival, Rustic Barn, Troy, 8pm-11pm

We’re your Ultimate Live Mixtape with 150+ songs from the 90s-50s all genres.

First Friday at the Eleven with Belle-Skinner, The Eleven, Albany, 6pm-8pm

Neon Avenue, Lark Hall, Albany, 8pm-11:59pm

Pink Talking Fish w/ Strange Machines, Putnam Place, Saratoga, 8pm

Pink Talking Fish is a Hybrid Tribute Fusion Act that takes the music from three of the world’s most beloved bands and creates a special treat for fans of the music.

Pink Floyd, Talking Heads and Phish are all more than just bands… they are Phenomenons. Their creations have artistically inspired people and their mind-blowing live performances have brought people together to form a sense of community around the love for their favorite bands.

Although the music from each act is different, Pink Talking Fish has discovered that fusing the material together writes an amazing new story. The epic emotion of Pink Floyd… The funky,danceable layerings of Talking Heads… The multitude of styles, unique compositional structures and pure fun of​ Phish… to merge these three acts into one gives music lovers an experience like no other.

ANIME RAVE: Holiday Festival, No Fun, Troy, 8pm-11pm

From “Bar People.”

12/5 5:00 PM Dan Sherwin- Frog Alley Brewing

12/5 5:00 PM Russ Kennedy- Wheatfields Clifton Park

12/5 6:00 PM Belle Skinner- Lark Hall

12/5 6:00 PM Chris Carey & Tim Wechgelaer- Cock & Bull

12/5 6:00 PM Christine Spero-Panza’s

12/5 6:00 PM Jeff Stein- The Scarlet Knife

12/5 6:00 PM Matt Cosgrove- Prime at Saratoga National

12/5 6:00 PM Matt Cosgrove- Spa City Tap & Barrel

12/5 6:00 PM Ragged Company- Inn at Saratoga

12/5 6:00 PM Shine On- Bound By Fate Brewing

12/5 6:00 PM Thom Powers- Powers Pub

12/5 6:00 PM Wreckles Duo- Saratoga Winery

12/5 6:30 PM Chris Dollard- Diamond Club at Embassy Suites

12/5 6:30 PM Kyle Hommel- Other One Brewery

12/5 6:30 PM The Earlybirds- Peddlers Bar & Bistro

12/5 7:00 PM 2096 Band- Bunker Clifton Park

12/5 7:00 PM Chuck Ayers- Spinner’s

12/5 7:00 PM Dirt Cheap Trio- The Bunker Saratoga

12/5 7:00 PM Gus UnPlugged- Katie O’Byrnes

12/5 7:00 PM Harmonic Duo- Seven Bistro

12/5 7:00 PM Ill Funk Ensemble- The Night Owl

12/5 7:00 PM Pearl- Emack & Bolios

12/5 7:00 PM Scott & Company- O’Slattery’s

12/5 7:00 PM Sean Lippin Band- Kraverie

12/5 7:00 PM Tailspin- Holy Moses Tavern

12/5 8:00 PM 80’s Band- Wicked Eatery

12/5 8:00 PM DJ Chris- GMisfit

12/5 8:00 PM Neon Avenue- Lark Hall

12/5 8:00 PM Pink Talking Fish w/ Strange Machines- Putnam Place

12/5 8:00 PM Resist ( Goth Night )- Ophelia’s Restaurant

12/5 8:30 PM Skeeter Creek- Frog Alley Brewing

12/5 9:00 PM Tame The Rooster- Van Slycks at Rivers Casino

12/5 9:00 PM Tim Olsen Quartet- Nine Maple

12/5 9:30 PM Open Bar Band- Spa City Tap & Barrel

Saturday, December 6th

Morgan Jay, Troy Savings Bank Music Hall, Troy, 7pm; 9:45pm

Morgan Jay is a musician and comedian based in LA who has made numerous TV appearances. His world class training and journey as a stand-up comedian has won him multiple awards and prestigious festival appearances. Most notably, he was a 2023 Just For Laughs New Face. He’s most recognized from his massive social media following across Tiktok and Instagram and has two comedy specials streaming on Youtube.

Just A Little Music Festival: Homecoming Edition, MVP Arena, Albany, 8pm

Click here if you’re looking for information regarding the cancelation of Saturday, October 18 Just A Little Party Never Hurt Nobody: Albany’s Biggest Party

The Friday, October 17 performance of Just A Little Music Festival: Homecoming Edition has been postponed to Saturday, December 6. Tickets dated October 17 will be honored and do not need to be exchanged. If you are unable to attend the new date, refunds may be requested at point of purchase through November 9.

Sensory Friendly – Dr Seuss’ How the Grinch Stole Christmas! The Musical, Proctors Theatre, Schenectady

A sensory friendly performance is specially designed to create a more comfortable and inclusive theatrical experience for individuals on the autism spectrum or other sensitivities.

Slight modifications are made by the GRINCH team to the production itself, including:

  • Fewer loud noises and flashing lights that may be challenging for some audience members
  • More consistent levels of audio so no sounds are too jarring
  • Removing some costume pieces which may disguise or alter the appearance of a character
  • House lights kept at half throughout the show

Slambovian Christmas, Proctors Theatre, Schenectady

Schenectady-Saratoga Symphony Orchestra Poinsettia Pops, Universal Preservation Hall, Saratoga

Ring in the holiday season with this cherished annual tradition! Enjoy selections such as “Have Yourself a Merry Little Christmas,” “Let it Snow,” “God Rest Ye Merry Gentlemen,” “The Little Drummer Boy,” and selections from “The Nutcracker” Ballet! Featuring festive orchestral favorites and special guest vocalist Kimberly Hawkey, “Poinsettia Pops” is a joyful celebration of the sounds of the season, perfect for the whole family.

DEATH ANGEL – ACT III, Empire Live, Albany, 7pm

Dead Man’s Waltz, Rustic Barn, Troy, 8pm-11pm

Music of The Grateful Dead, Allman Brothers and The Band

Tops of Trees at The Eleven at Lark Hall (FREE), Lark Hall, Albany, 6pm-8pm

Polyrhythmics with special guests Oobleck, Lark Hall, Albany, 8pm-11:59pm

George Boone Blues Band, Putnam Place, Saratoga, 8pm-11pm

From his suit and shiny black shoes to his powerful vocals filled with raw emotion, this veteran musician will immerse you in a deep river of the blues. George Boone won the respect and accolades of the great players in the blues scene and has shared the stage with legendary blues greats such as Albert King, Screaming Jay Hawkins and Johnny Copeland, to name a few.

