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Food Pantry Confidential – Holiday Giving

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Food Pantries of the Capital Region.

We strive to bring you closer to the musicians and bands you know and love in the Capital Region. But that starts with the desire to bring people closer together period, and nothing brings us closer than our compassion during the holiday season. Through donating to our local food pantries and charity drives, and volunteering at soup kitchens, our good natures do shine through. Tomorrow is the fourth annual Foodstock, a great concert for a great cause. So today, I talk with Natasha Pernicka, the Executive Director of The Food Pantries for the Capital District, a coalition of 65 food pantries in the Albany, Rensselaer, Schenectady and Saratoga Counties. Join us for a bird’s eye view of hunger in the Capital District, and how your help matters so much.

RRX: Welcome, Natasha. I’d like to start off with the big picture problem. I read a post from your Facebook page that said, among other thing, that 89,850 (2016 Feeding America) people in the Capital District struggle with hunger. If you can, talk about what it means to be “food insecure,” and put this figure into perspective for people.

NP: People are shocked when they learn that more than 1 in 10 of our community members are struggling with food insecurity. The 89,850 includes more than 27,000 children in the Capital Region. Food insecurity exists when people don’t have the resources for or access to nutritious food for a healthy life. It’s not just the homeless person begging for change on the corner, its families, working people, and seniors who are retired on a very limited income. Its veterans and single parents, people juggling three part time jobs, and those without transportation and living in an area without grocery stores, having to make do with corner stores and fast food.

RRX: We have a region that is a mix of urban and rural landscapes. I’m sure the fight against hunger, while universal, presents different challenges depending upon where it’s happening. Are there any challenges specific to rural Capital Region? Anything specific to the Tri-Cities?

NP: There are many challenges that come up for people struggling with food insecurity. Food deserts are one. USDA Defines Food Deserts as parts of the country vapid of fresh fruit, vegetables, and other healthful whole foods, usually found in impoverished areas. This is largely due to a lack of grocery stores, farmers’ markets, and healthy food providers. Food deserts exist in both urban and rural areas in the Capital Region. Thankfully there are food pantries throughout the region and many are making efforts to provide more fresh produce.

Another challenge is transportation. A typical food pantry provides food for a minimum of three days for an individual or family to take home. Some rural pantries recognize that a person may need to travel 20 miles to get to the food pantry and they will provide 10-14 days’ worth of grocery items to help reduce the burden of transportation. In urban areas, some people rely on special transportation services and the time and coordination it can take just to schedule a visit to a food pantry can take up an entire morning.

Time can be very limited when you don’t have enough to get your basic needs covered and you are reacting to crisis after crisis, stress after stress.

One of the benefits of the food pantry system in the Capital Region is that due to the nature of the collaboration through The Food Pantries coalition, service coordination efforts help ensure that those looking for assistance find the help that they need.\

 

Behind the scenes at a food pantry.

RRX: It’s the beginning of the holiday season now. I know a lot of people, including myself, are looking for a way to give, and I can imagine it’s coming on feast season for local food pantries. But are there specific dates, months, or seasons that trend lean? If you could add an extra “boomerang month” for people to double-back and give again, when would that be, and why?

NP: That’s a great question. We are so grateful for all of the people reaching out to help right now during the holidays but it is important to raise awareness that hunger is a year round concern for many. After the holidays and summer are two other good times to get involved. Many pantries provide holiday programs so after the holidays restocking the shelves helps.

During the summer children are home from school. Families who rely on school lunch and breakfast programs often turn to food pantries to help ease the extra burden during this time. Donations of food that is easy for children to prepare helps families stretch their resources.

RRX: When people think of food pantries and food drives, they feel a connection to giving, the physical holding of food in their hands that they are giving to a hungry person; it’s visceral, something you can’t get by putting a bill in a jar. Yet that bill might actually go farther, all things considered. How do you weigh the donation experience of giving “in-kind” donations (cans, boxes, etc.) versus giving cash?