As Matt Smith wrote in Metroland magazine “I think George Boone is one of the most amazing guys I’ve seen. He’s the real thing…” A night with George Boone is an experience. Rocking out, dancing, crying the blues, George Boone is a lesson in what the blues are all about. George Boone lives the blues. George Boone is the blues.

McKinley James, Hangar on the Hudson, Troy, 8pm-10pm

Krampus Cabaret, Lost and Found, Albany, 9pm

Minibeast (ex Mission of Burma) / Flavour / Brower / SWRM, No Fun, Troy, 7pm-11pm

From “Bar People.”

12/6 10:00 AM Cody Alvord- Saratoga Farmers Market at Wilton Mall

12/6 5:00 PM Rob Fleming- Dancing Grain Farm Brewery

12/6 5:00 PM Wreckless Duo- Frog Alley Brewing

12/6 6:00 PM Ben Zoleski- Spa City Tap & Barrel

12/6 6:00 PM Chris Dollard & Nick Horace- Carsons Woodside Tavern

12/6 6:00 PM Christine Spero- Panza’s

12/6 6:00 PM Dan Sherwin- Tinney’s Tavern

12/6 6:00 PM Frankie Lessard- Ravenswood

12/6 6:00 PM Jay Yager- Hilton Garden Inn,,, 30Park

12/6 6:00 PM Jeff Brisbin- Prime at Saratoga National

12/6 6:00 PM Matty Finn- Holy Moses Tavern

12/6 6:00 PM Nothern Borne- Inn at Saratoga

12/6 6:00 PM Pat Decker- The Scarlet Knife

12/6 6:00 PM Phil Drum- Powers Pub

12/6 6:00 PM Tops Of Trees- Eleven at Lark Hall

12/6 6:30 PM Derrick Forget- Peddlers Bar & Bistro

12/6 6:30 PM Steve Candlen- Diamond Club at Embassy Suites

12/6 7:00 PM Big Fez & The Surfmatics- Parting Glass

12/6 7:00 PM Ill Funk Ensemble- The Night Owl

12/6 7:00 PM Josh Clevenstine- Across The Street Pub

12/6 7:00 PM POGO- O’Slattery’s

12/6 7:00 PM Radio Junkies- The Bunker Saratoga

12/6 7:00 PM Shades Of Blue- Emack & Bolios

12/6 8:00 PM DJ Vision- Misfit

12/6 8:00 PM Fenimore Blues- Principessa Elena Christmas Party… Members

12/6 8:00 PM Mr. E Band- Albany Elks Club #49

12/6 8:00 PM PolyRhythmics & Oobleck- Lark Hall

12/6 8:30 PM Muscle Shoals- Frog Alley Brewing

12/6 9:00 PM Keith Pray Group- Nine Maple

12/6 9:30 PM Tailspin- Spa City Tap & Barrel

Sunday, December 7th

Victorian Stroll Concerts, Troy Savings Bank Music Hall, Troy, 11am-4pm

Performances all day by:

11:30 Caffe Lena Kids

12:30 Triskele

2:00 Troy Children’s Chorus

3:00 Rod Dukes 

David Alan Miller, conductor

Make the Albany Symphony your home for the holidays and celebrate the season with family and friends at the Capital Region’s most beloved holiday spectacular. Performing sparkling carols, holiday favorites and more!

Schenectady-Saratoga Symphony Orchestra Poinsettia Pops, Universal Preservation Hall, Saratoga

Ring in the holiday season with this cherished annual tradition! Enjoy selections such as “Have Yourself a Merry Little Christmas,” “Let it Snow,” “God Rest Ye Merry Gentlemen,” “The Little Drummer Boy,” and selections from “The Nutcracker” Ballet! Featuring festive orchestral favorites and special guest vocalist Kimberly Hawkey, “Poinsettia Pops” is a joyful celebration of the sounds of the season, perfect for the whole family.

Punk Rock Flea Market, Empire Live, Albany, 11am-5pm

Merry-oke, Lost and Found, Albany, 5pm

Planet Vintage – Pop-Up Holiday Market, No Fun, Troy, 10am-5pm

From “Bar People.”

12/7 12:00 PM Chuck Ayers- Frog Alley Brewing

12/7 3:30 PM Ryan Clark- Hank Hudson Brewing

12/7 7:30 PM Capitol Region Blues Jam with Joe Lowery & Friends- McGeary’s Irish Pub

12/7 9:00 AM Jeff Brisbin Breakfast with Santa At Hill & Hollows

12/7 Bobbie Van Detta- Charlton Tavern

 

Week Forty-Nine: Jesse Sample’s Freak of The Week “Poison Apple”

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Jesse Sample’s Freak of The Week airs EVERY WEDNESDAY at 6pm Eastern ONLY on RadioRadioX.com

This is Jesse Sample. Have you made someone out to be something and been shocked when confronted with overwhelming data to the contrary? You created this world where this person was the perfect piece to fit in the puzzle of your perfect world. When you create that unified perfect situation, you’re rarely willing to part with it. Often, we do everything we can to protect it. But there usually comes a point where we can’t reconcile the picture anymore.

If we have the where with all to examine the relationship post illusion, we might observe that the person blatantly scattered breadcrumbs and clues to who they were the whole time. So where does that leave us? Were we clueless or was it that we needed something internally so bad that we’d contort the world around us for a feeling like being complete.

People pursue insane relationships for that feeling. People pick their friends, lovers and associates to serve needs that they might not even be aware of. And there comes a moment of reckoning. These people don’t play by your rules and, by the way, they’re not always the bad guy. Maybe you’re somebody else’s false bill of goods. Do you feel bad? Of course not.

Thanks to all of you tuned into RadioRadioX. This is the Freak of the week, “Poison Apple.”

Joshua Redman’s Sizzling Jazz Quartet Speaks Volumes Where “Words Fall Short”

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Interview by Niki Kaos.

“Words Fall Short” is the newest album from tenor sax cat Joshua Redman. At times upbeat and wildly intricate, and other times atmospheric and moody, it’s a must-listen for jazz fans. And lucky for some of us, Joshua has the quartet on tour, playing mostly songs from the album, and adding some fresh tunes each night. Pianist Paul Cornish, bassist Philip Norris, and drummer Nazir Ebo bring their impeccable chops and are ready to PLAY! 