NP: I think that most people don’t realize that of the millions of pounds of food that is distributed each year, most is sourced from the food bank and has a cost associated with it. If you donate cash to food pantries the dollar can go much farther than if you buy food at the grocery store to donate. $1 can provide up to 6.25 pounds of food! This goes a long way when you consider our local pantries provided food for 3.3 million meals last year and this year is on track for similar community need.

Pantries do appreciate food as well. Not all of the items in need are always available at the food bank. If you are donating to a particular food pantry asking what they are in need of helps. And don’t be afraid to think outside the “box of pasta”. People are in need of personal hygiene items like soap, deodorant, toothpaste, laundry detergent, feminine hygiene products, diapers, and more!

RRX: Coming from the last question, we know that giving donations, physical ones, connect people intimately to the people they are helping. The experience of that kind of giving is high beyond the benefit of getting food to people. How can we capitalize on it to get awareness, especially given the sheer magnitude of hunger and food insecurity even just in our area? How do we make the community care as actively in the off-season as they care in the on-season?

NP: We raise awareness throughout the year through outreach programs and public speaking and are actively building partnerships to help fill the gap with organizations and people who care. Invite us to come and speak to your community group or in your workplace! Get involved by volunteering! An easy way to give throughout the year is by setting up automatic online donations – $20 a month equates to $240 a year which can provide 1,500 pounds of food!

The more people learn about food insecurity the more we can break down stigma and recognize that it could be your neighbor down the street or the assistant that works in your doctor’s office. The more we recognize the reality that far too many of our community members face, when we do have a chance to make a difference, we get involved. Every dollar and pound of food donated, every hour of time spent volunteering, and every action in the greater community adds up!

Events such as Foodstock help us meet new friends too! We are grateful for community members hosting events to help us raise awareness and support.

RRX: I have three hundred-dollar bills, and I’m in the supermarket. I didn’t do a smart thing, like call my local food pantry ahead of time; I just want to spend money. My first hundred, I’m going to spend on “the stuff they always need.” Second hundred goes to “the stuff that no one thinks to get.” The third hundred goes to “treats, cause everyone should get treats once in a while.” … Help me spend my money. What am I buying which each bill?

NP: Ha ha love this! Ok, well this is a tough question because every pantry serves its own neighborhood with their unique tastes but this will be a good start!
First hundred on pantry staples like peanut butter, canned tuna fish, canned soups and stews, canned vegetables and fruits, cereal, rice, pasta, and pasta sauce.

Second hundred on personal hygiene products like toilet paper, and the items that I mentioned above.

Third hundred on coffee, dried herbs and spices (a treat to have tasty food), and whatever you enjoy!

I want to add that while food drives are not ideal for perishable food items, if you are donating directly or through The Food Pantries for the Capital District, fresh produce is needed as well as meats. In a survey of pantry patrons that we conducted in partnership with Dr. Cynthia Bott of Siena College, meat scored number one as the item people would like more of available through food pantries. Just make sure the pantry has a refrigerator or freezer ahead of time!

 

Volunteers make it happen.

RRX: Have there been collaborations with other stakeholders, like grocery stores, farms, restaurants, etc. – that have shown promise in building any local food-security infrastructures? Any stand-out stakeholders you’d want to recognize?

NP: Food pantries are largely supported by charity through individuals, businesses, foundations, and other community organizations. We are lucky that New York State is taking food insecurity and provides resources to community food assistance providers as well. While the list of collaborative partners and stakeholders is too long to list here, I want to mention that we will be holding our 2nd Food Summit the spring of 2019 to bring together stakeholders to share best practices, research, and innovations in community food assistance efforts. We expect more than 250 people to attend and come away with new friends and ideas, partnerships strengthened, and a renewed energy to keep up our local efforts to fight hunger.

For more information about the 2019 Food Summit, to volunteer or donate, to schedule a guest speaker, or if you need food assistance, please contact us at pantries@thefoodpantries.org or 518-458-1167.