I got the chance to catch a few minutes with Joshua Redman to learn more about how this latest tour came about and how he landed so deeply into the jazz scene.

RRX: I think the quartet you’ve put together is relatively new. What brought you all together?

JR: Well, I put the band together originally to tour behind the previous record, which I did with the vocalist Gabriel Cabasa, called “Where Are We.” We recorded that album with Brian Blade, Joe Sanders, and Aaron Parks, so an all-star band of sorts, and we were able to tour with them for a few weeks when the record came out. But I knew that we had a long year and a half plus tour planned, and I knew that those guys weren’t gonna be able to make it. So I put this band together of, as it turns out, much younger musicians. You know, all of them are not quite, but roughly half my age. They’re all, they’re all under 30. And believe it or not, I’m in my mid-50s. 

So, I put that band together initially just to tour. But the more we played, the more I realized what a special constellation of musical minds and spirits this was. And I felt that, like, this was a band that I would love to keep working with beyond the current touring cycle. I started to bring new music in for them, and original music, and made a decision relatively quickly in the fall of last year – around September – to record with them. We recorded a couple of months later, and the record came out, and now we’re playing that music. I keep throwing new music at them. They’re incredible musicians. They make all my sad tunes sound amazing. So, I know whatever I throw at them, they make beautiful music out of it.

RRX: One of the things I love about jazz in general, when you see a trio or a quartet that’s got this relationship they’ve built together, there’s what’s written, there’s what you’ve practiced, and there’s this improvising and breathing of the music that really happens in jazz that you don’t see in a lot of other styles of music. And something I admire about your discography. I’ve been a fan since “Freedom in the Groove.” 

You’ve grown up in a family with music. Obviously, your father was a saxophonist as well. And then you almost became a lawyer; you received a degree and were accepted to law school. What caused you to dip your toe into the academic world and then say, “Never mind, I’m going back to jazz”?

JR: Just to clarify a couple things. The kind of common misconception is that I actually grew up with my father. I did not. I was raised by my mom. She’s a single mom. My father and mother were never married, so I grew up with his music because, you know, she had all his records, but I didn’t grow up with him. She was a music lover and a dancer, and just a lover of all different kinds of art, so it was really she who exposed me to everything. 

RRX: That is interesting to learn, because you played music with your father, so you had a relationship. But he was not your primary caregiver and source of getting into whatever you did as a child, I guess, then, right? It was your mom.

JR: Yeah, I mean, I played with my father after I graduated from college as an adult, or, you know, “technically” an adult. (laughs) So yeah, I mean, I got to know him much better, obviously, once I started playing in his band, but he didn’t raise me. 

But, yeah, I’ve always loved music, but I never thought that I was gonna be a musician. I didn’t think I was good enough, and I also didn’t have the discipline and the focus when it came to music. I mean, I had a lot of discipline and focus when it came to academics, but music for me was kind of just a way to blow some steam, to play and have fun. And I never really applied myself with it. So when I went to college, I thought I wanted to be a doctor, but then, because my major was kind of theoretical sociology, that led me to think about going to law school. I applied to law school and was accepted, but I actually never went to law school. 

I moved to New York. I took a year deferment from Yale Law School, and I thought I was gonna go, and then I moved to New York, and then things got a little crazy because I started to play with a bunch of musicians. And you know, just within six months of living there, I realized I had an opportunity to play some of the greatest music with the greatest musicians in the world, and I decided I wanted to check that out for a little while. And that’s been my life.

RRX: I can’t blame you. You’re in the middle of it in NYC. It would be no contest for me. Also, earlier in your career, maybe because of your mom’s influence with the world music and the dancing that she did, you connected with Pat Metheny and did an album called “Wish.” What was that like?

JR: I think the connection with Pat Metheny probably had more to do, actually, with my father because he played with Pat Metheny and Pat played a lot with Charlie Hayden, and I had been working with Charlie Hayden in a few different contexts. So that was the connection, and the opportunity presented itself to me when I signed the record deal, and they asked what I wanted to do for my first record. I was like, well, I’d like to record some songs with a young band and then also record some songs with a band of masters, you know, great, great, great older musicians. And I decided on, I mean, I always loved this Pat Metheny record, “Rejoicing,” with Pat and Charlie Haden and Billy Higgins. It’s one of my favorite Pat records. And so, I said I’d love to play with them, and they all said yes. And then Pat took me on the road with his band for a while, and then he played, I mean, it was always his thing, but he technically played in, you know, my project when the record came out. So, um, yeah, he was incredibly kind and generous to take me under his wing. I’ve learned so much from him musically. 

RRX: That’s so amazing! 

I’m excited to see you on your current tour for “Words Fall Short.” While you’re doing the tour now for “Words Fall Short,” do you have something next on the horizon that you’re just starting to brew up for your next album?

JR: I’ve been writing a lot of music for this band and also have some songs that I’ve written over the years that have never found their proper home, so I’m kind of throwing a lot of things at them. And like I said, everything I throw at them, they just have this way of being able to … first of all, technically there’s nothing that they can’t play, but also just kind of getting to the heart, the essence of whatever a song is, and really knowing how to tell a story with it. So I’m hoping to record with them very soon.

RRX: So on this tour, we’re on the ground floor introduction when we get to Universal Preservation Hall, as far as you’re just starting to evolve your collaborations with this group. That’s exciting.

JR: Well, we’ve been playing together for two years, but, yeah, it’s a relatively new group, and I feel like we’ve just scratched the surface of what we can be.

RRX: Yes, two years may seem like a long time in some cases, but when you see people who’ve played together for five or ten years, even, the way they instinctively know each other’s playing styles … for the audience, I can say it can be emotional in a beautiful way. What are your sets like for the Words Fall Short Tour? Is it mostly songs from the album? Or are there gonna be some songs from your past catalogue? 

JR: We seem to be playing mostly original music, and it will definitely be some songs from the new album. Probably some new material. There are certainly songs that I’ve written, you know, uh, there are a lot of songs I’ve written over the years that I would just as well forget. But there are some that I remember, and that still seem to have some meaning and some resonance. So sometimes we play some of those. I really don’t know what we’re gonna play, you know, until we walk out there, to be honest.

RRX: Wow! Is that how it works?

JR: It’s how it works.