Be sure to check out Foodstock on Sunday, November 4th at the Rustic Barn Pub in Spiegeltown from 2-8 pm, to benefit The Food Pantries for the Capital District. Enjoy music by The Barn Boys, TyEs, Off the Record, Diva & the Dirty Boys, Soulsky, Back 40 Band and the Greasy Fingers Band.

Super 400 – Three People in a Room

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Lori Friday. Photo credit: James Wertman.

Any musician who’s gotten past the lottery dreams of fast cars and decadent hotel rooms knows the story of the rock trio Super 400. It’s one of cigarette haze, dimmed lights and pick up sessions, trying to find the right fit and the right sound, and of course, hand-blistering jam sessions in nondescript groove stations clad in concrete and stone-shattered windows. Singer Kenny Hohman, drummer Joe Daley and bassist Lori Friday tour endlessly, making new music classic as soon as it comes out of the speakers, or carries its way to the back of that small club. And they’ve been doing it since the late nineties. The band has agreed to sit with me to answer a few of my probing questions.

RRX: So, of course I’ve got to pick on the first time you all officially met. Word around the internet is that Kenny brushed off Lori at first. Seeing all the magic that’s happened since then, were any beers or mixed drinks owed by anyone to anyone after that first jam session?

Kenny: That is a true story and I fully own up to it! Joe and I were playing at Pauly’s Hotel in Albany one night when Lori introduced herself to me and asked me to join a band she was starting. I was in a serious relationship at the time. I was attracted to Lori so I thought ditching [her] number was the best way to stay out of trouble! Super 400 was just getting started and even though we needed a bass player, being the uneducated fool that I was at the time, I didn’t even consider the possibility that a “girl” like Lori would be an option. How good could she possibly be? We were not looking for some cute girl to get on stage and hold a bass. We were looking for that Jack Bruce, John Paul Jones, Berry Oakley and Paul McCartney stuff! Unpredictable, hard driving, melodic, exciting, thunderous bass…. which turned out to be exactly what she was bringing! The credit – and drinks for life – belong to Steve Candlen. He called me and asked if Joe and I had met Lori and if we were going to get together with her. He informed me that she was a “for real” player with a great natural feel. Joe found out that she was working over at Last Vestige record shop and he asked her to come over to our loft on River Street in Troy a few days later to play. After a brief hello, and no discussion of what we would play, she plugged in and we started into a jam that lasted about 45 minutes. It was obvious by the time we played the last note that we were a band. Whatever “thing” we have as a band was there from the first note. I continue to learn from this amazing woman that I am still so blessed to play with to this day… and that I am also now lucky enough to call my wife! Thanks Steve!

RRX: My last question leads to this question. That first jam session. Now I know you all work extraordinarily hard to develop your own sound, and to work out the musical space. Thinking about the influences that you all had in common, what issues did you have in creating something new? How did similar tastes help? Where did they hinder things? Were there key differences?

Lori: When we first came together, the three of us had so much in common, musically, but there were a few influences that we each brought in. I had never dug into the early Van Halen catalog before meeting Kenny; now I love VH, I went through a phase where I listened to them every day for 4 months. Joe introduced Prince, who I’d not known much about. The three of us each have some musical loves that aren’t shared mutually, but when we get together, the pieces fit. A really fun part of being together for 23 years is that we’ve been turned on a so much great music during this ride, together as a band. When we were signed to Island in 1997, they offered us our picks from anything in their catalog. The open candy jar! We left their London office with bags of cds, and soaked it all up.

When I listen to Super 400 records I can hear the echoes of the stuff we were heavily into at the time we recorded them. At its core, though, our music still sounds a lot like that first jam session in 1996. Three people in a room, connecting.

 

Kenny Hohman. Photo Credit: James Wertman.

RRX: Super 400 plays internationally as well as locally. I watched the DMTv segment where you all talked about the feeling of playing Europe. I know that you can’t honestly say which fans, U.S. or European, you like best, but can you talk about the norms of let’s call it “show etiquette” that exists in Europe, as opposed to the U.S.? For example, do cell phones come out more in Europe than here during concerts?

Lori: I’d like to comment on the fans in Spain, especially. They wear their passions with pride and honesty. The music fans there show their love very openly. We’d never witnessed such a demonstrative reaction to our music – they sing along, pump fists, crowd the stage; and afterward, give hugs and laughter til the sun makes an appearance. There are cell phones, but it seems as though most of them would rather experience the moment with their senses instead of a screen.

We haven’t been back to Spain since I had a bad auto wreck in 2011. The fans there still write to us, asking when we are coming back. That kind of love has motivated us to start recording our next record this winter, with an aim to return to Spain, maybe this summer.

RRX: I guess mentioning phones in concerts brings us to another question. Super 400 considers itself a “taper-friendly” band, meaning that you encourage people to tape live shows and trade those tapes. Is that right? If not, please clarify, and, if so, was this something that came about as a matter of practicality, or is it a purposeful statement about art and performances?

Lori: We’ve always felt that once our music goes up into the air, it should be available to anyone who wants to hear it. In the days before YouTube, we hadn’t started heavy touring yet, and it made us happy to know that bootlegs were being traded. I get excited when I’m able to hear a recorded performance by a band I like. It brings me closer to the them.

RRX: Here’s the ‘influences’ question. I could spend an hour here, because as I am very much in love with blues and classic rock, among other genres, I’d love to swap references. But I like to play with this question. I’d like each of you to mention one group, performer, etc. that’s an influence, and tell us one thing about them that few people know but has made you love them even more.

Kenny: Well, I don’t think that it is much of a secret to most musicians, but it may not be known by the general public that some of my favorite artists are multi-instrumentalist super heroes! Stevie Wonder, Prince and Paul McCartney come to mind. Any one of them could have made a name for themselves as a non-singing instrumentalist on any number of instruments…and they are the best singers you could ever hope to hear. Oh, also they wrote some of the best songs of all time. Crazy talent. It’s hard to give them more credit than they have already but somehow they really still deserve more!

Lori: I love the magnetism and confidence of David Bowie onstage. The way he connected with his audience, it was like witnessing a purer and more powerful level of being. We saw him at Roseland Ballroom, it just about knocked me off of my feet. It’s surely been an influence; I’ve always tried to shed my insecurities before we step onstage, so that I can be in that precious moment, really experience it. It’s such a blessing to have any opportunity to perform.

Joe Daley. Photo credit: James Wertman.

RRX: Again, one question leading to another. The last album I could find of yours after exhaustive trawling of the internet was Sweet Fist, in 2009. Your website mentions that you had the album recorded and the vinyl cut at a studio famous for classic rock and other genres. Would you like to comment on that?

Lori: We recorded Sweet Fist at Ardent Studios in Memphis, where Cheap Trick, Issac Hayes, Stevie Ray Vaughn, Big Star, REM, The Replacements, ZZ Top, and so many others have made records. Larry Nix was the mastering engineer there. In his studio resided the famous lathe from Stax Records, the very machine used to cut wax on all the Stax recordings in the 60’s and 70’s. And, Zeppelin III was cut on it! It sat there, inoperable in Larry’s studio, like a museum artifact. I started bugging him to have the lathe repaired so that we could cut vinyl for the Sweet Fist album. He told me that the parts needed were no longer being manufactured, and that we were out of luck. I trusted my instincts and I became a bit persistent, which paid off. A couple weeks later, Larry told us that he had found someone who would supply the parts needed. Before long, we were back in Memphis, witnessing the lathe in action, cuting grooves in wax.
We videoed the whole thing, it was like watching sorcery! That was a magic time. There’s a cool article about the lathe, here: https://www.prosoundnetwork.com/prosound-news-blog/1636

RRX: This is where I harness the power of social media. You all have seen bands out there that are top shelf, but maybe haven’t had so much success in building a buzz. What bands locally are the bands that everyone must see once? Who should I be looking to interview in the future?