RRX: That’s kind of exciting. So if someone were to go to see your shows three nights in a row, they get a different set? 

JR: There are certain songs that we tend to play a lot. So I think on this tour, a lot of times we start with the same three songs. We call it the starting three, so you know 9 times out of 10 it’ll be those three songs first. But then after that, it’s kind of anything goes.

RRX: I love that! Thank you so much for chatting with me, and I can’t wait to see you play at Universal Preservation Hall this Thursday, December 4th!

Michael Marcagi: Music’s Next Big Thing in 2026

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Michael Marcagi: Music’s Next Big Thing in 2026 – by Tony Mastrianni.

I admit to being a bit out of my element here, as I am out of my niche writing about an alternative folk prodigy. After all, I am more of a Stone Age rocker. But this kid is special! Do you remember when John Mayer became a sudden international phenom? How about Bruno Mars? Be on the lookout for another rare coming-of-age American phenom singer-songwriter-guitarist,  Michael Marcagi.  He is already a renowned sensation in digital format and is currently concluding an international tour, which began in Los Angeles this summer and is concluding in Europe. All this without releasing his first full record album. Warner Music will launch his debut in early 2026.

His fresh sound is a kind of awakening. He sounds like a much-needed alternative to “alternative folk/rock.” He has a direct and fresh sound, going along with his sing/talk delivery, accompanied by his crafty guitar. The sound is immersive and distinctive.  Marcagi announced himself with “The Other Side,” a depiction of fleeing his small-town life. His other stellar track, “Scared to Start,” pushed his TikTok view counts into the millions. He has built a legion of eager fans and secured a new record deal with just two songs to his name. His debut Warner Records EP,” American Romance,” expands on that promise, highlighting the timeless sound and engaging sense of emotional truth that have made Marcagi’s music so immediately compelling. And there is more fresh music on the way very soon.

Though he grew up playing and singing in rock bands, Michael always struggled to envision himself as a solo artist. However, his persistent desire to record some of his sparer acoustic songs—ones he rarely dared to perform in public—eventually inspired him to try his luck. Dipping into his savings, he trekked to upstate New York, decamping to a studio outside of Woodstock to work with producer David Baron (The Lumineers, Noah Kahan). Using folk and bluegrass instrumentation, cavernous rock drums, and lush vocal harmonies, he crafts music for listeners who value specificity and sophistication in songwriting. This is why he aspires to remain as open as possible, both in his music and his persona. If what has happened in his career during the past year is any indication, he may be on to something. “I want people to feel like they know me,” Marcagi says.

Of note, he had released a new version of “Scared To Start,” featuring Joy Oladokun, in May 2024, followed by another inspiring new song, “Tear it All Apart,” in June of that year to coincide with his debut major sold-out solo U.S. tour.  He closed out the year with two additional singles, “Good Enough” and “Keep Me Honest.” This year, his new song “Humbling” is his best yet, showcasing his prowess as a complete singer/songwriter/guitarist, as it drew standing ovations on his recent global spanning tour, and is still storming up a social media frenzy.

As we approach 2026, startlingly, “Scared To Start” has been certified Platinum in the U.S. and has exceeded 912 million global streams to date, and is climbing. The track has also garnered over 2.2 billion TikTok views, 350 million Instagram views, and 18 million YouTube views. Marcagi kicked off 2025 with the release of “Midwest Kid,” the title track from his ”Midwest Kid” EP, released in April of this year. Wesley Schultz of the Lumineers has collaborated with Michael on “Good Enough” and co-written “Wish I Never Met You.” The prodigious kid from the Midwest has amassed RIAA Gold and Platinum certifications in the likes of the United States, Netherlands, Sweden, Brazil, Australia, New Zealand, Canada, and Ireland. More Certifications are piling up as of this writing.

While finishing up his recent international tour to critical acclaim, his growing following awaits his first full-length album next year. For now, you can hear him on streaming. By next year, the album will be available for all of us – even stone age rockers like me! Imagine, all of this has happened in less than two years, and his first full-length Warner Records debut physical album is not even out yet! Inside word from the record industry is that the much-anticipated forthcoming album promises to be the next big thing – no longer a digital sensation, but firmly spinning on vinyl and shimmering on CD!

 

 

More from Tony Mastrianni…

Extra! Extra! The December 2025 Xperience Digital Edition is Out! Get it here!

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Once upon a seventh time, we’ve circled the sun and getting to see less of it. Good thing the December issue has a shiny red nose. Featuring Palace Theatre House Manager Bill O’Donnell, the Christmas story Cinderklous, and Eight Foot Manchild.

Marky Ramone – An Xperience Interview

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Marky Ramone – An Xperience Interview – by Rob Smittix.

Photo Courtesy of Chipster PR

RRX: So how’s today treating you?

Marky Ramone: All right. I’m in my place in Italy, a little different than New York, but yeah, it’s okay, having a good time here.

RRX: Oh, excellent. We’re very excited that you’re coming to kinda our neck of the woods, to the Bearsville Theater in Woodstock, on December 6th for the Holiday Blitzkrieg. What are we to expect from a Holiday Blitzkrieg?

MR: Well, 36 classic Ramones songs, a lot of energy, and a lot of fun. Like last year … I’ve been doing this for about five years already, but I included the Bearsville Theater last year, and it went really well, so I wanted to do it again. It’s gonna be a jolly good time.

RRX: It definitely will be. One of my fondest Ramones memories was back in 1996 in Albany, New York. I was working for a radio station called The Edge back then, and I’m just driving home from my shift, and I see something going on in Lincoln Park. So I get out of my car and as I’m approaching the park, I’m like … oh it’s a Ramones cover band, but when I got closer to the stage I realized it actually was the Ramones. I was like … how did I not catch wind of this? But that was amazing to surprisingly walk up on you guys.

MR: That was probably one of the last shows we did, if it was 1996. It might have been the end of ’95.

RRX: Well, Google says it was ’96.

MR: Okay, well then, we probably stopped a couple of months later.

RRX: Yeah, it wasn’t too much longer after that, so I’m really thankful that I have that experience and those memories.

MR: Oh, thank you.

RRX: I know a while back you had your very own “Brooklyn’s Own Pasta Sauce.” That’s not a thing anymore, or do you just make it at home for yourself now?