Kenny: The best new band I have seen locally recently is Motorbike, Mike O’Donnell’s band. They will be opening for us at Hangar on the Hudson Dec. 8th.
Solo artist Steve Candlen is also amazing.

Check out Super 400 at the Hangar on the Hudson on December 8th at 8 pm, with special guest Motorbike.

Erin Harkes and Cursed Ice Cream Trucks

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There are people in the area who haven’t heard the music of singer and comedian Erin Harkes. I feel bad for you if you’re one of them. With a powerful voice and a surgically sharp wit, Erin has been making the rounds, not only here in the Capital Region, but beyond, even appearing on Late Night with Jimmy Fallon.

From my own limited experience with her, I’d be hard-pressed to find a harder working entertainer. I had a chance to sit down with her (well, we both sat at our computers and exchanged emails, but it counts) and ask the probing questions I thought you all would want to know.

Erin Harkes. Photo by Kiki Vassilakis.

RRX: I started writing these interview questions by reading your Wikipedia article. I know that people joke about Wikipedia, but not everyone gets one. How did it feel knowing you had an entry?

EH: At first it felt pretty cool. Then I realized my uncle made it. Which I appreciated for sure but it felt a little less cool. Then I kind of forgot all about it. Recently someone brought it to my attention and there’s so much inaccurate information on there that I’m afraid to look again. Someday…..

RRX: You’ve been a fixture in the upstate music scene through a fair amount of change. And I’m sure you hear people, in their nostalgia, lamenting that the scene is dead. But how do you see the change in “the scene” being that you’re not just in music, but in another performing art? Is the scene not what it used to be, or are we not what we used to be?

EH: It’s definitely not what it used to be. In fact it’s why I try to travel as often as possible. There is some amazing talent here but it’s so hard to get people out. I absolutely cherish and appreciate the fans I have locally, but there is a lot of apathy in this area. That’s not meant to offend anyone. Obviously if you’re reading this and you’re thinking “I go out all the time! I’m a big supporter of live music!” then what I said doesn’t apply to you!

RRX: I would love to ask you who your musical influences are, but everybody asks, and it’s hard to answer fully. So I’ll ask an oddball variant; name a song by one person that you wish would be performed by another. Pretend you have ten million and can make it happen. And why that song, that artist?

EH: Hmm. I’m not feeling particularly creative because I can’t really think of anything like that. Usually when I love a song as much as I do it’s because it’s being sang by the exact right person. I would however give anything in the world to be a tiny third harmony on “Dimming of the Day” by Richard Thompson when he sings it with Bonnie Raitt. Like I could finish that song and go straight to the grave. I’d be complete.

RRX: I read (in the Wikipedia article) that at one time, you drove an ice cream truck. It got me thinking that your sense of humor may have gotten you hired and/or fired from a whole host of interesting jobs. Do you have any war stories on the work front?

EH: I only ever got fired from one job and it was after I gave my notice anyway so it isn’t that much of a story. The ice cream truck driving job was apocalyptic though. I had just graduated college and was looking through the want ads, stoned. The ad had a smiley face. I thought I would be spreading joy and ice cream through the streets of Albany. The first truck I drove broke down in the projects and I was shot at with (luckily) paint ball guns. I was able to get it started and got it to safety. The owner came to meet me, fixed it up and said “get back to work”. I was shaking. But I pressed on. The second truck caught on fire. A little girl yelled “you’re on fire!” and I jumped off the truck and saw the flames through the grill. A woman let me use her phone to call 911. I then got back on the truck and grabbed my sweater and the cash box just as the fire department arrived. I had the box under my arm and soot under my nostrils when one of the firemen said “you went back on the truck?” I shook the box and said “I work on commission.” Then the third truck electrocuted me. Sent me flying to the back of the truck. My arm went numb. I brought the truck back and quit.

RRX: If you had to merge your comedy and your music into some mutant hybrid, would you be on the side of a singer that can make the crowd piss themselves in between songs, or a comedian that sings parody songs so good you have people telling you you’re wasting your pipes on comedy?

EH: That’s a good question. I’ve obviously thought about what I would want to do should I ever combine them. Nothing has occurred to me organically and so I’ve not made the attempt yet. I’ve seen it done and more often than not it’s been horrible. I don’t want to do something unless it’s gonna be amazing. I don’t want to make a bad first impression that can’t be erased.

RRX: Watching your comedy set, what I noticed the most was a pretty no-holds-barred honesty. You dig deep at your life and your past, but your delivery of it all just pulls out the laughs. What parts of that are just you being you, and what part is more, say, a hard-fought-for skill?

EH: It’s mostly just me being me. Sometimes it just clicks the first time you tell a joke/story. Sometimes you have to tell it a few times to for it to develop into a worthwhile bit. So it’s about half and half. Usually the first time I try something out it’ll be too long and too wordy and a few minutes long. Then I shave off the unnecessary words; the redundant parts. It gets more succinct and funnier. Occasionally you tell something for the first time and it’s just perfect. That’s very rare though.

RRX: Being that this is the last question, I’m going to ask you to be an influencer. Who’s out there that doesn’t get the press? Where are the diamonds in the rough? Shout-outs, acknowledgments, and all of that. It can be people or places.

EH: Oh boy. I feel so far removed from the scene, ashamedly. I mean I work so much myself that if I’m not being paid to be out I’m probably at home resting. Being sober as well it’s not always enticing to go out. I love hearing other musicians and comedians but for me going out on a night I’m not working is like going to the office on a Sunday morning. The ones that I have gone out to see or have gotten the chance to work with are getting pretty ample (and much deserved) press thanks to outlets like this. The local press has always been very generous to local performers. I mean maybe that’s easy for me to say but I’ve always felt like they’re paying attention. Whenever I’ve won a readers poll it’s usually followed up with some article – and I’ve seen the same for others. They listen to the community and then in kind listen to what the community is listening to. That being said the second I log off I’m sure I’ll think of about 100 people. 😉

Erin is hard to keep track of, whether it be her music gigs or her comedy spots. But she has a website – a good one too, and you can follow her exploits at ErinHarkes.com

Music Submission

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Local musicians get us up in the morning here at RadioRadioX. If you have a band, or are a solo act, if you play original music, or can rock a fantastic cover, we want to hear from you.

Local musicians: please mail your CD to

RADIO RADIO X
35D SARATOGA AVE
WATERFORD NY 12188

Or you can email music (in mp3 format) to info@pzf.rsq.mybluehost.me

Please stay tuned to RadioRadioX. We may not get to your music for a week or two; we may play it ten minutes after we get it. You never know. You’ll have to listen to find out.

“Trash Talk”: Five Q&A with Mike Trash of The Erotics

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RadioRadioX’s Shuffle and Local Lunch host Ralph Renna fires off Five Q&A “quick shots” with the Erotics singer and lead guitarist Mike Trash.
RRX: What are your top five  influential albums and why?

Mike Trash: Cooper, Kiss, AC/DC, Elton John; a lot of 70’s rock more than 80’s which somehow shocks people for some reason. I can’t really name albums though, all  those artists have too many albums I love.

RRX:  Touring Europe. Tell…
Mike Trash: We just got back in September from our 8th. UK tour,best one yet by far, bigger crowds, bigger venues and even areas. We were on tour supporting our latest ep “Stuck Between Venus & Mars”  we even shot a video over in the UK for one of the new tunes called ‘I Dismember You’.
RRX: Are you Cock rock or Glam Metal?
Mike Trash: Glock Metal
RRX: What is The Erotics plan for 2019?
Mike Trash: We are getting ready to record some new tunes, and hope to have something new out by May 2019.
Release will coincide with our next UK trip, in the end of May.  We also are playing a few dates and some festivals that week. We plan to hit a lot of US markets in the summer.
RRX: Did you ever dream that you would play a mall on Black Friday?
Mike Trash: I remember working in the mall as a kid, on Black Friday, and wishing rock an roll would take me away. I guess 25+ years later it  has. To literally be playing rock n roll in a mall.