MR: No, it was just like a pop-up thing. I mainly did it because my grandfather was a chef at the Copacabana and the 21 Club in New York, and I used to watch him cook. Then somebody approached me and asked me if I would make my own sauce, which I did, and I gave part of it away to charity; that was the best part of it. We made … I don’t know, I guess a few hundred thousand bottles and sold out. What happened was I had to employ so many people, and I didn’t really know how to deal with that side of the business. I didn’t wanna get into that because I knew that it could end up being a headache or some kind of hassle. So I said, Let me just stick to the music. And that was it. Yeah, I had a food truck that went all around and made meatball heroes with the sauce and pasta. But it was really out of my league because I didn’t have the experience to take it that far.

RRX: Oh yeah, that’s quite the undertaking, but now that you’re over there in Italy, have you ever broken out your Brooklyn’s Owns Pasta Sauce over there?

MR: I tried that once, and the bottles broke, went all over my clothes, went all over everything, and I learned my lesson, you know? Transporting glass like that is not a good idea.

RRX: Well, that makes sense. Obviously, you’ve got the Sirius XM radio show … that’s how I got started in all this, I’ve been a DJ since way back when. But when I played music, I wasn’t necessarily playing music from my peers, which is a little bit different for you because when you’re playing songs from many of those bands, they are your friends and musical peers whom you’ve created actual memories with. What is it that you enjoy most about being a DJ?

MR: I like playing the songs that I like. Mainly punk songs, what I consider punk, one-hit wonders from the ‘60s and the ‘70s. A lot of these bands from England and the States really weren’t played when they came out because a lot of the radio was playing disco and stadium rock, and they really didn’t give it an equal chance. So, now that I have the two stations, I can play whatever I want, that’s in the contract. I play bands that I feel deserve more attention than they did when they came out, you know?

RRX: Yeah, that makes sense. It’s definitely one of the greatest radio programs out there, especially for punk rock fans like myself.

MR: Thank you.

RRX: It’s kind of like a breath of fresh air because regular terrestrial radio had never really given punk rock the love that it deserved.

MR: I know, but I think there are a few reasons for that. I think it’s the term punk, and I think it was also the way the English punk bands physically wore certain paraphernalia that was negativity in the United States. So, a lot of DJs were turned off by that,; I think that could be the reason. Again, a lot of stations were programmed to play the disco and stadium rock music that was being pushed by the record companies at the time.

RRX: Well, it certainly was risky for radio, I imagine.

MR: Oh yeah.

RRX: But I’m glad the music was made, and you know what? If it did become mainstream, it probably would have been less punk anyway.

MR: Yeah, but now it’s more mainstream than ever. If something goes mainstream and it’s good, why not? If something goes mainstream and it’s mediocre, then that’s not good, you know? But better late than never.

RRX: Exactly. Well, just curious, I mean … with all of your years in the music business and all of your memories, are there any that stick out that make you think this was all worthwhile?

MR: Oh, let me see … let me toot my horn here. I guess … the Hall of Fame, the Grammy Award, being on The Simpsons, doing Rock and Roll High School, and being produced by Phil Spector. I did 1700 shows with the Ramones, and it continues. But the main thing is the fans, they come and enjoy it, and I see it on their faces and in reality that’s what matters to me.

RRX: Definitely glad that I got you on the line today. It’s been an honor, being a punk rock fan my entire life

MR: Thank You

RRX: If there was anything that you could say to fans to encourage them to tune into your show and come out to your shows, what would you say to them?

MR: Well, if you are a Sirius XM subscriber, listen to my station, it’s four times a month. Then there’s the other station, where it’s 24/7; all my shows that I’ve done in the last 20 years thrown together. If you can’t get enough of what I do each week, then you can go to that station. You just gotta type in my name on the Sirius XM app, Marky Ramone, and it’ll give you all the information. It’s as much punk as you can get!

RRX: That it definitely is. I appreciate your time and look forward to seeing you at the Bearsville Theater, December 6th. Any last words of wisdom that you’d like to put out there to the world?

MR: Yeah, “Hey ho, let’s go!”

 

 

More from Rob Smittix,,,

71% Evolved Alien – The Weird Side of the Internet

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71% Alien – The Weird Side of the Internet – by Liam Sweeny.

There is, in a universe as vast as the armies of suns scorching multitudes of earths a man that is, on the inside, something far greater. A man with an alien inside of him. A man much alone in the world since he was young and maybe there was a reason for that. Because Anthony Loffredo has undergone years of extreme body modification and tattooing all black ink in all black skin. Is Anthony expressing himself, or disabling himself?

Loffredo says that he is “71% evolved” into a black alien. He has had fingers chopped off, his ears, nose, and upper lip removed, and he’s almost completely tattooed in black.

It’s really easy to mock this guy, and I can launch jokes. I’ve been putting aliens on magazine covers for eight years, and just a lot of low-hanging fruit here. But I respect him. He identifies with something and he’s not hurting anybody and good Lord the b***s it must take to put yourself through that, right?

I know you’re going to thing this is politically leading, but no. This dude wants to be an alien and I’m okay with that. I am pro cosmos. And seriously, I’ve done so many covers, I’m like the Andy Warhol in their mothership’s art gallery.

What a way to live though, right? I’m betting he has a lot of people that are chill with him. If I was a smoker, I’d smoke with an alien man. Everybody wants a selfie with this guy I bet. And he probably just wants to be left alone, because that’s the honesty of what he’s got going on; this is real for him. No novelty, no pretensions, just a chance to get wasted for free.

Another thing too is that he is probably the most law abiding person on the planet. Cause he is NOT getting away with anything. He’s an Eagle Scout. Or an Alien Scout, and that might just be literal.

 

 

More from Liam Sweeny…

A Pile of Rock – An Xperience Interview

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A Pile of Rock – An Xperience Column – by Rob Skane.

Rockpile. Man oh man. The short-lived combo platter of Billy Bremner, Dave Edmunds, Nick Lowe, and Smashing Terry Williams blew minds, broke hearts, and played fast(er) and loud(er). They looked cool doing it, too. Pro Tip for you kids, it’s time for some self-reflection. Would it kill you to wear some cool shoes onstage? The answer is, no – it would not. And cool shoes go a long way, too. Dave Edmunds always looked quite dapper when he was out there on the planks with the mighty Rockpile. Terry Williams did too. Way back in the 20th century, when people actually went to see bands and socialize, the bands usually didn’t look like they were there to fix the heat, if you catch my drift. It was suits, ties, cool shoes (see above), and attitude.

The four lads in the combo, all incredibly talented, played on records made by Dave Edmunds and also played on records made by Nick Lowe. Sometimes booked as Dave Edmunds and Rockpile, sometimes booked as Nick Lowe and Rockpile – I think you get it, right? Anyway, they seemingly played anywhere and everywhere all the damn time. They played clubs, colleges, theaters, and hockey rinks and blew the headliner off the stage just about every night. While Dave and Nick had notable careers, Billy and Terry were the secret weapons.

I recently had the pleasure of reading an incredible book that is a tribute to our heroes, Rockpile. The book is called “Crawling From the Wreckage,” and I absolutely loved it. I bet all you fancy pants music aficionados would love it too. The book was carefully crafted by editors Rikard Bengtsson and Ulf Bjore. It contains a ton of pictures, interviews, reviews, and observations from many people, including Billy Bremner, Terry Williams, and Roger Bechirian, who often recorded the lads at Eden Studios. I was able to ask Rikard a few questions about the band and the book, and here is our conversation

RRX: What first drew you to Rockpile’s story?

RB: I’ve been a fan since 1978, as have the others in the editorial team, and we’ve followed the band members ever since, but it wasn’t until I started my Rockpile group on Facebook that I began thinking about publishing a book. Initially, we gathered a lot of great and unique material in the group, not least some fantastic photos, and the idea was first to release a pure photo book with just a few text sections. But then it took on a life of its own, and we ended up with 70 chapters and 320 pages. I remember Sid Griffin from the Long Ryders calling it an encyclopedia of Rockpile, which was kind of him to say, but it’s not quite that. It’s mostly memories from fans, mixed with a number of interviews and a few deep dives.

RRX: In researching the band, what new insights did you uncover about the relationships between Nick Lowe, Dave Edmunds, Billy Bremner, and Terry Williams?

RB: First and foremost, that they were very good friends and spent a lot of time together even outside of recording sessions and tours, and that they genuinely appreciated each other as musicians. They hardly ever argued, and if any disagreement arose, it blew over quickly.

RRX: Rockpile only released one official studio album together — how do you think that shaped both their career trajectory and their lasting reputation?

RB: I think having just one official album was, to some extent, a bit negative. And very anticlimactic! Many people don’t see and miss the other fantastic albums they made as a band: “Tracks on Wax 4,” “Labour of Lust,” “Repeat When Necessary,” “Twangin..,” and not to forget the collaboration with Carlene Carter on “Musical Shapes” and with Mickey Jupp on “Juppanese.” With the band’s breakup, they had to start over from scratch with their shelved solo careers. Even though the band took their band career lightly—seeing it mostly as a 4-5 year-long party—it’s undeniable that they essentially threw away five years of promotion work. That’s a bit of an exaggeration, but that’s how I see it. And as Gregg Geller, formerly of Columbia Records, notes in an upcoming interview, “they could have held out for a few more years”!

RRX: Are there particular concerts, recordings, or rare moments you feel best represent Rockpile’s unique chemistry?

RB: Rockpile almost never played a truly bad gig, but if I had to list some highlights, they would be: London, Paris Theatre 1977; San Francisco, Winterland 1978; Boston, Paradise Theatre 1979; and not least, Montreux Jazz Festival 1980. As for albums, I’d highlight “Tracks on Wax 4” and “Labour of Lust.”

RRX: What impact do you hope this book will have on Rockpile’s legacy, especially for new listeners who might be discovering them for the first time?

RB: Based on the sales of “Crawling From the Wreckage,” I can say that we rarely reach new, younger listeners. Maybe one or two here and there. Most fans are 60-70 years old! The greatest reward for me and the rest of the team is when a hardcore Rockpile fan gets the book in their hands and the immense joy that follows. I think most never believed a book about The Pile would become a reality. And honestly, neither did we!

Here’s the deal, kids. Find the private Rockpile group on Facebook and get a copy of this book. You will love it!!

 

 

More from Rob Skane…

Lithium, Chptr. 17 – Xperience Fiction

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Lithium, Chptr. 17 – Xperience Fiction – by Liam Sweeny.

Mel leaned back in the lawn chair, on which he had put pillows he had gotten in trade. Andy was tending their new fire. Among the things he and Hope had done while Mel was working was a stone-lined firepit. Mel was surprised that wasn’t one of the first things he had done when they set up the site. Then again, he was rationing meds, and he had far more on his mind.

It was full-on dusk, nearing night, but it was only six-thirty. Mel used to like the nights coming earlier in the colder months. He had more energy at night, more creative energy anyway. Had he not been the parent of a school-aged kid, he would’ve risen at dusk and bed at dawn. But now, being out in the cold, he prayed for more daylight.

The sound of shoes scuffing against the path announced Andy’s return to the camp.

“Where were you?”

“School,” Andy said. “Or whatever it is.”

“Mrs. Wilson’s class, right?” Mrs. Wilson had a master’s degree in elementary education. Sadly, she wasn’t being bussed in to teach the kids of the camp – she lived there and traded her time for food.

“Yeah,” Andy said. “Do I have to keep going? It’s boring.”

“Is she teaching at your grade level?”

“Sometimes,” Andy said. “She hops around. Sometimes she’s doing, like, basic math, and other times she’s doing stuff that I don’t know yet.”

“I’m either bored or I can’t keep up,” he added.

Andy plopped down beside the fire and absentmindedly fist-bumped Hope. Mel was glad to see it, even though he felt bad for his kid. He tossed twigs into the fire from a pile they’d collected while Mel was working. The wood that was in there, which amounted to thicker branches they’d scrounged, popped, sending a shower of sparks skyward in a wavy flight path.

“I miss my school,” Andy said. “My real school. Back home. I miss my friends.”

“I know, I know,” Mel said. “I miss my friends back home too. But we make new friends. Haven’t you made friends here?”

“Yeah, but it’s not the same.” Andy shifted his legs out from under him to get comfortable. “My friends here act like they’re not going to be here tomorrow.”

“Half of them won’t” Hope said. Mel shot her a glance. “It’s true,” she said. “He knows.”

“She’s right,” Andy said. “They’re all delinquents because they don’t care. Cause they won’t be here, so they don’t bother. And they make fun of me because I don’t want to prank camp people and smash their stuff.”

“You’re sounding very adult right now,” Mel said.

“But I’m eleven,” Andy said. “I don’t wanna’ be an adult.”

The three of them sat around the fire, hisses and crackling passing for words and sentences. Mel’s heart ached for Andy and he felt out of touch, proud of his boy for acting like a man when Andy was so desperately clinging to being just a boy. Mel wanted to take him away from it all, no matter what that meant. If he could’ve gone back to Albany, to Social Services, to the motels and to Helping Hands, would they have an apartment right then? Had he let Debra scare him into an even worse horror?

“Hey guys.” They looked over to see Clifford walking up with a backpack slung over his shoulder. Mel pulled out the folding chair. “Have a seat.”

“Okay,” he said as he sat down. He glanced around the firepit. “Nice construction,” he said. “Do you have-,” Hope held up a five-gallon water cooler jug. “Oh, okay, cool.”

“I got it from the pond, walked it over.”

“Well, you’re always on point with this stuff.” Clifford reached into his backpack and pulled out a bottle.

“This is pretty good,” he said. “Bourbon, aged – I don’t know how old, but it goes for, like, fifty bucks in a liquor store. Anyone in the mood?”

Mel thought against it, because of the meds. But he remembered he wasn’t on the meds anymore. He could get completely tanked if he fancied it.

“I’ll have some,” he said. Hope abstained, and Andy, of course, was too young. Clifford and Mel had a drink, then two, then two more before Hope and Andy decided to find something else to do.

“I’m glad you came in, Mel,” Clifford said. “The painting stuff really cheered people up. I didn’t know how it was going to work at first. We’ve had artists, and they end up selling their wares on the side of the path.

“You didn’t do that. You went to where people were. That was good of you.”

“Yeah, I didn’t really need to showcase my own work like that.”

“But your own work is really good,” Clifford said. “I saw the one you did of Hope. And the one you have in the car. You could really make it.”

He thought of telling Clifford that he had, sort of, made it, but he held back. Clifford was catching a buzz. So was he. Clifford leaned forward and spoke.

“They want to shut us down,” he said.

“Who does?”

“The city,” he said. “The county, the state, the U.N.; you name it.”

“It’s private property, though,” Mel said. “Right?”

“Right it is.” Clifford pivoted the bottle in his hands and swirled it around. “But there’s a lot at stake. I’m not a million-billionaire, I work too. I own a construction company. And we’re good. But they-,” Clifford waved his finger around. “They talk to our jobs. They try to get in the way of us getting work. The drag out red tape on projects, delay permits, all kinds of dirty tricks.”

“They want to ruin me so’s I’ll have to sell. They want to turn this into another luxury housing complex, complete with a pond.”

“They won’t get away with it though, will they?”

Clifford screwed the cap back on the bottom. “They won’t,” he said. “But eventually, they will.”

***

The sounds of Mockingbirds echoed out over the pond, soloing over a background ensemble of crickets, accompanied on occasion by the sound of dogs barking and eighteen-wheelers passing on the highway that led into the camp. It was the most peace Mel had felt in a while. He stroked Hope’s hair, felt her warmth as she turned to continue in her comfort. Her body enshrouded by his like they were two layers of silk, the femininity of which didn’t cause Mel the slightest pause.

He thought of all the things he had to be when he thought he had to be something to find a girl like Hope. The lack of definition of his muscles in his long mirror back home, as he thought that was a sentence of perpetual isolation. The heaviness of his fat contrasted by the lightness in his wallet. The room full of paintings showcased for an audience of mice and moths. He needed looks, money, fame, yet even then he wouldn’t be adequate.

And in his darkest, most exposed moment, when he couldn’t be anything except a mouth to feed and an illness to cope with, Hope appeared divine, took his hand and tasted his soul, and there, beside the pond, amid the mockingbirds and the crickets and the dogs, she was still dining.

Hope curled up to face him, the heat from her naked body sliding in the sweat of his own nakedness.

“Tell me about her.”

“Who?”

“Debra,” Hope said. “Your ex. Tell me about her.”

“Oh, you don’t even want to know.” Mel said.

“Or maybe you don’t want to tell.” Hope smiled, the moonlight reflecting off her teeth.

“Okay,” Mel said. “What do you want to know?”

“How did you two meet?”

Mel shifted to sit up against the trunk of the tree under which they were laying.

“When I first had an episode, manic episode, they sent me to rehab,” her said. “It happens, happens a lot. I met her in there. But they eventually got me to the nut ward, and when I got out, I was all ‘fuck that’ about the meds. And I ran into her, and she was working the program, you know, sober, and she convinced me to go back to the hospital, do the meds, the whole bit.”

“So what happened between you two?”

“A biker, drug-addict shitheel named Sam,” Mel said. “She cheated on me. I’m not saying everything was rosy between us. It wasn’t, not at all. Turned out she was a dry drunk, you know what that is?”

“No, not so much,” Hope said.

“It’s where you quit drinking or drugs, but you never really work the steps, you know, try to get better as a person. She was clean six months and she stayed clean but got bitter.”

“Did you already have Andy?”

“Not at first, and yeah, I should’ve seen the signs. But I felt like she saved me in the wards, so I figured I was duty bound to stick around.”

“Rhymes.” Hope said. Mel laughed.

“She was really bad to Andy,” Mel said. “And it got ten times worse for the six months she had custody of him when we split. I mean, abuse – physical, emotional. Kid went through hell. Don’t tell him I said any of this to you.”

Hope put her finger to Mel’s lips, then brought it to her own lips.

They got dressed and started down the path to the camp. They could see lights, and flashers.

“Someone else must have died,” Hope said.

“That’s awfully close to our camp,” Mel said. “We better hurry up, in case Andy’s in trouble.”

He and Hope triple-timed it to the camp, and sure enough, the flashing lights were there for them. A wave of panic washed over Mel at the thought of Andy in trouble, which was lessened only a hair when he saw that the second vehicle had the orange flashing lights of a tow truck. A tow truck that was making an eleven-point turn to get connected to the minivan.

Mel ran over to the tow-truck and signaled the driver to roll down the window. When he did, almost all Mel could see was a massive forearm.

“That’s my minivan,” he said.

The man leaned over in his seat. Mel could hear shuffling papers.

“Paper I got here says this is the bank’s minivan.”

“I just paid my car payment,” Mel said.

“Look, fella, I’m not a lawyer or a judge,” he said. “I can give you five minutes to get your stuff out, assuming the sheriff has no problem with it.” His thumb aimed to the back of the truck, where, as Mel’s eyes followed the point, a sheriff’s deputy stood.

“You runnin’ cross country with this car, boy?”

“No sir, I paid the payment. I could’ve sworn I did.” Mel didn’t want to tell an absolute lie to the sheriff.

“Let me get your license and registration, and your proof of insurance, and I’ll let you get your stuff out.”

Mell hopped in the minivan, grabbing his wallet, which had everything asked for. He handed it to the deputy, who held a flashlight to everything.

“Your insurance is lapsed,” the deputy said. “Swore you paid that too, huh?”

“Sure, I’m just trying to get on my feet. I’m trying to work; I’ve been working day-labor for a few days now, but I can’t do it without the minivan.”

“Should’ve thought about that before the payments run out. You don’t get a car for free.” Huh?

“Look, I can bring you in for driving on lapsed insurance. Or really, for grand theft auto. But really, there wouldn’t be a point. You’d just clog the courts and the jails. So how about you get on a bus, soon as you can afford to, and wave goodbye to Tennessee in the rearview.”

They wasted no time in pulling his minivan out, leaving everything it contained in a pile on the side of the road. He and Andy stood over their belongings. Hope put her arm behind his waist, which could only be cold comfort.

***

Mel used to hate mornings before he married Debra, He was the quintessential night owl, with all the accoutrements, blackout shades, a busted alarm clock and enough caffeine throughout the night to keep pace with a tweaker. His creativity rose with the moon, and there wasn’t anything happening during business hours that he wanted to be a part of. He even took third shift at ArTechnic and got third shift pay, rewarding his vampiric tendencies.

When he got fired from ArTechnic, or, as Mel put it, committed passive quitting, he had to wake up early to look for a new job. It didn’t last long, the looking, but the waking up at dawn seemed to fit him. And as things went downhill between he and Debra, he grew to love the four hours from four a.m. that he had the house entirely to himself.

He came to look forward to the next morning throughout the day, going through it only so he could stream seventies TV shows in the bedroom until he could go to bed and find his time. Because each morning was a reinvention. He had all the time in the world to set himself up for a new day, with new possibilities. With a new him.

He could see his breath outside. He was staring at his tent from across the path as he sat on a pile of scrap that was in one of the many free areas. Later that day, when people were up, he’d have to sort through a few of the free areas to reinforce their tent. It was fate laughing at him that the first cold snap he’d seen in Nashville came on the first night they didn’t have the minivan to sleep in.

He felt homeless for the first time. They had motels they could drive out of, a farm they could’ve driven away from at any time and a camp they could come and go as they pleased. But that was gone now. They were at the whim of the winds, and at the mercy of others in a way they weren’t before. As he sat there, he realized that he thought he and Andy were better than the people they encountered, even the ones they liked. Mel thought it was because he was an artist, or his manic ego, but it dawned on him, sitting there, that he thought he was superior because they were all on the street and he was just visiting.

Last night when they repossessed his escape hatch, he wasn’t visiting anymore. And he was freezing.

He ran when he woke up. Hope wasn’t with him. In a way, he was glad she wasn’t. He couldn’t run away from his manic worrying, about everything that he could and couldn’t control, and eventually the worries and the fears and even angers slid into ridiculous proportions and he felt a warmth spread from his upper diaphragm to his chest, which tightened up on him and sent him into full blown panic. He kept running lest he sit down and pass out and no one find him, and he die.

Of course, he didn’t die. He never did. But he could never just tell that to himself during an attack, like the psych practitioners who never had panic attacks told him was the way out.

He hoped the attacks wouldn’t be a regular companion.

Clifford walked into the camp looking like a surgeon coming to a family in a waiting room after throwing a loss on the board.

“Guys,” he said. “The council just met. They… weren’t happy with what happened last night. With the minivan.”

“That makes three more of us,” Mel said. “But they’re blaming me for this?”

“It’s your car. I don’t think there’s anyone else to blame, is there?”

“Look, I was going to make an arrangement once I had a job, but it hasn’t exactly been easy. We can’t use the address here for applications, and no address, you’re stuck with day labor, which pays for shit.”

“It doesn’t matter to the council that you had good intentions,” Clifford said. “Most of them like you and none of them want to kick a kid out-,”

“So you’re talking about kicking us out?”

“It was a vote…”

“You own the property, you own that council,” Mel said. “Don’t tell me you couldn’t sway them if you really wanted to.”

“Maybe I could,” Clifford said. “But I have a lot of pressure on me to shut this whole thing down. I told you this when I was over at the camp. Stolen cars in here; if I don’t get rid of you, the county will think I’m letting people bring stolen cars in here. I can’t have that.”

“So kicking us out is what, good optics?”

“Good what?”

“P.R.,” Mel said. “Good P.R.”

“Look, I get that you’re mad-,”

“Damn right,”

“But I own the property. I can be liable if the deputies come on here for legal actions. Look, I like you. I don’t want you or your kid to go. But I have a couple hundred people here depending on us.

“You’re in good enough shape, you have a great talent; you can make it,” Clifford said. “But you’re going to have to.”

“So where are we going?” Mel didn’t have to look behind him to know it was Hope.

“I can’t put you out, Hope.”

“I’m ready to blow the joint anyway,” she said. “Besides, I’ve been homeless a long time, and that look in your eyes right now? That’s you finally realizing you’re homeless too. You and Andy are going to need help. So, like I said, where are we going?”

Mel looked over at Andy, who shrugged. He took a deep breath to put all the chess pieces on the table.

“I found out the painting that was at the Guggenheim got sold to a museum in Los Angeles, the Getty Center.”

“I went there once,” Hope said. “One of the few times I was in an actual school.”

“So I’m thinking I can probably get a start there. Being able to point to a museum should help me sell paintings to the smaller galleries. What do you guys think?”

“I like it,” Andy said. “Maybe we’ll see some movie stars.”

“I’m in,” Hope said.

They left the camp in the back of Clifford’s truck, who, in an act of either good faith or contrition, decided to give them a ride to the bus station in Nashville. He went one step further and paid for their bus tickets.

 

 

More from Liam Sweeny…

Schenectady County Holiday Parade

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The 56th Annual Schenectady County Holiday Parade was held on November 22, 2025, and featured all sorts of entertainment, including a performance by Sydney Worthley.

 

Photography by Timothy Reidy.

More from Timothy Reidy here …